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By Center for Artistic Activism, 309 contributed posts
View all Center for Artistic Activism's posts.
About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective.
Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
In this interview, C4AA co-founder Steve Duncombe talks with Marlene Ramirez-Cancio, Associate Director of Arts and Media at the Hemispheric Institute. They discuss the elusive nature of evaluating artistic activism through qualitative frameworks. What is the vocabulary for doing so? And why is that vocabulary so difficult to find? Marlene shares her thoughts on these questions and challenges arts funders to become more comfortable with metrics that measure qualities beyond material successes.
Continue reading Marlène Ramírez-Cancio
By Center for Artistic Activism, 309 contributed posts
View all Center for Artistic Activism's posts.
About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective.
Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
In 2014, Center Co-Director Steve Lambert was asked to contribute to A Blade of Grass’ ‘Growing Dialogue‘, a series of practitioner-led articles and opinion pieces circling around questions of the affect and effect of art and social practice. Steve’s contribution was No Longer Interested, which you can read below… No Longer Interested I’ve worked to strike […]
Continue reading No Longer Interested
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Marlène Ramírez-Cancio
View all Center for Artistic Activism's posts.
About the author: There is an art to every practice, activism included. It’s what distinguishes the innovative from the routine, the elegant from the mundane. One thing that can help the “art of activism” is applying an artistic aesthetic tactically, strategically, and organizationally. The practice of artistic activism has only accelerated in recent times, as savvy organizers learn to use the increasingly mediated political terrain of signs and symbols, stories and spectacles to their advantage. From Jesus’ parables to the Tea Party’s protests, working artfully makes activism effective. Until now there has not been a singular space to share, discuss and analyze tactics and strategies of artistic activism. There has not been a place where researchers across a range of disciplines can gather to share their investigations and their challenges, a place where skilled practitioners in artistic activism can share their expertise and cultivate new tactics through cross-disciplinary collaboration. The Center for Artistic Activism fills this important need. Visit CAA's website HERE.
In this interview, C4AA co-founder Steve Duncombe talks with Marlene Ramirez-Cancio, Associate Director of Arts and Media at the Hemispheric Institute. They discuss the elusive nature of evaluating artistic activism through qualitative frameworks. What is the vocabulary for doing so? And why is that vocabulary so difficult to find? Marlene shares her thoughts on these questions and challenges arts funders to become more comfortable with metrics that measure qualities beyond material successes.
Continue reading Marlène Ramírez-Cancio