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3rd Friday Art Reception – November 16, 2018

Nov 14 2018 artblast Sheryl Swift
Detail of Journey’s End by Sheryl Swift

3rd Friday Art Reception, November 16, 2018

IN THE MAIN GALLERY

Don’t Fence Me In:
2018 Annual Members Exhibit

November 9–December 21, 2018

Jorizzo Paul Pounabrone Dolmen
Poulnabrone Dolmen by Paul Jorizzo

Reception:  Friday, November 16, 5:00-8:00 pm

Member artists of the Rogue Gallery & Art Center were encouraged to express themselves without boundaries as the title “Don’t Fence Me In” implies. Exhibiting artist include:

Bruce Allen, Charles Anderson, Robert Arieas, Betty Barss, Sue Bennett, Linda Boutacoff, PJ Boyd, Susan Eileen Burnes, Sarah F. Burns, Leonard Burton, Violet Burton, Katy Cauker, Millie Clarke, Dawna Curler, Valerie Dann, Susan DeRosa, Anna Elkins, Cynthia Flowers, Alx Fox, Miles Frode, Tom Glassman, Jay Gordon, Nancy Graham, Kelly Gratton, Carla Griffin, Phyllis Gustafson, Lane Hall, Claudia Harlow, John Hawkins, Rebecca Hawkins, Linda Henning, Anna Hinkle, Howard Hunt, Marilyn Hurst, Zelpha Hutton, Jennifer Ivey, Paul Jorizzo, Joan Kennedy, Susan Hoppe Krempa, Judy Benson LaNier, Shahnaz LeRoy, Betsy Lewis, Katherine Lundgren, Mary Ann Schofield Macey, Christina Madden, Dave Mathewson, Vivian McAleavey, Vera Melnyk, Kathy Morawiec, Victoria Morgan, Kay Myer, Judy Ghetti Ommen, Kristen O’Neill, Walt Padgett, Carolyn Patten, JoAnn Pearce, Cecilia Pestlin, Charlotte Peterson, Linda Purdom, Susan Quinn, Janice Rosenberg, Mary Ruzich, Barbara Schack, Ginny Schaw, Desmond Serratore, Lo Smucker, Darlene Southworth, Leland Struebig, Sheryl Swift, Eva Thiemann, Greg Thweatt, Silvia Trujillo, Peter Van Fleet, Cherri Van Syoc, Mary Joette Vannice, Daniel Verner, Doug Wallace, Gerald Westgerdes, Marilyn Westgerdes, Charlotte L. Wirfs, Walter Wirfs, Eve Margo Withrow, and Sue Yamins

. . . . . .

Last chance to see these beautiful pastel paintings!

IN THE COMMUNITY GALLERY

Southern Oregon Impressions
by Marilyn Hurst

October 5 – November 16, 2018

Hurst Marilyn The Grand Giant Sequoia
THE GRAND GIANT SEQUOIA – pastel, Marilyn Hurst

Southern Oregon artist Marilyn Hurst finds inspiration for her paintings in various subjects like a peaceful landscape, beautiful flowers or the character of an old barn. She works primarily in pastel and watercolor.

 IN THE ROGUE STUDIO

Artist Teen Program Georganna ATP
Build a Future in the Visual Arts

The Artist Teen Program, or ATP, offers local teens a realistic career experience of a professional artist. Students will be paired with artists from the community to create exceptional works of art and to build their art skills. The program culminates with an exhibition of the art they have created. This year, students will work in Photography, Drawing, Painting, Mixed- Media, printmaking, or Sculpture.
Program runs January – April annually.
The Artist Teen Program is $300 for tuition, includes ALL materials and framing expenses.
Financial assistance is available.
ATP APPLICATION HERE>>
APPLICATION DEADLINE: Friday, December 7, 2018

For further information please contact Ashley E. Clasby, our Education and Events Manager at (541)772-8118 or [email protected]

COMMUNITY ANNOUNCEMENT

CLAYFOLK
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Forward this message to a friend
Call the Gallery for more info: (541) 772-8118

Check out more fun activities at: www.roguegallery.org

The Rogue Gallery & Art Center is the Rogue Valley’s premier non-profit community art center founded in 1960 to promote and nurture the visual arts in the Rogue Valley. The Art Center showcases emerging and established artists, presents fine crafts by area artisans, and offers a broad range of visual art classes and workshops for all ages.

Rogue Gallery & Art Center is located in downtown Medford at 40 South Bartlett Street. The hours of operation are Tuesday through Friday from 10 a.m. to 5 p.m. and Saturday from 11 a.m. to 3 p.m. We are open every third Friday until 8:00pm.

Rogue Winterfest December 1 and 2, 2018

Rogue Winterfest Weekend Holiday Events

Holiday Singers, Rogue Winterfest 2018 at Evergreen’s Bear Hotel

December 1st and 2nd from 10:00 AM to 4:00 PM

at Evergreen Federal Bank’s Bear Hotel, 2101 NE Spaulding Ave, Grants Pass.

Tickets are available for purchase at the door:

·         $5 for adults

·         $3 for children(4-17) & seniors (55+)

·         children 3 and under are free

·         $20 family pass (6)

The public is invited to view holiday trees, art displays, and The Southern Oregon Adventure at Evergreen’s Bear Hotel. Visit Santa and Mrs. Claus; participate in fun family games and activities like the Home Depot Kid’s Workshop project; enjoy live entertainment; and vote for the People’s Choice Award.

Download (PDF, Unknown)

Nov and Dec 2018 Art Classes at Grants Pass Museum of Art

Paint like Diego Rivera with Kristen O'Neill and more art classes at Grants Pass Museum of Art

3D Zentangle

with Cindy Hernandez

Saturday, Nov. 3rd
1 – 4 pm
Learn Zentangle designs with certified Zentangle instructor, Cindy Hernandez. Then create fun and flexible 3D art with them.
Zentangle is a creative doodling process where there are no mistakes, and fantastic looking designs are easily repeatable.
These move!! Check out our video on Facebook.
$35. All materials included.

Paint like Diego Rivera

with Kristen O’Neill

Sat. Nov. 17
1 – 4 pm
Learn about the life, and paintings and murals of Mexican artist Diego Rivera. We will copy one of his work’s onto a 8″ x 10″ canvas. Class is taught with Golden’s Heavy Body acrylics.
(Firm limit of 16 students. Please sign up as soon as you can.)
$30. All materials provided

Portrait Painting

with Bobbi Baldwin

Fri. 11/30 and Sat. 12/1
10:30 am – 4 pm
This class is designed for the student who wants to excel at portraiture. This class is filled with many lectures and demonstrations on becoming a fine art portrait artist, including and not limited to: eyes, noses, mouths, ears, skin color, bone structure, hair, hands, limbs, torsos, clothing, and backgrounds.
Bobbi works individually with all students on the level they are as well as working with the group on areas that I see are needed for everyone. It is a great class for whoever you are and at whatever level you are at. This is going to be from a live model.
All mediums are welcome (except oil paint).
$150.

How to Paint Clouds

with Kristen O’Neill

Sat. 12/8
1 – 4 pm
Learn techniques to create realistic clouds, in a variety of lighting circumstances.
We will explore how to use clouds to show what time of day it is, and how to create consistent light within a painting or drawing. Class is taught in acrylic.
(Firm limit of 16 students. Please sign up as soon as you can.)
$30. All materials provided.
Photos by Marta! Aren’t Southern Oregon clouds amazing! She has taken these photos in preparation for the class. We are going to use these two photos for some exercises. Thanks Marta!
Our next classes will start late January. We are scheduling for Winter/Spring now. Please let us know if you have a great idea for a class!
All class sign ups are considered final and refunds are not given. The Museum will give a full refund in the case of a class being cancelled.
Grants Pass Museum of Art | 229 SW G StGrants Pass, OR 97528

Anna Elkins Presents Poetry of Process, Delve November 3 at Willamette Writers

Poetry of Process, Delve by Anna Elkins
Hi, Southern Oregon Friends!
I’ve got a poetry announcement for those of you who love to write–or who just want to try it out. I’ll be speaking & teaching this coming Saturday, November 3, at the Willamette Writers monthly meeting in Central Point.
It’s a two-part day:
10:00-12:00: Poetry of Process :: For the morning presentation, I’ll share my own process, practical tips, & poetry–including glimpses into the stages of my current manuscript–in all its messy reality. (Free for members & $10 for guests)
1:30-3:30: Delve :: During the afternoon workshop, we will all immerse ourselves in the writing process itself and emerge with a poem. Bring paper & your favorite pen or pencil. ($20 for members & $25 for guests)
For more information, visit:
May your week be a good one!
Cheers & joy,
anna elkins
art word spirit
anna elkins logo

CoCA and La Sala Present Programming in Seattle for (Where)Do We Belong?

CoCA and La Sala Present Programming this November for (Where)Do We Belong?

This November, Seattle’s Center on Contemporary Art (CoCA) and La Sala announce new events for the exhibition,​ (Where) Do We Belong?

The public is invited to join CoCA and La Sala at the First Thursday Art Walk for a performance by Milvia Berenice Pacheco ​Salvatierra. ​Pacheco ​is an Afro Latina artist, born in Caracas, Venezuela, where she trained in dance and theater. Her art is inspired by early traumatic experiences and she has devoted her life to reaching liberation through art and movement as a contemporary dancer, choreographer, performer,bodyworker,mother and community organizer.​Marías,​ is a​ work-in-progress dance and poetry performance inspired and created by Pacheco during the recent staged reading of the book, ​Killing Marías​, written by Washington State’s Poet Laureate Claudia Castro Luna.Recorded music by Trio Guadalevin will accompany the piece. Drawing on Mexican Son Jarocho and Huasteco, melodies sung in Zapotec, Spanish xácaras, Italian ciaccona, Andalusian song, Sephardic balladry and Moroccan shabia – Abel Rocha, August Denhard and Antonio Gómez are Trio Guadalevin.

On November 10, La Sala has coordinated another very special event of readings from 3-4:30pm. Poets, Maiah Merino and J.A. Dela Cruz-Smith, will begin this event with literary readings followed by Q&A of their artistic process, moderated by Catalina Cantú from La Sala. Additionally, hear about the work being done at Northwest Immigrant Rights Project to surmount challenges and provide resources for immigrants to the US.

Indigenous bilingual, Poet, Playwright and Creative Non-fiction writer Maiah A Merino, shares stories of her mixed culture family, and the pulse of what’s alive in her life currently.

J.A. Dela Cruz-Smith is a bread baker and poet in Seattle pursuing an MFA in the Rainier Writing Workshop.

La Sala, a Seattle nonprofit organization works to coalesce and mobilize the Latino/Latina arts community of the Seattle, Bellevue and surrounding districts, and is partner and co-curator with CoCA for the exhibition​,(Where) Do We Belong?​, as well as the above programming. Find more at www.lasalaseattle.org​.

Mark your calendars:

(Where) Do We Belong?

Exhibition dates October 4 – November 17, 2018.
Reception Thursday, November 1 from 5pm – 9pm as part of Pioneer Square Art Walk.

A Performance by Milvia Pacheco, “​Marías,”​ Thursday, November 1 from 7pm – 7:15pm Literary Readings + Discussion: Saturday, November 10 from 3pm – 4:30pm
Exhibition and all events at CoCA in Pioneer Square: 114 Third Avenue South, Seattle, 98104. Public ​Gallery hours are Thursday – Saturday, 10am – 5pm.

 

(Where) Do We Belong? 10/4-11/17/2018
Group exhibit shares the realities and challenges surrounding immigration and includes works that are a response to Trump’s “Zero-Tolerance Immigration Policies”—amplifying diverse artistic voices with direct experience.

 

We Harvest Hope

October has been a month of poetry for me. I came home from a writing residency at Vermont Studio Center with a pretty-much-done manuscript and a very big smile! While there, I also committed to creating and sharing a bit of micropoetry + watercolor each day as a way to celebrate process in all its unpredictbleand often glitchyglory. 


As I went, I jotted down each day’s line in the back of my journal. A week in, I realized that the single lines were forming a larger poem. So I decided to share the full month here, interspersed with my favorite of the original poem-paintings. Happy harvest!

We Harvest Hope
In the beginning,
the rain came out to play,
& we turned to dreaming leaves—
falling up and lifting down.

We break bread, rules, even, through.
We go where the water falls
& the dark sky rises.
becomes we & other becomes another.
River gets swim
& borders get blurred into union.

Hither & yon,
we grow our spirits,
& send big hope up.
Cross our hearts,
make prints of possibility,
leave traces of grace.
Where we are marks the spot of promise.

We press on in,
we make cider of time.
What comes goes—
onces come undone.

Tomorrow is a maze of maybes 
filled with friends.

Brimming with what-ifs,
we harvest hope.


Art du Jour November 2018

Hanley Farm-Painting by Debby Fisher showing at Art du Jour. Image proved by artist.

Art du Jour Gallery, 213 E. Main Street in Medford, will be presenting Ruth Heath as featured artist, and Debby Fisher continues to have her stunning display as the guest artist exhibit in the Salon.  We will also be announcing the winner of our People’s Choice “Furry and Feathery Friends” contest with the top vote getter on display through the month of November.

Ruth Heath featured artist for November

Ruth Heath began painting at 22 after purchasing some Walter Foster instruction books. After moving to Medford with her family from Southern California she found this to be an inspiring place to live, and began painting with watercolors, acrylics and pastels.

Ruth Heath’s art exhibit at Art du Jour is the inspiration of her travels through Europe. Image provided by the artist.

Her suggestion to new painters is start with pencil sketching or painting with one color and gradually add more. She writes, “As you practice more you will see the things around you in a different light and you will improve. Learn the basics, so your masterpieces will stand the test of time, then be brave and try something different. There are many excellent art teachers in this area and U tube has countless instruction videos.”

Ruth has had the good fortune to have traveled to England, France, Italy, Germany, Belgium, Holland, Switzerland, Greece, Israel and Egypt with family and friends. As a result her artwork often depicts unique architecture, castles, quaint villages and cottages. Though she has also traveled extensively through the United States, Canada and Mexico, this display on our featured wall is primarily European street scenes, windows and doorways. Ruth is an honorary member of the Southern Oregon Society of Artists and a charter member of Art du Jour Gallery.

Debby Fisher guest artist through November

Debby Fisher received her art education from many venues majoring in art education at Indiana University of Pennsylvania, studying drawing at Virginia Commonwealth University, and a plethora of workshops along life’s journey. In the mid 90’s, after settling in Oregon with her family, Debby studied commercial art with Semyon Bilmes, who now leads Atelier Maui. After a time in the illustration business, she was drawn back to oil painting through the work of great artists such as Michael Dudash and Chris Hopkins, who she had the privilege of connecting with and learning from through the Masterpiece Christian Artists Conferences.  Now doing commissioned pieces and gallery paintings that reflect the beauty God surrounds us with every day, her work is in many private collections across the country.

Thunderhead- Painting by Debby Fisher at Art du Jour Gallery. Image provided by artist.

Debby says, “When I was about 10 years old, I attended my first oil painting class which took place in a little classroom behind a butcher shop in Pittsburgh, PA, and I’ve loved the smell of oils ever since! I like to paint many genres, as you’ll see in this Salon exhibit, from pumpkins to barns to musicians!”

Third Friday November

Join us for our Third Friday reception 11/16, 5:00-8:00 pm.  We are now accepting applications for artists who would like to join our cooperative and display their work to the Medford community.  Contact the gallery by email at [email protected] for more information.

Leland Iron Works Artist Residency Opportunity

Leland Iron Works Artist Residency

located in Oregon City, OR.
Leland Iron Works Artist-in-Residency ProgramResidencies for students and emerging artists at Lee Kelly's Leland Iron Works
The residency is run in collaboration with the Pacific Northwest College of Art on the property, home, and studio of sculptor, Lee Kelly. We have mainly had residents local to Portland apply and we are hoping to branch out and get applicants outside of our area.
There are 5 funded ($2500 stipend) month long residencies for mid-career and established artists and 4 free month long residencies for emerging artists.
View the call for artists and application here.
More details:

The Residency at Leland Iron Works 2019

Located just east of Oregon City, Leland Iron Works is the home and studio of sculptor Lee Kelly and his family. For years, Leland Iron Works has been home to artists, activists, musicians, writers, climbers, architects, poets, and dancers. The residency at Leland Iron Works is an expansion of that legacy. With a generous grant from the Ford Family Foundation and with the continued support of the Kelly family and PNCA, Leland Iron Works will provide one month residencies to professional Oregon artists and PNCA students and alumni.

There are two categories of Residencies to which you can apply, read the descriptions carefully to best understand which category you fit into and apply accordingly.

Residency for emerging visual artists, writers and musicians. (4 per year)

You may or may not be a student to apply in this category. We are also able to extend this opportunity to artist practicing outside of the visual arts category so you may apply as an established writer or musician. Selected artists will receive one month long residency session at no cost.

Residency for Mid-Career/ Established Artists

(5 per year)

To apply in this category, you must be a practicing visual artist currently producing works of art. You must be a full-time resident of Oregon for at least 36 months prior to the application deadline and remain a resident through the duration of the grant period. You must be 30 years of age or older at the time of application. You must provide evidence, through your C.V. of seven or more years of active professional participation in your medium. You may not be enrolled in a degree-seeking program, either part-time or full-time.
Selected artists in this category will receive a one month long residency session at no cost along with a stipend of $2500 made in two installments.

All residents are required to give a slide lecture at PNCA at the end of their stay as well as to create a one-day workshop at LIW or participate in a day of class visits on campus. Residents are also asked to participate in the annual residency show.

THE DEADLINE TO APPLY FOR 2019 IS FRIDAY, NOVEMBER 9TH

Background

A partnership between venerable Portland artist, Lee Kelly and the college, PNCA’s Leland Iron Works Artist-in-Residency Program awards five month-long residencies to practicing Oregon artists and four residencies for students and emerging artists at Leland Iron Works, Kelly’s long-time home, studio, and rustic sculpture garden.

The goal of the LIW Residency Program is to support and invest in practicing and emerging artists whose work will impact Oregon’s cultural landscape. A one-month residency at LIW provides these artists with the time, space, and opportunity to take their work to the next level and to experiment with material and processes in a uniquely Oregonian environment. Residents will share their work with younger artists through artist talks, classroom critiques, and possible collaborations.

Fast Facts

There will be nine month-long residencies awarded each year, five to established Oregon artists (with more than 7 years of demonstrated art practice; non-students), and four to emerging Oregon artists (can be students or non-visual artists such as writers or musicians).
Established artists will each deliver an artist talk at PNCA and/or participate in a classroom critique. Each established artist awarded a residency will receive a stipend of $2500. Emerging artists will each deliver a lunchtime lecture on their residency at PNCA.

The Leland Iron Works Residencies provide dedicated time, space, and solitude for artists to reinvigorate their creative practice. It is a rugged, independent, and highly customizable experience and offers facilities including 24-hour access to an 8’x15’ residential studio, and outdoor workspace that align with Kelly’s ethos of having as minimal an impact on the land as possible.
The residency can coordinate access to additional art-making facilities for residents through the labs, workshops, and studios of PNCA, including sculpture, woodworking, metalworking, digital printing, and photography studios, as well as to one of the largest printmaking studios on the west coast. Residents will also have access to the PNCA library, one of the largest and most comprehensive fine-arts libraries in the region.
This residency is supported in part by a generous grant from The Ford Family Foundation.

ABOUT LELAND IRON WORKS

Since 1963, the five-acre property and “great experiment” known as Leland Iron Works has been Lee Kelly’s studio and home. Previously a sawmill and dairy farm, LIW is a direct link to the earliest days of Oregon’s history. Since the 1960s, it has provided art studios for writers, architects, and other artists who come to the property to work or find quiet. In 1970, it was designated an artist colony.

For more information or to apply visit:

http://pnca.edu/programs/leland/c/residency

Leland Iron Works Blog:

http://pnca-liw.tumblr.com/

Or Contact:

Clairissa Stephens
Interim Leland Iron Works Artist Residency Director [email protected]

Ashland’s First Friday Art Walk, November 2, 2018 from 5 to 8 pm

Ashland Gallery Association November 2018 Art Exhibits

First Friday Art Walk, November 2nd from 5 to 8 pm

Stroll the galleries and take in the visual delights in downtown Ashland and the Historic Railroad District.  Enjoy this free year-round community event, filled with a diverse array of artwork, live music, artist demonstrations, refreshments and lively conversation!

AGA November Spotlight Exhibits

Masterpiece Christian Fine Arts

Paintings by Mera Oliveria

Ashland Pony Espresso

Mera Oliveria grew up in Southern Oregon and began oil painting in the past 6 years, learning from local artists, which revealed her inherent natural abilities. Mera has always loved art but it wasn’t until she encountered the living God that she feels her art and skill level blossomed in new ways. Like in the story of Exodus, where God gave skill to craftsmen and artists to build the sacred place where He would meet again with His people, she believes artists are gifted with abilities to create art that allows one to encounter the living God, a meeting place, so to speak.

Along with working in painting, Mera engages in chalk festivals where artists spend days on the asphalt creating large chalk murals in the streets. Ashland residents may remember Mera transforming the sidewalk in the summer of 2017 in front of the Black Swan Theater with a 12 x 12 chalk art rendition of Henry IV, the Prodigal Son along with artist Cathy Gallatin.   She feels that involving the public in the process of creating art is special for many reasons, emphasizing the importance of the arts within community and how beauty is a form of unity, a universal language that speaks of the human experience we all live, and the spiritual and emotional journey that no one can escape.

 To see more of Mera’s art and works in progress, visit her on Instagram: @MeraOlive

Mera Oliveria, “Chalk Art”, Grants Pass, Oregon

Mera Oliveria, “Chalk Art”, Grants Pass, Oregon

Hanson Howard Gallery

Animal Crackers: Gallery Artists Pay Tribute to Our Furry and Feathered Friends

If you spend any time in the gallery you will have noticed that many of our artists have a thing for animals in their work.  Why? Well, we don’t want to overthink it….but, we can celebrate it!  From the fun to the reverent, small pieces and large, 2D and 3D, we will be including all the ways our artists honor animals in their work.  Artists include Wayne Armstrong, Don Ajello, Laurel Bustamante, Steven Dewey, Penelope Dews, Baba Wagué Diakité, Claire Duncan, Marly Eidsness, John & Robin Gumaelius, Carol Ingram, Pamela Kroll, Betty LaDuke, Jhenna Quinn Lewis, Gabriel Mark Lipper, Robert Schlegel, Karen Staal, Wataru Sugiyama, Millie Whipplesmith Plank, and Aggie Zed. For this occasion, we’ve invited Portland sculptor, Stan Peterson whose carved wooden figures have all the charm of early folk art.

This is our final show of the year and will all be up throughout the holidays.

Join us for a reception for the artists during the Ashland First Friday Art Walk, November 2nd, 5-8 pm. The show runs November 2nd through the end of the year.

Stan Peterson, “Going Home”, carved wood

Stan Peterson, “Going Home”, carved wood

Photographers’ Gallery

Tiger Lily: Featuring Heinz Danzberger

Heinz Danzberger’s new show “Tiger Lily” opens Friday, November 2nd at The Photographers’ Gallery at the Ashland Art Center. The show is part of an ongoing project covering the landscapes of the “State of Jefferson” and, in particular, the greater Mount Shasta region. It is a photographic journey and discovery of sweeping vistas and landscape details, capturing the unique land at the heart of the West Coast and one of the larger natural areas remaining in the US. It is very diverse with active volcanic roots from which spring wetlands, high deserts and forested mountains, creating a land unlike any other on the West Coast.

Heinz uses modern techniques and classic lenses to capture high-resolution photographs intended for large size pigment print. The massive scale of the landscape around Mount Shasta invites large prints to capture the grandeur of the scene.

Heinz began working in medium format and then migrated to digital once high-resolution cameras became available. The decisive factor in his work style is not as much the camera but the applied lens qualities – in this image he used the classic Pentax 77mm FA lens resulting in beautiful and very classic image.

The Tiger Lily aka Ditch Lily is a welcome sight around Mount Shasta.  This particular flower grew like a bridge over Cold Creek under the forest foliage. The arch of the stalk and the fruits of the bulbs float effortlessly over the small creek. Perhaps a deer displaced it in the spring or the weight of the flowers bent the stalk down towards the water. The horizontal arrangement shows the power of this plant to survive in difficult places.

Heinz’s photography invites us into a visual poetry of the world around us. It is a medium to see the unseen; the fleeting moments of light; the rush of time hiding magnificent moments. One does not have to go too far to find these moments. This Tiger Lily was a short bike trip to the outskirts of town, where it hides in plain sight.

Heinz Danzberger, "Tiger Lily" 2017, photograph

Heinz Danzberger, “Tiger Lily” 2017, photograph

Ashland Art Center

Dia de los Muertos Celebration on First Friday

Music by Frankie Hernandez, Pumpkin painting in the classroom.  Meet our Artists!

Show: Through Our Eyes: Reflections on Nature

Featuring Janette Brown & Katherine Dron

Watermedia artists sharing their interpretations of nature.

 

Featured Main Gallery Artist

Bridget Reynolds

Trained in a very left brained world of business, I came to the creative process quite late in life. I feel like a whole other world opened upfront me. I said a resounding “YES” and have not looked back. It is like playing in huge sandbox exploring images and color. I LOVE it!!!

Guitar Series:

On my fort canvas, all I know was that I wanted a guitar represented. From that, this series emerged.

What fun I have had in creating them.

Intuitive Pieces:

I love to stand before a blank canvas/paper and just make some strokes and then follow my instincts with a piece.

It is always a surprise to see what emerges. 

First Friday Musical Guest: Frankie Hernandez

Frankie Hernandez has played every venue conceivable between Seattle and Los Angeles. Half jokester, half home-brewed Tito and Tarantula, and always love-struck, Hernandez has carved quite a name for himself. The only thing bigger than Hernandez’s voice, which could fill a closet or Yankee Stadium with equal aplomb, is his exuberant personality.

Dia de los Muertos poster

For more information about all of our exhibits and to download the November Gallery Tour map, please visit: www.ashlandgalleries.com  

 

Download (PDF, Unknown)

Thank you for your support of the Visual Arts in our communities!

Learning To Paint You Don’t Know What You Don’t Know

Inspiring Millions to paint outdoors This video is about Touch Move and Inspire. Get a free Book at his website www.StefanBaumann.com. The paintings of Stefan Baumann reveal the true spirit of nature by transporting the viewer to distant lands that have gone unseen and undisturbed. With the huge success of Baumann’s weekly PBS television series “The Grand View: America’s National Parks through the Eyes of an Artist,” millions of people witness for themselves the magic Stefan portrays on canvas, his passion for nature and the American landscape. By distilling his love of nature into a luminous painting of brilliant, saturated color that transcends conventional landscape and wildlife art, Baumann has captured the hearts and imaginations of a generation. Each painting becomes an experience rather than merely a picture – a vivid manifestation of his special and personal union with nature and the outdoor world. Through his mastery of light, color and artful composition, Baumann invites you to experience nature in its purity. It is no wonder that for many years distinguished American collectors, including former presidents and financial icons, have sought out his work.

The post Learning To Paint You Don’t Know What You Don’t Know appeared first on Stefan Baumann – The Grand View: Paintings by Stefan Baumann.