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Color field candy

Taffy #3, which I refer to now as Happiness, is going to be included in Manifest Gallery’s INPA 10. If I were clever and a careerist, with a little sophistry, I might argue that my series of salt-water taffy paintings represent a nostalgic, ironic commentary on a lost period of art. They do remind me […]

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Visual poems from the pandemic

The pandemic had some upsides. My son and his family moved from California to live a mile away from us here in Pittsford, N.Y., after they discovered they could keep working in movies and television from thousands of miles away. It’s suddenly the Zoom era, and we couldn’t be happier about it. Jean Stephens, already […]

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Patrick Lee

One of Lee’s interiors is on view at the 2021 Butler Midyear exhibition.

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Brian Ballenger

The question of how Ballenger creates these abstractions has puzzled me since I saw another of his paintings in the 2021 Butler Midyear. Here, the surface appears to be wet-on-wet bands of paint, created with uniform passes of a brush across the wet surface, guided by a straight edge tool. The way the bands seem […]

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William Reed Simon

This is the first of several posts featuring the work of artists chosen for the 2021 Butler Midyear exhibition at the Butler Institute of American Art.

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Frank Bowling

You can get a powerful overview of Frank Bowling’s work at Hauser and Wirth on 22nd St. in Chelsea. His efforts in moving paint around can be epic, but he also imported into his abstract expressionist technique images from the world map. A triptych visible as you walk into the gallery shows three images, not […]

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Santelli, from the vault

I saw this painting, Appearance of White, completed years ago, at Bill Santelli’s home on my recent visit for coffee with him and Bill Stephens. I was stunned by the mastery of his paint handling here, the restraint of the color, and the rigorous simplicity of the composition. It looks like a visualization of both […]

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Chance, the painter

In the May issue of AEQAI, Ekin Erkan makes an interesting argument against the role of chance in Gerhard Richter’s paintings. He’s responding to an exhibit of Richter’s Cage paintings, a series of abstracts produced according to John Cage’s guidelines for composing music randomly. This sounds like a dry and cerebral exercise, but the paintings […]

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Incomprehensible beauty

If you can say what beauty means, then you’ll be able to explain what any great painting means. But, as Iris Murdoch observed, the more clearly you see beauty, or truth, or goodness, the more mysterious it becomes, the more inaccessible to the easy manipulations of reasoning–and the more it becomes something you serve rather […]

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Insalaco transformation

For quite a while now, Tom Insalaco has been working on a suite of paintings that remind me of the world Braque inhabited–both pictorially and spiritually–at the culmination of his career when he was painting abstract images of his studio. Braque spoke in his notebooks about transformation as the essential thrust of painting: to take […]

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