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A Taste of Ashland 2020

A Taste of Ashland poster artwork by Jeanne LaRae Lagano - featured image for A Taste of Ashland 2020 post

A Taste of Ashland poster artwork by Jeanne LaRae Lagano

Stay Posted for Updates on A Taste of Ashland 2020!

Join us August 29-30, 2020 for a VIRTUAL Taste of Ashland!

Please visit the A Taste of Ashland 2020 website for current updates and information.

A TASTE OF ASHLAND
Saturday & Sunday,
August 29 & 30
12:00 p.m. – 4:00 p.m.

A Taste of Ashland is the premier event for support of the Ashland Gallery Association.

Typically, foodies, wine connoisseurs and art lovers from all over flock to picturesque Ashland, Oregon and partake in a remarkable weekend of art, food and fun. We’re keeping in mind the health and safety of our community as well as COVID19 guidelines set forth by our state government. Therefore, the 2020 Taste of Ashland will be an at-home art collaboration with a limited edition coloring book . It will also include a virtual event featuring gallery tours, interviews, chef demonstrations and amazing gifts that you can win!

The Limited Edition Coloring Book is a great way to escape, decompress and create a collaboration between you and all of the local artists who have created pages for this project. Each page is inspired by our local bounty and community. Tickets are still available and quantities are limited so don’t miss out.

For more information about A Taste of Ashland, please email
[email protected].

Solstice Eve


Solstice Eve
On the longest
day of the year,
I want to choose
the shortest path
to joy—the one
with no distance,
no time. The one 
we can know
as close as our skin
& in any season. 
I want to go to sleep
& come awake
to this lengthy day, 
to sun—to all 
that’s possible
in hours of light. 
But may I remind
myself of all I can also 
do when darkness 
begins again—when 
joy will dress in shadow
but still glow, 
nevertheless. 

GPMA Art in the Garden Virtual Tour

Art in the Garden

Virtual Tour

Art in the Garden has been a beloved event since its inception in 1996. This year we have a prepared a virtual tour for you.

All of the gardens that were to be featured this year agreed to be on next year’s tour! We have included all eight gardens, plus 21 local artists’ work.

To purchase artwork, simply contact the artist at the contact information they have provided.

We hope you enjoy the “tour” and buy lots of art. Feel free to spread the word and share the fun.

We look forward to seeing you at the 2021 Art in the Garden.

Click here for the virtual tour:

Art in the Garden Virtual Tour Book

-Grants Pass Museum of Art

 

Hope of Stones


Paris, New York, San Francisco…and Southern Oregon! A dream lineup for a poetry book tour, and Im so grateful for the friends in each place who helped make this happen.

Hope of Stones is ready to greet the world, and you can pre-order it via my wonderful publisher, Press 53

Im going to let the dear poets who wrote praise for the book speak for me on this blog. Continued gratitude to them for the beautiful words!

+++

Anna Elkins’ Hope of Stones is a magnificent (I do not use the word lightly) collection—a beautiful, moving, and thought-provoking book of poems. The writing is striking in its control of tone and its precision, unfolding layer after layer of resonance and implication. Three characters: the nun, the architect, the poet who triangulates the relationship. Three different times in history, three different significant endeavors: the architect’s Paris below ground that reflects and supports the Paris above; the visionary nun’s passionate immersion in the inner mansions of God’s Castle; the poet’s engagement in the sensuous spirituality of her research. Give this book to everyone you love. No book of poems I’ve read in a long time more deserves serious, joyful attention and a wide readership. 
—Jim Peterson, author of Speech Minus Applause

This gorgeous book of contemplative poems refuses to accept an easy division between work and prayer. Here, hope is not a thing with feathers. Hope is a paradox, a thing with both heft and light. It is weightless with history, ruin, and body. It is heavy with abyss, nothingness, and caves. Bone and stone point beyond themselves towards the absence of building things up and the presence of emptying things out. Language is both meaningful and errant or even wayward: “earth / is an anagram for heart.” A nun prays “none” against “none.” A whole is reminiscent of a hole. This is a poet’s clearing, housed in eventual collapse. The one who works and the one who prays cross paths, eventually, head to head, skull to skull, in the undertaking of the poet, who excavates a kind of fast, and a kind of pilgrimage, as a way of seeking the first lost garden fruit–the castle cathedral, the ever-never-catacombs–unpicked, undisturbed, and undreamed. 
Gina Franco, author of The Accidental

In Hope of Stones, Anna Elkins creates a multi-various and many-voiced world—set both in the present and in two different pasts, and narrated by three different characters—the Nun, the Architect, and the Poet. This fantastic book reminds me of A. Van Jordan’s M-A-C-N-O-L-I-A, another hybrid collection that brings strong individual poems together into a cohesive narrative. Whereas Jordan’s mode is often cinematic, Elkins works as a portrait painter. Through osmosis, the scholar-poet becomesthe architect and the nun, allowing this intertwined history to work also as an extended metaphor on creativity and desire: “One stair at a time / one corridor after another & a final glimpse / up a shaft to see the pinhole light of sky shining / though a manhole cover….”
Sebastian Matthews, author of Beginner’s Guide to a Head-on Collision

Hope of Stones is an elegant collection. Its formally accomplished poems, distinct voices, and visual design invite us to see the page as a temporal-geographical region. The architect, Charles-Axel Guillaumot, speaks from the lower left margin where he focuses on materiality, catacombs and the undergirding of Paris as he tries to save the city from collapse; the nun, Teresa of Avila, speaks from the upper right margin, where she shares her architectural vision of the spirit. And the poet, who is either in Oregon or traveling, occupies the center of the page where she brings her own dailiness—fires in summer, plums ripening—into conversations with these historic figures. The poet descends literally beneath Paris in her quest for the architect and ascends into the ethereal and sometimes levitational world of the nun. Like Dante, Elkins takes us on a journey. Hope of Stones traverses countries, continents, and historical periods until finally time and space collapse into a kaleidoscope of spirit.
Tami Haaland, author of What Does Not Return

April in Paris, Anyone?

Come with us!
Deep Travel is heading to Paris in April! We have two spots left on the trip, which runs from April 4-10. For six splendid days, our small group will be exploring the City of Light’s boulevards, bridges, bistros, galleries, patisseries, and parks. 

We’ve named this trip “The Artist’s Life,” and that’s exactly what you’ll get to explore. To enrich our travels, we’ll hold daily “happy hour” art sessions blending art, writing, and conversation. 

We’ll be staying in the marvelous Marais neighborhood—my favorite—in walking distance of the Seine, Notre Dame, the Louvre, Luxembourg Gardens, and countless eateries. 

A few extra perks: a luncheon cruise along the Seine, a dinner and literary salon in a private home on the city’s oldest park, and a walking around our Marais neighborhood with author and Paris podcaster, Oliver Gee

I’ve been delighted to help organize Deep Travel trips since 2014. We’ve gone to Morocco, Mexico, Spain, and Nepal, and this will be our first Deep Travel workshop in Paris. 

For more info, visit the Deep Travel website.  And for even more photos and fun, check out the Facebook page

Come play with us!

Eva Thieman Announces Owl Exhibit

Eva Thieman Announces Owl ExhibitEva Thiemann Announces Owl Exhibit - My oil paintings of owls are on exhibit at the Eagle Point Public Library from now until mid-March

Eva Thiemann announces today that an exhibit of her oil paintings of owls is hanging at the Eagle Point Public Library from now until the middle of March.

Eva is originally from Latvia. She came to the USA in 1997, lived in Alaska for 6 years and in 2003 moved to Applegate,Oregon.

Ms. Thiemann earned an Art degree from the Academie of Art and a Biology degree from the University of Riga, Latvia. She has created sculptures in bronze. Some of them are in private collections in Latvia, Germany and England.

When Eva came to Alaska, she was overwhelmed by its beauty and wildness. For the first time in her life, she was able to observe Alaska’s magnificient inhabitants — brown bears. On numerous camping trips to Denali National Park she saw bears on the tundra with spectacular mountain scenery, and in Katmai National Park she came within close proximity of bears fishing at rivers and salmon streams.

Since then, painting brown bears integrated with Alaska scenery became Eva’s passion. One episode of her video of a bear fight at Brooks Falls has been included in the National Geographic movie “King Bear.”

After many years of painting bears exclusively, Eva began painting owls to great reviews. Thiemann’s unique mix of realism and abstraction results in colorful and effective renditions of her subjects in exquisite oil paintings.

The Eagle Point library is located at:

239 West Main Street
Eagle Point, OR 97524

The branch’s hours are:

Feb 09
Sunday
Feb 10
Monday
Feb 11
Tuesday
Feb 12
Wednesday
Feb 13
Thursday
Feb 14
Friday
Feb 15
Saturday
Eagle Point Closed Closed 10am – 4pm 10am – 4pm 12pm – 6pm 10am – 4pm 12pm – 4pm

Central Art Supply February Events

Central Art Supply February Events

You’re invited!

 

Central Art’s Creative Art Extravaganza 2020 is coming Feb. 21 & 22!

 

 Stop in NOW to pick up your Official Invitation containing a full schedule of mini workshops, as well as a chance to enter to win prizes,

including a $200 shopping spree from Central Art!

 

We’ll see you there!

 

Central Art 2020 Extravaganza: “Made For Each Other”

Mini Workshop Schedule

 

*Pre-registration required for ALL classes. Payment is required at time of reservation. Call 541-773-1444 or visit Central Art to register.
 

Friday, Feb. 21

 
10:00 – 11:00 Taking Watercolor On The Go $10
Create a watercolor brush with QoR watercolors and learn how to take your paint, brush, and water with you in one convenient tool! Easy application and techniques will inspire you to take your art on the go!
11:30 – 12:30 Drawing with Paint $10
Explore the many ways to draw with paint using Abstract Acrylics, liners, and tips to create unique, fun, and creative strokes that will enhance your painting experience.

 

1:00 – 2:00 Mix It Up Workshop $10
Discover new textures and techniques with Mixed Media Collage using a wide range of products featuring Strathmore Heavy Weight Mixed Media Board. Express yourself and make something awesome!
2:30 – 4:30pm Pour it on! $25
Experiment with 3-4 different pour ‘types’ using Liquitex products. Learn to create cells with acrylic compatible materials, while creating unique, one-of-a-kind works of art.

 

Saturday, Feb. 22

 

11:00 – 12:00 Still Life of Flowers in Sumi Style $10
Learn how to see your surroundings and express your feeling in Sumi style. Energetic strokes and unique expression composition will be emphasized using Sumi ink and Marie’s Watercolor.
12:30 – 1:30 Painting Wearable Accessories $10
Use Angelus leather paints to create colorful designs and paintings to customize your leather goods. Learn how to prepare the surface and seal the paints for wearable one-of-a-kind art!

 

2:00 – 4:00 Alcohol Ink Fun! $25
 Create an alcohol ink masterpiece with Masterpiece Alcohol Ink Art Panels and Jacquard’s Pinata Alcohol inks. Enjoy the extra open time using these panels as you work on your project.
 

Sumi Still Life Painting Workshop with Yuming Zhu

at Central Art Supply – Sunday, February 23, 2020

 

When: Sunday, Feb. 23, 2020

Where: Central Art classroom

Time: 9:30am – 3:30pm

Fee: $95 *Pre-registration required. Payment required at time of reservation. Call 541-773-1444 or visit Central Art in-store to register.

Max. 12 students

 

This workshop will concentrate on learning how to see your surroundings and express your feelings in Sumi style. We would arrange flowers in vases or baskets, interpret and re-compose them on rice paper in a traditional and expressive Sumi style. Energetic strokes and unique expression/composition will be emphasized. We will use Sumi ink and Marie’s Watercolor, to paint on absorbent single hand-made Shuan (rice) paper. Knowledge of Sumi philosophy and materials will be introduced.

 

About the Artist

Yuming Zhu is a very passionate and well-known artist in the Greater Seattle area. Sumi/Chinese Watercolor, Oil and Pastel are the mediums Yuming loves to express himself with. Yuming was interviewed by Art Business News magazine (refer to the article “Simply Sumi-E: Capturing Nature with Sumi-e Master Yuming Zhu”). He participated in the “Five Thoughts of Asian Art” program that was offered through the Seattle Art Museum and KCTS Channel 9, and in 2015 he was the artist for Amazon Series “The Man In The High Castle”.

 

He continues teaching sumi painting and calligraphy at Bellevue College, art centers in the Greater Seattle area and nation-wide. His artwork can also be seen in galleries. To view Yuming’s work, visit: www.yumingfineart.com.

Visit Central Art!

Oregon Arts Commission News & Updates – January 2020

Oregon Arts Commission logo OAC

Oregon Arts Commission News & Updates – January 2020

In this issue of Oregon Arts Commission News: A rare opening on the Arts Commission staff, Oregon recipients of recent NEA awards, Betty LaDuke’s exhibition celebrating Oregon’s agricultural workers in the Governor’s Office, Grant and Fellowships News…Plus we welcome a new Arts Commissioner and announce a  Career Opportunity Grant deadline of March 5!
We are hiring!

Arts Commission seeks Community Arts Development Coordinator

The Oregon Arts Commission has an immediate opening for a Community Arts Development Coordinator.
If you are passionate about strengthening Oregon’s arts community and enjoy collaborating with stakeholders to deliver arts training and technical assistance, you should consider this opportunity.
The successful candidate will excel at building relationships and enjoy detail-oriented work such as the application review process, providing technical assistance to the field and administering grant-making programs.
A broad knowledge of Oregon’s arts and creative sector is a definite plus.

15 Oregon organizations

awarded NEA grants

Congratulations to the 15 Oregon arts organizations sharing $335,000 in FY2020 Art Works and Challenge America grants from the National Endowment for the Arts!
Oregon’s NEA grant recipients are:
Artists Repertory Theatre, $20,000
Milagro, $10,000
Oregon Bach Festival, $25,000
Oregon Ballet Theatre, $10,000
Oregon Children’s Theatre Company, $20,000
Oregon Folklife Network, $35,000
Oregon Symphony, $20,000
Oregon Symphony Association in Salem, $10,000
Portland Institute for Contemporary Art, $40,000
Portland Opera, $25,000
Portland Playhouse, $15,000
Tavern Books, $10,000
White Bird, $40,000
Wisdom of the Elders, $20,000
Young Audiences of Oregon & SW Washington, $35,000
Read the NEA release with project descriptions.
A promotional image for Artist Repertory Theatre’s “Looking for Tiger Liliy,”a world premiere supported by a $20,000 NEA Art Works grant.

Ashland artist Betty LaDuke to exhibit in Governor’s Office

Ashland artist Betty LaDuke will exhibit “Bountiful Harvest: Celebrating Oregon’s Farm Workers” in the Governor’s Office of the Capitol Building in Salem from Feb. 3 to April 2.
LaDuke’s brightly colored and richly patterned paintings on shaped wood panels celebrate Oregon’s agricultural bounty and the individuals who labor to grow and harvest it. To create these works, the artist spends many hours in the fields sketching and connecting with migrant workers on Southern Oregon farms, vineyards and orchards.
Later, in the studio, LaDuke transforms her sketches into energetic imagery that dignifies the migrant farm workers and their important labor.
An exhibit in the Governor’s Office is considered a once-in-a-lifetime honor for Oregon artists.
Betty LaDuke, “Pear Harvest,” 2012, Acrylic on plywood, 63 x 48 inches. Photo Robert Jaffe.

Grant spotlight

Go behind the scenes at Northwest Theatre Workshop

A three-time recipient of the Arts Commission’s Small Operating Grant award, Northwest Theatre Workshoppresents free events and workshops designed to build a community around the creation, development and production of new theatrical work.
“The grants have helped make it possible for us to offer free performances and our VERY popular New Works Workshop that we do in partnership with Theater Vertigo,” says Producing Artistic Director Ciji Guerin.
Experience their behind-the-scenes view of the creative process at“Tragedy. Comedy. Cookies” from 4 to 6 p.m. on March 8 at Copeland Commons Coffee House at Taborspace (5441 SE Belmont, Portland). The free event is a social get-together and script-in-hand performance of “The Thirst,” a new play that follows the adventures of conjoined twins trying to save their dying village.
Promotional image for “Tragedy. Comedy. Cookies” at Northwest Theatre Workshop..

Applications open for 2020 Hallie Ford Fellowships

The Ford Family Foundation recently announced acall for applications for the 2020 Hallie Ford Fellowships in the Visual Arts. The Foundation will award up to three $35,000 unrestricted fellowships to established Oregon visual artists who have demonstrated a depth of sophisticated practice and potential for significant future accomplishment. Their work furthers the conversation of contemporary art in the 21st century.
These fellowships honor the late Hallie Ford, co-founder of The Ford Family Foundation, who left a legacy based on a lifelong interest in and support of the visual arts. She believed strongly that others should have the opportunity to realize their talents.
Recipients are chosen based on the evolution of their work, the quality of their existing work and potential. They are chosen by a panel of arts professionals from in and out of Oregon.
The Oregon Arts Commission administers the online application process in partnership with The Ford Family Foundation.
James Lavadour “Land of Origin,” 2015 Ed. 17/18. Lithograph, paper. Lavadour is a 2019 Hallie Ford Fellow.

Harlen Springer appointed to Arts Commission

Harlen Springer, the chair of the Florence Public Arts Committee and a founding member and past president of the Florence Regional Arts Alliance​, has been appointed to the Oregon Arts Commission by Gov. Kate Brown.
Harlen is a retired corporate executive with extensive experience leading artistic and consumer products companies including Portal Publications, Numi Organic Tea and Boing Designs. Prior to that, Springer held senior management positions at Fortune 500 companies such as Procter and Gamble, Clorox and Unilever.
Harlan Springer
In more Oregon Arts Commission News,
Visit our website to read

Upcoming grant deadlines

Career Opportunity Grants: Thursday, March 5
Oregon Arts Commission | Phone 503-986-0082 | www.oregonartscommission.org

The Feels

A year ago today, I drew this compass to illustrate the five feelings I wanted to cultivate in 2019.

The four points: joy, peace, prosperity, and grace. The heart-center: harmony.

I started to write the words onto the compass, but then I realized I wanted the image to be “evergreen.” I wanted to use it every year if I felt like it. To use five words…or just one.

For 2020, I have just one word. This time next year, I’ll let you know how it turns out! I have a feeling it will be good, if only because this year, I let my five desired feelings guide most everything I chose to do.

This was the first time I approached a year with feelings instead of goals…so much more fun and freeing! I’ve spent too long confusing what I want with what I want to feel.

What do you want to feel during the coming twelve months?

Here’s to all the feels!

And blessings as we navigate toward them,

Anna

First Friday of 2020! Ashland Gallery Association Exhibit Openings & Artist Receptions

Join us for the January First Friday Art Walk festivities! 

January 3rd from 5 to 8 pm

ashland gallery association logo

Ashland Gallery Association Exhibit Openings & Artist Receptions

Stroll the galleries and take in the visual delights in downtown Ashland and the Historic Railroad District.  Venture further to explore out-skirting galleries!  Enjoy this free year-round community event, filled with a diverse array of artwork, live music, artist demonstrations, refreshments and lively conversation! 

January Spotlight Exhibits

Art & Soul Gallery

What a Difference a Frame Makes!

The gallery’s First Friday show also features wine and light refreshments; live music by pianist Anthony Bock, and will be on display from December 31 – February 2.

Peter Stone has been a professional picture framer for more than twenty-three years. He owned the popular Arrowhead Framing shop in Half Moon Bay, CA before moving to Ashland and Art & Soul Gallery.  He has long enjoyed the interpretive creative process and the constant creative problem solving which are custom picture framing. Peter loves the unique design opportunity that comes with each new artistic challenge.

“Every custom picture framing project comes with a story,” Peter has discovered. People only choose custom framing when the artwork has special meaning, he said. “And what is more special than our family memories!”

Pianist, Anthony Bock, a senior at SOU and a student of Dr. Tutunov, returns to Art & Soul for the third time. He effortlessly combines classical and non-classical piano music in a free and bright style, which captivates everyone listening.

Peter Stone, "sivo'ham, sivo'ham" (I am Shiva, I am Shiva)

Peter Stone, “sivo’ham, sivo’ham” (I am Shiva, I am Shiva)

Schneider Museum of Art

TWO GENERATIONS: JOE FEDDERSEN & WENDY RED STAR

On View: January 16 – March 14, 2020
Opening Reception: January 16th, 5:00pm – 7:00pm

EXHIBITION STATEMENT

This exhibition presents the work of two Northwest Indigenous artists who work across media and whose work responds, on their own terms, to historic and contemporary misrepresentations of Native Americans. Joe Feddersen, born in 1953, is a member of the Confederated Tribes of the Colville Reservation and has exhibited internationally since the early 1980’s. As a printmaker, basket maker, ceramicist and glass artist, Feddersen combines contemporary materials with Native iconography to create powerful and evocative works that explore the interrelationships between urban symbols and Indigenous landscapes.

Wendy Red Star, born in 1981, was raised on the Apsáalooke (Crow) reservation in Montana. An avid researcher of archives and historical narratives, Red Star incorporates and recasts her research through photography, sculpture, video, fiber arts, and performance, offering new and unexpected perspectives on past, present, and future life. Her work is humorous, surreal, and often abrasive, yet deeply rooted in a celebration for Crow life.

JOE FEDDERSEN BIO:

Joe Feddersen, a member of the Confederated Tribes of the Colville Reservation, lives and works in Omak, WA and was a faculty member at Evergreen State College in Olympia, WA from 1989 until his retirement in 2009. His work was included in Weaving Past into Present: Experiments in Contemporary Native American Printmaking at the International Print Center, New York, Autumn 2015. He has been featured in numerous national exhibitions, including Continuum 12 Artists: Joe Feddersen, National Museum of the American Indian, Smithsonian Institution at the George Gustav Heye Center, New York, NY, curated by Truman Lowe; Land Mark, Northwest Museum of Arts & Culture, Spokane, WA; and was the subject of a major retrospective exhibition and monograph, Vital Signs, organized in conjunction with Froelick Gallery and the Hallie Ford Museum of Art at Willamette University in Salem, OR

WENDY RED STAR BIO:

Artist Wendy Red Star works across disciplines to explore the intersections of Native American ideologies and colonialist structures, both historically and in contemporary society. Raised on the Apsáalooke (Crow) reservation in Montana, Red Star’s work is informed both by her cultural heritage and her engagement with many forms of creative expression, including photography, sculpture, video, fiber arts, and performance. An avid researcher of archives and historical narratives, Red Star seeks to incorporate and recast her research, offering new and unexpected perspectives in work that is at once inquisitive, witty and unsettling. Intergenerational collaborative work is integral to her practice, along with creating a forum for the expression of Native women’s voices in contemporary art.

Red Star has exhibited in the United States and abroad at venues including the Metropolitan Museum of Art, Fondation Cartier pour l’ Art Contemporain, Domaine de Kerguéhennec, Portland Art Museum, Hood Art Museum, St. Louis Art Museum, and the Minneapolis Institute of Art, among others. She served a visiting lecturer at institutions including Yale University, the Figge Art Museum, the Banff Centre, National Gallery of Victoria in Melbourne, Dartmouth College, CalArts, Flagler College, and I.D.E.A. Space in Colorado Springs. In 2017, Red Star was awarded the Louis Comfort Tiffany Award and in 2018 she received a Smithsonian Artist Research Fellowship. In 2019 Red Star will have her first career survey exhibition at the Newark Museum in Newark New Jersey.

Red Star holds a BFA from Montana State University, Bozeman, and an MFA in sculpture from University of California, Los Angeles. She lives and works in Portland, OR.

CURATOR MACK MCFARLAND BIO:

Mack McFarland is a cultural producer and has worked as Curator for Pacific Northwest College of Art since 2006. Currently McFarland is the Director of the Center for Contemporary Art & Culture at PNCA. His exhibitions at PNCA have included commissioned projects of new works from tactical media practitioners Critical Art Ensemble, Eva and Franco Mattes, and Disorientalism.  He has also curated a review of Luc Tuymans’s printed works, a group exhibit marking the centennial of John Cage’s birth, and a comprehensive look at the process of the comic journalist Joe Sacco.  McFarland’s current question is how exhibitions and artworks can meaningfully link to our shared experience of existing together within the ongoing process of history.

Wendy Red Star, "Winter", from "The Four Seasons", Archival pigment print on Museo silver rag, 35.5 X 40 inches, Courtesy of the Jordan Schnitzer Museum of Art, Eugene, OR

Wendy Red Star, “Winter”, from “The Four Seasons”, Archival pigment print on Museo silver rag, 35.5 X 40 inches, Courtesy of the Jordan Schnitzer Museum of Art, Eugene, OR

Photographers’ Gallery (Ashland Art Center)

Kate Geary – “In the Woods”

Kate Geary’s new show, “In the Woods”, opens on Friday, January 3, 2020, at The Photographer’s Gallery at the Ashland Art Center and runs through the end of February.  

Kate’s focus in this show is on the amazing beauty and even humor in the small details of the natural world in the forest.  So often the small is obscured by the magnificence of the scene, the towering redwood or roaring waterfall.  To pause, to look downward and notice the patterns in decaying bark, the sensuous texture of exposed wood; the beauty of seed pods lying in verdant ground cover, reflections of fall color in a meandering stream, brings a new appreciation to the beauty of detail.

Kate Geary, “Reflections of Season Past,” photograph

Kate Geary, “Reflections of Season Past,” photograph

Creekside Pizza

Featuring Justin Gordon

Justin Gordon is an artist and musician living in Ashland Oregon who enjoys traditional processes that harken back to the twentieth century before the digital world inundated us with images and sounds and facsimiles of real objects. He can be found driving around in a yellow seventies pick up snapping photos or playing his original songs with his band The Holy Mackerels around town when he is not at work as a carpenter and painter.

Show runs December through January.

Justin Gordon, photograph

Justin Gordon, photograph

For more information about all of our exhibits and to download the January Gallery Tour map, please visit: www.ashlandgalleries.com  

 

Please see “Spotlight Exhibits” and the January Gallery Tour Map.

Download (PDF, Unknown)

Thank you for your support of the Visual Arts in our communities!