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By Peggy Stermer-Cox, 367 contributed posts
View all Peggy Stermer-Cox's posts.
About the author: I begin my watercolor paintings with an idea and a drawing. I build the painting layer by layer, drawing lines and shapes, looking for rhythm and feeling. My color sense is a reflection of my childhood in New Mexico fused with colors of my home in the Northwest. My goal is to go beyond the surface to find joy, wonder and a bit of mystery. I have shown my works in galleries, juried, group and solo shows in Washington, Oregon, Montana and New Mexico. My paintings are in private collections in the west, New York and Norway.
To view examples of Peggy's work or to make contact with the artist, please visit her listing at the Southern Oregon Artists Resource.
Composing without a plan or preparation, that’s the type of improvisation I’m thinking about. Improvisation In Painting. Greetings! I was thinking about my process for this acrylic study and the word “improvisation” came to mind. Its like riffing on a theme of an espresso cup and pitcher. If musicians can do it, why not painters? […]
The post Improvisation. Day Three #30paintingsin30days, “Espresso No Milk V3” appeared first on Margaret Stermer-Cox.
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By Elaine Frenett, 236 contributed posts
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About the author: This award-winning artist, trained in illustration, has been published nationally, had fine art added to museum collections, teaches private classes and leads women’s visual journal retreats. Ms. Frenett is a member of the Watercolor Society of Oregon, The Plein Air Society of Southern Oregon, California Watercolor Association, and is a Watercolor West Juried Member. See Elaine's listing at the Southern Oregon Artists Resource to learn more and make contact.
In the midst of winter’s gray chill, Jean and I get to fly off to memories of previous Lake Alpine retreats, and in our mind’s eye, begin to concoct the makings of the upcoming 2016 “Alpine Art Retreat: Celebrating Women’s … Continue reading →
Continue reading 2016 Planning & Percolating
By Peggy Stermer-Cox, 367 contributed posts
View all Peggy Stermer-Cox's posts.
About the author: I begin my watercolor paintings with an idea and a drawing. I build the painting layer by layer, drawing lines and shapes, looking for rhythm and feeling. My color sense is a reflection of my childhood in New Mexico fused with colors of my home in the Northwest. My goal is to go beyond the surface to find joy, wonder and a bit of mystery. I have shown my works in galleries, juried, group and solo shows in Washington, Oregon, Montana and New Mexico. My paintings are in private collections in the west, New York and Norway.
To view examples of Peggy's work or to make contact with the artist, please visit her listing at the Southern Oregon Artists Resource.
Abstraction – What? Early on, I thought I’d explore abstraction. I had never purposefully studied abstraction and wanted to know what it was about. I didn’t even know the difference between abstract and non-objective abstract. Defined, or Not. I looked up definitions for abstraction. Abstraction is the result of a process…and it gets much more […]
The post Toward Non-Objective Abstraction appeared first on Margaret Stermer-Cox.
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By Southern Oregon Artists Resource, 1616 contributed posts
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About the author: SOAR: The Southern Oregon Artist's Resource is a directory of Southern Oregon artists, artisans and those who serve them and calendar of their art events, and Art Matters!, our blog posting Southern Oregon art events and matters of interest to artists, enthusiasts and patrons of the arts near and far. SOAR was created and is maintained by art advocate and web designer Hannah West in Jacksonville, Oregon to promote our diverse and talented arts community to our visitors and the rest of the world.
Rondo in Color, by Millie Clarke
Millie Clarke Millie Clarke, Featured Artist for September at Art du Jour Gallery, will show her new collection of vibrant acrylic abstract art. Clarke’s work has been described as “having wild spontaneity but with controlled esthetics”. She is noted for using colors in imaginative ways and in employing texture to add interest to her pieces. In her new collection, Clarke uses one foot by four feet canvases. The interspacing of straight bars over her creations provides the viewer with “windows” into the painting. These works may be hung vertically or horizontally.
The exhibit includes a large 30” x 40” work titled “Rondo in Color.” This piece is a fusion of paint-handling techniques which Clarke uses that includes scraping, scratching and wiping. The plane of a large painted area gains tension from her use of shaped and scratched smaller blocks of contrasting
Continue reading September Brings Abstraction to Art du Jour Gallery
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