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Pattern And Watercolor Painting “Lighthouse, D9”

Pattern: it is about repeating lines, colors, shapes, values and sizes in a painting.

Reviewing Work For A Portfolio.

I have been preparing a portfolio of my work for submission to the online literary magazine Cascadia Subduction Zone.  In the process, I was looking at some of my works that I haven’t thought about in awhile.

It’s Like Looking At Pictures Of Friends.

Take, for instance, the watercolor Lighthouse D9 (or Design 9).  I am delighted to reacquaint myself with this painting.  The Grays Harbor Lighthouse, Point Chehalis, West Port, WA, inspired me to create this series of work.  You see, for a time I lived nearby and have always loved lighthouses.

Pattern: As Used in Lighthouse D9; Watercolor

Playing With Pattern.

When I created the design for Lighthouse D9 I was interested in exploring pattern.  When I say pattern, I am referring to a specific use of the term.  That is, I repeated and clustered smaller shapes in such a way that they “read” visually as one larger shape.

Examples:  Grass & Clouds.

Take, for example, the cloud shapes or the “v” grass clump shapes. Together, the smaller “v” shapes and the greenish color add up visually to tell you that I’m describing a grassy area.  The same goes for cloud shapes against a blue background on the upper portions of the painting.  I’m signaling “sky”.

OH!  A Way To Simplify!

Put another way, I’m using pattern to simplify my design.  Plus, add meaning.  And, it was fun!

What About Meaning?

The meaning?  For me, I’ve always liked lighthouses.  I grew up looking at lighthouse paintings by my father, artist John Stermer.  My feelings were pretty simple; I liked them.  They looked like remote places, but also beacons to the traveler.

This painting, with its festive colors and simple patterns, alludes to the brighter side of lighthouse symbolism.  That is the beacon that guides the navigator through rough seas.

Enjoy!

In closing, I hope that you enjoy my Lighthouse, D9.  Furthermore, you might want to keep a look out for pattern next time you go to an art show.

Thank you!

The post Pattern And Watercolor Painting “Lighthouse, D9” appeared first on Margaret Stermer-Cox.

Pattern And Watercolor Painting “Lighthouse, D9”

Pattern: it is about repeating lines, colors, shapes, values and sizes in a painting.

Reviewing Work For A Portfolio.

I have been preparing a portfolio of my work for submission to the print literary magazine Cascadia Subduction Zone.  In the process, I was looking at some of my works that I haven’t thought about in awhile.

It’s Like Looking At Pictures Of Friends.

Take, for instance, the watercolor Lighthouse D9 (or Design 9).  I am delighted to reacquaint myself with this painting.  The Grays Harbor Lighthouse, Point Chehalis, West Port, WA, inspired me to create this series of work.  You see, for a time I lived nearby and have always loved lighthouses.

Pattern: As Used in Lighthouse D9; Watercolor

Playing With Pattern.

When I created the design for Lighthouse D9 I was interested in exploring pattern.  When I say pattern, I am referring to a specific use of the term.  That is, I repeated and clustered smaller shapes in such a way that they “read” visually as one larger shape.

Examples:  Grass & Clouds.

Take, for example, the cloud shapes or the “v” grass clump shapes. Together, the smaller “v” shapes and the greenish color add up visually to tell you that I’m describing a grassy area.  The same goes for cloud shapes against a blue background on the upper portions of the painting.  I’m signaling “sky”.

OH!  A Way To Simplify!

Put another way, I’m using pattern to simplify my design.  Plus, add meaning.  And, it was fun!

What About Meaning?

The meaning?  For me, I’ve always liked lighthouses.  I grew up looking at lighthouse paintings by my father, artist John Stermer.  My feelings were pretty simple; I liked them.  They looked like remote places, but also beacons to the traveler.

This painting, with its festive colors and simple patterns, alludes to the brighter side of lighthouse symbolism.  That is the beacon that guides the navigator through rough seas.

Enjoy!

In closing, I hope that you enjoy my Lighthouse, D9.  Furthermore, you might want to keep a look out for pattern next time you go to an art show.

Thank you!

The post Pattern And Watercolor Painting “Lighthouse, D9” appeared first on Margaret Stermer-Cox.

Ashland’s First Friday Art Walk, December 7th from 5 to 8 PM

Ashland Gallery Association Art Exhibit Openings & Artist Receptions

First Friday Art Walk, December 7th from 5 to 8 PM

Stroll the galleries and take in the visual delights in downtown Ashland and the Historic Railroad District.  Enjoy this free year-round community event, filled with a diverse array of artwork, live music, artist demonstrations, refreshments and lively conversation!

Ashland Gallery Association December Spotlight Exhibits

Ashland Gallery Association Art Happenings!

Photographers’ Gallery

Bittersweet: Yosemite 20 years Later.

 

 Bobbi Murphy’s new show, Bittersweet: Yosemite 20 Years Later, opens on Friday, December 7th at The Photographers’ Gallery At The Ashland Art Center and will run through January.

 

Yosemite holds wonderful memories for me – of autumn walks in golden meadows and full moon nights along the Merced River listening to great horned owls call to their families on cold evenings. Tramping through spring meadows flooded with snow runoff, riotous with wild flowers.  John Muir walked here and helped create America’s second great National Park.

 

There is no denying the impact of climate change on the park: drought, fire, pine beetles have killed 129 million trees in California and Yosemite has not been spared. It is heartbreaking to see and experience while remembering how magnificent it was just a few short years ago. But the tourists come in crowds greater than ever.

 

Despite all that we have done to it, Yosemite is still a glorious, spectacular place that makes a heart sing, even in the midst of destruction and devastation. We are loving it to death and yet, somehow don’t love it enough to save it and ourselves.

Bobbi Murphy, Lone Tree, photograph

Ashland Art Center

Giving Tree Program

Help a local child and celebrate the Holiday’s by donating to Ashland Art Center’s Giving Tree.

December First Friday will be packed with excitement at Ashland Art Center.  We will be kicking off our First Friday Weekend Sale, 10% off, December 7, 8 & 9th.   Handcrafted work by local artists will include: paintings; photography; prints; jewelry; scarves; fiber art; woodwork; ceramics. 

Shop, enjoy wine and music and help a child in need!  We hope will you join us and spread some holiday cheer.  

Giving Tree

Giving Tree

Gallerie Karon

Gifts By The Gifted

Gallerie Karon’s December show features all of our artists with gifts for the holidays. Let us be your personal shopper – bring your list – we’re here to help.

The biggest news is that Gallerie Karon is expanding! Our new addition, “The Feathered Wing”, will be open by the holidays! In this new area, accessible through our main gallery, is a two-part section. The first is full of small, multiple use furniture pieces for smaller spaces. The second is a special area for Oriental furniture and accessories with larger scale antique Buddhas and Quan Yins. It’s a serene room far away from today’s problems and filled with things that you can use to create your own serene space at home.

We’ll have a Grand Opening once the expansion is completed, but the move is on!

Gallerie Karon

Gallerie Karon

The Shepherd’s Dream

A Study on the Transition of Life

Nora Costley, Watercolorist, shares her artistic evolution through self-discovery and the mystery of the universe. Nora is a world traveler and holds a BA in Fine Art from the University of New Mexico.  Her work has been displayed in the National Museum of Art in Washington, DC.  She currently resides in the Rogue Valley. 

She enjoys many forms of art including sculpture, traditional pottery making in Japan, Installation and Photography.  Even as a watercolorist, Nora feels an artist does not need to stick with the same subject or medium.  She prefers an artist’s creation to reflect the transient beings they are, and continue to demand an evolution as individuals.  She states…”for me art is a constant exploration and experimentation of self and the universe, which parallels the exploration of medium and processes.”  Also…”a driving force is art that stimulates personal power and freedom in myself and others.”  Her practice has evolved from that of discovering and resolving the internal, to decoding the world at large.  Often her ideas flow, and it’s not until a piece is complete, that it either is understood or not.  The universe is of great curiosity to her, but as with Nora’s artistic endeavor, she is satisfied with the mystery.

Nora Costley, “Take Your Power Back” watercolor

Nora Costley, “Take Your Power Back” watercolor

Special Event!

Lithia Artisans Market

Lithia Artisans Holiday Market

Friday, December 14 ~ 10am-7pm
Saturday, December 15 ~ 10am-6pm
Sunday, December 16 ~ 11am-4pm

Our Holiday Market is moving to the Medford Armory after 13 seasons with the Art Wing at Briscoe Elementary in Ashland. For 2018, we plan to host over 60 artisans at this new location, featuring some of the finest locally crafted gifts you’ll find. Enjoy live music, a family-friendly atmosphere and a chance to support local artisans while shopping for one-of-a-kind gifts.

A raffle drawing will be held on Sunday afternoon at both of our holiday events. The winner receives a $100 gift certificate.  This Holiday Season Support Local Handmade. Join Us!

Artisans Market holiday wares

 

For more information about all of our exhibits and to download the December Gallery Tour map, please visit: www.ashlandgalleries.com  

 

Please see the attached “Spotlight Exhibits” and December Gallery Tour Map.

Download (PDF, Unknown)

Thank you for your support of the Visual Arts in our communities!

Meaning in Painting? Regarding Still Life With Rabbit and Egg

The “Meaning” Question.

A fellow artist, Sandra Neary, asked me about the meaning of this still life composition.  In particular, why is the egg larger than the rabbit?

Meaning: Drawing with Rabbit and Egg

Dinosaur Egg & Pygmy Rabbit?

Well, all sorts of silly responses bounced around my head.  For instance, what if the egg were a dinosaur egg and the rabbit was a pygmy rabbit?  All birds are dinosaurs so it could be true.  Alright; it is a chicken egg and a replica of a rabbit netsuke.

Short Term Answer.

However, the question was put forward. And, I thought I’d quote part of the answer I gave.

“I chose them because they were all white objects..I was studying light and form. But, the incongruity of the rabbit and egg amused me. However, the narrative is sending me places I don’t want to go. It was the form that I was after. Sometimes you can’t escape narrative. Though, I like the ambiguity.”

Margaret Stermer-Cox Fine Art Facebook Page, 1 November 2018

And, What About Meaning?

However, I did start thinking about the meaning of this composition and, perhaps two dimensional art in general.

And, I came to the conclusion that it is reasonable to ask about the meaning of a painting or drawing.  After all, the arts, including the visual arts, are a means of communication.  Therefore, it would be natural to want to understand a piece of art.

Meaning: Painting of Rabbit and Egg

How I Select Items For This Still Life.

That being said, this artist, (ahem, yes, I mean me), is prone to selecting subjects for reasons other than symbolic or iconic meaning.

Shape and Value.  For example, when I selected items for this particular still life set up, I chose them for their shapes and tonal value. To explain, I was interested in studying form free from the distracting influence of color. So, I selected the items because they were a neutral, light or white color.

Geometry.  Furthermore, I was interested in the basic geometric shapes depicted here.  The egg cup, for example, is a modified column.  The egg is like an elongated sphere.  The rabbit has similar rounded forms.

Personal Interest.  And, I liked each of the items.  They’re from my personal collection of knick-knacks.

Still Life Set Up.

So, once I selected the items for my still life study, I had to arrange them.  Keeping in mind composition, I set about placing my knick-knacks.  You will notice that clustered the three together in a sort of triangular shape.  It is like they are in huddle over to the left.

By clustering the items to the left, I set up a problem of how to balance the right side.  My response was to see if line and small shifts in tone will be enough to achieve balance.

Meaning: Still Life with Rabbit & Egg. Reference Photo
I am including a photo of the still life set up so that you may get an idea of what I was studying. However, I drew and painted from the life; not the photo.

Academic; No Spontaneity?

Hmmm, you might think, this all sounds academic.  Well, I think it is at this stage of the process.  That is to say, I am purposeful in my set up; not spontaneous.  In other words, I’m experimenting and teaching myself by doing.  I take the rules and principles of composition, apply them and then see what happens.  The process is like an informed trial and error.

Learn By Studying & Doing.

You see, one reads the books, studies the demos, and takes the workshops, in an effort  to learn how to draw and paint. But, along the way, one needs to do the work.  So, I start with the principles and then go about the process of learning how to use them.

That is, I need to try out ideas using pencil or brush on paper.  At such times, I feel compelled to ask the “what if” questions and see what happens.  In other words, I’m studying the art of drawing and painting by doing.

The Concept of “Meaning” Deserves More Study.

So, let us go back to this idea of meaning in drawing and painting.   As I am writing and considering this question, I realize that meaning might need to be studied just as form, value or color.  So, with that, I think I will close with the thought that this ought to be the beginning of a series of articles about meaning in paintings.

What Does It Mean To You?

And, a final word about this particular still life.  Could it mean more than my intentions?  Well, as the viewer or receiver of the visual message, you bring your own experience to the conversation.  So, yes, it could mean something entirely different to you.  And, that is just fine with me!

PS.  Note with the variation below, I changed a couple of things.  Does meaning change as well?  What do you think?

Meaning: Drawing of Rabbit and Egg

The post Meaning in Painting? Regarding Still Life With Rabbit and Egg appeared first on Margaret Stermer-Cox.

3rd Friday Art Reception – November 16, 2018

Nov 14 2018 artblast Sheryl Swift
Detail of Journey’s End by Sheryl Swift

3rd Friday Art Reception, November 16, 2018

IN THE MAIN GALLERY

Don’t Fence Me In:
2018 Annual Members Exhibit

November 9–December 21, 2018

Jorizzo Paul Pounabrone Dolmen
Poulnabrone Dolmen by Paul Jorizzo

Reception:  Friday, November 16, 5:00-8:00 pm

Member artists of the Rogue Gallery & Art Center were encouraged to express themselves without boundaries as the title “Don’t Fence Me In” implies. Exhibiting artist include:

Bruce Allen, Charles Anderson, Robert Arieas, Betty Barss, Sue Bennett, Linda Boutacoff, PJ Boyd, Susan Eileen Burnes, Sarah F. Burns, Leonard Burton, Violet Burton, Katy Cauker, Millie Clarke, Dawna Curler, Valerie Dann, Susan DeRosa, Anna Elkins, Cynthia Flowers, Alx Fox, Miles Frode, Tom Glassman, Jay Gordon, Nancy Graham, Kelly Gratton, Carla Griffin, Phyllis Gustafson, Lane Hall, Claudia Harlow, John Hawkins, Rebecca Hawkins, Linda Henning, Anna Hinkle, Howard Hunt, Marilyn Hurst, Zelpha Hutton, Jennifer Ivey, Paul Jorizzo, Joan Kennedy, Susan Hoppe Krempa, Judy Benson LaNier, Shahnaz LeRoy, Betsy Lewis, Katherine Lundgren, Mary Ann Schofield Macey, Christina Madden, Dave Mathewson, Vivian McAleavey, Vera Melnyk, Kathy Morawiec, Victoria Morgan, Kay Myer, Judy Ghetti Ommen, Kristen O’Neill, Walt Padgett, Carolyn Patten, JoAnn Pearce, Cecilia Pestlin, Charlotte Peterson, Linda Purdom, Susan Quinn, Janice Rosenberg, Mary Ruzich, Barbara Schack, Ginny Schaw, Desmond Serratore, Lo Smucker, Darlene Southworth, Leland Struebig, Sheryl Swift, Eva Thiemann, Greg Thweatt, Silvia Trujillo, Peter Van Fleet, Cherri Van Syoc, Mary Joette Vannice, Daniel Verner, Doug Wallace, Gerald Westgerdes, Marilyn Westgerdes, Charlotte L. Wirfs, Walter Wirfs, Eve Margo Withrow, and Sue Yamins

. . . . . .

Last chance to see these beautiful pastel paintings!

IN THE COMMUNITY GALLERY

Southern Oregon Impressions
by Marilyn Hurst

October 5 – November 16, 2018

Hurst Marilyn The Grand Giant Sequoia
THE GRAND GIANT SEQUOIA – pastel, Marilyn Hurst

Southern Oregon artist Marilyn Hurst finds inspiration for her paintings in various subjects like a peaceful landscape, beautiful flowers or the character of an old barn. She works primarily in pastel and watercolor.

 IN THE ROGUE STUDIO

Artist Teen Program Georganna ATP
Build a Future in the Visual Arts

The Artist Teen Program, or ATP, offers local teens a realistic career experience of a professional artist. Students will be paired with artists from the community to create exceptional works of art and to build their art skills. The program culminates with an exhibition of the art they have created. This year, students will work in Photography, Drawing, Painting, Mixed- Media, printmaking, or Sculpture.
Program runs January – April annually.
The Artist Teen Program is $300 for tuition, includes ALL materials and framing expenses.
Financial assistance is available.
ATP APPLICATION HERE>>
APPLICATION DEADLINE: Friday, December 7, 2018

For further information please contact Ashley E. Clasby, our Education and Events Manager at (541)772-8118 or [email protected]

COMMUNITY ANNOUNCEMENT

CLAYFOLK
Follow Rogue Gallery & Art Center
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Forward this message to a friend
Call the Gallery for more info: (541) 772-8118

Check out more fun activities at: www.roguegallery.org

The Rogue Gallery & Art Center is the Rogue Valley’s premier non-profit community art center founded in 1960 to promote and nurture the visual arts in the Rogue Valley. The Art Center showcases emerging and established artists, presents fine crafts by area artisans, and offers a broad range of visual art classes and workshops for all ages.

Rogue Gallery & Art Center is located in downtown Medford at 40 South Bartlett Street. The hours of operation are Tuesday through Friday from 10 a.m. to 5 p.m. and Saturday from 11 a.m. to 3 p.m. We are open every third Friday until 8:00pm.

Rogue Winterfest December 1 and 2, 2018

Rogue Winterfest Weekend Holiday Events

Holiday Singers, Rogue Winterfest 2018 at Evergreen’s Bear Hotel

December 1st and 2nd from 10:00 AM to 4:00 PM

at Evergreen Federal Bank’s Bear Hotel, 2101 NE Spaulding Ave, Grants Pass.

Tickets are available for purchase at the door:

·         $5 for adults

·         $3 for children(4-17) & seniors (55+)

·         children 3 and under are free

·         $20 family pass (6)

The public is invited to view holiday trees, art displays, and The Southern Oregon Adventure at Evergreen’s Bear Hotel. Visit Santa and Mrs. Claus; participate in fun family games and activities like the Home Depot Kid’s Workshop project; enjoy live entertainment; and vote for the People’s Choice Award.

Download (PDF, Unknown)

Anna Elkins Presents Poetry of Process, Delve November 3 at Willamette Writers

Poetry of Process, Delve by Anna Elkins
Hi, Southern Oregon Friends!
I’ve got a poetry announcement for those of you who love to write–or who just want to try it out. I’ll be speaking & teaching this coming Saturday, November 3, at the Willamette Writers monthly meeting in Central Point.
It’s a two-part day:
10:00-12:00: Poetry of Process :: For the morning presentation, I’ll share my own process, practical tips, & poetry–including glimpses into the stages of my current manuscript–in all its messy reality. (Free for members & $10 for guests)
1:30-3:30: Delve :: During the afternoon workshop, we will all immerse ourselves in the writing process itself and emerge with a poem. Bring paper & your favorite pen or pencil. ($20 for members & $25 for guests)
For more information, visit:
May your week be a good one!
Cheers & joy,
anna elkins
art word spirit
anna elkins logo

CoCA and La Sala Present Programming in Seattle for (Where)Do We Belong?

CoCA and La Sala Present Programming this November for (Where)Do We Belong?

This November, Seattle’s Center on Contemporary Art (CoCA) and La Sala announce new events for the exhibition,​ (Where) Do We Belong?

The public is invited to join CoCA and La Sala at the First Thursday Art Walk for a performance by Milvia Berenice Pacheco ​Salvatierra. ​Pacheco ​is an Afro Latina artist, born in Caracas, Venezuela, where she trained in dance and theater. Her art is inspired by early traumatic experiences and she has devoted her life to reaching liberation through art and movement as a contemporary dancer, choreographer, performer,bodyworker,mother and community organizer.​Marías,​ is a​ work-in-progress dance and poetry performance inspired and created by Pacheco during the recent staged reading of the book, ​Killing Marías​, written by Washington State’s Poet Laureate Claudia Castro Luna.Recorded music by Trio Guadalevin will accompany the piece. Drawing on Mexican Son Jarocho and Huasteco, melodies sung in Zapotec, Spanish xácaras, Italian ciaccona, Andalusian song, Sephardic balladry and Moroccan shabia – Abel Rocha, August Denhard and Antonio Gómez are Trio Guadalevin.

On November 10, La Sala has coordinated another very special event of readings from 3-4:30pm. Poets, Maiah Merino and J.A. Dela Cruz-Smith, will begin this event with literary readings followed by Q&A of their artistic process, moderated by Catalina Cantú from La Sala. Additionally, hear about the work being done at Northwest Immigrant Rights Project to surmount challenges and provide resources for immigrants to the US.

Indigenous bilingual, Poet, Playwright and Creative Non-fiction writer Maiah A Merino, shares stories of her mixed culture family, and the pulse of what’s alive in her life currently.

J.A. Dela Cruz-Smith is a bread baker and poet in Seattle pursuing an MFA in the Rainier Writing Workshop.

La Sala, a Seattle nonprofit organization works to coalesce and mobilize the Latino/Latina arts community of the Seattle, Bellevue and surrounding districts, and is partner and co-curator with CoCA for the exhibition​,(Where) Do We Belong?​, as well as the above programming. Find more at www.lasalaseattle.org​.

Mark your calendars:

(Where) Do We Belong?

Exhibition dates October 4 – November 17, 2018.
Reception Thursday, November 1 from 5pm – 9pm as part of Pioneer Square Art Walk.

A Performance by Milvia Pacheco, “​Marías,”​ Thursday, November 1 from 7pm – 7:15pm Literary Readings + Discussion: Saturday, November 10 from 3pm – 4:30pm
Exhibition and all events at CoCA in Pioneer Square: 114 Third Avenue South, Seattle, 98104. Public ​Gallery hours are Thursday – Saturday, 10am – 5pm.

 

(Where) Do We Belong? 10/4-11/17/2018
Group exhibit shares the realities and challenges surrounding immigration and includes works that are a response to Trump’s “Zero-Tolerance Immigration Policies”—amplifying diverse artistic voices with direct experience.

 

Art du Jour November 2018

Hanley Farm-Painting by Debby Fisher showing at Art du Jour. Image proved by artist.

Art du Jour Gallery, 213 E. Main Street in Medford, will be presenting Ruth Heath as featured artist, and Debby Fisher continues to have her stunning display as the guest artist exhibit in the Salon.  We will also be announcing the winner of our People’s Choice “Furry and Feathery Friends” contest with the top vote getter on display through the month of November.

Ruth Heath featured artist for November

Ruth Heath began painting at 22 after purchasing some Walter Foster instruction books. After moving to Medford with her family from Southern California she found this to be an inspiring place to live, and began painting with watercolors, acrylics and pastels.

Ruth Heath’s art exhibit at Art du Jour is the inspiration of her travels through Europe. Image provided by the artist.

Her suggestion to new painters is start with pencil sketching or painting with one color and gradually add more. She writes, “As you practice more you will see the things around you in a different light and you will improve. Learn the basics, so your masterpieces will stand the test of time, then be brave and try something different. There are many excellent art teachers in this area and U tube has countless instruction videos.”

Ruth has had the good fortune to have traveled to England, France, Italy, Germany, Belgium, Holland, Switzerland, Greece, Israel and Egypt with family and friends. As a result her artwork often depicts unique architecture, castles, quaint villages and cottages. Though she has also traveled extensively through the United States, Canada and Mexico, this display on our featured wall is primarily European street scenes, windows and doorways. Ruth is an honorary member of the Southern Oregon Society of Artists and a charter member of Art du Jour Gallery.

Debby Fisher guest artist through November

Debby Fisher received her art education from many venues majoring in art education at Indiana University of Pennsylvania, studying drawing at Virginia Commonwealth University, and a plethora of workshops along life’s journey. In the mid 90’s, after settling in Oregon with her family, Debby studied commercial art with Semyon Bilmes, who now leads Atelier Maui. After a time in the illustration business, she was drawn back to oil painting through the work of great artists such as Michael Dudash and Chris Hopkins, who she had the privilege of connecting with and learning from through the Masterpiece Christian Artists Conferences.  Now doing commissioned pieces and gallery paintings that reflect the beauty God surrounds us with every day, her work is in many private collections across the country.

Thunderhead- Painting by Debby Fisher at Art du Jour Gallery. Image provided by artist.

Debby says, “When I was about 10 years old, I attended my first oil painting class which took place in a little classroom behind a butcher shop in Pittsburgh, PA, and I’ve loved the smell of oils ever since! I like to paint many genres, as you’ll see in this Salon exhibit, from pumpkins to barns to musicians!”

Third Friday November

Join us for our Third Friday reception 11/16, 5:00-8:00 pm.  We are now accepting applications for artists who would like to join our cooperative and display their work to the Medford community.  Contact the gallery by email at [email protected] for more information.

Ashland’s First Friday Art Walk, November 2, 2018 from 5 to 8 pm

Ashland Gallery Association November 2018 Art Exhibits

First Friday Art Walk, November 2nd from 5 to 8 pm

Stroll the galleries and take in the visual delights in downtown Ashland and the Historic Railroad District.  Enjoy this free year-round community event, filled with a diverse array of artwork, live music, artist demonstrations, refreshments and lively conversation!

AGA November Spotlight Exhibits

Masterpiece Christian Fine Arts

Paintings by Mera Oliveria

Ashland Pony Espresso

Mera Oliveria grew up in Southern Oregon and began oil painting in the past 6 years, learning from local artists, which revealed her inherent natural abilities. Mera has always loved art but it wasn’t until she encountered the living God that she feels her art and skill level blossomed in new ways. Like in the story of Exodus, where God gave skill to craftsmen and artists to build the sacred place where He would meet again with His people, she believes artists are gifted with abilities to create art that allows one to encounter the living God, a meeting place, so to speak.

Along with working in painting, Mera engages in chalk festivals where artists spend days on the asphalt creating large chalk murals in the streets. Ashland residents may remember Mera transforming the sidewalk in the summer of 2017 in front of the Black Swan Theater with a 12 x 12 chalk art rendition of Henry IV, the Prodigal Son along with artist Cathy Gallatin.   She feels that involving the public in the process of creating art is special for many reasons, emphasizing the importance of the arts within community and how beauty is a form of unity, a universal language that speaks of the human experience we all live, and the spiritual and emotional journey that no one can escape.

 To see more of Mera’s art and works in progress, visit her on Instagram: @MeraOlive

Mera Oliveria, “Chalk Art”, Grants Pass, Oregon

Mera Oliveria, “Chalk Art”, Grants Pass, Oregon

Hanson Howard Gallery

Animal Crackers: Gallery Artists Pay Tribute to Our Furry and Feathered Friends

If you spend any time in the gallery you will have noticed that many of our artists have a thing for animals in their work.  Why? Well, we don’t want to overthink it….but, we can celebrate it!  From the fun to the reverent, small pieces and large, 2D and 3D, we will be including all the ways our artists honor animals in their work.  Artists include Wayne Armstrong, Don Ajello, Laurel Bustamante, Steven Dewey, Penelope Dews, Baba Wagué Diakité, Claire Duncan, Marly Eidsness, John & Robin Gumaelius, Carol Ingram, Pamela Kroll, Betty LaDuke, Jhenna Quinn Lewis, Gabriel Mark Lipper, Robert Schlegel, Karen Staal, Wataru Sugiyama, Millie Whipplesmith Plank, and Aggie Zed. For this occasion, we’ve invited Portland sculptor, Stan Peterson whose carved wooden figures have all the charm of early folk art.

This is our final show of the year and will all be up throughout the holidays.

Join us for a reception for the artists during the Ashland First Friday Art Walk, November 2nd, 5-8 pm. The show runs November 2nd through the end of the year.

Stan Peterson, “Going Home”, carved wood

Stan Peterson, “Going Home”, carved wood

Photographers’ Gallery

Tiger Lily: Featuring Heinz Danzberger

Heinz Danzberger’s new show “Tiger Lily” opens Friday, November 2nd at The Photographers’ Gallery at the Ashland Art Center. The show is part of an ongoing project covering the landscapes of the “State of Jefferson” and, in particular, the greater Mount Shasta region. It is a photographic journey and discovery of sweeping vistas and landscape details, capturing the unique land at the heart of the West Coast and one of the larger natural areas remaining in the US. It is very diverse with active volcanic roots from which spring wetlands, high deserts and forested mountains, creating a land unlike any other on the West Coast.

Heinz uses modern techniques and classic lenses to capture high-resolution photographs intended for large size pigment print. The massive scale of the landscape around Mount Shasta invites large prints to capture the grandeur of the scene.

Heinz began working in medium format and then migrated to digital once high-resolution cameras became available. The decisive factor in his work style is not as much the camera but the applied lens qualities – in this image he used the classic Pentax 77mm FA lens resulting in beautiful and very classic image.

The Tiger Lily aka Ditch Lily is a welcome sight around Mount Shasta.  This particular flower grew like a bridge over Cold Creek under the forest foliage. The arch of the stalk and the fruits of the bulbs float effortlessly over the small creek. Perhaps a deer displaced it in the spring or the weight of the flowers bent the stalk down towards the water. The horizontal arrangement shows the power of this plant to survive in difficult places.

Heinz’s photography invites us into a visual poetry of the world around us. It is a medium to see the unseen; the fleeting moments of light; the rush of time hiding magnificent moments. One does not have to go too far to find these moments. This Tiger Lily was a short bike trip to the outskirts of town, where it hides in plain sight.

Heinz Danzberger, "Tiger Lily" 2017, photograph

Heinz Danzberger, “Tiger Lily” 2017, photograph

Ashland Art Center

Dia de los Muertos Celebration on First Friday

Music by Frankie Hernandez, Pumpkin painting in the classroom.  Meet our Artists!

Show: Through Our Eyes: Reflections on Nature

Featuring Janette Brown & Katherine Dron

Watermedia artists sharing their interpretations of nature.

 

Featured Main Gallery Artist

Bridget Reynolds

Trained in a very left brained world of business, I came to the creative process quite late in life. I feel like a whole other world opened upfront me. I said a resounding “YES” and have not looked back. It is like playing in huge sandbox exploring images and color. I LOVE it!!!

Guitar Series:

On my fort canvas, all I know was that I wanted a guitar represented. From that, this series emerged.

What fun I have had in creating them.

Intuitive Pieces:

I love to stand before a blank canvas/paper and just make some strokes and then follow my instincts with a piece.

It is always a surprise to see what emerges. 

First Friday Musical Guest: Frankie Hernandez

Frankie Hernandez has played every venue conceivable between Seattle and Los Angeles. Half jokester, half home-brewed Tito and Tarantula, and always love-struck, Hernandez has carved quite a name for himself. The only thing bigger than Hernandez’s voice, which could fill a closet or Yankee Stadium with equal aplomb, is his exuberant personality.

Dia de los Muertos poster

For more information about all of our exhibits and to download the November Gallery Tour map, please visit: www.ashlandgalleries.com  

 

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Thank you for your support of the Visual Arts in our communities!