April 12th, 2020 by dave dorsey
I stumbled across this abstract from my Oregon friend, Rick Harrington, a couple weeks ago, because I was intrigued by something he’d posted on Facebook and wanted to see what he was up to lately. He wrote that he’d completed it a couple years ago, as part of a triptych: all three paintings are posted at his site. He’s been painting what I would call color field barns and color field animals for years. This is presumably a snowstorm, which is already a fairly uniform field of white, but what he’s done here with that foreground white-out is wonderful: the way the intense under-layers of color suggest both natural and internal phenomena, late autumn reds, the yellow glare of the sun in the upper left, and memories of greenery, as if he just went all out with saturated tones in his first strike on the canvas and then started concealing everything he’d done so that you get just little glimpses, hints, of what’s there underneath, which makes the image as much a representation of human psychology as it is a Turner-esque vision of a storm. He paints his barns mostly with rags, and could easily have dispensed with brushes for this one, but I didn’t ask. I was too busy praising him.