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CoCA and La Sala Present Programming in Seattle for (Where)Do We Belong?

CoCA and La Sala Present Programming this November for (Where)Do We Belong?

This November, Seattle’s Center on Contemporary Art (CoCA) and La Sala announce new events for the exhibition,​ (Where) Do We Belong?

The public is invited to join CoCA and La Sala at the First Thursday Art Walk for a performance by Milvia Berenice Pacheco ​Salvatierra. ​Pacheco ​is an Afro Latina artist, born in Caracas, Venezuela, where she trained in dance and theater. Her art is inspired by early traumatic experiences and she has devoted her life to reaching liberation through art and movement as a contemporary dancer, choreographer, performer,bodyworker,mother and community organizer.​Marías,​ is a​ work-in-progress dance and poetry performance inspired and created by Pacheco during the recent staged reading of the book, ​Killing Marías​, written by Washington State’s Poet Laureate Claudia Castro Luna.Recorded music by Trio Guadalevin will accompany the piece. Drawing on Mexican Son Jarocho and Huasteco, melodies sung in Zapotec, Spanish xácaras, Italian ciaccona, Andalusian song, Sephardic balladry and Moroccan shabia – Abel Rocha, August Denhard and Antonio Gómez are Trio Guadalevin.

On November 10, La Sala has coordinated another very special event of readings from 3-4:30pm. Poets, Maiah Merino and J.A. Dela Cruz-Smith, will begin this event with literary readings followed by Q&A of their artistic process, moderated by Catalina Cantú from La Sala. Additionally, hear about the work being done at Northwest Immigrant Rights Project to surmount challenges and provide resources for immigrants to the US.

Indigenous bilingual, Poet, Playwright and Creative Non-fiction writer Maiah A Merino, shares stories of her mixed culture family, and the pulse of what’s alive in her life currently.

J.A. Dela Cruz-Smith is a bread baker and poet in Seattle pursuing an MFA in the Rainier Writing Workshop.

La Sala, a Seattle nonprofit organization works to coalesce and mobilize the Latino/Latina arts community of the Seattle, Bellevue and surrounding districts, and is partner and co-curator with CoCA for the exhibition​,(Where) Do We Belong?​, as well as the above programming. Find more at www.lasalaseattle.org​.

Mark your calendars:

(Where) Do We Belong?

Exhibition dates October 4 – November 17, 2018.
Reception Thursday, November 1 from 5pm – 9pm as part of Pioneer Square Art Walk.

A Performance by Milvia Pacheco, “​Marías,”​ Thursday, November 1 from 7pm – 7:15pm Literary Readings + Discussion: Saturday, November 10 from 3pm – 4:30pm
Exhibition and all events at CoCA in Pioneer Square: 114 Third Avenue South, Seattle, 98104. Public ​Gallery hours are Thursday – Saturday, 10am – 5pm.

 

(Where) Do We Belong? 10/4-11/17/2018
Group exhibit shares the realities and challenges surrounding immigration and includes works that are a response to Trump’s “Zero-Tolerance Immigration Policies”—amplifying diverse artistic voices with direct experience.

 

Ashland’s First Friday Art Walk, November 2, 2018 from 5 to 8 pm

Ashland Gallery Association November 2018 Art Exhibits

First Friday Art Walk, November 2nd from 5 to 8 pm

Stroll the galleries and take in the visual delights in downtown Ashland and the Historic Railroad District.  Enjoy this free year-round community event, filled with a diverse array of artwork, live music, artist demonstrations, refreshments and lively conversation!

AGA November Spotlight Exhibits

Masterpiece Christian Fine Arts

Paintings by Mera Oliveria

Ashland Pony Espresso

Mera Oliveria grew up in Southern Oregon and began oil painting in the past 6 years, learning from local artists, which revealed her inherent natural abilities. Mera has always loved art but it wasn’t until she encountered the living God that she feels her art and skill level blossomed in new ways. Like in the story of Exodus, where God gave skill to craftsmen and artists to build the sacred place where He would meet again with His people, she believes artists are gifted with abilities to create art that allows one to encounter the living God, a meeting place, so to speak.

Along with working in painting, Mera engages in chalk festivals where artists spend days on the asphalt creating large chalk murals in the streets. Ashland residents may remember Mera transforming the sidewalk in the summer of 2017 in front of the Black Swan Theater with a 12 x 12 chalk art rendition of Henry IV, the Prodigal Son along with artist Cathy Gallatin.   She feels that involving the public in the process of creating art is special for many reasons, emphasizing the importance of the arts within community and how beauty is a form of unity, a universal language that speaks of the human experience we all live, and the spiritual and emotional journey that no one can escape.

 To see more of Mera’s art and works in progress, visit her on Instagram: @MeraOlive

Mera Oliveria, “Chalk Art”, Grants Pass, Oregon

Mera Oliveria, “Chalk Art”, Grants Pass, Oregon

Hanson Howard Gallery

Animal Crackers: Gallery Artists Pay Tribute to Our Furry and Feathered Friends

If you spend any time in the gallery you will have noticed that many of our artists have a thing for animals in their work.  Why? Well, we don’t want to overthink it….but, we can celebrate it!  From the fun to the reverent, small pieces and large, 2D and 3D, we will be including all the ways our artists honor animals in their work.  Artists include Wayne Armstrong, Don Ajello, Laurel Bustamante, Steven Dewey, Penelope Dews, Baba Wagué Diakité, Claire Duncan, Marly Eidsness, John & Robin Gumaelius, Carol Ingram, Pamela Kroll, Betty LaDuke, Jhenna Quinn Lewis, Gabriel Mark Lipper, Robert Schlegel, Karen Staal, Wataru Sugiyama, Millie Whipplesmith Plank, and Aggie Zed. For this occasion, we’ve invited Portland sculptor, Stan Peterson whose carved wooden figures have all the charm of early folk art.

This is our final show of the year and will all be up throughout the holidays.

Join us for a reception for the artists during the Ashland First Friday Art Walk, November 2nd, 5-8 pm. The show runs November 2nd through the end of the year.

Stan Peterson, “Going Home”, carved wood

Stan Peterson, “Going Home”, carved wood

Photographers’ Gallery

Tiger Lily: Featuring Heinz Danzberger

Heinz Danzberger’s new show “Tiger Lily” opens Friday, November 2nd at The Photographers’ Gallery at the Ashland Art Center. The show is part of an ongoing project covering the landscapes of the “State of Jefferson” and, in particular, the greater Mount Shasta region. It is a photographic journey and discovery of sweeping vistas and landscape details, capturing the unique land at the heart of the West Coast and one of the larger natural areas remaining in the US. It is very diverse with active volcanic roots from which spring wetlands, high deserts and forested mountains, creating a land unlike any other on the West Coast.

Heinz uses modern techniques and classic lenses to capture high-resolution photographs intended for large size pigment print. The massive scale of the landscape around Mount Shasta invites large prints to capture the grandeur of the scene.

Heinz began working in medium format and then migrated to digital once high-resolution cameras became available. The decisive factor in his work style is not as much the camera but the applied lens qualities – in this image he used the classic Pentax 77mm FA lens resulting in beautiful and very classic image.

The Tiger Lily aka Ditch Lily is a welcome sight around Mount Shasta.  This particular flower grew like a bridge over Cold Creek under the forest foliage. The arch of the stalk and the fruits of the bulbs float effortlessly over the small creek. Perhaps a deer displaced it in the spring or the weight of the flowers bent the stalk down towards the water. The horizontal arrangement shows the power of this plant to survive in difficult places.

Heinz’s photography invites us into a visual poetry of the world around us. It is a medium to see the unseen; the fleeting moments of light; the rush of time hiding magnificent moments. One does not have to go too far to find these moments. This Tiger Lily was a short bike trip to the outskirts of town, where it hides in plain sight.

Heinz Danzberger, "Tiger Lily" 2017, photograph

Heinz Danzberger, “Tiger Lily” 2017, photograph

Ashland Art Center

Dia de los Muertos Celebration on First Friday

Music by Frankie Hernandez, Pumpkin painting in the classroom.  Meet our Artists!

Show: Through Our Eyes: Reflections on Nature

Featuring Janette Brown & Katherine Dron

Watermedia artists sharing their interpretations of nature.

 

Featured Main Gallery Artist

Bridget Reynolds

Trained in a very left brained world of business, I came to the creative process quite late in life. I feel like a whole other world opened upfront me. I said a resounding “YES” and have not looked back. It is like playing in huge sandbox exploring images and color. I LOVE it!!!

Guitar Series:

On my fort canvas, all I know was that I wanted a guitar represented. From that, this series emerged.

What fun I have had in creating them.

Intuitive Pieces:

I love to stand before a blank canvas/paper and just make some strokes and then follow my instincts with a piece.

It is always a surprise to see what emerges. 

First Friday Musical Guest: Frankie Hernandez

Frankie Hernandez has played every venue conceivable between Seattle and Los Angeles. Half jokester, half home-brewed Tito and Tarantula, and always love-struck, Hernandez has carved quite a name for himself. The only thing bigger than Hernandez’s voice, which could fill a closet or Yankee Stadium with equal aplomb, is his exuberant personality.

Dia de los Muertos poster

For more information about all of our exhibits and to download the November Gallery Tour map, please visit: www.ashlandgalleries.com  

 

Download (PDF, Unknown)

Thank you for your support of the Visual Arts in our communities!

Ashland New Plays Festival Presents 27th Annual Fall Festival Oct. 17 – 21, 2018

ANPF 2018-poster

Now in its 27th year presenting new works for the stage, new play incubator Ashland New Plays Festival will present its flagship Fall Festival, in a weeklong run of dramatic readings of works from award-winning playwrights October 17 through 21. ANPF is proud that many past winning plays and playwrights have received world premieres and won top honors, including 2016 ANPF Women’s Invitational winner Martyna Majok for her play Cost of Living, which won the 2018 Pulitzer Prize for Drama.

This year ANPF features four new plays – chosen from 400 worldwide submissions – that take audiences on unique journeys. The first is through 19th century England and a woman’s struggle to make her scientific work known in The Excavation of Mary Anning by Ian August, directed by Penny Metropulos. Another sees a suburban American community rocked by a sexual assault allegation in Cold Spring by Victor Lesniewski, directed by Terri McMahon. In Primary User by Nate Eppler, directed by Kyle Haden, a technological advancement made in the not too distant future shows the universality of grief. Finally, a contemporary woman’s world is dramatically altered by the long-reaching ramifications of Argentina’s Dirty War from the 1970s and ‘80s in Stephanie Alison Walker’s The Abuelas, directed by Ricardo Gutierrez.

“We like to think of ANPF as an oasis for playwrights,” says ANPF Artistic Director Kyle Haden, “ANPF offers the winning playwrights invaluable time and tools to gain insights and make significant progress on their plays while working alongside world-class actors and directors as well as engaging with audiences at talkbacks following dramatic reading performances of their plays.”

All readings are held in Ashland at the Unitarian Center located at 87 Fourth Street. Tickets are $20 each and can be purchased online and at the door as available. The box office opens one hour before showtime.

A playwriting panel and workshop led by host playwright and award-winning writer Beth Kander will be held on Saturday, October 20, beginning at 9:00 am at the Unitarian Center for $10, cash or check, at the door. Reserve a space by emailing [email protected]. Kander will also be giving a book talk at Medford’s Barnes and Noble on Tuesday, October 16, at 6:00 pm to discuss the first book in her trilogy “Original Syn.”

Continue reading for more Festival details.

The Festival’s opening night is Wednesday, October 17 at 7:30 pm, and will take audiences on a comic, surreal, and tragic journey based on real-life 19th century paleontologist and fossil collector Mary Anning in The Excavation of Mary Anning by Ian August. The story unfolds as Anning makes great scientific discoveries while being shunned by the male-only Geological Society of London. Leading an all-female cast is Alejandra Escalante as the title character alongside Jennie Greenberry, Michele Mais, Shannon R. Davis, Livia Genise, Meghan Nealon, and Marie-Claire Erdynast. Coming to Ashland from New Jersey, playwright August said, “[This is] a play about strong women pushing beyond the expectations of society, which is perhaps more necessary to explore in 2018 than it has been elsewhere in recent history.” This play also has a matinee performance on Saturday, October 20, at 1:30 pm.

The next play to see is Cold Spring by Victor Lesniewski a simply told story about a complex issue: how members of a tight-knit community respond to allegations of sexual assault against a local sports coach. Christine Williams, U. Jonathan Toppo, Jackie Apodaca, and Tiffany Cooper are parents who both confront and avoid the pain and confusion wrought by the event.

“I grew up in a middle class, suburban community much like the one depicted in Cold Spring [that] experienced similar circumstances… While this is in no way that story,” Lesniewski said, “I felt it necessary to explore what my younger self perceived during that time. I hope the play spurs further discussion about how we (as individuals, as families, as communities) deal with the effects of these types of events, and that such a discussion might lead to further understanding of how we can better empathize with each other and better support each other in the most difficult of times.”

Cold Spring performances are Thursday, October 18, at 1:30 pm and Friday, October 19 at 7:30 pm.

On Thursday night at 7:30 pm, playwright Nate Eppler of Nashville, TN, explores the process of grief in a computerized world with his play Primary User. Daniel José Molina is Oz and Esther Chen is Mia, two computer engineers who create a breakthrough piece of technology: a digital assistant named Ozee with near artificial intelligence – which retains the memories, conversations, and voice of one of the creators. After Oz dies and the technology remains, those who are left behind work through reconciling the past and moving forward.

“The play isn’t really about the technology,” said Eppler, “It is far more about how grief unravels us, how it makes us rewrite our histories, how it puts us in competition or cooperation with unexpected rivals or allies, how memories of the dead are tangible things that must be grappled with.”

Also starring Catherine Lynn Davis, Elizabeth Gudenrath, and Scott Ford, Primary User has a second performance on the final day of the Festival, Sunday, October 21, at 3:00 pm.

The fourth play is The Abuelas by second-time ANPF winner Stephanie Alison Walker, whose companion play The Madres won at ANPF 2016. Set in contemporary Chicago, the play illuminates the devastating and far-reaching repercussions of Argentina’s Dirty War in the 1970s and ‘80s. The story centers on an Argentinian concert cellist living in the US who is adjusting to life as a first-time mother when two strangers visit and expose a 37-year-old secret, dramatically altering the woman’s understanding of herself and her life. The play features Nancy Rodriguez, Vilma Silva, and Angela Hernandez with Alina Ceñal, Willem Long, Scott Patrick Ragle, and Nolan Sanchez. Rodriguez, Silva, and Sanchez were also in The Madres at ANPF 2016. ANPF is excited to work with director Ricardo Gutierrez on this play, as he directed the world premiere of The Madres in 2018 and will direct the world premiere of The Abuelas in 2019 at Teatro Vista in Chicago.

“Exactly one year after writing the first draft of The Madres,” Walker said, “I sat down to write its sequel with the intention of exploring the consequences of Argentina’s last dictatorship that reverberate today. In August 2018, after 42 years of searching, the 128th grandchild was identified. This means that over 300 have yet to be found. They’ve lived their entire lives not knowing the truth about their identities. It’s still unfolding, this history. Identities, long ago stolen, are being restored. And it’s not easy. None of it, as the characters in this play discover, is easy.”

The Abuelas is performed on Friday, October 19, at 1:30 pm and Saturday, October 20, at 7:30 pm.

Tickets are $20 available online or at the door. Visit ANPF’s website to learn more: www.ashlandnewplays.org.

For Community Calendars:

Who: Ashland New Plays Festival

What: ANPF 2018 Fall Festival – Four winning playwrights’ new plays presented as dramatic readings with professional actors and directors

When: Wednesday, October 17, through Sunday, October 21, with evening performances Wednesday through Saturday at 7:30 pm; matinees at 1:30 pm Thursday through Saturday; and final matinee on Sunday at 3:00 pm

Where: Unitarian Center, 87 Fourth Street, Ashland

Tickets: $20, available online and at the door as available. Box office opens one hour prior to showtime.

Website: www.ashlandnewplays.org

Also: Playwriting panel and workshop Saturday, October 20, from 9:00 am to 12:00 pm ($10, cash or check at the door; email [email protected] to reserve a space)

Additional links:

Click here for pdf of full schedule

Click here for ticket sales window

Art Revealing the Gunfire Epidemic. Make a Box. Send It In. It Counts.

ART REVEALING THE GUNFIRE EPIDEMIC.
MAKE A BOX. SEND IT IN. IT COUNTS.

Back to School with The Soul Box Project

Nobody likes to hear school and gun in the same sentence. Schools spent a lot of time and energy preparing for the worst. Like teaching new words to Twinkle, Twinkle, Little Star:
“Lockdown. Lockdown. Lock the door. Shut the lights off, say no more. Go behind the desk and hide. Wait until it’s safe inside. Lockdown. Lockdown. It’s all done. Now it’s time to have some fun…”
Or what this teacher says in a note accompanying a delivery of Soul Boxes:

Of course, the stories that haunt us most are about the heartbreaking
shootings that actually happen. But there are also stories about action. For instance, over the past eight months we’ve watched the Parkland, FL students from Marjory Stoneman Douglas High School build a movement out of their tragedy.
Educators, students and parents are also taking action with Soul Boxes. Each is a page in our Soul Box story. Here are some of the ways Soul Boxes are going back to school.

A Day of Courage and Compassion

Last April, Da Vinci Middle School in Portland, OR spent the day making Soul Boxes. The activities were part of the arts magnet school’s full-day exploration of courage and compassion. Soul Box Project founder Leslie Lee visited as the school’s HeArt Learning guest artist.

She started the day speaking to an auditorium of middle schoolers about art, activism, courage and Soul Boxes. Guided by peer leaders, the students then spent their morning classes learning to fold Soul Boxes. Leslie visited classrooms to meet students and answer questions in the afternoon. In their last class of the day, students wrote about their experiences. The feedback from the students and faculty was overwhelmingly positive! If you would like Leslie to visit your school, please contact her here.

Students Explore Their Power for Good

Woodrow Wilson High School students in Portland, OR carried Soul Boxes as part of their activism against gun violence, recorded here on their yearbook page.
Using the Soul Box Project in a service role provides an opportunity for students to engage, act and reflect while fulfilling their state’s high school graduation requirements or credit allowed toward graduation for service-learning/community service. Folding Soul Boxes can be tailored to a one-day project or an ongoing endeavor engaging other students over a set period of time. The individual act of folding a Soul Box, honoring a life lost or affected by gunfire, is meditative and healing. Group folding provides a nonthreatening opportunity for dialogue about gun sense and activism. Working towards a goal tied to a statistic – such as representing the 733 children, 11 and under, shot in 2017 – illustrates the gunfire epidemic, as well as the power of art activism.
Schools wishing to further extend student comprehension on the issue of gun violence can also order a curriculum toolkit from Vision Quilt .

Hannah Taylor and Graham Yotsuya lead a Soul Box workshop on Unity Day at West Linn High School in Oregon. Full story here.

Cheerleaders at Parkrose High School in Portland, OR folded 69 Soul Boxes at the first session of their community service.

School-based activism doesn’t stop when the class bell rings. 

A retired teacher sent a set of Soul Boxes. Her note touched on the comfort that can be found, just by folding. “Thank you for letting me express my hurt, anger and frustration with what is happening in our country in a way that’s visual and creative.”

Betty Reynolds, Mark Mandel and other members of Woodrow Wilson High School’s class of ’66 in Portland, OR not only folded 87 Soul Boxes, but raised over $900 for the Project, as well. You can make a donation here.

Even pre-schoolers can contribute to Soul Box making. Here’s an idea to help the littlest hands contribute: Use a cardstocktemplate to outline the area that will show once the Soul Box is folded. Let them decorate the flat paper, then you do the folding. Cynthia Towle DeVore, on our Facebook Soul Box Community group, shared this insight: “For the very youngest we chose to simply call them boxes and not to go into the background. We felt that at 4 years of age it was developmentally too young to go into gun violence..,”

That said, any child who has experienced a lockdown at school deserves a positive, empowering way to respond. This second-grader not only comprehends the issue but shows an innocent compassion for the shooter that few adults would extend.

After the Las Vegas shooting in Oct. 2017 a seven year old boy talks about the SOUL BOX he made.

Watch the Video
2 views

And, finally, parents. Soul Box volunteer Stephanie Bugge Wilson – the person who keeps our social media interesting – penned this blog about her experience as a parent with children in lockdown, and how it led her to the Project.

If you’d like to join the Soul Box team, we could use your help! Specifically, we need to hire an Outreach Coordinator in the Portland, OR area. More information here.

On to Salem!

Even with the help of teachers, parents and students we still need thousands of Soul Boxes for our first major installation.
On February 15, 2019 — coincidentally the day after the first anniversary of the Parkland shooting — we’ll fill the Gallery West in the Oregon State Capitol lobby with 36,000 Soul Boxes!

That’s one Soul Box to represent every person shot in the US during a typical year. Legislators and staff will be in session. We will invite them to stop by and add their own Soul Box. This exhibit is also a chance to attract media attention with a parade of 72 volunteers each carrying a clear bag of 500 Soul Boxes in and out of the Capitol. If you want to participate let us know.

With an incredible 22,000 Soul Boxes already contributed, we are over halfway to this first goal — with more exhibitions to come! Gather your friends and family to fold, personalize and send in your Boxes (instructions here).  If you’re part of a community, from a book club to a congregation, we have tools to get you organized here. Watch our Facebook page to find weekly Box-folding gatherings around the Portland, OR area. Better yet, start your own, especially if you are in a different state.  However you do it:
Make a Box. Send it in. It counts.
Now, more than ever.

Help us spread the word!
Use #soulboxproject and @soulboxproject
when you post to your own media feeds.

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AGA October 2018 Spotlight Exhibits

Ashland Gallery Association Art Exhibit Openings & Artist Receptions

First Friday Art Walk, October 5th from 5 to 8 pm

Stroll the galleries and take in the visual delights in downtown Ashland and the Historic Railroad District.  Enjoy this free year-round community event, filled with a diverse array of artwork, live music, artist demonstrations, refreshments and lively conversation!

For more information about all of our exhibits and to download the October Gallery Tour map, please visit: www.ashlandgalleries. com  

Art & Soul Gallery

Mountains and More, Paintings by Carla Griffin

“It is my desire to awaken in the viewer the delight that arises from careful observation.”  Carla J Griffin, PSO

Carla presents her exquisite, realistic Oil and Pastel paintings.  Her expressive landscapes depict the world through her observations and vision.  Carla’s works will be exhibited through the month of October.  Please join us for a festive opening on First Friday, October 5, from 5-8 PM.

Carla has won numerous local awards for her art including Painting of the Year from Southern Oregon Society of Artists and Best of Show from the Josephine County Artists Association. Griffin has also been accepted into four Pastel Society of Oregon’s judged shows with awards in two of them and is now a Signature member. The Pastel Society of the West Coast also accepted an entry from Griffin.

Carla Griffin, “Smith Rock”, painting

Carla Griffin, “Smith Rock”, painting

Art & Soul 20th Birthday Celebration

We will celebrate bringing Fine Art to Ashland and the surrounding communities on Friday, October 26, from 5-8 PM.  Join us for birthday cake, wine, music and of course fine art!  

Schneider Museum of Art

Fall Exhibitions

September 28th, 2018 – January 5th, 2019

Opening Thursday, September 27th, Museum Members and Volunteers VIP reception 4-5pm, General Public, 5-7pm

Entry Gallery:

Terrain: The Space Between from the Collections of Jordan D. Schnitzer and His Family Foundation. Featuring work by Vija Celmins, Judy Pfaff and Ed Ruscha

Main Gallery:

Field Burnsa solo exhibition by Patrick Collier

Heiter and Treehaven Galleries:

Outland Abouta two-person exhibition featuring Carl Diehl and Susan Murrell. Curated by Patrick Collier

The exhibitions will be complemented with First FridaysFREE Family Days and Tuesday Tours – drop in docent-led tours of the exhibition held every Tuesday at 12:30 PM.

Patrick Collier, “Gate Burn”, digital print

Patrick Collier, “Gate Burn”, digital print

Ashland Art Works

Rogue Valley Views: Woodworking, Furniture, and Paintings

Visit us this month to see new offerings by painter Michael Gibson, who took inspiration from Oregon’s Bear Creek Wine Trail, and furniture maker John Weston, who uses woods found and sourced in the Rogue Valley. Come by and meet the artists at First Friday on October 5.

Michael’s style is unique and at the same time inspired by works of post-impressionist artists. For this show, he traveled Oregon’s Southernmost Bear Creek Wine Trail and painted views from the wineries. The oil paintings are on particleboard, which provides an interesting texture. Michael received his BFA from Houston Museum of Fine Arts. He has worked as a designer, art director and taught life drawing, illustration, painting, graphic design and photography at Art Institute of Houston and the Art Institute of Seattle.

Becoming a part of a cooperative of artists has inspired John Weston to stretch his woodworking and to combine form with function. His work is intended to provide generations of use and enjoyment. Mortise and tenon joinery, mitred splines, dowels, dovetails. and floating tenons are a few of his favorite construction techniques. John’s work consistently attempts to highlight the natural beauty found in selected pieces of lumber.  He collects unique pieces of lumber and finds enjoyment in sharing their beauty with others. When using exotic woods, he tries to purchase certified lumber that is harvested from tree farms. John’s greatest satisfaction comes from using woods native to Oregon.

Michael Gibson, oil painting

Michael Gibson, oil painting

Gallerie Karon

Faces, Hidden and Revealed

Masks, Puppets and Portraits

There are a couple of twists to the annual mask and puppet show this year at Gallerie Karon. We’ve added portraits to the mix that will include work by Robert Paulmenn, Pam Danielle, Brooks Garden Hauschild and Richard LeVitt among others.

The most unusual offering is from a private collection of vintage ventriloquist dummies. It’s rare to see a grouping like this and all for sale! Hand puppets are also in the evidence and many, many animals are represented.  We even have stringed marionettes! Our extensive mask collection comes from all over the world. It includes helmet, face and shoulder masks. (We have a few fun ones for Halloween wearing too!)

Ventriloquist Dummy

Ventriloquist Dummy

Download (PDF, Unknown)

Special Events

Riding Beyond

Healing HeArts – Breast Cancer Awareness and Fundraiser

Riding Beyond is a non-profit organization that opens doors to the future for breast cancer survivors through in-depth experiences in the horse/human connection.  In support of October Breast Cancer Awareness Month, local businesses will participate in this fundraiser by providing gifts for a raffle on First Friday and cash donation jars throughout October.

Ashland Art Center Collage Making Event

Ashland Art Center will host a collage making event: Horses and the Human Heart, conducted by Riding Beyond participants and volunteers during October First Friday Art Walk.  Find out how horses provide life-changing benefits for the many after-effects of breast cancer treatment, often lingering for years. Hear stories from participants of their enthusiasm for the “miracles” that unfold for them. See videos of interactions with the horses. Create your own collage to take home the power of the horse to benefit your own life. Find more information at ridingbeyond.org. This event is part of Riding Beyond’s city-wide public awareness campaign on October First Friday: Healing HeArts.

Participating Galleries and Businesses:

American Trails: Gifting a $50 gift certificate 

Ashland Art Center: Artists Gifts Basket; plus they are hosting the Collage Event

Ashland Art Works:  $50 gift certificate

*Be Cherished Salon:  Gift Basket

*Imani Institute of Cosmetology: Gift Basket

*KIXX : $50 gift certificate 

Manzanita: Barnwood framed Giclee by Texas artist Mary Gregory

Melanie Macinnes: 20% of all her art sold that evening

Platt-Anderson Cellars: 20% of sales October 5th; Gift Bag of Wine for raffle

Pony Expresso:  Coffee Gift Basket (needs a sign); plus donating 10% of their sales on Oct. 5th

POSH Organics: Skincare Boutique Spa: Gift Basket

*Sew Creative:  $50 gift card, including a private shopping experience after store hours for up to 5

*Strands Salon: Gift Basket

The Crown Jewel: a $35 gift certificate

Three Penny Mercantile: $50 gift certificate

*Umpqua Bank: wine and treats gift basket

Walton Art House: silver and gold ring with a moonstone (valued at $100) handcrafted by Denver artist, featured for the month of October

*These galleries/businesses are supporting the Healing HeArts event with a donation to be raffled off the evening of October 5th, although they will not be open for business during the hours of the First Friday Art Walk.

5th Annual Ashland Open Studio Tour

Come Into Our Studios…

October 13th &14th, 11 AM-5 PM

Free to the public

During the second weekend in October a group of local artists will open their studio doors to the public for the Fifth Annual Ashland Open Studio Tour.

The Ashland Open Studio Tour is an inspiring self-guided arts tour brought to you by the Ashland Gallery Association.  This free community event will guide visitors to a diverse array of artist studios in Ashland and the surrounding communities of Talent and Phoenix, while journeying through the beauty of the fall season.

We invite you to come see the creative processes behind our talented arts community. There will be a variety of mediums from painting and drawing to ceramics, metal and fiber arts, as well as demonstrations, presentations, and screenings to reveal each individual’s unique methods.

The Ashland Open Studio Tour is part of the Ashland Gallery Association’s efforts to promote the visual arts in our communities and is made possible in part by grants from the City of Ashland and the Oregon Community Foundation

Tour Maps are available at AGA member galleries or visit www.ashlandost.com to download a brochure and read more information about participating artists.

Visit: www.ashlandost.com for more information and a map of the participating studios.

 Facebook: www.facebook.com/ashlandost

 Instagram: www.instagram.com/ashlandopenstudiotour

Ashland New Plays Festival Announces ANPF 2018 Fall Festival Schedule

Ashland New Plays Festival today announced the schedule for its 27th annual Fall Festival.

October 17-21, 2018, at the Unitarian Center, 87 4th Street in Ashland.

ANPF 2018 playwrights, clockwise from top left: Nate Eppler, Ian August, Stephanie Alison Walker, and Victor Lesniewski.

ANPF 2018 playwrights, clockwise from top left: Nate Eppler, Ian August, Stephanie Alison Walker, and Victor Lesniewski.

The four winning playwrights, whose plays were selected in blind readings of 400 submissions from around the world, will have their plays produced as dramatic readings by world-class actors and directors in matinee and evening performances.

Each year, more than 50 hard-working volunteers read, debate and score every play submitted to the festival. Artistic Director Kyle Hadenselects the four winners from the readers’ highest-scoring plays. This year’s festival will feature new work by Ian August, Nate Eppler, Victor Lesniewski, and Stephanie Alison Walker, who is a returning winner. Full details on the winning playwrights and their plays are below.

“It was a thrill to be able to do a staged reading in front of a huge audience for two different performances,” wrote ANPF 2017 winning playwright Don Zolidis of his experience last year. “[ANPF] was everything you want from a developmental opportunity: a chance to work on the work, while reaping the benefits of an informed, passionate audience. In some ways, it’s a bit overwhelming. People were coming up to me on the street or in restaurants and telling me how much they enjoyed my play.”

The festival opens with a members-only reception where guests meet the playwrights, directors, and actors, and follows with a week of rehearsals, performances, and a playwriting workshop.
ANPF 2018 poster
The opening night performance is Wednesday, October 17, at 7:30 p.m., followed by matinee and evening performances at 1:30 p.m. and 7:30 p.m. Thursday, Friday, and Saturday, and closing with a 3:00 p.m. matinee on Sunday, October 21. A detailed schedule of the festival is attached.

Each performance is followed by a talkback with Host Playwright Beth Kander, the playwrights, and cast. Kander, an award-winning playwright and novelist, was a winning playwright at ANPF 2015 and 2016.

Performances are $20 each, with tickets available online at www.ashlandnewplays.org and also sold at the door, subject to availability.

A reminder also that the final ANPF Theatre Talk will take place on Monday, Sept 24, at 7:30 pm with host John Rose interviewing Daniel José Molina. Daniel will be joining the cast of Primary User, one of the four Fall Festival plays in October. He can be seen this season at Oregon Shakespeare Festival in Henry V and Love’s Labor’s Lost. He was also recently featured in an episode of PBS News Hour’s American Creators series. Tickets to this dynamic and illuminating conversation are only $10 at the door at the Bellview Grange in Ashland.

Don Zolidis at ANPF 2017 during talkback session with audience following a reading of A DARK SKY FULL OF STARS. Photograph by Kara Q Lewis.

Don Zolidis at ANPF 2017 during talkback session with audience following a reading of A DARK SKY FULL OF STARS. Photograph by Kara Q Lewis.

For more information about ANPF and all of its events, visit www.ashlandnewplays.org.

The ANPF 2018 winning plays and playwrights:

The Excavation of Mary Anning by Ian August takes audiences on a whimsical journey of the struggles of 19th-century English fossil hunter Mary Anning as she combs the earth for glimpses of the ancient past while also fighting to claim her legacy in a society that refuses to acknowledge her worth.

Ian August is a New Jersey-based playwright and librettist. His works have been performed across the U.S., as well as in Canada, Australia, the UK, South Korea and Bermuda. He is a founding member of the Princeton-based Witherspoon Circle and a graduate of the Philadelphia playwriting workshop The Foundry.

Primary User by Nate Eppler is a story set in the future, based around a cutting-edge chatbot that unintentionally becomes a digital monument when one of its creators dies unexpectedly, and tells a universal story of grief while his loved ones argue over ownership of the digital remains.

Nate Eppler is a playwright and new play advocate currently serving as Playwright-in-Residence for Nashville Repertory Theatre. In addition to his work as a playwright, Eppler serves as Director of the Ingram New Works Project, a nationally recognized and locally valued program designed to connect artists and audiences across extraordinary new plays. He is represented by The Gersh Agency.

Cold Spring by Victor Lesniewski focuses on four parents as they attempt to deal with their responses when a teenager accuses his baseball coach of sexual assault and the ramifications resound through their own relationships.

Victor Lesniewski’s plays have received world premieres at TBG Theatre and The Wild Project in NYC. He was the only American to be shortlisted for the inaugural Theatre503 Playwriting Award and was a 2015-16 Uncharted Artist in Residence at Ars Nova. He is currently an Artistic Patriot at Merrimack Rep and a member of The Playwrights Union.

The Abuelas by Stephanie Alison Walker explores the ongoing and devastating repercussions of the military dictatorship in Argentina in the 1970s and ‘80s through the personal story of one family when a visit from two strangers exposes a 37-year-old secret, testing the heart’s capacity for resilience and forgiveness even in the face of the most incomprehensible betrayal.

Stephanie Alison Walker is a returning ANPF Fall Festival winner, previously winning in 2016 for The Madres, which is receiving four consecutive productions in Los Angeles, Chicago, San Diego, and Austin, as part of a National New Play Network Rolling World Premiere this year. The Abuelas is a companion piece. Walker is a NNPN Affiliate Artist and a member of the Playwrights Union and Antaeus Playwrights Lab. She lives in Los Angeles.

For community calendars:

Who: Ashland New Plays Festival
What: Annual Fall Festival ANPF 2018
When: October 17-21, 2018
Where: Unitarian Center, 87th Fourth Street, Ashland
Tickets: $20, online at www.ashlandnewplays.org and at the door, subject to availability

Ashland’s First Friday Art Walk, August 3, 2018 from 5 to 8 pm

Ashland Gallery Association Art Exhibit Openings & Artist Receptions

First Friday Art Walk, August 3rd from 5 to 8 pm

Stroll the galleries and take in the visual delights in downtown Ashland and the Historic Railroad District.  Enjoy this free year-round community event, filled with a diverse array of artwork, live music, artist demonstrations, refreshments and lively conversation!

For more information about all of our exhibits and to download the August Gallery Tour map, please visit: www.ashlandgalleries.com  

Please scroll down to “Spotlight Exhibits” and August Gallery Tour Map.

Thank you for your support of the Visual Arts in our communities!

Ashland Gallery Association August Spotlight Exhibits

Gallerie Karon

All Women Artists Invitational

Over 20 artists are represented in this popular annual show. Everything from photography to pastels, collage to mixed media and everything in between is available. Many of the artists will be here at Gallerie Karon to answer questions about your selections.

Raina Bradshaw is one of the jewelers represented. She produces one of a kind, delicate crystal, pearl and semi-precious stone jewelry. Judy Benson le Nier’s African animal photographs and accessories continue to fascinate. Janet Patterson shares her prize-winning pastels, many exploring nearby scenes around Emigrant Lake in all it’s seasons. Our latest artist, Denise Hazelton brought her fabulous baroque pearls and ethnic – themed necklaces and earrings from her studio in California.

As a special feature, Zahara will be dancing Middle Eastern dances accompanied by Shiviti with all female musicians. They will appear from 5:30 – 7:30 during the

First Friday Art Walk August 3rd. Join us as we celebrate the accomplishments and creativity of the female artist.

Pegi Smith, “Flying Dreams,” acrylic painting

Pegi Smith, “Flying Dreams,” acrylic painting

Ashland Art Works

Whimsical Assemblage and Patterned Ceramics

Elin Babcock presents Circles, Cogs and Wheels with her whimsical assemblage sculptures. Repurposing found objects, broken instruments and welded metal, she creates an imaginary world. Lyrical Abstract paintings will also be included in her Featured show. Color is woven and overlaid throughout the canvas as forms appear and blend together.

Marydee Bombick, ceramic artist, will present a wide variety of individually patterned handmade platters and plates, both large and small, for every occasion. Multi-sectioned vases are presented to display your garden’s beauty. Even a single bloom will look lovely in one of the many bud vases – whimsical, carved, or twisted.

First Friday at Ashland Art Works will feature music by the Ashland Taiko Drummers.

Ashland Art Works – local artists, 5 galleries in a garden setting.

Elin Babcock, assemblage sculpture

Elin Babcock, assemblage sculpture

Photographers’ Gallery

Featuring Kate Geary

Kate Geary, an Ashland photographer, opens her new show Where Sea Meets Sand at The Photographers’ Gallery At The Ashland Art Center on August 3rd during the 1st Friday Art Walk.  Her show explores the seaside beaches of Bandon and the Oregon Dunes near Reedsport, OR.

The sea creates an ever-changing, often dramatic interface with the land.  It shapes wide sandy beaches, rough rock-cobbled shores strewn with shells and other gifts from the sea, or flat vistas strewn with towering rock formations.  The remote beaches of southern Oregon seems to go on forever and gives one a sense of utter solitude. But upon closer inspection, a multitude of sea-dependent creatures cling to the rocks in multi-colored tenaments exposed by low tide.   Wind is the sea’s partner is shaping the coastal landscape.  Where the sea has created fine particles of sand, the wind spins it into myriad, ever-changing shapes and designs.  At the Oregon Dunes National Recreation Area one could easily imagine being in an exotic desert in far distant lands.  But glancing down, there are exquisite abstract designs at your feet.  Kate’s new show explores the intersection between sea and land on the dramatic Oregon coast.

Kate has also shown her work at the Illahe Gallery, Liquid Assets and Studio 5 in Ashland, and Rogue Gallery in Medford.

Image caption:  Kate Geary, “Low Tide,” photograph

Image caption:  Kate Geary, “Low Tide,” photograph

Hanson Howard

Outside the Lines: Robert Koch, Peter VanFleet & Pamela Kroll, mixed media painting

Robert Koch, Peter VanFleet & Pamela Kroll are three painters indulging in the freedom of playing outside the lines.

Join us for a reception for the artists during the First Friday Art Walk, August 3rd, 5-8 p.m.  Show runs August 22nd – September 4th.

Robert Koch

Gestural strokes and spontaneous marks collide with color blocks in Robert Koch’s narrative vignettes. Often prompted by found photographs, Koch takes the liberty to make his subjects humans or creatures inhabiting the same world. Having the appearance of quickness and even naiveté, Koch’s deft drawing skills mean each mark is playful and intentional at the same time.

Peter VanFleet

Part painting, part sculpture, Peter Van Fleet‘s work invites us to experience dimensionality, structure, and vibrant color. In this new body of work Peter has reworked paintings appropriated from other artists. He calls these paintings “Cowbirds”, referring to that bird which lays its eggs in another bird’s nest so that fledgling will be raised by the host.

Pamela Kroll

 Influenced by folk art, myth, and cultures from around the world, Pamela works with acrylic on paper, combining collage elements such as wires, beads, sequins, bird bones, and other small found objects. Many of the pieces have an iconographic and sometimes humorous quality and have been described as sophisticated folk art.

Robert Koch, “Hush,” acrylic on panel 24x24

Robert Koch, “Hush,” acrylic on panel 24×24

Download (PDF, Unknown)

Watch Oregon’s Poetry Out Loud champ compete live at nationals, a call for grant panelists and one of our own exhibits at the Smithsonian!

April 2018

News & Updates

Watch Oregon’s Poetry Out Loud champ compete live at nationals, a call for grant panelists and one of our own exhibits at the Smithsonian!

Watch live!

Oregon POL champ competes at national contest April 24

Help cheer on Oregon’s 2018 Poetry Out Loud Champion, Sarah Calvin-Stupfel of West Salem High School, when she participate in nationals April 23-25 in Washington, DC.
Watch Sarah’s performance live between 2 and 5 p.m. on Tuesday, April 24. If she advances she will compete in the finals April 25.Enjoy an excerpt of Sarah’s winning performance at the state contest here.
Poetry Out Loud is sponsored by the National Endowment for the Arts​ and the Poetry Foundation & Poetry Magazine​ in partnership with the Oregon Arts Commission and other state arts agencies.

2018 Poetry Out Loud champion Sarah Calvin-Stupfel, right, with runner-up Amy Jarvie from Oregon School for the Deaf.

Amanda Wojick exhibits in Governor’s Office

Eugene artist Amanda Wojick will exhibit “The space is always” in the Governor’s Office of the Capitol Building in Salem through May 31.
Wojick’s work explores a collision of abstraction and everyday life. Using layered texture, vibrant colors and irregular shapes, she weaves together elements of painting, sculpture and collage. “The Space is Always” includes works inspired by common materials found within the space of her home.
An exhibit in the Governor’s office is considered a “once in a lifetime” honor.
Read the full release.

“Bricks on Yellow,“ 2017. Wood, paper, paint. 22 x 30 x 1 inches. Courtesy of the artist. Photo Jonathan Bagby

Grant panelists needed to review, score proposals

The Arts Commission invites those interested in serving as grant panelists to submit a nomination form.
Selected panelists will read, review and score applications on-line and meet once by teleconference to provide final application ranking. Commission staff will provide a panelist orientation and training.
Individuals with experience in a variety of arts and non-profit disciplines including music, dance, film/media, interdisciplinary arts and arts learning are needed. Panelists from different artistic disciplines who bring a regional perspective from throughout the state, and a variety of backgrounds and experiences are encouraged to participate.
Contact [email protected] with questions.

One of Oregon’s own exhibits

at Smithsonian!

Tyler Fuqua, an artist from Eagle Creek, has one of his creations displayed as part of the “No Spectators: The Art of Burning Man” exhibition through Jan. 21, 2019.
Tyler’s project, “Thorax: Ambassador of the Insects,” is made from mostly reclaimed materials including more than 50’ of EL wire, a color changing chest emblem and four fully articulated wings.
“No Spectators: The Art of Burning Man” brings the large-scale, participatory work from the famous desert gathering to the nation’s capital for the first time. The exhibition takes over the entire Renwick Gallery building and surrounding neighborhood, bringing alive the maker culture and creative spirit of this cultural movement.

“Thorax: Ambassador of the Insects” by Tyler Fuqua, now on display at the Smithsonian.

Upcoming grant deadlines

Oregon Arts Commission | Phone 503-986-0082 | www.oregonartscommission.org

First Friday Art Walk in Ashland- April 2017

Ashland Gallery Association Spotlight Exhibits – April 2017

Art and Soul Gallery

“The Wanderer” Oil Paintings by Diana Wright

Grab your keys and go….from a San Francisco luncheon to sun-drenched Cayucos and then to a cool, mist filled day in Bandon, Oregon, I have marveled at the endless beauty of the world.  The landscape renews us, brings us joy and hope in a time filled with anxious thoughts and feelings.  Yes, we are sorrowful at the shrinking of the natural world.  We stagger at the perils of over civilization, pollution, global warming, the shrinking of animal habitats, the acidification of the oceans, (to name a few), as they loom over our lives in an endless stream of fear.  However, the joy of creating seems to transcend my fear.  As I paint, I am in prayerful reverence for nature and I hope to communicate love, joy, and transcendent hope.

 

Shepherds Dream

“Grape Expectations” Watercolor paintings by Kay Myer

For artist Kay Myer, watercolors have always been her creative source, allowing her to explore the endless possibilities this medium allows. Passionate about the colorful, loose, interpretive styling her brushstrokes achieve, “Grape Expectations,” showcases her vivid watercolor images.

As an active member of the Watercolor Society of Oregon, Kay has also won recognition in international art challenges and been taught by world famous watercolorist, Jean Haines.

Kay was born in Denmark and adopted by an American couple and lived her earlier years in Blodget and now the Rogue Valley, Oregon.

She is joined by the Mt. Shasta Artist/Singer/Songwriter, Joshua Jerue on guitar, toffee treats, together with additional surprises.  Join in on the fun, and register for our free monthly drawing.   For more information, see our event’s page and Kay Myer’s listings on Facebook, or call: 541-941-0855.

 

 

Gallerie Karon

Artist as Poet

Who knew that so many artists are also poets (and the other way around!)? This month’s show at Gallerie Karon has more than 10 artist/poets!

We’ll feature Steve Dieffenbacher’s sketchbooks from his trail walks and new photographs paired with his poetry. Johan Bernstein will show his fantastic photographs from their recent trip to Jerusalem. Rebecca Gabriel will show her lovely portraits.  Both artists will incorporate new poetry.  Liz Shepherd presents new Sumi-e ink drawings with her own poems and translations of Zen poetry.

Of course there will be poetry books in our new poetry corner you can purchase and have signed.

“Summer Lake Darkness” photograph by Steve Dieffenbacher

 

Photographers’ Gallery (Ashland Art Center)

“Streets” Featuring Leonard Lee

Leonard Lea is a local Ashland photographer who loves to travel and visits locations away from the beaten path.  His show, Streets, opens April 7th during the First Friday Art Walk at The Photographers’ Gallery At The Ashland Art Center.  

Streets captures spontaneous images of local people and happenings in the streets of their own Mexican town or village. Leonard shows us a fleeting, un-posed glimpse into everyday life. A world traveler, recent trips have taken him to Japan, France, Italy, Switzerland, England, Wales, and Scotland, as well as Mexico.

The image, “Flower Girl” was taken on a recent trip to Ajijic, Mexico. Please join Leonard, a member of The Photographers Gallery, located in the Ashland Art Center during First Friday Art Walk on April 7, 2017.

Featured Musician: Martin Ball, 5:00 pm – 8:00 pm

Martin Ball is a local Ashland-based musician, performer and multi-instrumentalist who is active both as a solo artist and as the musical half of the duo, Fractal Love Jam, with his wife and vocalist, Jessalynn Jones.

“Flower Girl” photograph by Leonard Lee

Ashland Gallery Association

 Celebrate Ashland’s Visual Arts during the AGA First Friday Art Walk, April 7th, from 5 to 8 pm!  

Stroll the galleries and take in all of the visual delights in downtown Ashland and the Historic Railroad District.  Enjoy this free year-round community event, filled with spectacular artwork, live music, artist demonstrations, refreshments and lively conversation! 

For more information about all of our exhibits and to download the April Gallery Tour map, please visit: www.ashlandgalleries.com  

 “Spotlight Exhibits” and April Gallery Tour Map:

“Spotlight Exhibits” and April Gallery Tour Map:

Download (PDF, Unknown)

Edward III Presented by Play On!, Ashland New Plays Festival

Edward III Presented by Play On!, Ashland New Plays Festival

A (New) Shakespeare Play Translated into Modern Language

On March 27, Play on! in collaboration with Ashland New Plays Festival presents EDWARD III by William Shakespeare, translated by Octavio Solis and directed by Dawn Monique Williams

ASHLAND, Ore. — Forget the international debate over translating William Shakespeare’s verse into contemporary modern English. Playwright Octavio Solis, who has been commissioned to translate EDWARD III, says “the controversy should be about why this was not a Shakespeare play before.”

Solis is one of 36 playwrights across the country hard at work translating 39 plays attributed to Shakespeare into modern language. Oregon Shakespeare Festival has innovated the ambitious Play on! project for a purpose. “The clarity we aspire to get from the translations will make us better appreciate the vibrancy of the original,” says OSF’s Artistic Director Bill Rauch.

EDWARD III, which was published anonymously in 1596, has had its authorship argued over by scholars since as early as 1760. Today, scholarly opinion is divided as to whether Shakespeare wrote all or part of the play. It was included in Shakespeare’s Complete Works published by Yale University Press in 1996. The play’s exclusion from the playwright’s original canon in the 16th century was possibly due to politics – in particular a 1598 protest over the play’s portrayal of the Scottish.

Whether within the stories themselves or in arguments surrounding their authorship, Shakespeare’s works are steeped in political intrigue and heated discourse. In EDWARD III, history is brought to life through the personal struggles, passion, vengeance, and battlefield showdowns of pivotal characters at the start of the Hundred Years’ War between England and France.

Ashland New Plays Festival is excited to join the fray and help bring EDWARD III’s translation to the stage as a dramatic reading. The performance will be directed by Dawn Monique Williams and will feature a cast of 12, including many of OSF’s finest actors. Kimberly Colburn, literary manager of South Coast Repertory, is Solis’ dramaturg partner.

It will be a one-night-only event, Monday, March 27, beginning at 7:30 p.m. at Southern Oregon University’s Music Recital Hall, 405 S Mountain Avenue, Ashland. Reserved seating tickets are $20 and $25 and will be available for sale online beginning February 15 to the general public and in advance for ANPF members.

For more information, visit www.ashlandnewplays.org/tickets-e3/

To request interviews with Octavio Solis or Dawn Monique Williams, please email James Pagliasotti at [email protected].