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Mendocino Art Center Workshop in June!

Mendocino Art Center Workshop

EXPRESSIVE WATERMEDIA TEXTURES

Full Moon Sky mixed media painting by Eve Margo Withrow

Full Moon Sky by Eve Margo Withrow
Mixed water media on paper

Instructors: Pam Haunschild and Eve Margo Withrow
June 20–21, 2020 (Saturday–Sunday, 9:30am–4:30pm)
All levels

Register Online Now
Or call the Mendocino Art Center Registrar:
707 937-5818, ext. 10 or toll-free 800 653-3328, ext. 10

CLASS DESCRIPTION

In this fun and exciting workshop, we will create textured, complex watermedia (acrylic/watercolor) backgrounds and then work on turning them into harmonious, successfully finished paintings. You have your choice of working in acrylics and/or watercolors along with a gesso mixture (provided).

Texture makes your painting feel more dynamic, creates a sense of depth, and helps viewers emotionally connect with a painting. Texture is sometimes visual (on the surface) and sometimes dimensional (raised above the surface). We will work with both types of texture in this workshop.

Mossed in the Forest, painting by eve margo withrow

Mossed in the Forest
Eve Margo Withrow

Eve specializes in the visual (surface) textures by layering and manipulating watermedia. Interesting patterns and images emerge from her process. She uses tissue paper, plastic wrap, salts, bleach, and other materials to create layers; following threads and surprises and imaginative pathways to create her uniquely powerful images. She then uses windowing and design techniques and sometimes collage to turn textural starts into finished paintings.

Pam specializes in creating dimensional texture through the use of gesso with various texturing materials. Using a gesso underlayer allows a great deal of flexibility in subsequent layers, which can be either watercolor or acrylic. Pam will provide you with a pre-gessoed paper and demonstrate not only the various ways gesso texture can be applied, but how to finish these painting using value contrast and negative painting techniques.

These texturing processes will produce uniquely interesting and creative paintings. Bring a sense of adventure and spontaneity and you will be amazed at what can result. The class is appropriate for anyone – beginners will have no trouble with the methods used and more advanced painters will be able to add complex texturing processes to their repertoire. You will leave with at least twelve painting starts, and one or two completed paintings.

ABOUT THE INSTRUCTORS

PAM HAUNSCHILD is a watermedia artist who devotes her time to capturing the beauty of nature in the American West. She is a retired college professor who now lives in Ashland, Oregon, and paints full time. She has been and artist-in-residence at three national parks and continues to be inspired by her time there. Her work is in galleries in Ashland, Seaside, and Bandon, Oregon, and is held by many individual and corporate collectors, including the National Park Service. She has done many commissions, most recently designing and painting a poster and playbill cover for the Britt Festival in Jacksonville, Oregon, and a large native plant mural at Southern Oregon University.

Pam has taught many watermedia workshops in Oregon and Northern California, including at Sitka Center for Art and Ecology and Coos Art Museum and enjoys helping all students discover new methods of painting while using (or developing) their own unique artistic style.

Read more about Pam
Rogue Valley Messenger, Blurring the Lines with Color: Southern Oregon Artist Pam Haunschild

Watchful eyes, painting by Eve Margo Withrow

Watchful Eyes
Painting by Eve Margo Withrow

EVE MARGO WITHROW is an international award-winning professional artist. She uses mixed watermedia (acrylics and watercolor) and frequently layers and collages her materials. Her paintings are magical impressions that reflect feelings of a particular experience or place. She is always curious to explore what lies outside the box. “I play and adventure with my textures, layers and colors, following threads here and there, thus entering the flow of my creative process.”

Eve has a master’s degree in art education from the University of Wyoming. With over 40 years experience in teaching art classes and workshops, Eve masterfully guides and encourages participants to awaken to their innate creativity by experiencing the joy of self-expression. Eve is a previous owner of Art & Soul gallery in Ashland, Oregon, and is currently showing her work there, along with Rogue Gallery in Medford. She has taught many workshops across the western United States.

TUITION & FEES

Current MAC Members: $216
Non-members: $240 plus a $45 non-member registration fee

There is a registration fee of $45 for each class for non-members. Current Mendocino Art Center members do not pay a registration fee and may take 10% off each class registration. The discount is reflected in the prices above. Not a member yet? You may sign up below.
View our membership benefits

REFUNDS & CANCELLATIONS

Cancellations must be made in writing, either by mail or email. If you notify us at least 21 days prior to the first class meeting, you will receive a refund of tuition less a $45 cancellation fee. No refunds will be made after that date for any reason due to our contractual obligations and material acquisitions. If the Art Center is compelled to cancel a class you will receive a full tuition refund. Memberships are non-refundable as they are considered a donation to the Art Center.

Instructor materials fee: $10. We will be providing gesso mixture, containers, an assortment of texturing materials, one pre-gessoed piece of paper, and an extra squeeze or two of paint so you don’t have to buy a whole tube of something you want to try.

Materials List

Register Online Now
Or call the Mendocino Art Center Registrar:
707 937-5818, ext. 10 or toll-free 800 653-3328, ext. 10

Emerald Art Center Workshop in May

Emerald Art Center Workshop

Using Texture to Create Expressive Watermedia Paintings.

I am teaching a workshop with Pam Haunschild at Emerald Art Center on Saturday and Sunday, May 9-10. The topic is Using Texture to Create Expressive Watermedia Paintings.

Full Moon Sky mixed media painting by Eve Margo Withrow

Full Moon Sky by Eve Margo Withrow
Mixed water media on paper

Instructors: Pam Haunschild and Eve Margo Withrow
May 9–10, 2020 (Saturday–Sunday, 9:30am–4:30pm)
All levels

CLASS DESCRIPTION

In this fun and exciting workshop, we will create textured, complex watermedia (acrylic/watercolor) backgrounds and then work on turning them into harmonious, successfully finished paintings. You have your choice of working in acrylics and/or watercolors along with a gesso mixture (provided).

Texture makes your painting feel more dynamic, creates a sense of depth, and helps viewers emotionally connect with a painting. Texture is sometimes visual (on the surface) and sometimes dimensional (raised above the surface). We will work with both types of texture in this workshop.

Mossed in the Forest, painting by eve margo withrow

Mossed in the Forest
Eve Margo Withrow

Eve specializes in the visual (surface) textures by layering and manipulating watermedia. Interesting patterns and images emerge from her process. She uses tissue paper, plastic wrap, salts, bleach, and other materials to create layers; following threads and surprises and imaginative pathways to create her uniquely powerful images. She then uses windowing and design techniques and sometimes collage to turn textural starts into finished paintings.

Pam specializes in creating dimensional texture through the use of gesso with various texturing materials. Using a gesso underlayer allows a great deal of flexibility in subsequent layers, which can be either watercolor or acrylic. Pam will provide you with a pre-gessoed paper and demonstrate not only the various ways gesso texture can be applied, but how to finish these painting using value contrast and negative painting techniques.

These texturing processes will produce uniquely interesting and creative paintings. Bring a sense of adventure and spontaneity and you will be amazed at what can result. The class is appropriate for anyone – beginners will have no trouble with the methods used and more advanced painters will be able to add complex texturing processes to their repertoire. You will leave with at least twelve painting starts, and one or two completed paintings.

ABOUT THE INSTRUCTORS

PAM HAUNSCHILD is a watermedia artist who devotes her time to capturing the beauty of nature in the American West. She is a retired college professor who now lives in Ashland, Oregon, and paints full time. She has been and artist-in-residence at three national parks and continues to be inspired by her time there. Her work is in galleries in Ashland, Seaside, and Bandon, Oregon, and is held by many individual and corporate collectors, including the National Park Service. She has done many commissions, most recently designing and painting a poster and playbill cover for the Britt Festival in Jacksonville, Oregon, and a large native plant mural at Southern Oregon University.

Pam has taught many watermedia workshops in Oregon and Northern California, including at Sitka Center for Art and Ecology and Coos Art Museum and enjoys helping all students discover new methods of painting while using (or developing) their own unique artistic style.

Read more about Pam
Rogue Valley Messenger, Blurring the Lines with Color: Southern Oregon Artist Pam Haunschild

Watchful eyes, painting by Eve Margo Withrow

Watchful Eyes
Painting by Eve Margo Withrow

EVE MARGO WITHROW is an international award-winning professional artist. She uses mixed watermedia (acrylics and watercolor) and frequently layers and collages her materials. Her paintings are magical impressions that reflect feelings of a particular experience or place. She is always curious to explore what lies outside the box. “I play and adventure with my textures, layers and colors, following threads here and there, thus entering the flow of my creative process.”

Eve has a master’s degree in art education from the University of Wyoming. With over 40 years experience in teaching art classes and workshops, Eve masterfully guides and encourages participants to awaken to their innate creativity by experiencing the joy of self-expression. Eve is a previous owner of Art & Soul gallery in Ashland, Oregon, and is currently showing her work there, along with Rogue Gallery in Medford. She has taught many workshops across the western United States.

TUITION & FEES

$175 for both days + $15 for materials. We will provide gesso mixture, containers, an assortment of texturing materials, one pre-gessoed piece of paper, and an extra squeeze or two of paint so you don’t have to buy a whole tube of something you want to try.

Register online at EmeraldArtCenter.org or call 541-726-8595.

Emerald Art Center is located at:
500 Main Street
Springfield, OR 97477

Emerald Art Center Workshop in May

Emerald Art Center Workshop

Using Texture to Create Expressive Watermedia Paintings

Full Moon Sky mixed media painting by Eve Margo Withrow

Full Moon Sky by Eve Margo Withrow
Mixed water media on paper

Instructors: Pam Haunschild and Eve Margo Withrow
May 9–10, 2020
All levels

Register Online Now
Or call the Emerald Art Center:
541-726-8595

CLASS DESCRIPTION

In this fun and exciting workshop, we will create textured, complex watermedia (acrylic/watercolor) backgrounds and then work on turning them into harmonious, successfully finished paintings. You have your choice of working in acrylics and/or watercolors along with a gesso mixture (provided).

Texture makes your painting feel more dynamic, creates a sense of depth, and helps viewers emotionally connect with a painting. Texture is sometimes visual (on the surface) and sometimes dimensional (raised above the surface). We will work with both types of texture in this workshop.

The class is appropriate for anyone – beginners will have no trouble with the methods used and more advanced painters will be able to add complex texturing processes to their repertoire. You will leave with at least 12 painting starts, and one or two completed paintings. Although the instructors work with nature subjects, you can work on the imagery of your choice as a final product.

In this post are examples of paintings Eve created using the techniques she and Pam teach in this class. See exampleso fPam’s work on her website: www.PamHaunschild.com

Mossed in the Forest, painting by eve margo withrow

Mossed in the Forest
Eve Margo Withrow

Eve specializes in the visual (surface) textures by layering and manipulating watermedia. Interesting patterns and images emerge from her process. She uses tissue paper, plastic wrap, salts, bleach, and other materials to create layers; following threads and surprises and imaginative pathways to create her uniquely powerful images. She then uses windowing and design techniques and sometimes collage to turn textural starts into finished paintings.

Pam specializes in creating dimensional texture through the use of gesso with various texturing materials. Using a gesso underlayer allows a great deal of flexibility in subsequent layers, which can be either watercolor or acrylic. Pam will provide you with a pre-gessoed paper and demonstrate not only the various ways gesso texture can be applied, but how to finish these painting using value contrast and negative painting techniques.

These texturing processes will produce uniquely interesting and creative paintings. Bring a sense of adventure and spontaneity and you will be amazed at what can result. The class is appropriate for anyone – beginners will have no trouble with the methods used and more advanced painters will be able to add complex texturing processes to their repertoire. You will leave with at least twelve painting starts, and one or two completed paintings.

ABOUT THE INSTRUCTORS

Watchful eyes, painting by Eve Margo Withrow

Watchful Eyes
Painting by Eve Margo Withrow

EVE MARGO WITHROW is an international award-winning professional artist. She uses mixed watermedia (acrylics and watercolor) and frequently layers and collages her materials. Her paintings are magical impressions that reflect feelings of a particular experience or place. She is always curious to explore what lies outside the box. “I play and adventure with my textures, layers and colors, following threads here and there, thus entering the flow of my creative process.”

Eve has a master’s degree in art education from the University of Wyoming. With over 40 years experience in teaching art classes and workshops, Eve masterfully guides and encourages participants to awaken to their innate creativity by experiencing the joy of self-expression. Eve is a previous owner of Art & Soul gallery in Ashland, Oregon, and is currently showing her work there, along with Rogue Gallery in Medford. She has taught many workshops across the western United States.

PAM HAUNSCHILD is a watermedia artist who devotes her time to capturing the beauty of nature in the American West. She is a retired college professor who now lives in Ashland, Oregon, and paints full time. She has been and artist-in-residence at three national parks and continues to be inspired by her time there. Her work is in galleries in Ashland, Seaside, and Bandon, Oregon, and is held by many individual and corporate collectors, including the National Park Service. She has done many commissions, most recently designing and painting a poster and playbill cover for the Britt Festival in Jacksonville, Oregon, and a large native plant mural at Southern Oregon University.

Pam has taught many watermedia workshops in Oregon and Northern California, including at Sitka Center for Art and Ecology and Coos Art Museum and enjoys helping all students discover new methods of painting while using (or developing) their own unique artistic style.

Read more about Pam
Rogue Valley Messenger, Blurring the Lines with Color: Southern Oregon Artist Pam Haunschild

Eve and Pam are the perfect compliment to each other in presenting and facilitating this creative journey, and they both have extensive teaching experience and coordinate well together so that participants will come out of the workshop with a variety of techniques and tools to start or expand their repertoire of texturing techniques.

materials List

  • Artist grade acrylics in your choice of colors. Bring colors you like to work with. Just be sure you have a warm and cool yellow, red, and blue as a minimum. If you don’t have acrylics, we will provide them for a $15 materials fee.
  • Artist grade watercolors in your choice of colors as above. If you don’t have watercolors, we will provide them for a $15 materials fee.
  • Brushes you like to use.
  • Three large (22 x 30) pieces of hot press watercolor paper. 140# is fine, unless you prefer working on heavier paper.
  • Water containers, paper towels, palette, scissors, spray bottle for water.
  • Texturing materials: we will a lot of these materials for you. But we also encourage you to bring anything you think you may like to work with. Examples include stamps, stencils, scratchers, sponges, textured fabric or paper, shells, etc.
  • Two or three old watercolor or acrylic paintings that you don’t mind reworking

We will provide the gesso mixture, gesso brushes and sponges, other containers and applicators and an assortment of texturing materials, stencils, and reference images.

TUITION & FEES

$175.00 for both days + $15 for materials

Register Online Now
Or call the Emerald Art Center:
541-726-8595

Click the link below to download or print the flyer for your reference. Please share this workshop with anyone you think might want to participate!

Download (PDF, 5.5MB)

On Being The Artist’s Model

Recent Self Portrait. I rarely draw or paint my self portrait.  Perhaps this is because I’m not that great of a model!  That is, I wiggle too much. During this past month’s “Strada Easel Challenge”*, I did a self portrait as part of my daily “drawing from life”.  Given my infrequent work at portraits and […]

The post On Being The Artist’s Model appeared first on Margaret Stermer-Cox.

Decade In Review: Final Four 2016 to 2019

Happy New Year and New Decade! I’d like to finish out my micro mini “decade in review” by showing you four watercolor paintings.  The paintings represent years 2016 to 2019. 2016. This painting was an experiment in adding Celtic symbols to help tell the visual story.  You might notice the shamrock, Celtic knot and modified […]

The post Decade In Review: Final Four 2016 to 2019 appeared first on Margaret Stermer-Cox.

Berryman Gallery Show

Berryman Gallery Show

Time Lines, painting by Eve Margo Withrow

Time Lines, painting by Eve Margo Withrow

Nature’s Textures: Watermedia
Paintings by Eve Margo Withrow
January 17 – March 26, 2020

Eve Margo Withrow creates magical surrealisitic impressions of place using mixed water media, often layered into collages.

The Lindsay Berryman Gallery is a satellite exhibition space of the Rogue Gallery & Art Center, located on the second floor lobby of the Craterian Theater. The Berryman Gallery is open to the public before performances and to ticket holders during Craterian performances. Please see the Craterian’s website for performance dates at www.craterian.org/calendar.

 

 

Decade In Review: Cell Phone Conversations 2014 & 2015

Hi!  By the time the decade hit the middle years, cell phones and smart phones where everywhere.  And, today’s paintings for my mini review are all about cell phone conversations. Cell Phone Conversations And The Cat. Starting off with “Hang Up And Pet Me” from 2014, we have a woman sitting on a couch in […]

The post Decade In Review: Cell Phone Conversations 2014 & 2015 appeared first on Margaret Stermer-Cox.

Decade In Review: People As Subject in 2012 and 2013

Hi!  Continuing on in this mini review of the current decade, I’ll touch on 2012 and 2013 today. Since yesterday I featured works from the Toy Pony collection, I thought we would switch subjects.  In 2012 and 2013 I began working with people as subject. The first painting is from my “Just Sayin’…” series of […]

The post Decade In Review: People As Subject in 2012 and 2013 appeared first on Margaret Stermer-Cox.

How to Paint a Landscape in Three Different Mediums

How to Paint a Landscape in Three Different Mediums by Anita HartCarroll

Painting the same scene three different times using a different medium on each painting can be very enlightening and a lot of fun!  In our article at VeryCreate.com, I explore using pastel, acrylic and watercolor to paint a distinctive landscape of Vantage, Washington on the Columbia River. I share what I learned and what I would do differently the next time I paint the scene.

The goal of the experiment was to see how different each medium handled the same subject and if the final results were unique enough for me to pick a favorite standout.  The knowledge I gained by completing the three paintings really surprised me!

In the acrylic painting, I blew up the scale and went for high drama on canvas.  Using thin layers of paint and glazes, I was able to adjust the value planes and colors until I arrived at the point where I was happy with the final painting.  In this version it was easier to really pop the colors in the shadows on the cliffs and on the roadway.

Acrylic Painting

With pastel, I reduced the scale to a manageable 11 x 17 inches and went for juicy vibrant pastel sticks that I typically don’t use very often. This painting was the fastest and most intuitive.

Pastel Painting

The watercolor painting was painted with the most direct approach and was painted in about 45 minutes. I think it will make a terrific large watercolor but by doing the smaller study, I definitely learned what I will do differently when that time comes.  Not only is this a great time saver, but it is like being your own masterclass teacher!  I basically worked out all the buggaboos before committing to a full size sheet of expensive watercolor paper.
Watercolor painting photo: https://verycreate.com/wp-content/uploads/2019/09/wc-vatage2.jpg

Watercolor Painting

Having tackled the same subject three different ways gave me insights and experience that could only have come from my experiment!  I will use this knowledge each time I approach a landscape painting and file these tidbits away as golden nuggets.
Thank you!
Anita
https://verycreate.com/one-landscape-painted-with-3-different-mediums-demonstration/

Decade In Review: Toy Pony From 2010 and 2011

Hi!  Just for fun, I thought I would do a mini review of the 2010 to 2019 decade.  My idea is to share two paintings a day representing a year each.  This is an exercise in contemplation, not so much one of critique.  In other words “here is where I was then”. Today, I’ll start […]

The post Decade In Review: Toy Pony From 2010 and 2011 appeared first on Margaret Stermer-Cox.