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frank Gathering 2020

The Center for Artistic Activism’s Rebecca Bray and Steve Lambert will be speaking and doing a workshop at the frank Gathering, February 4-7 in Gainsville Florida.

Other invitees this year include Center for Artistic Activism alumnus Debbie Almontaser, and comedian and creator of the Daily Show, Lizz Winstead.

frank is more than just a gathering. It is an essential community for movement builders and change makers – the people who use communications to drive positive social, institutional and behavioral change. A part of the University of Florida Center for Public Interest Communications, frank gathering informs and drives the field of public interest communications through research, insights and news.

Now in its seventh year, frank is bringing changemakers together from across the earth. Our community is made up of strategists, researchers, artists, journalists, students, activists and more. From corporate advocacy to the research lab, to the grassroots on the street activist, the frank community believes in using evidence-based strategies to drive social change. If you see yourself in our mission, then we welcome you into our community.

frank website

And if you want to watch some talks from years past here’s a selection:

Comedian Roy Wood Jr. on Audiences

Roy Wood Jr. does his own form of audience testing. In this interview for the Good One Podcast, Wood talks about how he developed a hilarious bit called “Black Patriotism?” for his special, Father Figure.

In the interview Wood talks about testing his jokes on different kinds of audiences in different parts of the country to make sure they will reach the most people. This could sound like pandering, or working to the lowest common denominator, but not in this case. Roy Wood Jr. is refining his message and making it accessible without dialing back any of the underlying message.

Listen and see if you agree.

Comedian Roy Wood Jr. on Audiences

Roy Wood Jr. does his own form of audience testing. In this interview for the Good One Podcast, Wood talks about how he developed a hilarious bit called “Black Patriotism?” for his special, Father Figure.

In the interview Wood talks about testing his jokes on different kinds of audiences in different parts of the country to make sure they will reach the most people. This could sound like pandering, or working to the lowest common denominator, but not in this case. Roy Wood Jr. is refining his message and making it accessible without dialing back any of the underlying message.

Listen and see if you agree.

Call For Artists – City of Grants Pass Art in Motion

Greetings to all Artists!

It’s time to send in your favorite art pictures for the next round of Art in Motion. This has been a successful way for artist to show off their “wares” on the side of the JCT Bus that runs up and down 6th and 7th Street in Grants Pass.

Thanks to our generous sponsor Republic Service, courtesy of JCT Bus, and the Committee on Public Art (CoPA), we are looking for pictures of art for the next run starting in March. Please send in your submissions by January 31st. *Details are attached. Please share widely!

It’s time to send in your favorite art pictures for the next round of Art in Motion. This has been a successful way for artist to show off their “wares” on the side of the JCT Bus that runs up and down 6th and 7th Street in Grants Pass.     Thanks to our generous sponsor Republic Service, courtesy of JCT Bus, and the Committee on Public Art (CoPA), we are looking for pictures of art for the next run starting in March. Please send in your submissions by January 31st. *Details are attached. Please share widely!     *Bus displayed is not the one currently in motion.  Kind Regards,  Susan     Susan Seereiter  Business Advocate  www.grantspassoregon.gov  (541) 450-6014 (Direct)

*Bus displayed is not the one currently in motion.

Kind Regards,

Susan

 

Susan Seereiter

Business Advocate

www.grantspassoregon.gov

(541) 450-6014 (Direct)

cid:image001.png@01D19EC9.185D2E30

   Art in Motion

Prospectus:

The City of Grants Pass Committee on Public Art (CoPA) invites artists 18 years of age and older to submit original artwork in any 2-D or 3-D media with the exception of video/film, installation or performance art for Art in Motion.

This public art project is essentially a gallery on wheels; artwork is displayed on 54” x 34” vinyl print on both side of one of the Josephine Community Transit buses.  The art is there to engage people, expand public art visibility, create opportunities for the community to experience art in everyday life and enhance the overall artistic climate of the City of Grants Pass.

This prospectus solicits submissions for two exhibition periods.  The first from March through July 2020, and the second from August through December 2020.  The work will be selected based on originality, artistic conception and quality.  An effort will be made to represent a broad diversity of styles, media and disciplines. One or two artist may be chosen for each exhibition period.

Media Eligibility: All artists working in, but not limited to, the following disciplines are invited to submit “High Resolution” images of their work: painting, drawing, printmaking, photography, digital graphics, engravings, sculpture, glass, wood, metal/jewelry, ceramics, fiber arts, mixed media, and assemblage.  Video/film, installation art and performance art are not appropriate disciplines for the Art in Motion project.

Submissions:  Artists must submit a minimum of four (4) images to a maximum of six (6) works.  All work submitted must be original, no copy work, no classwork or work done under supervision. Choose your most dramatic work that would be easily visible from a distance.

All submissions must include these three (3) items:

1.  A CD or USB thumb drive for four (4) to six (6) images. Label storage devices with your name. (Storage devices will not be returned.)

2.  A hard copy printout of your contact information with artist statement.

3.  A hard copy printout of your inventory of images.

PLEASE DO NOT SEND ORIGINAL ARTWORK. DO NOT ENCLOSE BINDERS, FOLDERS,

OR ANY MATERIALS OTHER THAN THE INFORMATION REQUESTED.


Image Format:
Images must be
Tclear and professionally presented.T

  • Images UmustU be submitted in high-resolution jpeg format on a CD or USB thumb drive.  For clarity of reproduction, the resolution needs to be as high as possible.  Because the image you provide will be used by the printer to create the image for use on the poster, quality of the photos and their scalability will be considered during the process to ensure the best possible image for public viewing. 
  • Three dimensional art pieces should be photographed against a neutral background.  The background can be either flat or graded. 
  • Label each jpeg image as follows:  last name, first initial, entry number (for example: Smith, J 1, Smith, J 2, Smith J 3, etc.).

Jurors: CoPA, the City of Grants Pass Committee on Public Art. Exhibitors will be selected based on originality, art concept and artistic quality. An effort will be made to represent a broad diversity of styles, media and disciplines.

  • CoPA may, at it’s sole discretion, crop or use a fragment of original art to best fit the parameters on the bus display and to increase impact.
  • Artist’s name and title of work will accompany the submission once selected and reproduced. Artist will be notified of selection before placement.

Mail or hand deliver submissions to:

Grants Pass City Hall

101 NW “A” Street

Grants Pass, OR 97526

Attn. CoPA

DEADLINE FOR ENTRIES:   Friday, January 31, 2020 by 3:00 PM.

All artists will be contacted via email with the Art in Motion jurying results within 30 days after the submission deadline.


Artist’s Contact Information


Name (Last, First) ____________________________________________________________

Mailing Address______________________________________________________________

City / State / Zip ______________________________________________________________

Daytime Phone ______________________________________________________________

Email_______________________________________________________________________

Artist’s Website_______________________________________________________________

Artist Statement (related to the work submitted)

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________


Inventory of Images

Entry 1

Title of Work _________________________________________________

Dimensions __________________________________________________

Medium ____________________________________________________

Entry 2

Title of Work _________________________________________________

Dimensions __________________________________________________

Medium ____________________________________________________

Entry 3

Title of Work _________________________________________________

Dimensions __________________________________________________

Medium ____________________________________________________

Entry 4

Title of Work _________________________________________________

Dimensions __________________________________________________

Medium ____________________________________________________

Entry 5 (optional)

Title of Work _________________________________________________

Dimensions __________________________________________________

Medium ____________________________________________________

Entry 6 (optional)

Title of Work _________________________________________________

Dimensions __________________________________________________

Medium ____________________________________________________

How to Paint a Landscape in Three Different Mediums

How to Paint a Landscape in Three Different Mediums by Anita HartCarroll

Painting the same scene three different times using a different medium on each painting can be very enlightening and a lot of fun!  In our article at VeryCreate.com, I explore using pastel, acrylic and watercolor to paint a distinctive landscape of Vantage, Washington on the Columbia River. I share what I learned and what I would do differently the next time I paint the scene.

The goal of the experiment was to see how different each medium handled the same subject and if the final results were unique enough for me to pick a favorite standout.  The knowledge I gained by completing the three paintings really surprised me!

In the acrylic painting, I blew up the scale and went for high drama on canvas.  Using thin layers of paint and glazes, I was able to adjust the value planes and colors until I arrived at the point where I was happy with the final painting.  In this version it was easier to really pop the colors in the shadows on the cliffs and on the roadway.

Acrylic Painting

With pastel, I reduced the scale to a manageable 11 x 17 inches and went for juicy vibrant pastel sticks that I typically don’t use very often. This painting was the fastest and most intuitive.

Pastel Painting

The watercolor painting was painted with the most direct approach and was painted in about 45 minutes. I think it will make a terrific large watercolor but by doing the smaller study, I definitely learned what I will do differently when that time comes.  Not only is this a great time saver, but it is like being your own masterclass teacher!  I basically worked out all the buggaboos before committing to a full size sheet of expensive watercolor paper.
Watercolor painting photo: https://verycreate.com/wp-content/uploads/2019/09/wc-vatage2.jpg

Watercolor Painting

Having tackled the same subject three different ways gave me insights and experience that could only have come from my experiment!  I will use this knowledge each time I approach a landscape painting and file these tidbits away as golden nuggets.
Thank you!
Anita
https://verycreate.com/one-landscape-painted-with-3-different-mediums-demonstration/

Let’s Step it Up! Workshop handout

What is this? We wanted a clear, concise list of prompts to remind us of important things to remember when planning an action. We offer this to you and hope it helps.

A Strengthening Tonic for Stronger, Leaner, More Æffective Creative Actions

The Foundation

Dream

Have you wandered through your imagined utopia lately?

First Steps

Which path will get you to your objective the fastest: Individual change, policy change, or advocacy?

What’s your objective? Is it SMART?

Audiences

Who is the primary audience? This is the audience that has the most power to achieve your objective. What do you want them to Think, Feel and Do? Ideally, what is the physical, visible behavior audiences will do as a result of your work? What is the old behavior? What is the new behavior?

Who is the secondary audience? (An audience who may support the effort and become allies.)What do you want them to Think, Feel and Do?

Are you taking into account the cultural, moral, and demographic backgrounds of your audience? And communicating in ways they can understand?


Download

Download a pdf of this document.

It’s free because of supporters like you.

The Action

The Creative Process

To get to a good idea, first requires multiple ideas. Did you come up with more than 5 ideas? More than 10? More than 30? More than 50? Were some of those ideas impossible? (They should be) Did you choose the safest one, or are you taking some creative risks?

Have you created drafts, versions, or iterations? Have you rehearsed, reflected and made changes? Have you done this more than once? More than 5 times? More than…

Surprise, Spectacle, and Story

How will your action capture attention and get people thinking differently? Could it be more surprising? Weirder? Funnier? Could it involve a storyworld with characters, heroes, villains, conflict, resolution? How is it different from ordinary protests or street art?

Engagement

How does your action engage people? (spectating doesn’t count)

Is there something they can do? Can they have meaningful involvement in the action? Can they see the impact of their involvement?

Can you give your audience something they will want? Physically? Metaphorically? Both?

  • What can your audience take away?
  • What will your audience think about later?
  • How can they share their experience with friends and family?
  • What can they do to take action?
  • Does all of the above lead to achieving your objective and point toward your goal?

First Friday of 2020! Ashland Gallery Association Exhibit Openings & Artist Receptions

Join us for the January First Friday Art Walk festivities! 

January 3rd from 5 to 8 pm

ashland gallery association logo

Ashland Gallery Association Exhibit Openings & Artist Receptions

Stroll the galleries and take in the visual delights in downtown Ashland and the Historic Railroad District.  Venture further to explore out-skirting galleries!  Enjoy this free year-round community event, filled with a diverse array of artwork, live music, artist demonstrations, refreshments and lively conversation! 

January Spotlight Exhibits

Art & Soul Gallery

What a Difference a Frame Makes!

The gallery’s First Friday show also features wine and light refreshments; live music by pianist Anthony Bock, and will be on display from December 31 – February 2.

Peter Stone has been a professional picture framer for more than twenty-three years. He owned the popular Arrowhead Framing shop in Half Moon Bay, CA before moving to Ashland and Art & Soul Gallery.  He has long enjoyed the interpretive creative process and the constant creative problem solving which are custom picture framing. Peter loves the unique design opportunity that comes with each new artistic challenge.

“Every custom picture framing project comes with a story,” Peter has discovered. People only choose custom framing when the artwork has special meaning, he said. “And what is more special than our family memories!”

Pianist, Anthony Bock, a senior at SOU and a student of Dr. Tutunov, returns to Art & Soul for the third time. He effortlessly combines classical and non-classical piano music in a free and bright style, which captivates everyone listening.

Peter Stone, "sivo'ham, sivo'ham" (I am Shiva, I am Shiva)

Peter Stone, “sivo’ham, sivo’ham” (I am Shiva, I am Shiva)

Schneider Museum of Art

TWO GENERATIONS: JOE FEDDERSEN & WENDY RED STAR

On View: January 16 – March 14, 2020
Opening Reception: January 16th, 5:00pm – 7:00pm

EXHIBITION STATEMENT

This exhibition presents the work of two Northwest Indigenous artists who work across media and whose work responds, on their own terms, to historic and contemporary misrepresentations of Native Americans. Joe Feddersen, born in 1953, is a member of the Confederated Tribes of the Colville Reservation and has exhibited internationally since the early 1980’s. As a printmaker, basket maker, ceramicist and glass artist, Feddersen combines contemporary materials with Native iconography to create powerful and evocative works that explore the interrelationships between urban symbols and Indigenous landscapes.

Wendy Red Star, born in 1981, was raised on the Apsáalooke (Crow) reservation in Montana. An avid researcher of archives and historical narratives, Red Star incorporates and recasts her research through photography, sculpture, video, fiber arts, and performance, offering new and unexpected perspectives on past, present, and future life. Her work is humorous, surreal, and often abrasive, yet deeply rooted in a celebration for Crow life.

JOE FEDDERSEN BIO:

Joe Feddersen, a member of the Confederated Tribes of the Colville Reservation, lives and works in Omak, WA and was a faculty member at Evergreen State College in Olympia, WA from 1989 until his retirement in 2009. His work was included in Weaving Past into Present: Experiments in Contemporary Native American Printmaking at the International Print Center, New York, Autumn 2015. He has been featured in numerous national exhibitions, including Continuum 12 Artists: Joe Feddersen, National Museum of the American Indian, Smithsonian Institution at the George Gustav Heye Center, New York, NY, curated by Truman Lowe; Land Mark, Northwest Museum of Arts & Culture, Spokane, WA; and was the subject of a major retrospective exhibition and monograph, Vital Signs, organized in conjunction with Froelick Gallery and the Hallie Ford Museum of Art at Willamette University in Salem, OR

WENDY RED STAR BIO:

Artist Wendy Red Star works across disciplines to explore the intersections of Native American ideologies and colonialist structures, both historically and in contemporary society. Raised on the Apsáalooke (Crow) reservation in Montana, Red Star’s work is informed both by her cultural heritage and her engagement with many forms of creative expression, including photography, sculpture, video, fiber arts, and performance. An avid researcher of archives and historical narratives, Red Star seeks to incorporate and recast her research, offering new and unexpected perspectives in work that is at once inquisitive, witty and unsettling. Intergenerational collaborative work is integral to her practice, along with creating a forum for the expression of Native women’s voices in contemporary art.

Red Star has exhibited in the United States and abroad at venues including the Metropolitan Museum of Art, Fondation Cartier pour l’ Art Contemporain, Domaine de Kerguéhennec, Portland Art Museum, Hood Art Museum, St. Louis Art Museum, and the Minneapolis Institute of Art, among others. She served a visiting lecturer at institutions including Yale University, the Figge Art Museum, the Banff Centre, National Gallery of Victoria in Melbourne, Dartmouth College, CalArts, Flagler College, and I.D.E.A. Space in Colorado Springs. In 2017, Red Star was awarded the Louis Comfort Tiffany Award and in 2018 she received a Smithsonian Artist Research Fellowship. In 2019 Red Star will have her first career survey exhibition at the Newark Museum in Newark New Jersey.

Red Star holds a BFA from Montana State University, Bozeman, and an MFA in sculpture from University of California, Los Angeles. She lives and works in Portland, OR.

CURATOR MACK MCFARLAND BIO:

Mack McFarland is a cultural producer and has worked as Curator for Pacific Northwest College of Art since 2006. Currently McFarland is the Director of the Center for Contemporary Art & Culture at PNCA. His exhibitions at PNCA have included commissioned projects of new works from tactical media practitioners Critical Art Ensemble, Eva and Franco Mattes, and Disorientalism.  He has also curated a review of Luc Tuymans’s printed works, a group exhibit marking the centennial of John Cage’s birth, and a comprehensive look at the process of the comic journalist Joe Sacco.  McFarland’s current question is how exhibitions and artworks can meaningfully link to our shared experience of existing together within the ongoing process of history.

Wendy Red Star, "Winter", from "The Four Seasons", Archival pigment print on Museo silver rag, 35.5 X 40 inches, Courtesy of the Jordan Schnitzer Museum of Art, Eugene, OR

Wendy Red Star, “Winter”, from “The Four Seasons”, Archival pigment print on Museo silver rag, 35.5 X 40 inches, Courtesy of the Jordan Schnitzer Museum of Art, Eugene, OR

Photographers’ Gallery (Ashland Art Center)

Kate Geary – “In the Woods”

Kate Geary’s new show, “In the Woods”, opens on Friday, January 3, 2020, at The Photographer’s Gallery at the Ashland Art Center and runs through the end of February.  

Kate’s focus in this show is on the amazing beauty and even humor in the small details of the natural world in the forest.  So often the small is obscured by the magnificence of the scene, the towering redwood or roaring waterfall.  To pause, to look downward and notice the patterns in decaying bark, the sensuous texture of exposed wood; the beauty of seed pods lying in verdant ground cover, reflections of fall color in a meandering stream, brings a new appreciation to the beauty of detail.

Kate Geary, “Reflections of Season Past,” photograph

Kate Geary, “Reflections of Season Past,” photograph

Creekside Pizza

Featuring Justin Gordon

Justin Gordon is an artist and musician living in Ashland Oregon who enjoys traditional processes that harken back to the twentieth century before the digital world inundated us with images and sounds and facsimiles of real objects. He can be found driving around in a yellow seventies pick up snapping photos or playing his original songs with his band The Holy Mackerels around town when he is not at work as a carpenter and painter.

Show runs December through January.

Justin Gordon, photograph

Justin Gordon, photograph

For more information about all of our exhibits and to download the January Gallery Tour map, please visit: www.ashlandgalleries.com  

 

Please see “Spotlight Exhibits” and the January Gallery Tour Map.

Download (PDF, Unknown)

Thank you for your support of the Visual Arts in our communities!

A Call for Artist Participation – Alley Beautification in Grants Pass

Greetings Artists and Community Members,

The City of Grants Pass and the Committee on Public Art (CoPA) is seeking an artist to work with the CoPA Sub-Committee to transform one of the Historical Downtown Alleyways.

        Alley Beautification Call for Artist Participation

Prospectus:

The City of Grants Pass is investing in the transformation of select alleyways downtown into usable and enjoyed public spaces. The Alley Beautification project furthers the City’s goal of creating a vibrant commercial district by enhancing downtown activities and safe spaces. In this project, the selected artist will have the support of the City’s Committee on Public Arts (CoPA) to survey key stakeholders and design site-specific art installation(s) for the selected alleyway. The artist will be asked to create work(s) that create a sense of play and invoke interaction from the public, while also respecting placement within the City’s Historic District.  The Alley Beautification project is commissioned by the City of Grants Pass with a budget of $20K. Deadline for this Call for Artist is March 6, 2020. While local creators may be given preference, there is no geographic eligibility requirement to apply.

Project Description: 

The Alley Beautification project is a commission of new work(s), where the artist is the creator.  The artist will have the support of the City’s Committee on Public Art (CoPA) to survey interests of key stakeholders to design and create one or more works of public art for the Osprey Alley. The project will be overseen by CoPA with final authority given to City Council. Key stakeholders include business owners adjacent to the alley and the City’s Historic Building & Sites Commission. The Osprey Alley is the first in a series of alleyways to be developed. 

Location: 

The Osprey Alley is located between 6th and 5th streets and parallel to H and I streets. As this site is within the City’s Historic District, no permanent changes can be made to surrounding buildings, and color palette may be limited (i.e. No neon colors).  There is some existing landscaping in the alley, as well as one existing lamppost and temporary hanging lights. Vehicles bringing supplies to adjacent businesses intermittently need access to a portion of the alley.  Additional engineering and architectural information available as needed. There have been no decisions other than details listed above on the use of the space.

The Osprey Alley is open to the public and can be used as a corridor between 6th street and the Osprey parking lot, a public parking lot which itself features a public art work of a nested osprey.  This alley, most central of alleys under consideration for the Alley Beautification project, is adjacent to many trendy restaurants, bars and venues that draw heavy foot traffic. While the alley is lightly landscaped, the City has found the landscaping insufficient to draw the attention and use of the space by the public.  The Alley can be described as made of two sections: 1) a non-vehicle accessible portion (closer to 6th Street) containing light landscaping and insulated on either side by the brick siding of neighboring businesses, 2) a vehicle accessible portion (closer to 5th Street) with business on one side and open on the other. 

Criteria:

For the Osprey Alley we are looking for work(s) that create a sense of play and cause the public to interact with the space and/or others, while also respecting placement within the City’s Historic District.  Specifically, we are looking for work(s) that cause the public to: 1) pause, enter and look deeply at the space, 2) engage and/or play in the space, and 3) record their presence in the space with a unique image (selfie).

This is a call for artist qualifications. This is not a Request for Proposals. Please do not submit specific proposals for the Osprey Alley or the Alley Beautification project.  Please ensure full contact information is included with application.

Budget:

The budget for this project is $20K and includes artist’s fees, engineering, materials, fabrication, transportation, and installation. Budget does not include travel, insurance, taxes, studio overhead, and miscellaneous items.

Artist Eligibility:

Local artist, artist teams, as well as students are encouraged to apply.

Application Requirements:

Please email or mail all the following with your application:

  1. Statement of Interest: In 800 words or less, introduce yourself and describe your specific interest in the project, your potential approach to the project or creating public art, and any past relevant experience.
  2. Resume or short biography
  3. Visuals Support Materials: 3-10 images depicting previous work. Visual support materials can include digital images, slides, videos, CDs, or prints.
  4. Annotated List: The annotated list allows you to describe the visual support material and should include description, material, location, budget, client or commissioning organization, and any other relevant project information.

Deadline:

All applications must be received by 3:00 P.M. on March 6, 2020. Applications received after this date cannot be guaranteed review.  Please submit all required application materials by emailing [email protected], with the subject line Alley Beautification Application, or mail to:

C/O Susan Seereiter, Business Advocate

City of Grants Pass

101 NW A Street

Grants Pass, OR 97526

Selection Process: Applications will be reviewed by the City’s Committee on Public Arts (CoPA). CoPA was formed in 2002 to promote and develop visual arts, performing arts and art education in Grants Pass. The Committee is made of community members volunteering to advise the City Council of the development of partnerships and coordination of themes and approaches to the arts, along with recommendations to the City Council for methods to induce investments in public arts.

After initial review of applications Up to four finalists will be selected and may be requested to interview with the Committee or a subset of members. Travel expenses are not covered for finalists selected to interview, and a teleconference can be provided. Final selection will receive approval by the City Council upon CoPA’s recommendation.

Interviews will start after March 10, 2020. You will be contacted after this date.

Selection Criteria:

  • evidence of innovative thinking in designing spaces for public art
  • ability to work with community members and respond to their concerns
  • ability to work within the constraints of city codes and requirements

For questions, contact Susan Seereiter, Business Advocate City of Grants Pass at (541) 450-6014 [email protected]

Kind Regards,

Susan

Susan Seereiter

Business Advocate

www.grantspassoregon.gov

(541) 450-6014 (Direct)

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Happy Holidays! Plus a 2020 Preview of Rogue Gallery

December 21  artblast Ginny Schaw
Detail of I Spy, a magazine collage by Ginny Schaw
Happy Holidays!
Rogue Gallery will be open December 24, 10-2pm.
We will be closed December 25 through January 1.  
In the Main Gallery in 2020

Driven to Abstraction: Paintings by

Virginia Andrade & Alx Fox

January 10–February 2

andrade fox
left: Anticipation by Virginia Andrade, right: A Splash of Pinot by Alx Fox

Reception: January 17, 5-30-8 pm
Explore the skillful composition of rich color and exciting texture in this exhibit featuring the work of two accomplished abstract painters, Virginia Andrade and Alx Fox.
 ROGUE STUDIO

2020 Winter and Spring classes are on the website.

Check out classes for youth HERE>>

Adult classes & workshops HERE>>

2019 Year End Donation

2019 Year End Raindeer 2Would you like to make a year end
donation to Rogue Gallery?
Click HERE>>

Gifts made to the Rogue Gallery & Art Center qualify for the Oregon Cultural Trust tax credit program. For more information on Oregon Cultural Trust credit program, please visit www.culturaltrust.org.

Follow Rogue Gallery & Art Center
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Please “like” Rogue Gallery & Art Center on Facebook and follow us on Twitter, Pinterest, and Instagram.
Forward this message to a friend
Call the Gallery for more info: (541) 772-8118

Check out more fun activities at: www.roguegallery.org

The Rogue Gallery & Art Center is the Rogue Valley’s premier non-profit community art center founded in 1960 to promote and nurture the visual arts in the Rogue Valley. The Art Center showcases emerging and established artists, presents fine crafts by area artisans, and offers a broad range of visual art classes and workshops for all ages.

Rogue Gallery & Art Center is located in downtown Medford at 40 South Bartlett Street. We are open Tuesday through Friday 10 a.m. to 5 p.m. and Saturday from 11 a.m. to 3 p.m. We are open for art receptions third Fridays 5:30 p.m. to 8:00 p.m.

Art du Jour’s Winter Wonderland Exhibit on Display

Art du Jour Gallery
213 E. Main Street
Medford, OR 97501
(541) 770-3190
OPEN Tues – Sat., 10AM – 4PM
Art du Jour Gallery's December feature wall is a collaboration of winter celebration by participating artist members. Roy Musitelli photo 12-4-19

Art du Jour Gallery’s December feature wall is a collaboration of winter celebration by participating artist members. Roy Musitelli photo 12-4-19

Art du Jour Gallery, 213 E. Main Street in Medford continues it’s seasonal exhibit with a celebration of our winter season.  For Third Friday (December 20th, 5pm-8pm) we are planning a special Christmas event presented by harpist Kathy Yeoman and accompanied by vocalist Lynn Kunstman.  Please go to our Facebook page (www.facebook.com/ArtduJourGallery) for any further updates.

Winter Wonderland Exhibit on Display Through Christmas

Our artists let their collective imaginations go free for this combined exhibit by participating AdJ members in offering our own visual representation of “Winter Wonderland”.   We wish to take this time to thank our friends of the gallery for their support in 2019, and extend a warm invitation to the entire community to help us celebrate this magical time of the year on Third Friday.

Guest Artist Nancy Graham Returns to Help Art du Jour Usher in a New Year

Nancy Graham has always been passionate about art in all its forms and styles, as evidenced by the variety of subjects she likes to paint and the varied approach to each.  She was always encouraged by her mother, who was a well-known artist in California and an art instructor at Dominican College in San Rafael a number of years ago.  She paints only with watercolor these days and her current passion is teaching watercolor at Scrappy Craft in Phoenix, where her classes remain full year around. She tells us that the real thrill comes from the delight her students find when the composition comes together and there’s a sudden spurt of confidence. She pushes strong value shifts of light and dark, telling her students over and over, “The deeper the shadows, the stronger the light will be”.

Nancy Graham exhibit at Art du Jour December 2019. Image courtesy of the artist.

While teaching that there is more to a successful piece of art than the basic fundamentals of art theory, she likes to experiment with a variety of styles and approaches as evidenced by the selection of pieces that will be showing during December and January. Florals, landscapes, abstracts, still lifes and even a motorcycle engine are the subjects she’s chosen to show.  She’s always excited to try something new,  and is challenged by the possibilities that watercolor brings to her artwork.  However, if one were to ask her what she likes to do best, she’d probably reply that she loves to paint the “close-ups” where she can use her small brushes to bring out the finest details of her subjects.

Nancy holds a secondary teaching credential and art degree from UC Davis, and is a member of the Southern Oregon Society of Artists, the Rogue Gallery, a past President of the Josephine County Artists Association and a juried member of the Watercolor Society of Oregon.

Support the Arts in Medford by Becoming a Patron Member

Though we continue actively seeking new artists living in the Rogue Valley region who would like to join our co-operative and display their work to the Medford community, we also love our Patron Members Membership who help keep our doors open. Ask any gallery member or contact us by email at [email protected]. Log into our website (www.artdujourgallery.com) for full membership information.

We are also holding a raffle this month for a beautiful insulated picnic basket to be raffled off during this months’ Third Friday. The winner does not need to be present to claim their prize. Contact the gallery by email at [email protected], or log into our website (www.artdujourgallery.com) for full membership information.

Harpist Kathy Yoeman at AdJ Gallery. Roy Musitelli photo 3-15-2019