By
Southern Oregon Artists Resource, 1966 contributed posts
View all
Southern Oregon Artists Resource's posts.
About the author: SOAR:
The Southern Oregon Artist's Resource is a directory of Southern Oregon artists, artisans and those who serve them and
calendar of their art events, and Art Matters!, our blog posting Southern Oregon art events and matters of interest to artists, enthusiasts and patrons of the arts near and far. SOAR was created and is maintained by art advocate and web designer
Hannah West in Jacksonville, Oregon to promote our diverse and talented arts community to our visitors and the rest of the world.
Palestinian artists of the second half of the twentieth century, when interviewed, sometimes speak of being the first to do this or that, or that theirs was the first Palestinian one-artist exhibition, etc. The trauma of the Nakba caused an absence in knowledge. Closer study reveals that, despite this perceived chasm in the continuity of Palestinian painting and sculpture, there were precious connections between the two halves of the twentieth century in Palestinian art history that were so traumatically divided.
Continue reading Abed Abdi and the Liberation Art of Palestine
Abed Abdi and the Liberation Art of Palestine
View all Southern Oregon Artists Resource's posts.
About the author: SOAR: The Southern Oregon Artist's Resource is a directory of Southern Oregon artists, artisans and those who serve them and calendar of their art events, and Art Matters!, our blog posting Southern Oregon art events and matters of interest to artists, enthusiasts and patrons of the arts near and far. SOAR was created and is maintained by art advocate and web designer Hannah West in Jacksonville, Oregon to promote our diverse and talented arts community to our visitors and the rest of the world.
Palestinian artists of the second half of the twentieth century, when interviewed, sometimes speak of being the first to do this or that, or that theirs was the first Palestinian one-artist exhibition, etc. The trauma of the Nakba caused an absence in knowledge. Closer study reveals that, despite this perceived chasm in the continuity of Palestinian painting and sculpture, there were precious connections between the two halves of the twentieth century in Palestinian art history that were so traumatically divided.
Continue reading Abed Abdi and the Liberation Art of Palestine