|
|
By Center for Artistic Activism, 334 contributed posts
View all Center for Artistic Activism's posts.
About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective.
Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
In this interview, Ben Davis, radical art critic and author of 9.5 Theses on Art and Class, talks with C4AA co-founder Stephen Duncombe about his “constructively critical” view of art’s role in activism. Davis discusses some of the trends he sees in contemporary political art and considers the realistic scope of art’s impact on change.
Continue reading Ben Davis
By Center for Artistic Activism, 334 contributed posts
View all Center for Artistic Activism's posts.
About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective.
Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
In this interview, Ben Davis, radical art critic and author of 9.5 Theses on Art and Class, talks with C4AA co-founder Stephen Duncombe about his “constructively critical” view of art’s role in activism. Davis discusses some of the trends he sees in contemporary political art and considers the realistic scope of art’s impact on change.
Continue reading Ben Davis
By Center for Artistic Activism, 334 contributed posts
View all Center for Artistic Activism's posts.
About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective.
Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
“If we can somehow observe the process that happens between a work of art and an idea …
Continue reading Gan Golan
visit us on facebook
Upcoming
May 13th Mother’s Day
May 18 – 20th Ashland Merchants Sidewalk Sale. Loose prints, posters and small framed photos up to 50% off plus ready-made mat kits, frames and glass in popular sizes on sale.
June Photography showcase featuring work by: Sean Bagshaw, Peter Stanley, Ann-Britt Malden, David Lorenz Winston and Zach Ehlert.
July New paintings by Robert Beckmann.
August Transitions: paintings by Robert Beckmann and Clifford Wilton.
September New paintings by Clifford Wilton.
May 2012
Continental Divide: Borderlands Wildlife, People and the Wall.
Sponsored by the Sierra Club Borderlands Team
Join us for a special opening reception this Friday from 5 – 8 pm featuring complimentary wine from Roxy Ann Winery and appetizers from Buttercloud Bakery.
Continental Divide is an exhibit of 30 large canvas photo prints that depict the land, wildlife and people of the borderlands of the United States and
Continue reading What’s the Impact of a 600 Mile Wall in the Desert? Find out at Bohemia Gallery Friday Night!
By Americans for the Arts ARTSBlog, 439 contributed posts
View all Americans for the Arts ARTSBlog's posts.
About the author: ARTSblog is published by Americans for the Arts. Americans for the Arts' mission is to serve, advance, and lead the network of organizations and individuals who cultivate, promote, sustain, and support the arts in America. Founded in 1960, Americans for the Arts is the nation's leading nonprofit organization for advancing the arts and arts education. We are dedicated to representing and serving local communities and to creating opportunities for every American to participate in and appreciate all forms of the arts. View all syndicated posts from Americans for the Arts blogs under the "Art World News" tab.
I was fortunate enough to attend this year’s Americans for the Arts Annual Convention in San Diego. One of the most engaging ideas that I took home with me was the relationship between innovation and impact. We talked about how these two ideas are often assumed to go hand-in-hand and although many innovative ideas do […]
Continue reading The Relationship Between Innovation and Impact
|
|
Ben Davis
View all Center for Artistic Activism's posts.
About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective. Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
In this interview, Ben Davis, radical art critic and author of 9.5 Theses on Art and Class, talks with C4AA co-founder Stephen Duncombe about his “constructively critical” view of art’s role in activism. Davis discusses some of the trends he sees in contemporary political art and considers the realistic scope of art’s impact on change.
Continue reading Ben Davis