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Fine, Call Me Pop

I’m beginning to realize it’s entirely fair to classify some of my work as Pop, and I’m comfortable with the idea. It doesn’t clarify anything—categorizations and schools and movements just obscure what’s actually going on in a painting—but I’ve begun to warm up to what Pop was doing, historically. It made me uncomfortable in the […]

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Making marks

My most recently finished still life makes me uneasy. If I look at it in a dim light, before going to bed, I’m gratified that I did almost exactly what I set out to do—capture a glowingly illuminated kitchen in the middle of a bright, summer day. But during the daylight hours, if the surface […]

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Window to the future

One of the treasures from my visit to the Detroit Institute for Arts Museum, and displayed near two equally excellent paintings. Historically speaking, it’s only a short walk from this painting (hanging with two equally beautiful pieces by Matisse) to the work of Richard Diebenkorn.  Yet this was painted half a century before Diebenkorn’s Ocean […]

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H.K. Freeman’s husbandry of her medium

I collect spoors, molds and fugus. —Egon Spengler In the fungus among us, H.K. Freeman sees a world suffused with seemingly chaotic but purposeful mystery. That alone marks her as someone worthy of attention. Fascination with things almost everyone else ignores or shuns, for me, is a springboard for originality in visual art. She is […]

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Ed Clark, 1926-Oct. 18, 2019

I discovered this magnificent painting at the Detroit Institute of Arts Museum on a visit late last month to Detroit. I recognized the artist when I saw it from a distance only because I’d recently discovered him after news of his death. I felt like Art Brut singing about their ignorance about The Replacements: “How […]

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Dana Saulnier

  I can say that my drive to make art is a desperate issue for me. If I was motivated narrowly by my desire to place myself in some kind of professional situation, where I was primarily concerned with the work’s status within a narrow set of theoretical discourses, then I am not sure that […]

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Opportunity in the overlooked

I first noticed Erin Raedeke’s paintings when she was a member at First Street Gallery in Chelsea some years ago and was immediately charmed by her handling of color. Her delicate, playful images of birthday party detritus, strewn across the field of view, gave her endless ways to improvise with tones that created deeply felt, […]

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Mighty mite

This little work is lit with an intensity that Van Gogh went south hoping to find, painted with an economy of means Edwin Dickinson pulled off in his premier coup canvases. It’s tiny, eight inches square. At that size, Michael McCaffrey invests a humble power and life into his kinetic, tactile marks. It makes De […]

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Painted

Taffy #2 will be in Cincinnati at Manifest Gallery until later this month, in Painted, the organization’s 4th biennial survey of contemporary painting. It was up against some stiff competition from the U.S. as well as from a number of foreign countries. As the indefatigable Manifest crew says on their site:  For this exhibit 167 […]

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The view from my room

E.M. Forster’s A Room With a View delivers its wisdom with affection. There are no villains in this novel, only people who, unintentionally, without malice, lead others astray. This is a universal human predicament for Forster, primarily because individuals can so easily lead themselves astray, and he finds it both amusing and problematic. People may be hopelessly lost […]

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