Join us for the January First Friday Art Walk festivities!
January 3rd from 5 to 8 pm
Ashland Gallery Association Exhibit Openings & Artist Receptions
Stroll the galleries and take in the visual delights in downtown Ashland and the Historic Railroad District. Venture further to explore out-skirting galleries! Enjoy this free year-round community event, filled with a diverse array of artwork, live music, artist demonstrations, refreshments and lively conversation!
January Spotlight Exhibits
Art & Soul Gallery
What a Difference a Frame Makes!
The gallery’s First Friday show also features wine and light refreshments; live music by pianist Anthony Bock, and will be on display from December 31 – February 2.
Peter Stone has been a professional picture framer for more than twenty-three years. He owned the popular Arrowhead Framing shop in Half Moon Bay, CA before moving to Ashland and Art & Soul Gallery. He has long enjoyed the interpretive creative process and the constant creative problem solving which are custom picture framing. Peter loves the unique design opportunity that comes with each new artistic challenge.
“Every custom picture framing project comes with a story,” Peter has discovered. People only choose custom framing when the artwork has special meaning, he said. “And what is more special than our family memories!”
Pianist, Anthony Bock, a senior at SOU and a student of Dr. Tutunov, returns to Art & Soul for the third time. He effortlessly combines classical and non-classical piano music in a free and bright style, which captivates everyone listening.
Peter Stone, “sivo’ham, sivo’ham” (I am Shiva, I am Shiva)
Schneider Museum of Art
TWO GENERATIONS: JOE FEDDERSEN & WENDY RED STAR
On View: January 16 – March 14, 2020
Opening Reception: January 16th, 5:00pm – 7:00pm
EXHIBITION STATEMENT
This exhibition presents the work of two Northwest Indigenous artists who work across media and whose work responds, on their own terms, to historic and contemporary misrepresentations of Native Americans. Joe Feddersen, born in 1953, is a member of the Confederated Tribes of the Colville Reservation and has exhibited internationally since the early 1980’s. As a printmaker, basket maker, ceramicist and glass artist, Feddersen combines contemporary materials with Native iconography to create powerful and evocative works that explore the interrelationships between urban symbols and Indigenous landscapes.
Wendy Red Star, born in 1981, was raised on the Apsáalooke (Crow) reservation in Montana. An avid researcher of archives and historical narratives, Red Star incorporates and recasts her research through photography, sculpture, video, fiber arts, and performance, offering new and unexpected perspectives on past, present, and future life. Her work is humorous, surreal, and often abrasive, yet deeply rooted in a celebration for Crow life.
JOE FEDDERSEN BIO:
Joe Feddersen, a member of the Confederated Tribes of the Colville Reservation, lives and works in Omak, WA and was a faculty member at Evergreen State College in Olympia, WA from 1989 until his retirement in 2009. His work was included in Weaving Past into Present: Experiments in Contemporary Native American Printmaking at the International Print Center, New York, Autumn 2015. He has been featured in numerous national exhibitions, including Continuum 12 Artists: Joe Feddersen, National Museum of the American Indian, Smithsonian Institution at the George Gustav Heye Center, New York, NY, curated by Truman Lowe; Land Mark, Northwest Museum of Arts & Culture, Spokane, WA; and was the subject of a major retrospective exhibition and monograph, Vital Signs, organized in conjunction with Froelick Gallery and the Hallie Ford Museum of Art at Willamette University in Salem, OR
WENDY RED STAR BIO:
Artist Wendy Red Star works across disciplines to explore the intersections of Native American ideologies and colonialist structures, both historically and in contemporary society. Raised on the Apsáalooke (Crow) reservation in Montana, Red Star’s work is informed both by her cultural heritage and her engagement with many forms of creative expression, including photography, sculpture, video, fiber arts, and performance. An avid researcher of archives and historical narratives, Red Star seeks to incorporate and recast her research, offering new and unexpected perspectives in work that is at once inquisitive, witty and unsettling. Intergenerational collaborative work is integral to her practice, along with creating a forum for the expression of Native women’s voices in contemporary art.
Red Star has exhibited in the United States and abroad at venues including the Metropolitan Museum of Art, Fondation Cartier pour l’ Art Contemporain, Domaine de Kerguéhennec, Portland Art Museum, Hood Art Museum, St. Louis Art Museum, and the Minneapolis Institute of Art, among others. She served a visiting lecturer at institutions including Yale University, the Figge Art Museum, the Banff Centre, National Gallery of Victoria in Melbourne, Dartmouth College, CalArts, Flagler College, and I.D.E.A. Space in Colorado Springs. In 2017, Red Star was awarded the Louis Comfort Tiffany Award and in 2018 she received a Smithsonian Artist Research Fellowship. In 2019 Red Star will have her first career survey exhibition at the Newark Museum in Newark New Jersey.
Red Star holds a BFA from Montana State University, Bozeman, and an MFA in sculpture from University of California, Los Angeles. She lives and works in Portland, OR.
CURATOR MACK MCFARLAND BIO:
Mack McFarland is a cultural producer and has worked as Curator for Pacific Northwest College of Art since 2006. Currently McFarland is the Director of the Center for Contemporary Art & Culture at PNCA. His exhibitions at PNCA have included commissioned projects of new works from tactical media practitioners Critical Art Ensemble, Eva and Franco Mattes, and Disorientalism. He has also curated a review of Luc Tuymans’s printed works, a group exhibit marking the centennial of John Cage’s birth, and a comprehensive look at the process of the comic journalist Joe Sacco. McFarland’s current question is how exhibitions and artworks can meaningfully link to our shared experience of existing together within the ongoing process of history.
Wendy Red Star, “Winter”, from “The Four Seasons”, Archival pigment print on Museo silver rag, 35.5 X 40 inches, Courtesy of the Jordan Schnitzer Museum of Art, Eugene, OR
Photographers’ Gallery (Ashland Art Center)
Kate Geary – “In the Woods”
Kate Geary’s new show, “In the Woods”, opens on Friday, January 3, 2020, at The Photographer’s Gallery at the Ashland Art Center and runs through the end of February.
Kate’s focus in this show is on the amazing beauty and even humor in the small details of the natural world in the forest. So often the small is obscured by the magnificence of the scene, the towering redwood or roaring waterfall. To pause, to look downward and notice the patterns in decaying bark, the sensuous texture of exposed wood; the beauty of seed pods lying in verdant ground cover, reflections of fall color in a meandering stream, brings a new appreciation to the beauty of detail.
Kate Geary, “Reflections of Season Past,” photograph
Creekside Pizza
Featuring Justin Gordon
Justin Gordon is an artist and musician living in Ashland Oregon who enjoys traditional processes that harken back to the twentieth century before the digital world inundated us with images and sounds and facsimiles of real objects. He can be found driving around in a yellow seventies pick up snapping photos or playing his original songs with his band The Holy Mackerels around town when he is not at work as a carpenter and painter.
Show runs December through January.
Justin Gordon, photograph
For more information about all of our exhibits and to download the January Gallery Tour map, please visit: www.ashlandgalleries.com
Please see “Spotlight Exhibits” and the January Gallery Tour Map.
Leave a Reply
You must be logged in to post a comment.