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By Center for Artistic Activism, 421 contributed posts
View all Center for Artistic Activism's posts.
About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective.
Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
We’re so excited about this. Keyti is based in Senegal, one of our Artistic Activism trainers for the Regional Creative Hubs, and a co-founder of Journal Rappé. The project takes current affairs and in-depth reporting, puts it to a beat, and edits together a 10+ minute report published on YouTube. This year, their work was […]
Continue reading Online Panel: Journal Rappé and The Peace Poets
By Center for Artistic Activism, 421 contributed posts
View all Center for Artistic Activism's posts.
About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective.
Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
Avram discusses collectivity and communicating in public space for participants of the Free the Vaccine for COVID-19 campaign. At our last Free the Vaccine for COVID-19 meeting some participants said they wanted to know more about working in collectives. We immediately went to Avram Finkelstein who has a wealth of experience with working in collectives […]
Continue reading Webinar #27: Avram Finkelstein
By Center for Artistic Activism, 421 contributed posts
View all Center for Artistic Activism's posts.
About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective.
Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
In this interview, C4AA research fellow Sarah J Halford talks with Phoebe Davies, a social practice artist based in London. In it, Davies discusses her work on constructing social spaces that provide an environment for productive, and often difficult, conversations about politics, sex, gender, and more. She also shares her thoughts on the importance of more collaboration and thoughtful reflection in and around art and activism.
Continue reading Phoebe Davies
By Center for Artistic Activism, 421 contributed posts
View all Center for Artistic Activism's posts.
About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective.
Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
In this interview, C4AA research fellow Sarah J Halford talks with Phoebe Davies, a social practice artist based in London. In it, Davies discusses her work on constructing social spaces that provide an environment for productive, and often difficult, conversations about politics, sex, gender, and more. She also shares her thoughts on the importance of more collaboration and thoughtful reflection in and around art and activism.
Continue reading Phoebe Davies
By Center for Artistic Activism, 421 contributed posts
View all Center for Artistic Activism's posts.
About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective.
Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
In this interview, C4AA research fellow Sarah J Halford talks with Owen Griffiths, a social practice artist based in Swansea, Wales in the UK. Griffiths shares his strategy for using art projects as tactics to enter into publicly-owned spaces. He collaborates with others to transform these spaces into beautiful and useful landscapes that are co-authored by people in the community. Ultimately, he argues that the art is used to beautify the space, create community buy-in, and keep the space in the hands of the people – rather than sold to a private corporation.
Continue reading Owen Griffiths
By Center for Artistic Activism, 421 contributed posts
View all Center for Artistic Activism's posts.
About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective.
Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
In this interview, C4AA research fellow Sarah J Halford talks with Owen Griffiths, a social practice artist based in Swansea, Wales in the UK. Griffiths shares his strategy for using art projects as tactics to enter into publicly-owned spaces. He collaborates with others to transform these spaces into beautiful and useful landscapes that are co-authored by people in the community. Ultimately, he argues that the art is used to beautify the space, create community buy-in, and keep the space in the hands of the people – rather than sold to a private corporation.
Continue reading Owen Griffiths
By Center for Artistic Activism, 421 contributed posts
View all Center for Artistic Activism's posts.
About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective.
Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
In this interview, Ben Davis, radical art critic and author of 9.5 Theses on Art and Class, talks with C4AA co-founder Stephen Duncombe about his “constructively critical” view of art’s role in activism. Davis discusses some of the trends he sees in contemporary political art and considers the realistic scope of art’s impact on change.
Continue reading Ben Davis
By Center for Artistic Activism, 421 contributed posts
View all Center for Artistic Activism's posts.
About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective.
Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
In this interview, Ben Davis, radical art critic and author of 9.5 Theses on Art and Class, talks with C4AA co-founder Stephen Duncombe about his “constructively critical” view of art’s role in activism. Davis discusses some of the trends he sees in contemporary political art and considers the realistic scope of art’s impact on change.
Continue reading Ben Davis
By Center for Artistic Activism, 421 contributed posts
View all Center for Artistic Activism's posts.
About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective.
Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
In this interview, C4AA co-director Steve Duncombe talks with Pam Korza about methods of evaluation in artistic activism. They consider the resistance that some artists have to quantitative evaluation, as well how we might evaluate the work from a perspective of aesthetic excellence. Korza also shares her extensive knowledge as co-director of Animating Democracy, an organization that fosters art for social change projects, and the six outcomes that she looks for when evaluating the success (or failure) of a project.
Continue reading Pam Korza
By Center for Artistic Activism, 421 contributed posts
View all Center for Artistic Activism's posts.
About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective.
Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
In this interview, C4AA co-director Steve Duncombe talks with Pam Korza about methods of evaluation in artistic activism. They consider the resistance that some artists have to quantitative evaluation, as well how we might evaluate the work from a perspective of aesthetic excellence. Korza also shares her extensive knowledge as co-director of Animating Democracy, an organization that fosters art for social change projects, and the six outcomes that she looks for when evaluating the success (or failure) of a project.
Continue reading Pam Korza
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Online Panel: Journal Rappé and The Peace Poets
View all Center for Artistic Activism's posts.
About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective. Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
Continue reading Online Panel: Journal Rappé and The Peace Poets