In this interview, Ben Davis, radical art critic and author of 9.5 Theses on Art and Class, talks with C4AA co-founder Stephen Duncombe about his “constructively critical” view of art’s role in activism. Davis discusses some of the trends he sees in contemporary political art and considers the realistic scope of art’s impact on change.
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By Center for Artistic Activism, 330 contributed posts View all Center for Artistic Activism's posts. About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective. Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE. January 14th, 2019 | Tags: activist art, Art & Social Justice, art criticism, art for social change, art for social transformation, Artist-Activist Interviews, artistic activism, arts and social change, arts-based social justice, Center for Artistic Activism, contemporary art, efficacy, impact, news, political art, protest art, Research Blog, social action, social activism, social benefit, social change, social commentary, social impact, social intervention, social movement, social transformation, social value of art, socially conscious art | Category: Activist Art, Art From the Heart, Center for Artistic Activism, Contributed Posts | Comments are closed By Center for Artistic Activism, 330 contributed posts View all Center for Artistic Activism's posts. About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective. Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE. In this interview, Ben Davis, radical art critic and author of 9.5 Theses on Art and Class, talks with C4AA co-founder Stephen Duncombe about his “constructively critical” view of art’s role in activism. Davis discusses some of the trends he sees in contemporary political art and considers the realistic scope of art’s impact on change. January 14th, 2019 | Tags: activist art, Art & Social Justice, art criticism, art for social change, art for social transformation, Artist-Activist Interviews, artistic activism, Artistic Activism Blog, arts and social change, arts-based social justice, Center for Artistic Activism, contemporary art, efficacy, impact, news, political art, protest art, social action, social activism, social benefit, social change, social commentary, social impact, social intervention, social movement, social transformation, social value of art, socially conscious art | Category: Activist Art, Art From the Heart, Center for Artistic Activism, Contributed Posts | Comments are closed By Center for Artistic Activism, 330 contributed posts View all Center for Artistic Activism's posts. About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective. Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE. In this interview, C4AA co-director Steve Duncombe talks with Pam Korza about methods of evaluation in artistic activism. They consider the resistance that some artists have to quantitative evaluation, as well how we might evaluate the work from a perspective of aesthetic excellence. Korza also shares her extensive knowledge as co-director of Animating Democracy, an organization that fosters art for social change projects, and the six outcomes that she looks for when evaluating the success (or failure) of a project. January 14th, 2019 | Tags: activist art, Art & Social Justice, art for social change, art for social transformation, Artist-Activist Interviews, artistic activism, arts and social change, arts-based social justice, Center for Artistic Activism, metrics, news, political art, protest art, qualitative, Research Blog, social action, social activism, social benefit, social change, social commentary, social impact, social intervention, social movement, social transformation, social value of art, socially conscious art | Category: Activist Art, Art From the Heart, Center for Artistic Activism, Contributed Posts | Comments are closed By Center for Artistic Activism, 330 contributed posts View all Center for Artistic Activism's posts. About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective. Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE. In this interview, C4AA co-director Steve Duncombe talks with Pam Korza about methods of evaluation in artistic activism. They consider the resistance that some artists have to quantitative evaluation, as well how we might evaluate the work from a perspective of aesthetic excellence. Korza also shares her extensive knowledge as co-director of Animating Democracy, an organization that fosters art for social change projects, and the six outcomes that she looks for when evaluating the success (or failure) of a project. January 14th, 2019 | Tags: activist art, Art & Social Justice, art for social change, art for social transformation, Artist-Activist Interviews, artistic activism, Artistic Activism Blog, arts and social change, arts-based social justice, Center for Artistic Activism, metrics, news, political art, protest art, qualitative, social action, social activism, social benefit, social change, social commentary, social impact, social intervention, social movement, social transformation, social value of art, socially conscious art | Category: Activist Art, Art From the Heart, Center for Artistic Activism, Contributed Posts | Comments are closed By Center for Artistic Activism, 330 contributed posts View all Center for Artistic Activism's posts. About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective. Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE. In this interview, C4AA co-founder Steve Duncombe talks with Marlene Ramirez-Cancio, Associate Director of Arts and Media at the Hemispheric Institute. They discuss the elusive nature of evaluating artistic activism through qualitative frameworks. What is the vocabulary for doing so? And why is that vocabulary so difficult to find? Marlene shares her thoughts on these questions and challenges arts funders to become more comfortable with metrics that measure qualities beyond material successes. January 14th, 2019 | Tags: activist art, affect, Art & Social Justice, art for social change, art for social transformation, Artist-Activist Interviews, artistic activism, arts and social change, arts-based social justice, Center for Artistic Activism, emotions, metrics, news, political art, protest art, qualitative, Research Blog, social action, social activism, social benefit, social change, social commentary, social impact, social intervention, social movement, social transformation, social value of art, socially conscious art | Category: Activist Art, Art From the Heart, Center for Artistic Activism, Contributed Posts | Comments are closed By Center for Artistic Activism, 330 contributed posts View all Center for Artistic Activism's posts. About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective. Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE. In this interview, C4AA co-founder Steve Duncombe talks with Marlene Ramirez-Cancio, Associate Director of Arts and Media at the Hemispheric Institute. They discuss the elusive nature of evaluating artistic activism through qualitative frameworks. What is the vocabulary for doing so? And why is that vocabulary so difficult to find? Marlene shares her thoughts on these questions and challenges arts funders to become more comfortable with metrics that measure qualities beyond material successes. January 14th, 2019 | Tags: activist art, affect, Art & Social Justice, art for social change, art for social transformation, Artist-Activist Interviews, artistic activism, Artistic Activism Blog, arts and social change, arts-based social justice, Center for Artistic Activism, emotions, metrics, news, political art, protest art, qualitative, social action, social activism, social benefit, social change, social commentary, social impact, social intervention, social movement, social transformation, social value of art, socially conscious art | Category: Activist Art, Art From the Heart, Center for Artistic Activism, Contributed Posts | Comments are closed By Center for Artistic Activism, 330 contributed posts View all Center for Artistic Activism's posts. About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective. Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE. In this interview, George Perlov talks with Gan Golan, artistic activist and author of the bestselling children’s book parody “Goodnight Bush” and “The Adventures of Unemployed Man,” the critically-acclaimed graphic novel about the economic crisis. Golan discusses the importance of movement narratives and calls for artists and activists, alike, to figure out ways to measure what a movement means to the public. January 14th, 2019 | Tags: activist art, Art & Social Justice, art for social change, art for social transformation, Artist-Activist Interviews, artistic activism, Artistic Activism Blog, arts and social change, arts-based social justice, Center for Artistic Activism, climate change, Meaning, metrics, narrative, news, political art, protest art, social action, social activism, social benefit, social change, social commentary, social impact, social intervention, social movement, social transformation, social value of art, socially conscious art | Category: Activist Art, Art From the Heart, Center for Artistic Activism, Contributed Posts | Comments are closed By Center for Artistic Activism, 330 contributed posts View all Center for Artistic Activism's posts. About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective. Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE. In this interview, George Perlov talks with Gan Golan, artistic activist and author of the bestselling children’s book parody “Goodnight Bush” and “The Adventures of Unemployed Man,” the critically-acclaimed graphic novel about the economic crisis. Golan discusses the importance of movement narratives and calls for artists and activists, alike, to figure out ways to measure what a movement means to the public. January 14th, 2019 | Tags: activist art, Art & Social Justice, art for social change, art for social transformation, Artist-Activist Interviews, artistic activism, arts and social change, arts-based social justice, Center for Artistic Activism, climate change, Meaning, metrics, narrative, news, political art, protest art, Research Blog, social action, social activism, social benefit, social change, social commentary, social impact, social intervention, social movement, social transformation, social value of art, socially conscious art | Category: Activist Art, Art From the Heart, Center for Artistic Activism, Contributed Posts | Comments are closed By Center for Artistic Activism, 330 contributed posts View all Center for Artistic Activism's posts. About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective. Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE. In this interview, Fernando Garcia-Dory talks with C4AA student fellow Emily Bellor about his practice of incorporating art into collaborative projects for social change. They discuss his work in cooperative farming as well as the tensions that can arise when the art world meets the activist world. January 12th, 2019 | Tags: activist art, Art & Social Justice, art for social change, art for social transformation, Artist-Activist Interviews, artistic activism, Artistic Activism Blog, arts and social change, arts-based social justice, Center for Artistic Activism, community building, metrics, news, political art, protest art, social action, social activism, social benefit, social change, social commentary, social impact, social intervention, social movement, social transformation, social value of art, socially conscious art | Category: Activist Art, Art From the Heart, Center for Artistic Activism, Contributed Posts | Comments are closed |
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Owen Griffiths
View all Center for Artistic Activism's posts.
About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective. Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
In this interview, C4AA research fellow Sarah J Halford talks with Owen Griffiths, a social practice artist based in Swansea, Wales in the UK. Griffiths shares his strategy for using art projects as tactics to enter into publicly-owned spaces. He collaborates with others to transform these spaces into beautiful and useful landscapes that are co-authored by people in the community. Ultimately, he argues that the art is used to beautify the space, create community buy-in, and keep the space in the hands of the people – rather than sold to a private corporation.
Continue reading Owen Griffiths