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By Yoshimatsu, 6 contributed posts
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When the Right Color is Critical When reproducing art for artists, matching colors is important. But, even when the client is just across town, taking time to meet and compare prints against the original is time consuming. Using video conferencing, we can cut out the hassle of driving to a meeting. Unfortunately, most people don’t […]
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By Yoshimatsu, 6 contributed posts
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Collaboration with Video Conferencing Today, anyone who can fog a mirror uses Zoom, the video conferencing app du jour. To hear some talk, you would think they invented video conferencing. I first used video conferencing in the early 1990s to conduct engineering project status reviews. We were in San Diego, the customer was in Japan […]
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By Center for Artistic Activism, 412 contributed posts
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About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective.
Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
In this interview, C4AA research fellow Sarah J Halford talks with Owen Griffiths, a social practice artist based in Swansea, Wales in the UK. Griffiths shares his strategy for using art projects as tactics to enter into publicly-owned spaces. He collaborates with others to transform these spaces into beautiful and useful landscapes that are co-authored by people in the community. Ultimately, he argues that the art is used to beautify the space, create community buy-in, and keep the space in the hands of the people – rather than sold to a private corporation.
Continue reading Owen Griffiths
By Center for Artistic Activism, 412 contributed posts
View all Center for Artistic Activism's posts.
About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective.
Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
In this interview, C4AA research fellow Sarah J Halford talks with Owen Griffiths, a social practice artist based in Swansea, Wales in the UK. Griffiths shares his strategy for using art projects as tactics to enter into publicly-owned spaces. He collaborates with others to transform these spaces into beautiful and useful landscapes that are co-authored by people in the community. Ultimately, he argues that the art is used to beautify the space, create community buy-in, and keep the space in the hands of the people – rather than sold to a private corporation.
Continue reading Owen Griffiths
We hovered around the table. Brooke Nuckles Gentekos has most of the text compiled. We played a bit with numbers and a budget. It’s funny to come up with 750 characters including spaces. It actually makes some things harder to read. It’s nice to have bullets but then you have spaces. We did get the grant application in on time. We have bonded as a group. I am so pleased that art is finally becoming noticed and acknowledged as an economic driver in […]
Continue reading The grant application meeting
By Americans for the Arts ARTSBlog, 439 contributed posts
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About the author: ARTSblog is published by Americans for the Arts. Americans for the Arts' mission is to serve, advance, and lead the network of organizations and individuals who cultivate, promote, sustain, and support the arts in America. Founded in 1960, Americans for the Arts is the nation's leading nonprofit organization for advancing the arts and arts education. We are dedicated to representing and serving local communities and to creating opportunities for every American to participate in and appreciate all forms of the arts. View all syndicated posts from Americans for the Arts blogs under the "Art World News" tab.
Last week we celebrated Mardi Gras and Valentine’s Day. Two weeks ago, the Arts Education Council of Americans for the Arts met in Mesa, AZ to determine how we can best serve local arts agencies that are providing arts education programs. How are these seemingly disparate events related you might ask? Let me tell you! […]
Continue reading Arts Education Needs Your Love…and a Little Celebration
By Southern Oregon Artists Resource, 1753 contributed posts
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About the author: SOAR: The Southern Oregon Artist's Resource is a directory of Southern Oregon artists, artisans and those who serve them and calendar of their art events, and Art Matters!, our blog posting Southern Oregon art events and matters of interest to artists, enthusiasts and patrons of the arts near and far. SOAR was created and is maintained by art advocate and web designer Hannah West in Jacksonville, Oregon to promote our diverse and talented arts community to our visitors and the rest of the world.
We found this review by Frank Bures in the February 2013 issue of The Rotarian magazine. Since it resonates with a previously published interview with anthropologist Ellen Dissanayake and helps to explain how and why the arts are so ingrained in our collective psyche, we thought readers with the same fascination might also be interested.
Continue reading Book Review: A History of How People Cooperate – And Why
By Americans for the Arts ARTSBlog, 439 contributed posts
View all Americans for the Arts ARTSBlog's posts.
About the author: ARTSblog is published by Americans for the Arts. Americans for the Arts' mission is to serve, advance, and lead the network of organizations and individuals who cultivate, promote, sustain, and support the arts in America. Founded in 1960, Americans for the Arts is the nation's leading nonprofit organization for advancing the arts and arts education. We are dedicated to representing and serving local communities and to creating opportunities for every American to participate in and appreciate all forms of the arts. View all syndicated posts from Americans for the Arts blogs under the "Art World News" tab.
The findings in the recent 2012 National Arts Index describing the state of the arts are profoundly disturbing. The Index reported a long list of measures that trend down for arts, music, and cultural organizations, among them: waning program budgets, attendance, funding, expenditures, and a decrease in the overall number of arts organizations themselves. As […]
Continue reading The State of the Arts: The Arts are in a State
By Americans for the Arts ARTSBlog, 439 contributed posts
View all Americans for the Arts ARTSBlog's posts.
About the author: ARTSblog is published by Americans for the Arts. Americans for the Arts' mission is to serve, advance, and lead the network of organizations and individuals who cultivate, promote, sustain, and support the arts in America. Founded in 1960, Americans for the Arts is the nation's leading nonprofit organization for advancing the arts and arts education. We are dedicated to representing and serving local communities and to creating opportunities for every American to participate in and appreciate all forms of the arts. View all syndicated posts from Americans for the Arts blogs under the "Art World News" tab.
In Iowa’s Creative Corridor, we are fortunate to enjoy an excellent quality of life. That is largely due to the abundance of arts and culture in our community. In today’s hyper-connected, highly-customized world, I truly believe arts and culture are the most important tools to ensuring growth in our communities. When you observe the cities, both big and small, who are doing it right, they all have a flourishing arts sector.
Continue reading Investment in the Arts is the Foundation for Building Vibrant Communities
By Americans for the Arts ARTSBlog, 439 contributed posts
View all Americans for the Arts ARTSBlog's posts.
About the author: ARTSblog is published by Americans for the Arts. Americans for the Arts' mission is to serve, advance, and lead the network of organizations and individuals who cultivate, promote, sustain, and support the arts in America. Founded in 1960, Americans for the Arts is the nation's leading nonprofit organization for advancing the arts and arts education. We are dedicated to representing and serving local communities and to creating opportunities for every American to participate in and appreciate all forms of the arts. View all syndicated posts from Americans for the Arts blogs under the "Art World News" tab.
Tweet“Something big is going on in American cities. It is urban. It is real. It is transformative.” “It is a golden time for an urban renaissance.” Those are just short soundbites from former U.S. Secretary of Housing and Urban Development and former Mayor of San Antonio Henry Cisneros during his introduction to our Town Hall […]
Continue reading Convention Town Hall: Experts Tackle Important Issues in the Arts
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Owen Griffiths
View all Center for Artistic Activism's posts.
About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective. Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
In this interview, C4AA research fellow Sarah J Halford talks with Owen Griffiths, a social practice artist based in Swansea, Wales in the UK. Griffiths shares his strategy for using art projects as tactics to enter into publicly-owned spaces. He collaborates with others to transform these spaces into beautiful and useful landscapes that are co-authored by people in the community. Ultimately, he argues that the art is used to beautify the space, create community buy-in, and keep the space in the hands of the people – rather than sold to a private corporation.
Continue reading Owen Griffiths