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Medford Multicultural Fair Art Contest

The deadline for this year’s Medford Multicultural Fair art contest has been extended again to 9/17. That’s TODAY!! Please submit your art via DropBox: https://www.dropbox.com/request/jRpdeQ3H6R4Gq0fvufgT

We also decided on Tuesday to host a virtual event because of increasing COVID hospitalizations and regular unhealthy air quality. We are seeking videos to share with our diverse audience. We invite your organization and artist members to submit prerecorded or new videos to [email protected]. The live stream celebration will be fun. Join us on Medford Multicultural Fair Facebook on September 25 from 11:00 am to 2 pm.

Medford Multicultural Fair Art Contest Call to Artists
Medford Multicultural Fair Art Contest Call to Artists application form

CHAP Statement - Black Lives Matter

A Message From CHAP

Children’s Healing Art Project (CHAP) stands in support of the Black Community and believes that Black Lives Matter. We oppose racism, discrimination, police brutality, and violence of all kinds. The senseless killings of George Floyd, Ahmaud Arbery, Breonna Taylor and many others are heartbreaking examples of systemic racism that must end.

In recent weeks, we have been listening and learning with open hearts and minds. This has been a time of clarity and reflection. We believe everyone in our community is impacted – including the children and families CHAP serves. We know there is more to learn and more to do as we continue our mission – to bring the healing power of art to children and families facing medical challenges.

CHAP is committed. Period. We will take action and share our progress.

With CREATIVITY + HEALING,
Lori Long, President, Board of Directors 
and                             
Barb McDowell, Executive Director

First Friday of 2020! Ashland Gallery Association Exhibit Openings & Artist Receptions

Join us for the January First Friday Art Walk festivities! 

January 3rd from 5 to 8 pm

ashland gallery association logo

Ashland Gallery Association Exhibit Openings & Artist Receptions

Stroll the galleries and take in the visual delights in downtown Ashland and the Historic Railroad District.  Venture further to explore out-skirting galleries!  Enjoy this free year-round community event, filled with a diverse array of artwork, live music, artist demonstrations, refreshments and lively conversation! 

January Spotlight Exhibits

Art & Soul Gallery

What a Difference a Frame Makes!

The gallery’s First Friday show also features wine and light refreshments; live music by pianist Anthony Bock, and will be on display from December 31 – February 2.

Peter Stone has been a professional picture framer for more than twenty-three years. He owned the popular Arrowhead Framing shop in Half Moon Bay, CA before moving to Ashland and Art & Soul Gallery.  He has long enjoyed the interpretive creative process and the constant creative problem solving which are custom picture framing. Peter loves the unique design opportunity that comes with each new artistic challenge.

“Every custom picture framing project comes with a story,” Peter has discovered. People only choose custom framing when the artwork has special meaning, he said. “And what is more special than our family memories!”

Pianist, Anthony Bock, a senior at SOU and a student of Dr. Tutunov, returns to Art & Soul for the third time. He effortlessly combines classical and non-classical piano music in a free and bright style, which captivates everyone listening.

Peter Stone, "sivo'ham, sivo'ham" (I am Shiva, I am Shiva)

Peter Stone, “sivo’ham, sivo’ham” (I am Shiva, I am Shiva)

Schneider Museum of Art

TWO GENERATIONS: JOE FEDDERSEN & WENDY RED STAR

On View: January 16 – March 14, 2020
Opening Reception: January 16th, 5:00pm – 7:00pm

EXHIBITION STATEMENT

This exhibition presents the work of two Northwest Indigenous artists who work across media and whose work responds, on their own terms, to historic and contemporary misrepresentations of Native Americans. Joe Feddersen, born in 1953, is a member of the Confederated Tribes of the Colville Reservation and has exhibited internationally since the early 1980’s. As a printmaker, basket maker, ceramicist and glass artist, Feddersen combines contemporary materials with Native iconography to create powerful and evocative works that explore the interrelationships between urban symbols and Indigenous landscapes.

Wendy Red Star, born in 1981, was raised on the Apsáalooke (Crow) reservation in Montana. An avid researcher of archives and historical narratives, Red Star incorporates and recasts her research through photography, sculpture, video, fiber arts, and performance, offering new and unexpected perspectives on past, present, and future life. Her work is humorous, surreal, and often abrasive, yet deeply rooted in a celebration for Crow life.

JOE FEDDERSEN BIO:

Joe Feddersen, a member of the Confederated Tribes of the Colville Reservation, lives and works in Omak, WA and was a faculty member at Evergreen State College in Olympia, WA from 1989 until his retirement in 2009. His work was included in Weaving Past into Present: Experiments in Contemporary Native American Printmaking at the International Print Center, New York, Autumn 2015. He has been featured in numerous national exhibitions, including Continuum 12 Artists: Joe Feddersen, National Museum of the American Indian, Smithsonian Institution at the George Gustav Heye Center, New York, NY, curated by Truman Lowe; Land Mark, Northwest Museum of Arts & Culture, Spokane, WA; and was the subject of a major retrospective exhibition and monograph, Vital Signs, organized in conjunction with Froelick Gallery and the Hallie Ford Museum of Art at Willamette University in Salem, OR

WENDY RED STAR BIO:

Artist Wendy Red Star works across disciplines to explore the intersections of Native American ideologies and colonialist structures, both historically and in contemporary society. Raised on the Apsáalooke (Crow) reservation in Montana, Red Star’s work is informed both by her cultural heritage and her engagement with many forms of creative expression, including photography, sculpture, video, fiber arts, and performance. An avid researcher of archives and historical narratives, Red Star seeks to incorporate and recast her research, offering new and unexpected perspectives in work that is at once inquisitive, witty and unsettling. Intergenerational collaborative work is integral to her practice, along with creating a forum for the expression of Native women’s voices in contemporary art.

Red Star has exhibited in the United States and abroad at venues including the Metropolitan Museum of Art, Fondation Cartier pour l’ Art Contemporain, Domaine de Kerguéhennec, Portland Art Museum, Hood Art Museum, St. Louis Art Museum, and the Minneapolis Institute of Art, among others. She served a visiting lecturer at institutions including Yale University, the Figge Art Museum, the Banff Centre, National Gallery of Victoria in Melbourne, Dartmouth College, CalArts, Flagler College, and I.D.E.A. Space in Colorado Springs. In 2017, Red Star was awarded the Louis Comfort Tiffany Award and in 2018 she received a Smithsonian Artist Research Fellowship. In 2019 Red Star will have her first career survey exhibition at the Newark Museum in Newark New Jersey.

Red Star holds a BFA from Montana State University, Bozeman, and an MFA in sculpture from University of California, Los Angeles. She lives and works in Portland, OR.

CURATOR MACK MCFARLAND BIO:

Mack McFarland is a cultural producer and has worked as Curator for Pacific Northwest College of Art since 2006. Currently McFarland is the Director of the Center for Contemporary Art & Culture at PNCA. His exhibitions at PNCA have included commissioned projects of new works from tactical media practitioners Critical Art Ensemble, Eva and Franco Mattes, and Disorientalism.  He has also curated a review of Luc Tuymans’s printed works, a group exhibit marking the centennial of John Cage’s birth, and a comprehensive look at the process of the comic journalist Joe Sacco.  McFarland’s current question is how exhibitions and artworks can meaningfully link to our shared experience of existing together within the ongoing process of history.

Wendy Red Star, "Winter", from "The Four Seasons", Archival pigment print on Museo silver rag, 35.5 X 40 inches, Courtesy of the Jordan Schnitzer Museum of Art, Eugene, OR

Wendy Red Star, “Winter”, from “The Four Seasons”, Archival pigment print on Museo silver rag, 35.5 X 40 inches, Courtesy of the Jordan Schnitzer Museum of Art, Eugene, OR

Photographers’ Gallery (Ashland Art Center)

Kate Geary – “In the Woods”

Kate Geary’s new show, “In the Woods”, opens on Friday, January 3, 2020, at The Photographer’s Gallery at the Ashland Art Center and runs through the end of February.  

Kate’s focus in this show is on the amazing beauty and even humor in the small details of the natural world in the forest.  So often the small is obscured by the magnificence of the scene, the towering redwood or roaring waterfall.  To pause, to look downward and notice the patterns in decaying bark, the sensuous texture of exposed wood; the beauty of seed pods lying in verdant ground cover, reflections of fall color in a meandering stream, brings a new appreciation to the beauty of detail.

Kate Geary, “Reflections of Season Past,” photograph

Kate Geary, “Reflections of Season Past,” photograph

Creekside Pizza

Featuring Justin Gordon

Justin Gordon is an artist and musician living in Ashland Oregon who enjoys traditional processes that harken back to the twentieth century before the digital world inundated us with images and sounds and facsimiles of real objects. He can be found driving around in a yellow seventies pick up snapping photos or playing his original songs with his band The Holy Mackerels around town when he is not at work as a carpenter and painter.

Show runs December through January.

Justin Gordon, photograph

Justin Gordon, photograph

For more information about all of our exhibits and to download the January Gallery Tour map, please visit: www.ashlandgalleries.com  

 

Please see “Spotlight Exhibits” and the January Gallery Tour Map.

Download (PDF, 498KB)

Thank you for your support of the Visual Arts in our communities!

Do you like croissants? In Paris? 💌🐩

Carpe Diem Papers News!

November at home….but April in Paris?

I hope this finds you very well and enjoying the season. It’s been a particularly beautiful autumn here in southern Oregon. Before the holiday hustle really takes hold…imagine this.

Springtime in Paris. Specifically, April 4-10 2020…in Paris. Cafés, museums, galleries, boat ride along the Seine, eclectic Parisian shops, French food, vintage book stalls, cafés , la patisserie, staying in the Marais and…painting your journey as you go. Sound merveilleux? My friends at Deep Travel Workshops are hosting this unique one week trip next April. My role in this incredible journey? Art instructor, guide, painting enthusiast, cheerleader and all round biggest fan of giving yourself this gift of art, time, creativity and community.

The itinerary is taking shape, the group is small and we are so excited to share this trip!

Tell me more s’il vous plaît….?

During our week together we will be staying in the central and stylish Marais District. This area is perfectly located for walking, meandering, shopping, dining in local restaurants, sipping coffee in croissant filled cafés, has easy access to museums, galleries and parks….providing visual eye candy for our iphone photos that will inspire our daily painting in either sketchbooks, watercolor postcards, envelopes or whatever strikes your fancy. We will paint in the mornings, explore in the afternoons, reconvene in the evening for delicious meals and more creativity if you’re feeling inspired.

Christina and Anna, founders of Deep Travel Workshops, have taken groups around the world on art and writing tours and are experienced travelers, guides, sense of humorians and lovely people. You are in good hands.
I am your art guide. Painting, art supplies, sketching, anything at all around visually documenting this journey. We’ll be using gouache and/or watercolor on this trip (easy, portable, great results perfect for all levels. No experience necessary!) Please email me if you have any art supply questions.

The preview mini guide is here with details, cost, dates and more.

Looking for an original Paris painting?

“Jardin du Luxembourg” 24×30″ in oil on gallery canvas is available at Watson Kennedy Fine Home in Seattle, WA.

This and several companion pieces are on display at the First Street downtown location.

(They ship!)

Celebrate the Season!

Looking for smaller original artwork perfect for holiday keepsakes, table decor or gift giving? These Fancy Champagne Paintings were quite a hit last year so we’ve brought them back! ElizabethW Carmel has a large assortment of labels, bottles, Rosé and more. Email Kelly for inquiries and shipping. They are 5×7″ on 1.5″ gallery canvas. 
À votre santé!

Art imitating life….imitating art. 

If the Parisian artist’s life is calling you…perhaps this piece “Café Life” has your name on it? Available at elizabethW Carmel.

“Café Life”
16×20″
Acrylic on gallery canvas, painted sides and ready to hang.

Email Kelly for inquiries.

Oil? Acrylic? Gouache?

One of my most frequently asked questions is…what kind of paint do you use? Different paintings and projects, different mediums. Most of my paintings are acrylic or oil, the former being very manageable, easier to learn and fast drying. The latter because…the total opposite and therefore a fun challenge. And that dreamy buttery texture of oils is hard to beat. Gouache (rhymes with squash) is loosely described as somewhere between watercolors and acrylic. It’s opaque and easy to use like acrylic but it is rewetting so is desirable for traveling, mixing a custom palette in pans or for illustrations. I use gouache for hand painted envelopes, illustration projects and sketchbooks. (It is the perfect medium for loose illustrative Paris painting!)

New Greeting Cards!

This fall I launched twelve new greeting cards. Available at retail shops throughout the country or if you have a specifc favorite or want to see whole assortment, check them out here.

I love snail mail. Sending a thinking about you note in the mail feels so good, for sender and receiver! xo

Paintalopes!
The obsession continues. Black envelopes. Check. New Paris inspired greeting card launch to pop inside? Check. Great postage stamps and white pen? Check check.

See you in the mailbox! xo

Thank you for reading and following the latest Carpe Diem news and collaboration with Deep Travel Workshops. If you know someone who might want to read this newsletter, carry greeting cards in their shop or attend our Paris Workshop, I would be most grateful if you passed this along.

Merci beaucoup!

Mindy xo
Carpe Diem Papers

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Winning Playwrights Announced for ANPF 2019

Ashland New Plays Festival Announces Winning Playwrights for ANPF 2019

https://www.ashlandnewplays.org/

Four new plays chosen for annual Fall Festival supporting new works for the stage

More info: https://www.ashlandnewplays.org/

Ashland, Oregon – In its 28thseason, Ashland New Plays Festival will present four playwrights’ new works at its flagship annual event ANPF 2019 from October 16–20 in Ashland at the Unitarian Center, 87 Fourth Street.

“I’m excited about our four winning plays and can’t wait to share them with audiences in October,” ANPF’s Artistic Director Kyle Haden said, “This was the deepest pool of finalists we’ve had in my tenure at ANPF, but these four plays stood out. The stories are all very different, but are all well-crafted and will stick with you.”

The ANPF 2019 winners are:

Starter Pistol by Michael Gotch

Michael Gotch for Starter Pistol

Michael Gotch for Starter Pistol

Synopsis: Deer season. Somewhere in a dying small town of Brave New America, an unsung mother, wife and breadwinner is making sure she and her family have enough venison chili to survive the approaching winter. But when a stranger comes to dinner, can they survive the secrets buried in their past and the reckoning to come?

Michael Gotch is a playwright, actor, director and teacher who lives in Delaware. He is a founding member of The REP, the professional resident company at the Roselle Center for the Arts at the University of Delaware, where he also teaches and has directed, written and performed in over 50 productions since its inaugural season. In addition to Starter Pistol’s selection at ANPF 2019, it was a semifinalist for both the 2019 Eugene O’Neill National Playwrights Conference and the 2019 Blue Ink Playwriting Award. It will have a workshop and reading this fall at Westport Country Playhouse’s 2019 New Works Circle and will receive its world premiere in February of 2020.

Pelicans by David Johnston

David Johnston for Pelicans

David Johnston for Pelicans

Synopsis: Four men are gathered at the beach: a father, two adult sons and one grandson. They drink beer, crush cans, birdwatch and argue about global warming. They are awaiting the arrival of their cousin Margaret. She comes, carrying a beer in her purse and dragging an oxygen tank across the sand, setting in motion an absurd, dark comedy about death, family and home.

David Johnston is an award-winning playwright, librettist and screenwriter based in New York City. His plays and operas have been performed and read at the New Group, Moving Arts, Washington National Opera, Houston Grand Opera, and more. He is a member of Actors Equity, Dramatists Guild, BMI Librettists Workshop, ASCAP, the Actors Studio’s Playwright/Director’s Workshop, Charles Maryan’s Playwrights/Directors Workshop, and is an alumni artist of American Lyric Theatre. Since 2012, David has been the executive director of Exploring the Metropolis, Inc., a NYC-based nonprofit focused exclusively on workspace issues for performing artists, organizations and facilities.

The Way North by Tira Palmquist

Tira Palmquist for The Way North

Tira Palmquist for The Way North

Synopsis: When a lost, cold and very pregnant young woman stumbles on to her rural homestead in the Minnesota wilderness, Freddy Hansondoesn’t hesitate to take her in. It’s the right thing to do, and as the county’s former Sheriff, Freddy has dedicated her life to protecting and serving others. But when her new guest turns out to be a Sudanese refugee making a run for the Canadian border, what it means to protect and to serve becomes a more complicated, and far more dangerous, question.

Tira Palmquist is known for plays that merge the personal, the political and the poetic. Based in Irvine, California, she teaches creative writing at the Orange County School of the Arts. She is a member of the Playwrights Union, the Anteaus Theater’s Playwrights Lab and the Dramatists Guild. She also works as a director and dramaturg, including at Seven Devils Playwright Conference, where she first developed The Way NorthThe Way North was also a finalist for the 2019 Eugene O’Neill National Playwrights Conference, the 2019 Blue Ink Playwriting Award, an honorable mention on the 2019 Kilroys List, and was part of the Pioneer Theatre Company’s 2019 Play-by-Play New Play Reading Series.

The Night Climber by Joshua Rebell

Joshua Rebell for The Night Climber

Joshua Rebell for The Night Climber

           

Synopsis: When a #MeToo op-ed piece about his affairs with female students goes viral, a beloved Ivy League college professor faces an impossible dilemma: save his job by coming clean, or save his relationship with his daughter, whose future is at risk over his admission of one particular long-ago affair—her mentor.

Joshua Rebell is a New York City based playwright and screenwriter. He is thrilled to be returning to ANPF – where his play Omission was a winner in 2012. Some of his other plays include Embraceable You (The Tamarind Theatre, Los Angeles), Gatsby in Hollywood (The Met Theatre, Los Angeles), Black Tie Affairs (The Met Theatre), and Preying On Puritans (Sacred Fools, Los Angeles). Additionally, his plays have received readings and workshops with Capital Repertory Theatre, the Ensemble Studio Theatre-L.A., and the Dorset Theatre Festival. Rebell is a graduate of Dartmouth College, a Stowe Story Labs alum, and a member of the Writers Guild and the Dramatists Guild.

The winning playwrights will travel to Ashland for the festival week with receptions, rehearsals, a playwriting workshop, and other festivities that culminate with dramatic readings of their plays.

ANPF offers the unique opportunity for playwrights to develop their previously unproduced works by providing skilled directors and world-class actors, many from the Oregon Shakespeare Festival and Southern Oregon University’s Theatre Department, under guidance from ANPF’s artistic team and ANPF Host Playwright Beth Kander. Talkbacks with audiences follow each performance.

“The week I spent in Ashland [at the Fall Festival] was one of the best weeks in my life as a playwright,” said two-time ANPF-winning playwright Stephanie Alison Walker, “From the moment my play was selected for the festival, I felt like I was in good hands. Our team beautifully brought my play to life. The audiences were such careful listeners and so committed to sharing feedback. I left with more confidence in my play and many more friends than when I arrived.”

Ticket sales for ANPF 2019 will open to the public in September. ANPF members receive advance access and discounts on tickets. Visit www.ashlandnewplays.org to learn more about the Fall Festival and ANPF membership benefits. A special note to playwrights: script submissions for consideration at next year’s ANPF 2020 will open on July 15, 2019.

ANPF also sincerely congratulates the twelve finalists, listed below:

Harbor by Liz Appel

White Party by Brent Askari

This Holy and Unruly Cause by David Beardsley

The Captives by Barbara Blumenthal-Ehrlich

Signature Photo by Michael Bucklin

Even Flowers Bloom In Hell, Sometimes by Franky Gonzalez

Up The Ladder, Down The Slide by David Valdes Greenwood

Last Dance by Suzanne Logan

Hitch by James McLindon

Visionaries by Mark Rigney

Pasado Mañana by Paul Stein

The Three O’Clock Briefing by Bo Wilson

Ensuring Oregon’s Arts and Culture Are Protected

Hello Advocates,

We have good and bad news this week as some major legislation we’ve been advocating for has passed, but other important bills are hanging in the balance.

Most of our legislative work is contained in the larger omnibus budget and program changes bills that are assembled and passed in the last few days of session. If the Legislature does not resume its business before June 30th, the date by which the body must adjourn—many of our priorities might be lost. Right now, there’s not much we can do since the political breakdown is occurring between the governor and the legislative leadership.

In good news, the Oregon Cultural Trust and the Oregon Arts Commission budgets were passed. Both agencies are funded at the governor’s recommended levels. We are working to find other ways to cover growing administrative costs estimated by agency leadership that were not approved and thus will impact the grant budget. Other good news—the House passed a tax credit package yesterday that includes renewal of the tax credit and extension of the special assessments for historic preservation. But this still needs to be approved by the Senate.

These bills were all moving along positively, so if the legislature resumes business, we expect good results:

— Renewal of the Cultural Trust tax credit for 6 years
— Extension of special assessments for historic preservation for 2 years
— 5 capital projects targeted for lottery bonding or General Fund contributions (Oregon Nikkei Center, Patricia Reser Center for the Arts, Cottage Theatre, High Desert Museum, and the Lincoln City Cultural Center)
— Lifting the expiration of license plate revenue for marketing of the Trust

If you’ve been an advocate or used your voice in any way this year, THANK YOU. This year’s work in Salem is evidence that our Coalition and its supporters are crucial in ensuring Oregon’s arts and culture are protected. Please stay tuned for more news in the coming days. 

Thank you.

Cultural Advocacy Coalition
Executive Director
Sue Hildick


Cultural Advocacy Coalition of Oregon  

Tuesday, April 23rd is Arts and Culture Advocacy Day!

Can you join the Cultural Advocacy Coalition in Salem on Tuesday, April 23rd for Arts & Cultural Advocacy Day? Join advocates from around the state with a strong showing of support for public funding of arts, heritage, humanities and cultural organizations in Oregon. 

Our current legislative session will be halfway over and it is now time to connect with legislators and urge them to:
1) Renew the cultural tax credit that funds Oregon’s Cultural Trust
2) Keep the special assessments that protect historic property
3) Adequately fund the budgets of the Oregon Arts Commission, the Oregon Cultural Trust, and the State Office of Historic Preservation
4) Provide lottery backed bonds for capital construction projects supporting culture across the state.

Please register for Arts & Culture Advocacy Day by April 12th. The day will give you a chance to meet leaders from other cultural organizations, see cultural performances, receive advocacy training from experienced professionals, and help you petition your elected officials to include arts and culture in policy and budgeting priorities.

We hope to see you there! If you haven’t yet become a member of the Cultural Advocacy Coalition, we also urge you to do so. We are the only group advocating on these issues statewide for Oregonians.

Best,

Sue Hildick,
Executive Director
Cultural Advocacy Coalition

Click the link below to log in and send your message:
https://www.votervoice.net/BroadcastLinks/gL3xCe5QszTalEsyjacO3g 


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President’s FY20 Budget Calls for Termination of Cultural Agencies Again

Americans for the Arts
- Arts Action Fund
              

March 18, 2019

Dear Arts Advocate,

For a third-straight year, the Trump administration has proposed to eliminate the National Endowment for the Arts (NEA), the National Endowment for the Humanities (NEH), the Institute of Museum and Library Services (IMLS), and the Corporation of Public Broadcasting (CPB).  As misdirected as this proposal is, we are confident that Congress—as it has done in the past two fiscal years—will again reject this short-sighted budget request in a bipartisan, bicameral manner, and increase funding for the Endowments.

Will you contact your member of Congress today to urge them to reject the president’s proposal?

In the past two years, Congress not only dismissed these initial calls for termination, but in fact gave steady increases in funding to several cultural agencies.  Check out a brief history of budgetary proposals and final funding for these agencies for the past three years below:

Key Federally Funded Arts AgencyPresident Trump’s
FY 2018 Budget Proposal
Final FY 2018 FundingPresident Trump’s
FY 2019 Budget Proposal
Final FY 2019 Funding President Trump’s
FY 2020 Budget Proposal
National Endowment for the Arts (NEA)Termination$152.80 millionTermination$155 millionTermination
National Endowment for the Humanities (NEH)Termination$152.80 millionTermination$155 millionTermination
Institute of Museum and Library Services (IMLS)Termination$240 millionTermination$242 millionTermination
Corporation for Public Broadcasting (CPB)Termination$445 millionTermination$445 millionTermination

Be sure to check out Americans for the Arts and Arts Action Fund President and CEO Robert L. Lynch’s full statement regarding the president’s budget proposal. We also hope that you’ll consider contributing to our 2019 campaign to save these cultural agencies from termination.


Thank you,

Nina Ozlu Tunceli
Executive Director

Take action
now!

New Exhibit in the Main Gallery – Dianne Jean Erickson & Barbara Martin

Feb 26 artblast Erickson 2
Detail of “Red-Brown Stack” by Dianne Jean Erickson
Beginning Friday, March 1, 2019
IN THE MAIN GALLERY

Adventures in Experience: Imaginative Works
by Dianne Jean Erickson & Barbara Martin

March 1–April 12, 2019

Erickson Stripe Stack and Martin Dont be the Bunny
left to right: Dianne Jean Erickson, Stripe Stack; Barbara Martin, Don’t Be The Bunny

Reception:  Friday, February 15, 5:30-8:00 pm

Portland artists, Dianne Jean Erickson and Barbara Martin, create highly imaginative contemporary works. Erickson creates encaustic monotypes and mixed media prints. Martin uses acrylic, oil pastel and pencil in her mixed media paintings. Their work is infused with energy and expression.

4TH ANNUAL CELTIC CELEBRATION

SUNDAY, MARCH 17, 5:30-7:30 PM

Celebrate St. Patrick’s Day at the Rogue Gallery!

The Rogue Gallery celebrates the Art of Celtic Tradition with art, food and traditional Irish music. The evening includes:
  • Irish food and beer
  • Musicians performing traditional Celtic music including “Pat O’Scannell and Friends” and the “Southern Oregon Scottish Bagpipe Band”
  • A singing competition to select the best rendition of the Irish classic, “Danny Boy” with the winner receiving a $100 award
  • An Irish themed art show with awards given to the “Best in Show” ($100.00 award) and “People’s Choice” ($50.00 award)
  • The Irish tradition of good cheer and laughter
At the Rogue Gallery, 40 South Bartlett, Medford, Sunday, March 17, 2019, 5:30 – 7:30 pm
Be sure to purchase your tickets early. This events sells out!

Tickets $35. Purchase tickets  HERE>> 

or call (541) 772-8118

. . . . . .
Call to artists for the Celtic Art Show

We invite artists to submit a work of art for this event that is inspired by Celtic art and/or by Ireland. No charge for members to submit, non-members $10. All styles and media are welcome. A $100 prize is awarded for Best in Show and a $50 award for People’s Choice. The exhibit runs March 8–March 22, 2019. Drop off artwork March 1 & 2, 2019, pickup March 23 & 26.

For two-dimensional work, maximum dimension in either direction including frame is 40 inches. For three-dimensional work maximum dimension in any direction is 40 inches and maximum weight is 35 pounds.

Inventory & Artist Agreement and Art Labels

CLASSES IN THE ROGUE STUDIO

FOR ADULTS

THIS WEEKEND!

Color with Ilene Gienger-Stanfield
All skill levels welcome
Two Day Workshop
Friday, March 1 and Saturday, March 2, 9am-4pm

Color does not have to be confusing or avoided. Ilene will explain and demonstrate properties of color  in oil and pastel. Artists will be equipped to create and modulate color in their artwork. The class will work from still life and photo references.

Get the MATERIALS LIST HERE>>
MEMBERS $185 NON-MEMBERS $195, MATERIALS LIST*
Register Here >>

MESSAGES FROM OTHER ORGANIZATIONS
2019 marks the 47th annual Corvallis Fall Festival; a 2-day event on September 28 and 29, 2019 that is created to serve, support and showcase the community of Corvallis and to help local arts thrive. Each year the festival fills the beautiful, tree-lined, downtown Central Park with 180 art booths, over 30,000 guests, 19 food booths, continuous live music and a vibrant Art Discovery Zone for children of all ages to engage in and create their own artwork. All artwork selected to be featured at the festival is considered original from concept through completion. Proceeds, after expenses, from the festival go toward supporting local arts and community enhancement projects chosen by the volunteer Corvallis Fall Festival Board of Directors. Corvallis Fall Festival is a 501(c)(4) not-for-profit organization.

Application information can be found at www.corvallisfallfestival.orgor  https://www.zapplication.org/event-info.php?ID=7044

. . . .

CALLING ALL POETS, WRITERS & VISUAL ARTISTS
Britt Music & Arts Festival wants to put your creativity on display in the 2019 Britt Festival Orchestra Souvenir Program. The 2019 season is built around the theme ‘The Sound of Nature’. They are looking for original poetry, short stories, or visual art that relates to music & nature for their publication. How does music reflect nature? Where do we find music? How does nature inspire the creative process with regards to music? How did smoke from various fires last summer impact the making of music? Explore these topics through your written or visual artistic expressions. LEARN MORE AND SUBMIT YOUR ENTRY

. . . .

The North Valley Art League 2019 Regional Juried Photography Show
Call to Artists

April 30 – June 1, 2019, NVAL Carter House Gallery, 48 Quartz Hill Road, Redding, California 96003
This show is open to all photographers residing in Northern California and Southern Oregon as follows: Sonoma, Napa, Solano, Yolo, Sacramento, El Dorado counties and all counties north to the California border, and the southern Oregon counties of Coos, Douglas, Curry, Josephine, Jackson, Klamath, Lake, Harney, and Malheur.
Images previously accepted into a NVAL Juried Photography Show are not eligible – with the exception of images accepted into a NVAL International Juried Photography Show as a Silver Selection.
All forms of photographic expression are encouraged, with the stipulation that all images must be the original work of the artist, i.e., both capture and post-processing, excluding resizing and printing.
FRAMING PROGRAM  $15 to rent one of NVAL’s frames and have NVAL frame your matted print.
Work may be shipped or hand-delivered to the NVAL Carter House Gallery.
AWARDS — $1000
• First Place — $500
• Second Place — $250
• Third Place — $100
• 3 Merit Awards — $50 each
• Honorable Mentions at the discretion of the juror
• Only juror-accepted work submitted to the Carter House Gallery exhibit is eligible for awards
JUROR — We are very proud to have Roman Loranc, an internationally known fine-art and conservation photographer as the juror for the 2019 show.
ENTRY — Entry period is open now.
• Entry deadline is Thursday, March 7, 2019 at 6:00 p.m.
• All entries will be online.  The procedure is quite easy and is explained in the Prospectus online at the NVAL website (see below.)
• You may enter as many images as you wish
• Entry Fees — $33 to enter three images, $8 each additional
FOR FURTHER DETAILS and to ENTER
The full prospectus is here.
Or, go to the NVAL website, www.nval.org — select Shows, Photography, Regional, 2019 Regional Photography Show Prospectus.
The entry link is at the bottom of the Prospectus.
QUESTIONS — Contact show chairman, Bonnie Lampley.
• Email — [email protected]
• Phone — 530-604-3380 (please leave a message)

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Call the Gallery for more info: (541) 772-8118

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The Rogue Gallery & Art Center is the Rogue Valley’s premier non-profit community art center founded in 1960 to promote and nurture the visual arts in the Rogue Valley. The Art Center showcases emerging and established artists, presents fine crafts by area artisans, and offers a broad range of visual art classes and workshops for all ages.

Rogue Gallery & Art Center is located in downtown Medford at 40 South Bartlett Street. The hours of operation are Tuesday through Friday from 10 a.m. to 5 p.m. and Saturday from 11 a.m. to 3 p.m. We are open every third Friday until 8:00pm.

Oregon is one of the “Lucky 13” Pro-Arts States

Hi Friend of Arts and Culture in Oregon:

I’m pleased to share that Oregon is one of the “Lucky 13” states in the nation in which all 5 of our U.S. House members and both of our Senators received excellent pro-arts grades in the 2018 Congressional Arts Report Card published by the Americans for the Arts ACTION Fund.  Even better news:  Congresswoman Suzanne Bonamici was the only Member of Congress to receive a perfect score!

Congress currently appropriates just 47 cents per person to support the arts across the country.  Yet a majority of Americans agree that Congress should double funding for the arts to $1 per person.  We still have work to do both at the state and federal level and Oregon’s Cultural Advocacy Coalition is here to help raise visibility of the cultural sector and to advocate for deeper access to the arts for all Oregonians.

Please join us in thanking the Oregon congressional delegation for their strong support!

Best — Sue Hildick

PS – Showing I’m a rookie, my last email blast was my first at the Coalition and contained a broken link.  Here is the photo it was supposed to have.  I look forward to meeting you!


Cultural Advocacy Coalition of Oregon