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Frank Bowling

You can get a powerful overview of Frank Bowling’s work at Hauser and Wirth on 22nd St. in Chelsea. His efforts in moving paint around can be epic, but he also imported into his abstract expressionist technique images from the world map. A triptych visible as you walk into the gallery shows three images, not […]

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Santelli, from the vault

I saw this painting, Appearance of White, completed years ago, at Bill Santelli’s home on my recent visit for coffee with him and Bill Stephens. I was stunned by the mastery of his paint handling here, the restraint of the color, and the rigorous simplicity of the composition. It looks like a visualization of both […]

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Chance, the painter

In the May issue of AEQAI, Ekin Erkan makes an interesting argument against the role of chance in Gerhard Richter’s paintings. He’s responding to an exhibit of Richter’s Cage paintings, a series of abstracts produced according to John Cage’s guidelines for composing music randomly. This sounds like a dry and cerebral exercise, but the paintings […]

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Incomprehensible beauty

If you can say what beauty means, then you’ll be able to explain what any great painting means. But, as Iris Murdoch observed, the more clearly you see beauty, or truth, or goodness, the more mysterious it becomes, the more inaccessible to the easy manipulations of reasoning–and the more it becomes something you serve rather […]

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Insalaco transformation

For quite a while now, Tom Insalaco has been working on a suite of paintings that remind me of the world Braque inhabited–both pictorially and spiritually–at the culmination of his career when he was painting abstract images of his studio. Braque spoke in his notebooks about transformation as the essential thrust of painting: to take […]

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I love New York. Again.

I had an exhilarating visit to Manhattan three weeks ago. It’s been a year and a half since I went into the city to see the Salinger relics, as it were, at the New York Public Library. (I have yet to finish a post about that, though it’s nearly done.) The pandemic started a few […]

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Ali Banisadr’s dark, gestural menagerie

After a year and a half of not having crossed a bridge or driven through a tunnel into Manhattan, the most impactful exhibit I saw on my quick tour of Chelsea and SoHo two weeks ago was Ali Banisadr’s work at Paul Kasmin on W. 27th. The Iran-born Brooklyn painter has found a way to […]

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Figurative states of being

You have a few more days to catch the exhibit of egg tempera paintings from Julio Reyes at Arcadia on W. Broadway in SoHo. They are well worth the visit. He has an ability to use figurative painting to convey internal states of mind and heart. He searches for objective correlatives, as T.S. Eliot referred […]

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New work, Bill Stephens

I sat down last week with Bill Stephens and Bill Santelli, outside Santelli’s home studio near Powder Mill Park. We talked for three hours about many things including my exhilarating recent visit to New York, and their work. I saw one older painting from Santelli hanging on his wall that knocked me out–I’ll post it […]

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Zoey Frank’s counter-cultural party

Art isn’t a contest. There are plenty of art competitions, yes, and there are hierarchies of talent, but the idea of scoring Piero against Giotto . . . what would that even mean? However, if painting were a competition, after seeing Zoey Frank’s current work, painters with a competitive itch might want to consider something […]

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