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Green Friday Deals from Natural Earth Paint!

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Green Friday Deals!

As we get close to the upcoming spending frenzy for our loved ones, It’s the perfect time of year to be conscious of where we put our time and money! Whether it’s donations to great causes, supporting local businesses, hand-made gifts from the heart or earth-friendly gifts made in the USA, there are so many wonderful options! We wish you a beautiful Winter season and offer you these fabulous discounts on our natural art supplies – hand-made in small batches with lots of love. -The Natural Earth Paint Family

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DIY: Harvest Turkey Face Paint Tutorial

Turkey Face Paint

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©2019 Natural Earth Paint | 330 E. Hersey Street, Suite 6, Ashland, Oregon 97520

Plan Your List Accordingly This Season & Take Note Of Our Holiday Hours!

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Wishing all of you a happy, healthy and artistic holiday season

 

Filled with friends, family and fun!

 

We look forward to serving you!

 

 

– Your Friends at Central Art

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centralartsupply.com, 101 N. Central Ave., Medford, Oregon
centralartsupply.com, 101 N. Central Ave., Medford, Oregon

Will You Be The One To Solve This Creative Caper at Central Art?

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Was it Colonel Mustard? Mr. Green? Perhaps Professor Plum was the perpetrator! Something is most assuredly afoot at Central Art, and we need you to help us get to the bottom of it!

 

Using the clues we’ll reveal each day on our Facebook page during the week of Halloween (Monday – Saturday, 10/28 – 11/2), you get to use your brilliant deductive and observational skills to determine “Clue-Done-It”, what they used, and in which room the deed was done!

 

Be sure to pick up your “Detective Notes” in-store, check our Facebook page each day for a new clue, and work the case until you have made your ultimate conclusion.

 

Still stumped? Stop in Wednesday, Oct. 30th to talk to the suspects in person! Miss Scarlett, Col. Mustard, and the rest of the characters will be appearing in costume and ready for your interrogation.

 

Each Notes slip must be filled out and turned in by Saturday, Nov. 2nd to be entered to win an exclusive Evidence Bag filled with goodies!

 

The winner will be announced by Monday, Nov. 4th.

 

Come and play with us!

VISIT CENTRAL ART!
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Inspiration Center
Get your creative juices flowing!
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Products & Services
Explore a world of art essentials at Central Art.
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Events & Classes
Plug in to the local art & education scene!
Click Here
centralartsupply.com, 101 N. Central Ave., Medford, Oregon

Rock These Amazing Mineral-Based Colors in Central Art’s Next Workshop

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Watercolor Exploration Workshop Series –

“Great Blue Heron”  with Katrina Meister

 

When: Thursday, September 19, 2019

Where: Central Art

Time: 2pm – 5pm

Fee: $45 *Space is limited. Pre-registration required. Payment is required at time of registration.

 

Katrina has teamed up with Central Art to create the Watercolor Exploration Workshop Series! Each class is focused on supplies or techniques, all materials are included in the cost of the class, and you will have some to take home to continue on your own!

 

Our next will be using some of Daniel Smith’s Primatek colors, paints made from ground stones and minerals, they have a great granular quality! We’ll be painting a beautiful Great Blue Heron in this workshop!

 

Contact Katrina 541-601-7221 for more information, and call or stop by

Central Art 541-773-1444 to sign up!

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OAC Update on grant awards, Art in Public Places Roster now open and the first-ever tour of our State Capitol’s art collection!

August 2019

News & Updates

Update on grant awards, Art in Public Places Roster now open and the first-ever tour of our State Capitol’s art collection!

Grant award timeline update

OSG, ALG awards to be announced in September

Due to the new biennium budget process, the announcement of grant awards for the Operating Support and Arts Learning programs is delayed until September.
The Arts Commission is awaiting a final approved budget from the Legislative Fiscal Office and the Business Oregon fiscal office, as well as action by the Arts Commission board, so that grant awards can be finalized and distributed.
Final approval of grant awards is expected at the Arts Commission board meeting in early September. Official notification of application status and funding awards will happen after the Arts Commission board meets.
In recognition of the challenge presented by awards being announced after activity starts, the staff is developing a new timeline for the next funding cycle and may move the activity start period to Oct. 1.

Eric Asakawa plays the role made famous by Kevin Bacon in Broadway Rose Theatre Company’s current production of“Footloose” running through Sept. 1. Broadway Rose received a FY2019 Operating Supporting Grant award. Photo by Craig Mitchelldy.

Call to artists

Oregon Art in Public Places Roster now accepting applications

Regional, national and international artists are invited to submit qualifications for the Oregon Art in Public Places Roster for 2020-2022. Applications will be accepted until 11:59 p.m., MDT (Mountain Daylight Time), on Tuesday, Sept. 10. All materials must be submitted through CaFE™.
The Oregon Arts Commission manages the Percent for Art program for the State of Oregon. The Oregon Art in Public Places Roster serves as a resource for Percent for Art selection panels to identify artists most suitable for specific project needs.
The Roster is completely refreshed every three years. Artist who were selected for a previous Oregon Art in Public Places Roster must reapply to be considered for the 2020-2022 Roster.

George Johanson, “Day and Night,” 2012. Acrylic and oil on canvas. Oregon Department of Transportation.

Corvallis artist Greg Pfarr exhibits in Governor’s Office

Corvallis artist Greg Pfarr will exhibit “A Sense of Place: Time, Memory and Imagination in the Pacific Northwest” in the Governor’s Office of the Capitol Building in Salem through Sept. 26. A “meet the artist” reception is scheduled from 2 to 5 p.m. on Thursday, Sept. 5.
Place has always been a central focus of Greg’s art. He grew up roaming the woods and creeks of southern Ohio, where he found his first inspiration. Early backpacking experiences in the Smokey and Rocky Mountains convinced him that he had to live near wilderness. A move to Oregon in 1980 made it possible.
An exhibit in the Governor’s office is a “once in a lifetime” honor for selected Oregon artists.

Greg Pfarr, “Three Glaciers, Prince William Sound, Alaska,” 2014. Etching and woodcut. 24 x 36 inches (image). Courtesy the artist.

American Artist Appreciation Month

First-ever tours of State Capitol art offered in August

Explore the vast art collection inside the Oregon State Capitol during American Artist Appreciation Month in August. For the first time, State Capitol visitor services will provide guided tours of the Art of the Time Collection, publicly displayed throughout the building.
Tours will depart from the state seal in the rotunda at noon Monday through Friday,
Aug. 19-30. The collection includes more than 175 American (and many regional) artists, featured on the Percent for Art Collection website.
For a schedule of upcoming events and exhibits at the Capitol, visit www.oregoncapitol.com.

Sally Haley, “Camellias,” before 1979. Acrylic on canvas. Photo: Frank Miller.

At Liberty honors Royal Nebeker

Former Arts Commissioner and beloved Oregon artist Royal Nebeker (1945-2014) is being celebrated in a retrospective of his work on exhibit at At Liberty in Bend through September.
A prominent teacher, Nebeker left a tremendous legacy of work. A broad representation of his life’s work assembled for the tribute show.
Royal once said, “This process of painting resembles looking through a night window. I peer out, observing and at the same time see the reflection of the interior conditions of my own reality. It is my intent that as the viewer peers into my painting, he will not only see a visual record of meaning in my life, but will discover the reflection of meaning in their own, as in a night window.”

Pictured at the Royal Nebeker exhibit opening: (left to right) Kaari Vaughn, a founding partner of At Liberty; Sarah Nebeker, Royal’s widow and a Clatsop County Commissioner; Hannah Nebeker, Royal’s daughter; Rene Mitchell, a founding partner of At Liberty; Jenny Green, a founding partner of At Liberty; and Brian Wagner, Arts Commission community development coordinator. .

Florence public mural celebrates local culture

“Stitching Time, Weaving Cultures,” a public mural celebrating local culture and heritage, was recently dedicated in Florence. Commissioned by The City of Florence and the City’s Public Arts Committee, the mural was created by Portland artist-team Marino-Heidel Studios.
Almost three years in the making, the mural showcases folk arts and speaks to cultural interchange. It also “stitches” together ideas that represent the Florence area. The design incorporates the iconic Siuslaw Bridge and native flora and fauna of our region and pays homage to the Siuslaw people.
The project was a partnership between enthusiastic citizens, members of the PUD, Tribal leaders and City of Florence staff.

(Left to right) Harlan Springer of the Florence Public Arts Committee, Catherine Rickbone of the Oregon Coast Council for the Arts and Michal Dalton, Oregon Arts Commissioner.

Upcoming grant deadlines

Oregon Arts Commission | Phone 503-986-0082 | www.oregonartscommission.org

STAY CONNECTED

Guggenheim Foundation and Fellowship Grants Available For Artists

John Simon Guggenheim Memorial Foundation Fellowship Competition

Guggenheim Fellowships are intended for individuals who have already demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts.

Fellowships are awarded through two annual competitions: one open to citizens and permanent residents of the United States and Canada, and the other open to citizens and permanent residents of Latin America and the Caribbean. Candidates must apply to the Guggenheim Foundation in order to be considered in either of these competitions. The John Simon Guggenheim Memorial Foundation has decided to suspend its Latin American and Caribbean competition for the year 2020 while we examine the workings and efficacy of the program. Therefore the Foundation will not be accepting applications in the Latin American and Caribbean competition for 2020.

The Foundation receives approximately 3,000 applications each year. Although no one who applies is guaranteed success in the competition, there is no prescreening: all applications are reviewed. Approximately 175 Fellowships are awarded each year.

During the rigorous selection process, applicants will first be pooled with others working in the same field, and examined by experts in that field: the work of artists will be reviewed by artists, that of scientists by scientists, that of historians by historians, and so on. The Foundation has a network of several hundred advisers, who either meet at the Foundation offices to look at applicants’ work, or receive application materials to read offsite. These advisers, all of whom are themselves former Guggenheim Fellows, then submit reports critiquing and ranking the applications in their respective fields. Their recommendations are then forwarded to and weighed by a Committee of Selection, which then determines the number of awards to be made in each area. Occasionally, no application in a given area is considered strong enough to merit a Fellowship.

The Committee of Selection then forwards its recommendations to the Board of Trustees for final approval. The successful candidates in the United States and Canada competition are announced in early April; those in the Latin America and Caribbean competition, in early June.

We guarantee our advisers and Committee of Selection members, as well as those who submit letters of reference, absolute confidentiality. Therefore, under no circumstances will the reasons for the rejection of an application be provided.

Learn more about the Foundation and Fellowship Grants here: https://www.gf.org/about/fellowship/

Complete the form found at the link below to request a login account so that you can access Guggenheim’s online Fellowship Application. An email will be sent to you shortly with your login credentials. It may take a few minutes before you receive the email.

If you applied in the 2019 competition, you may use your previous username when you complete this form, but we will issue you a new password. No portion of your previous application will be retrievable for use in this year’s competition. Persons who have already received a Guggenheim Fellowship are not eligible to apply for another.
The application deadline for the 2020 United States and Canada competition is 11:59 P.M. (EST), Monday, September 16, 2019. 

Apply for the Fellowship Grant here: https://competition.gf.org/applicant/

SOAR wishes you the best of success in your fellowship application! If you win a fellowship grant, please let us know so we can share your story.

Oil Painting Safe Practices, Materials, & Supplies: The Essential Guide

Oil Painting Safe Practices, Materials, & Supplies: The Essential Guide

New book by Kimberly Brooks

I remember the first time I ever painted in oil as if it were yesterday. Already an avid sketch artist and having dabbled in acrylics, I was initially hesitant to use the medium for 2 reasons: Firstly, I put it on a pedestal, as if one needed a right or permission. Secondly, I knew it involved materials that were some how dangerous.

But I did it anyway. I knew then that I would be using this medium for the rest of my life.

Ten years in, I started to feel funny from the solvents.

At the end of every painting session, I would have a weird taste on my tongue. I moved to “Odorless Mineral Spirits”, but barely felt better.

If only I knew then what I’ve since learned during the illuminating journey of writing a book about the subject of everything I wish I knew at the start, the wonder of the history of pigments and particularly how to paint without solvents.

The dearth of knowledge about materials and craft among painters is an unnecessary epidemic. Either instructors assume the students learned it in a previous foundational class that no longer exists or were never taught themselves.

I’m so excited to announce that I created something I wished for my younger artist self: a little black book just for oil painting of all the materials I would need and why.

Oil Painting Safe Practices, Materials, & Supplies: The Essential Guide is a culmination of knowledge I’ve gathered over twenty-five years of painting with the last decade focused on how to paint in the safest way possible. It is a perfect shorthand for me to teach about materials and enabling anyone to mix their own mediums, reduce toxins, save time, live longer, and create more art.

Thanks to Chronicle Books, it will be widely available to painters worldwide soon. For now, I’m making it available and use it as a text book for my students here:

Shh! Annual Don’t Tell Dan Sidewalk Sale At Central Art

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Shhh – We’ve done it again! While Dan wasn’t looking, we raided our art supply stores and emerged from the depths of the building, loaded down with a menagerie of great products that are either over-stocked, over-looked or over-staying their welcome.

 

We want to give them a proper send-off, so for 2 DAYS ONLY, we’re offering a wide variety of back-stock and discontinued inventory at YARD SALE prices during Central Art’s annual Sidewalk Sale! You won’t want to miss an opportunity like this!

 

Get here early Friday, July 19th between 9am and 6pm, or stop in

Saturday, July 20th between 10am and 4pm for a second chance to catch these amazing deals before they’re gone forever!

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Paint Brushes

Let’s talk tools of the trade. I’m looking at my supplies more closely recently–oils v. acrylics, canvas v. masonite board or panels, “everyday” brushes v. investment brushes, spray varnish v. gloss medium…and on.

I changed up my brushes a few months ago. The whole truth is that my aunt in Victoria was taking a painting class and her instructor recommended a collection of go-to higher quality brushes but would last a long time and make a big difference. Hmmm. I’m of the school that the “everyday” workhorse brushes are just fine, especially for a painter like me who is fairly rough on them…forgetful to wash, leaves out, etc…I asked my aunt what she thought after switching over herself and she thought they made a big difference…so that was all the suggestion I needed. Off to the candy store I went.  I have 6 total–so nothing crazy but one each of my most used sizes. Three are Princeton and three are Aquatec and they seem about equal quality to me and they were in the same price range. I’ve also heard that Trekell sells terrific brushes–haven’t tried yet but know that I know they matter….I’m on their website.

Verdict? Totally, completely 100% worth it using fewer brushes that are better quality. They feel different. They are holding their shape. I’m cleaning them more frequently. My paintings feel better. And…they’re so pretty!!!!

“Paintbrushes in Harney Tin” 8×10″ SOLD

Save Alaska Arts and Culture

Governor Dunleavy has line-item vetoed funding for many of Alaska’s art and arts education programs, including the Alaska State Council on the Arts (ASCA). Only your state legislators can save it with a 3/4 override on July 8th.