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Vision Quilt Images for Atlanta and Boulder Mass Shootings

Dear Friends of Vision Quilt, I imagine your hearts are heavy with the tragedies of the last two weeks.
My nephew taught and coached one of the Boulder young women and my son’s friend lost her sister in the same shooting. Vision Quilt is determined to honor these blessed loved ones and to continue to do our part to amplify the Call For Change. Let us know if you want to be involved in any way.

Thanks to a new wonderful volunteer in Oakland, Janine Grossman, I am sharing the blog Janine has written about Nancy Bardos’ commitment to honor these lives. 

Feel free to share these images on social media.

Ever onward, Cathy DeForest, Vision Quilt

Nancy Bardos is a dear friend and a long-time supporter of Vision Quilt. Ever since the Charleston shootings, Nancy felt a strong inner calling to express her grief and pain in a creative way, much like many of our young people who make the quilts. She uses her iPad and the image of hands to memorialize and honor the names of the victims. The number of hands corresponds with the names. 

Before COVID, we printed Nancy’s images on canvas and now we show them digitally. In 2019, we were invited by Moms Demand Action to showcase these panels in Sacramento, at California’s State Capitol. When the pandemic is over, we look forward to showing these panels live. In the meantime, check them out at https://www.visionquilt.org/view-quilt.html

Thank you Nancy, and together with you, we reach out our hands and hearts to those who are left with the pain of the aftermath.


TOGETHER WE CAN PREVENT GUN VIOLENCE

Vision Quilt empowers communities to create solutions to gun violence through the power of art and inclusive dialogue.www.visionquilt.orgInstagram, Twitter, Facebook Pinterest.
DONATIONS made here are tax deductible.

More from Nancy Bardos:

You may recall when Cathy DeForest operated her lovely gallery in the Railroad District years ago.  She has stepped aside from all that and for the past 6 years or so has devoted herself to the cause of gun violence and gun safety measures through the 501C3 she started, Vision Quilt.  I was part of one of the first teams formed but eventually stepped away because of the time commitment.  However, I could not step away from the cause itself…and when the shooting occurred at the church in Charleston I knew what I wanted to do.  I have made 24 of these banners since then…way too many for a civilized nation…and I am sure I have missed some.  I recall the banners I made for Orlando and Las Vegas had so many victims I didn’t have room to add the names…though, as in all the others, there is a hand for every single victim filling those banners.

I guess the point of my writing is to let you know that this is an instance of an artist’s artmaking for the sake of acknowledging and documenting important and shattering events as well as a recognition and honoring of the innocent people who became the victims. Perhaps there is a healing of sorts, too.

I did NOT create the original art of the hand silhouettes.  I saw it in a blog post years ago and ended up emailing the author (a woman Episcopal priest as I recall) on the East Coast.  She had used it and I knew I wanted to use it so she gave me the name of the artist……who happened to live in England.  The artist had offered it upon one of those sites artists and photographers use to post things that people can use without attribution and can “buy them a cup of coffee” as payment if one wants to.  Which I did.  I also emailed her and told her how they were going to be used and she was quite touched I think.

I can’t recall how many hands were in the original piece I downloaded from the site but I adapted it over and over and over again as every massacre consisted of a different number of victims.  It has been a sad task to do.  And a small task to do…..but I still feel this is a quiet and meaningful and powerful way for VISION QUILT, as people as well as an organization fighting for change, to honor them.

First Friday of 2020! Ashland Gallery Association Exhibit Openings & Artist Receptions

Join us for the January First Friday Art Walk festivities! 

January 3rd from 5 to 8 pm

ashland gallery association logo

Ashland Gallery Association Exhibit Openings & Artist Receptions

Stroll the galleries and take in the visual delights in downtown Ashland and the Historic Railroad District.  Venture further to explore out-skirting galleries!  Enjoy this free year-round community event, filled with a diverse array of artwork, live music, artist demonstrations, refreshments and lively conversation! 

January Spotlight Exhibits

Art & Soul Gallery

What a Difference a Frame Makes!

The gallery’s First Friday show also features wine and light refreshments; live music by pianist Anthony Bock, and will be on display from December 31 – February 2.

Peter Stone has been a professional picture framer for more than twenty-three years. He owned the popular Arrowhead Framing shop in Half Moon Bay, CA before moving to Ashland and Art & Soul Gallery.  He has long enjoyed the interpretive creative process and the constant creative problem solving which are custom picture framing. Peter loves the unique design opportunity that comes with each new artistic challenge.

“Every custom picture framing project comes with a story,” Peter has discovered. People only choose custom framing when the artwork has special meaning, he said. “And what is more special than our family memories!”

Pianist, Anthony Bock, a senior at SOU and a student of Dr. Tutunov, returns to Art & Soul for the third time. He effortlessly combines classical and non-classical piano music in a free and bright style, which captivates everyone listening.

Peter Stone, "sivo'ham, sivo'ham" (I am Shiva, I am Shiva)

Peter Stone, “sivo’ham, sivo’ham” (I am Shiva, I am Shiva)

Schneider Museum of Art

TWO GENERATIONS: JOE FEDDERSEN & WENDY RED STAR

On View: January 16 – March 14, 2020
Opening Reception: January 16th, 5:00pm – 7:00pm

EXHIBITION STATEMENT

This exhibition presents the work of two Northwest Indigenous artists who work across media and whose work responds, on their own terms, to historic and contemporary misrepresentations of Native Americans. Joe Feddersen, born in 1953, is a member of the Confederated Tribes of the Colville Reservation and has exhibited internationally since the early 1980’s. As a printmaker, basket maker, ceramicist and glass artist, Feddersen combines contemporary materials with Native iconography to create powerful and evocative works that explore the interrelationships between urban symbols and Indigenous landscapes.

Wendy Red Star, born in 1981, was raised on the Apsáalooke (Crow) reservation in Montana. An avid researcher of archives and historical narratives, Red Star incorporates and recasts her research through photography, sculpture, video, fiber arts, and performance, offering new and unexpected perspectives on past, present, and future life. Her work is humorous, surreal, and often abrasive, yet deeply rooted in a celebration for Crow life.

JOE FEDDERSEN BIO:

Joe Feddersen, a member of the Confederated Tribes of the Colville Reservation, lives and works in Omak, WA and was a faculty member at Evergreen State College in Olympia, WA from 1989 until his retirement in 2009. His work was included in Weaving Past into Present: Experiments in Contemporary Native American Printmaking at the International Print Center, New York, Autumn 2015. He has been featured in numerous national exhibitions, including Continuum 12 Artists: Joe Feddersen, National Museum of the American Indian, Smithsonian Institution at the George Gustav Heye Center, New York, NY, curated by Truman Lowe; Land Mark, Northwest Museum of Arts & Culture, Spokane, WA; and was the subject of a major retrospective exhibition and monograph, Vital Signs, organized in conjunction with Froelick Gallery and the Hallie Ford Museum of Art at Willamette University in Salem, OR

WENDY RED STAR BIO:

Artist Wendy Red Star works across disciplines to explore the intersections of Native American ideologies and colonialist structures, both historically and in contemporary society. Raised on the Apsáalooke (Crow) reservation in Montana, Red Star’s work is informed both by her cultural heritage and her engagement with many forms of creative expression, including photography, sculpture, video, fiber arts, and performance. An avid researcher of archives and historical narratives, Red Star seeks to incorporate and recast her research, offering new and unexpected perspectives in work that is at once inquisitive, witty and unsettling. Intergenerational collaborative work is integral to her practice, along with creating a forum for the expression of Native women’s voices in contemporary art.

Red Star has exhibited in the United States and abroad at venues including the Metropolitan Museum of Art, Fondation Cartier pour l’ Art Contemporain, Domaine de Kerguéhennec, Portland Art Museum, Hood Art Museum, St. Louis Art Museum, and the Minneapolis Institute of Art, among others. She served a visiting lecturer at institutions including Yale University, the Figge Art Museum, the Banff Centre, National Gallery of Victoria in Melbourne, Dartmouth College, CalArts, Flagler College, and I.D.E.A. Space in Colorado Springs. In 2017, Red Star was awarded the Louis Comfort Tiffany Award and in 2018 she received a Smithsonian Artist Research Fellowship. In 2019 Red Star will have her first career survey exhibition at the Newark Museum in Newark New Jersey.

Red Star holds a BFA from Montana State University, Bozeman, and an MFA in sculpture from University of California, Los Angeles. She lives and works in Portland, OR.

CURATOR MACK MCFARLAND BIO:

Mack McFarland is a cultural producer and has worked as Curator for Pacific Northwest College of Art since 2006. Currently McFarland is the Director of the Center for Contemporary Art & Culture at PNCA. His exhibitions at PNCA have included commissioned projects of new works from tactical media practitioners Critical Art Ensemble, Eva and Franco Mattes, and Disorientalism.  He has also curated a review of Luc Tuymans’s printed works, a group exhibit marking the centennial of John Cage’s birth, and a comprehensive look at the process of the comic journalist Joe Sacco.  McFarland’s current question is how exhibitions and artworks can meaningfully link to our shared experience of existing together within the ongoing process of history.

Wendy Red Star, "Winter", from "The Four Seasons", Archival pigment print on Museo silver rag, 35.5 X 40 inches, Courtesy of the Jordan Schnitzer Museum of Art, Eugene, OR

Wendy Red Star, “Winter”, from “The Four Seasons”, Archival pigment print on Museo silver rag, 35.5 X 40 inches, Courtesy of the Jordan Schnitzer Museum of Art, Eugene, OR

Photographers’ Gallery (Ashland Art Center)

Kate Geary – “In the Woods”

Kate Geary’s new show, “In the Woods”, opens on Friday, January 3, 2020, at The Photographer’s Gallery at the Ashland Art Center and runs through the end of February.  

Kate’s focus in this show is on the amazing beauty and even humor in the small details of the natural world in the forest.  So often the small is obscured by the magnificence of the scene, the towering redwood or roaring waterfall.  To pause, to look downward and notice the patterns in decaying bark, the sensuous texture of exposed wood; the beauty of seed pods lying in verdant ground cover, reflections of fall color in a meandering stream, brings a new appreciation to the beauty of detail.

Kate Geary, “Reflections of Season Past,” photograph

Kate Geary, “Reflections of Season Past,” photograph

Creekside Pizza

Featuring Justin Gordon

Justin Gordon is an artist and musician living in Ashland Oregon who enjoys traditional processes that harken back to the twentieth century before the digital world inundated us with images and sounds and facsimiles of real objects. He can be found driving around in a yellow seventies pick up snapping photos or playing his original songs with his band The Holy Mackerels around town when he is not at work as a carpenter and painter.

Show runs December through January.

Justin Gordon, photograph

Justin Gordon, photograph

For more information about all of our exhibits and to download the January Gallery Tour map, please visit: www.ashlandgalleries.com  

 

Please see “Spotlight Exhibits” and the January Gallery Tour Map.

Download (PDF, Unknown)

Thank you for your support of the Visual Arts in our communities!

Free Art Presentation to Benefit Climate Action

Babel and Blood Moons, 2015 Painting from the Digging out from the Dirty Decade collection, by Catie Faryl

Babel and Blood Moons, 2015 Painting from the Digging Out from the Dirty Decades collection, by Catie Faryl

Digging Out From the Dirty Decades

1999–2019

Art Presentation to Benefit Climate Action

Featuring an inspiring art slide show with humorous observations by West Coast Artist Catie Faryl.

Sunday November 17th
two free shows – 3 pm & 5 pm
(30 minutes each)
Bellview Grange 1050 Tolman Creek Road in Ashland, Oregon

Artwork will be for sale at discount prices to benefit Southern Oregon Pachamama Alliance & Project Drawdown Climate Actions

On Sunday November 17th, West Coast Artist Catie Faryl will be sharing her recent art collection, “Digging Out from the Dirty Decades,” at Bellview Grange, 1050 Tolman Creek Road in Ashland, Oregon.  There will be two half-hour art slide presentations, one at 3 pm and one at 5 pm, during which Catie will discuss her art and commentary on events beginning with Y2K in 1999 through the past 20 years, ending with our current situations in 2019.
Faryl is launching her Digging out from the Dirty Decades Card Deck, which is 72 art cards in chronological order along with ironic political satire and revealing environmental commentary.
Sales of Catie’s greeting cards, her popular Balance Deck Art Cards, matted prints, framed and matted originals will benefit climate crisis actions and education programs of Southern Oregon Pachamama Alliance. Also Catie will offer a sneak preview of her next project called “2020 – The Year of Living Frugally”.
For more information please contact Catie Faryl at 541 535-1854 or by email.
Catie’s greeting cards and Art Card Decks are for sale locally at Bloomsbury Books.  If you can’t attend, donations can be mailed to Bellview Grange, P.O. Box 3372, Ashland Oregon 97520    www.catiefaryl.net
For more information contact Catie Faryl at 541 535-1854 or by email at [email protected], and please visit The Gentle Rebellion – a plan to reduce energy use and waste on Facebook https://www.facebook.com/The-Gentle-Rebellion-a-plan-to-reduce-energy-use-and-waste-2456972324539793/

 

The Revellers, New Years 1999 painting from the Digging out from the Dirty Decades collection by Catie Faryl

The Revellers, New Years 1999 painting from the Digging out from the Dirty Decades collection by Catie Faryl

NAMI SO Announces Poster Contest for annual Mental Health Film Fest

The National Alliance on Mental Illness Southern Oregon (NAMI SO) would like to announce an art contest for our poster for the next annual Mental Health Film Fest:
~~~~~~~~~~~~~~~~~~~~~~~
Dear Artists:

The National Alliance on Mental Illness Southern Oregon (NAMI SO) would like to announce an art contest for our poster for the next annual Mental Health Film Fest:

NAMI SO Film Fest Poster artwork competition: as a fun way to involve the artists in our community, the NAMI SO Film Fest Committee wants to invite you to submit two-dimensional art pieces for consideration for the 2020 film fest poster! The winner will get to see their artwork all over Jackson and Josephine counties and will receive special mention in the programs and two tickets to Oregon Shakespeare Festival’s 2020 Season!

This is a great way to show how art is relevant to mental health. The composition should be easy-to-identify, somehow connecting with the theme of mental health, and it should be a positive message of hope, help and recovery. A big ask? Maybe. But so very important!

Artists who don’t make it onto the poster will still have the opportunity to display their artwork at the Film Fest event, May 2nd (in Ashland) and 3rd (Grants Pass)! This year, we will display art depicting anything to do with mental health, emotions, or images inspired by our mental health…stay tuned here for more on that as we get closer, but be thinking about what you want to submit…

Bring original artwork submissions for the poster (signed but unframed, as it will need to be scanned if it wins) to the NAMI Library at 140 S. Holly, Medford, Rm 1300 by January 31st, 2020, or contact Meesha Blair at [email protected]. We will notify you of the winner within the week following. All artwork should have your contact information attached, so we can notify you and return your artwork. Contest is not limited to NAMI members (although membership is a great way to support our work in the community. See www.namisouthernoregon.org for more). There is no entry fee.

We look forward to seeing your art!

Good luck!
Meesha Blair, NAMI SO Advocacy Committee

541.512.0047

Northwest Mystics 2019: Women of the PNW

Northwest Mystics 2019: Women of the PNW ​presents over 20 women artists for a representation of power found in the feminine mystique and, ultimately, communicates an inspired message that will leave viewers uplifted, hopeful, and with a little joy in their heart.

Center on Contemporary Art Northwest Mystics 2019

From December 5 through 21, Center on Contemporary Art (CoCA) presents, “Northwest Mystics 2019: Women of the PNW.” CoCA will wrap up their 2019 year of amplifying the voices of women and femme-identified artists with an exhibition, not only of women, but also works from select CoCA members. A 2019 Mayor’s Arts Award recipient, CoCA has been an artistic staple in Seattle since 1981 and continues to challenge the status quo while exploring cultural assumptions and highlighting the essential role of art in a global conversation.

“Northwest Mystics 2019: Women of the PNW” will include a wide variety of artists from different backgrounds to include a musical performance, sculpture, painting, and video, as well as lighted animatronic motion-sensitive “flowers” by Sena Clara Creston that engage directly with visitors. Additional artists in the show include Amina Maya, Anya Gudimova, Aramis Hamer, Babs Fulton, Cathy Sarkowsky, Christy Bailey, Eliaichi Kimaro, Jenny Jun Smith, ​Jocelyn Beausire, ​Kree Arvanitas, KT Hancock, Michelle Friars, Minhi Wimplempeck, Ouija Boob, Polly Purvis, Sandi Bransford, Sonya Stockton, Shima Star, ST Rivera, Vian Nguyen, and Victoria Raymond.

This show is inspired in part by the life and work of gallery owner and catalyst for the Northwest School, Zoë Dusanne as she celebrated the ingenuity and unflappable spirit of the Pacific Northwest. Her life, work and dedication to creating and holding space for contemporary art is one that CoCA deeply identifies with. Dusanne was also a trailblazer of her time as the first African-American woman to open her own gallery, a working single mother and, along with her parents, a founding member of the Seattle chapter of the National Association for the Advancement of Colored People (NAACP). In 1947, Dusanne built a home in Seattle specifically designed to double as an art space, which she opened to the public in November 1950. Dusanne’s persistence and dedication to presenting artists, who would later be known as the “mystical” painters from Northwest School, resulted in a feature in ​Life ​magazine in 1953 and propelled the Northwest School to national prominence. Unfortunately in 1958, her home and gallery were demolished in order to accommodate the construction of I-5—something Seattleites can still relate to today.

CoCA’s nod to the Northwest School’s history is visible in landscapes such as one with a twist by Jenny Jun Smith or nature-inspired abstracts with a dark misty palette by Cathy Sarkowsky. In contrast to the Northwest School artists, this show displays a visceral sensuality and playfulness of the feminine mystique. Some works speak directly to the current social climate, such as ST Rivera’s ink on paper piece titled “Machismo;” Vian Nguyen’s oil painting, “Torn;” and Victoria Raymond’s 3D mixed media collage, “Grit.” “Northwest Mystics 2019: Women of the PNW” is a visual representation of the beautiful struggle of the feminine and, ultimately, communicates an inspired message that will leave viewers uplifted, hopeful, and with a little joy in their heart.

 

Exhibition Runs December 5 – 21, 2019.
Opening Reception, on December 5, 2019, 6-9pm, part of Pioneer Square Art Walk and includes a musical performance by Ouija Boob at 7:30pm.
All events at CoCA in Pioneer Square: 114 Third Avenue South, Seattle, 98104
More info: ​cocaseattle.org/exhibitions/northwest-mystics-2019

OAC Update on grant awards, Art in Public Places Roster now open and the first-ever tour of our State Capitol’s art collection!

August 2019

News & Updates

Update on grant awards, Art in Public Places Roster now open and the first-ever tour of our State Capitol’s art collection!

Grant award timeline update

OSG, ALG awards to be announced in September

Due to the new biennium budget process, the announcement of grant awards for the Operating Support and Arts Learning programs is delayed until September.
The Arts Commission is awaiting a final approved budget from the Legislative Fiscal Office and the Business Oregon fiscal office, as well as action by the Arts Commission board, so that grant awards can be finalized and distributed.
Final approval of grant awards is expected at the Arts Commission board meeting in early September. Official notification of application status and funding awards will happen after the Arts Commission board meets.
In recognition of the challenge presented by awards being announced after activity starts, the staff is developing a new timeline for the next funding cycle and may move the activity start period to Oct. 1.

Eric Asakawa plays the role made famous by Kevin Bacon in Broadway Rose Theatre Company’s current production of“Footloose” running through Sept. 1. Broadway Rose received a FY2019 Operating Supporting Grant award. Photo by Craig Mitchelldy.

Call to artists

Oregon Art in Public Places Roster now accepting applications

Regional, national and international artists are invited to submit qualifications for the Oregon Art in Public Places Roster for 2020-2022. Applications will be accepted until 11:59 p.m., MDT (Mountain Daylight Time), on Tuesday, Sept. 10. All materials must be submitted through CaFE™.
The Oregon Arts Commission manages the Percent for Art program for the State of Oregon. The Oregon Art in Public Places Roster serves as a resource for Percent for Art selection panels to identify artists most suitable for specific project needs.
The Roster is completely refreshed every three years. Artist who were selected for a previous Oregon Art in Public Places Roster must reapply to be considered for the 2020-2022 Roster.

George Johanson, “Day and Night,” 2012. Acrylic and oil on canvas. Oregon Department of Transportation.

Corvallis artist Greg Pfarr exhibits in Governor’s Office

Corvallis artist Greg Pfarr will exhibit “A Sense of Place: Time, Memory and Imagination in the Pacific Northwest” in the Governor’s Office of the Capitol Building in Salem through Sept. 26. A “meet the artist” reception is scheduled from 2 to 5 p.m. on Thursday, Sept. 5.
Place has always been a central focus of Greg’s art. He grew up roaming the woods and creeks of southern Ohio, where he found his first inspiration. Early backpacking experiences in the Smokey and Rocky Mountains convinced him that he had to live near wilderness. A move to Oregon in 1980 made it possible.
An exhibit in the Governor’s office is a “once in a lifetime” honor for selected Oregon artists.

Greg Pfarr, “Three Glaciers, Prince William Sound, Alaska,” 2014. Etching and woodcut. 24 x 36 inches (image). Courtesy the artist.

American Artist Appreciation Month

First-ever tours of State Capitol art offered in August

Explore the vast art collection inside the Oregon State Capitol during American Artist Appreciation Month in August. For the first time, State Capitol visitor services will provide guided tours of the Art of the Time Collection, publicly displayed throughout the building.
Tours will depart from the state seal in the rotunda at noon Monday through Friday,
Aug. 19-30. The collection includes more than 175 American (and many regional) artists, featured on the Percent for Art Collection website.
For a schedule of upcoming events and exhibits at the Capitol, visit www.oregoncapitol.com.

Sally Haley, “Camellias,” before 1979. Acrylic on canvas. Photo: Frank Miller.

At Liberty honors Royal Nebeker

Former Arts Commissioner and beloved Oregon artist Royal Nebeker (1945-2014) is being celebrated in a retrospective of his work on exhibit at At Liberty in Bend through September.
A prominent teacher, Nebeker left a tremendous legacy of work. A broad representation of his life’s work assembled for the tribute show.
Royal once said, “This process of painting resembles looking through a night window. I peer out, observing and at the same time see the reflection of the interior conditions of my own reality. It is my intent that as the viewer peers into my painting, he will not only see a visual record of meaning in my life, but will discover the reflection of meaning in their own, as in a night window.”

Pictured at the Royal Nebeker exhibit opening: (left to right) Kaari Vaughn, a founding partner of At Liberty; Sarah Nebeker, Royal’s widow and a Clatsop County Commissioner; Hannah Nebeker, Royal’s daughter; Rene Mitchell, a founding partner of At Liberty; Jenny Green, a founding partner of At Liberty; and Brian Wagner, Arts Commission community development coordinator. .

Florence public mural celebrates local culture

“Stitching Time, Weaving Cultures,” a public mural celebrating local culture and heritage, was recently dedicated in Florence. Commissioned by The City of Florence and the City’s Public Arts Committee, the mural was created by Portland artist-team Marino-Heidel Studios.
Almost three years in the making, the mural showcases folk arts and speaks to cultural interchange. It also “stitches” together ideas that represent the Florence area. The design incorporates the iconic Siuslaw Bridge and native flora and fauna of our region and pays homage to the Siuslaw people.
The project was a partnership between enthusiastic citizens, members of the PUD, Tribal leaders and City of Florence staff.

(Left to right) Harlan Springer of the Florence Public Arts Committee, Catherine Rickbone of the Oregon Coast Council for the Arts and Michal Dalton, Oregon Arts Commissioner.

Upcoming grant deadlines

Oregon Arts Commission | Phone 503-986-0082 | www.oregonartscommission.org

STAY CONNECTED

Light Garden Glass Art Classes and Workshops Summer 2019

1086 Washburn                                June 2019
Medford, OR                                   Tues-Fri 10-5pm
www.lightgarden.net                     Sat  10-1p
(541) 779-0272                                 Closed:  Sun & Mon.
Yes, it’s true….only 6 months left until Christmas!
 
I am already looking forward to our annual
Holiday Open Studio  
event this year!
 
If you would like to be part of our show drop me an email and let me know what you would like to bring to sell.
 
We have limited space available.
 
 
    
 
I wouldn’t be doing my job unless I start reminding you
that it would be a great time to come in and make a
FLOWERS of HOPE
panel
for this year!
Summer is a great time to come in a make a panel!
So much inspiration!
 
 
 
 
 
These projects can be done during our regularly scheduled workshops on Wednesday and Saturday mornings from 10 – 12n.  Please call or email ahead to reserve your space.
 
 
     
Mosaic Design Class
 
This has been the best year for mosaics!  We have lots of different projects going on in different stages.  I can’t wait to see them finished!  It’s not too late to get in on this project.

We’ll help you design your own mosaic by putting together various templates or based on your own drawing, show you ways to lay out your tiles to give your piece more movement, choosing your board or project base, adhesives, using found items and more. 

Continue working on your project during any open workshop or on your own at home.  
NEW*** I will now be including a section on Glass on Glass mosaics.  Let the light shine through!
 
$30 includes class and materials charge.  
  
July 13th 
1-3:00pm
 
Alcohol Inks: Summer Vineyard

This is a great project if you are just starting out in alcohol inks.  Some objects are accomplished by pouring from the bottle, others by using a brush and still others by use of a stamping tool. Good practice in several application methods.   All inks are included.
$25


July 27th
1-3pm

   

 Morning Workshops:

 

Come join our morning workshops on Wednesday and Saturday mornings from 10a – Noon.  Use our tools and workshop space.  $10 for 2 hours!  Call to reserve your space.  You can do a Flowers of Hope panel during any of our workshops…or a “Try Fusing” panel to get you started in fusing.  You can also schedule bigger projects.  Contact us for more information.

LightGarden Glass Art, 1086 Washburn Lane, Medford, OR 97501-2000

BUZZ! New Bee City USA Mosaic Unveiled in Talent

Have you seen the new mosaic

that was just unveiled in Talent?

Within the 32-foot-long mosaic simply titled “Talent: Bee City, USA” are tens of thousands of pieces and the efforts of more than 100 volunteers who worked for the past year and a half, according to Talent artist Karen Rycheck, who wore a purple “beehive” wig Saturday morning at the Talent Commons near City Hall, joining city officials in celebrating the completion of the 18-month project.  “It’s very much the community’s work,” Rycheck said. “I facilitated it, but I didn’t make it.” Photo by Andy Atkinson

Photo by Andy Atkinson/ Mail Tribune

 

Within the 32-foot-long mosaic simply titled “Talent: Bee City, USA” are tens of thousands of pieces and the efforts of more than 100 volunteers who worked for the past year and a half, according to Talent artist Karen Rycheck, who wore a purple “beehive” wig Saturday morning at the Talent Commons near City Hall, joining city officials in celebrating the completion of the 18-month project.

“It’s very much the community’s work,” Rycheck said. “I facilitated it, but I didn’t make it.”

Talent Bee City USA Mural  photo by Andy Atkinson, Mail Tribune

Detail, Talent Bee City USA Mural photo by Andy Atkinson, Mail Tribune

Bee City USA
Check out these links for more information:

Ashland New Plays Festival presents THE GUN SHOW by E.M. Lewis

Taking Aim at the Gun Debate: Can we have a conversation about this?

What: Ashland New Plays Festival presents THE GUN SHOW by E.M. Lewis  When: Friday and Saturday, June 14 and 15, 2019, at 7:30 pm  Where: Bellview Grange, 1050 Tolman Creek Road, Ashland  Tickets: $25, available onlineor at the door, subject to availability

A defaced road sign from rural Minnesota.

Ashland New Plays Festival will present a special two-night full production of The Gun Show by award-winning playwright E.M. Lewis at 7:30 pm on June 14 and 15 at the Bellview Grange in Ashland, featuring Andrew William Smith and directed by Lisa Velten Smith. Tickets are $25, available online or at the door, subject to availability. A conversation with the audience about personal experiences with guns will follow the performance.

“I am here to tell a public story and a private story. A story about guns in America and a story about my own experiences with guns in America.”

And so begins the riveting one-hour play. Lewis tells her story with raw honesty and gives audiences important insight into the nuances of America’s gun debate. Since the play’s 2014 Jefferson Award-nominee world premiere in Chicago, it has gone on to receive critical acclaim and sold-out performances across the country and an international premiere in 2017 at Edinburgh Fringe Festival.

In The Gun Show, Lewis takes aim at her own relationship with firearms, from her experiences in a farming community in rural Oregon to the big cities of Los Angeles and New York. Lewis’s stories are brought to life by Smith, who recently completed a month-long production of The Gun Show at Pittsburgh’s Quantum Theatre.

E.M. Lewis is a former ANPF winning playwright and served as host playwright for eight ANPF Fall Festival seasons. Among her many accolades as a playwright and librettist, she was awarded the 2016 Oregon Literary Fellowship in Drama, a Hodder Fellowship from Princeton University, and a playwriting fellowship from the New Jersey State Arts Commission.

She is currently featured in an episode of Play4Keeps Podcast, an ANPF production, where she discusses her play in conversation with ANPF’s Associate Artistic Director and SOU Theatre professor Jackie Apodaca. The Play4Keeps Podcast is available free on podcast apps.

What: Ashland New Plays Festival presents THE GUN SHOW by E.M. Lewis

When: Friday and Saturday, June 14 and 15, 2019, at 7:30 pm

Where: Bellview Grange, 1050 Tolman Creek Road, Ashland

Tickets: $25, available onlineor at the door, subject to availability

For more information, visit www.ashlandnewplays.org.

WMG 22nd International Open Call For Art

22nd International Open
Exhibition Dates: August 9 – 31, 2019
Entry Due Date: May 28, 2019
Juror: Dolores Mercado

CLICK HERE TO SUBMIT WORK 
https://womanmadegallery.submittable.com/submit

Exhibition Description: Invitation to all female identified artists worldwide to submit artwork for this open exhibition. All themes, styles, and media will be considered. Artwork that explores or challenges conceptual and material boundaries is encouraged.

Prizes Awarded:  Best of Show $500 / 2nd Place $250 / 3rd Place $100

The application fee for juried exhibitions is $30 for up to three images of work, plus one detail image each if necessary. A limited number of artists who experience financial hardship may be exempt from paying the entry fee; please send us an email to request a fee waiver: [email protected].

We encourage entries of recent works, but there is no restriction in the creation date. All applicants should submit an artist’s statement about their body of work (up to 250 words.) Accepted artworks must not exceed 72″ horizontally and must not have been previously shown at WMG.

Juror: Dolores Mercado

Dolores Mercado is the Associate Curator at the National Museum of Mexican Art (NMMA) in Chicago, Illinois, and former Associate Director of Education and Senior Arts Educator. She studied at the National School of Painting, Sculpture and Printing La Esmeralda in Mexico City, The Academy of San Carlos from the UNAM in Mexico City, The School of Video of the University of Guadalajara, and at the School of Visual Arts of the University of Guadalajara.

Mercado was the Curator of Women Artists of Modern Mexico: Frida’s Contemporaries; La vida sobre papel: Judithe Hernández; Contemplations: Dan Ramirez, Works from the Permanent Collection; Deportable Aliens: New Work by Rodrigo Lara Zendejas; La Muerte Niña: Day of the Dead; Carmen Parra: Suave Patria; Rito y Recuerdo: Day of the Dead; Quilt Me A Story: Nuestros relatos (Immigration Stories); Maquila Blues: Oscar Moya; Fragmentos: Pilar Acevedo; and Abyss: Rocío Caballero among many others. Mercado has also Co-curated Memoria Presente: An Artistic Journey; !No se olvida! Remembering the Tlatelolco Massacre and Rastros y Crónicas: Women of Juarez, and others.

Mercado has hosted Camino Tierra Adentro radio program at WRTE 90.5 FM (1999 to 2004, MFACM), and Alquimia radio program at WRTE 90.5 FM. (2004-2006) NMMA. She was coordinator and collaborator for the Women Artists of Modern Mexico: Frida’s Contemporaries catalog and Coordinator for Nahui Olin: A Woman Beyond Time catalog, NMMA. Mercado has been in charge of several Symposiums, Conferences and Events and has participated as a panelist in Art in Response to Violence, Northeastern University; Ni Una Más: Remembering the Missing Women of Juarez, DePaul University; and Translating Tragedy into Art, a conversation with Filmmaker Carlos Carrera. Dolores Mercado has exhibited in the US, Mexico, Spain, Canada and Nicaragua.

Image: Artwork by Anoush Bargamian

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2150 S. Canalport 4th Fl, Chicago, IL 60608
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ABOUT WOMAN MADE GALLERY
Woman Made Gallery (WMG) is a tax-exempt, not-for-profit organization founded in 1992. Its mission is to support, cultivate, and promote the diverse contributions of women in the arts through exhibitions and other programs that serve, educate, and enrich our community. We rely on membership contributions and individual donations to create the programs that support our mission.

YOUR DONATIONS HELP MAKE WMG’S EXHIBITIONS AND PROGRAMS POSSIBLE!
Woman Made Gallery is supported in part by grants from The Arts Work Fund; The Chicago Department of Cultural Affairs and Special Events; The Gaylord and Dorothy Donnelley Foundation;  The Efroymson Family Fund, a CICF Fund; The Illinois Arts Council Agency;  The MacArthur Funds for Arts and Culture at The Richard H. Driehaus Foundation; The Joyce Foundation; and the generosity of its members and contributors. We thank our Art Angel, an anonymous donor who contributes generously and repeatedly through BMO Harris Bank.