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By Peggy Stermer-Cox, 390 contributed posts
View all Peggy Stermer-Cox's posts. About the author: I begin my watercolor paintings with an idea and a drawing. I build the painting layer by layer, drawing lines and shapes, looking for rhythm and feeling. My color sense is a reflection of my childhood in New Mexico fused with colors of my home in the Northwest. My goal is to go beyond the surface to find joy, wonder and a bit of mystery. I have shown my works in galleries, juried, group and solo shows in Washington, Oregon, Montana and New Mexico. My paintings are in private collections in the west, New York and Norway.To view examples of Peggy's work or to make contact with the artist, please visit her listing at the Southern Oregon Artists Resource.
I would like to share more with you about the online classes I took through The Art Students League of New York’s E-telier. Marcelo Doldoce, Figure In Watercolor. Continuing on with my studies, I took a “The Figure In Watercolor”, with Marcelo Doldoce after Ms. O’Neil’s class (see previous article). Mr. Doldoce’s online class was …
By Peggy Stermer-Cox, 390 contributed posts
View all Peggy Stermer-Cox's posts. About the author: I begin my watercolor paintings with an idea and a drawing. I build the painting layer by layer, drawing lines and shapes, looking for rhythm and feeling. My color sense is a reflection of my childhood in New Mexico fused with colors of my home in the Northwest. My goal is to go beyond the surface to find joy, wonder and a bit of mystery. I have shown my works in galleries, juried, group and solo shows in Washington, Oregon, Montana and New Mexico. My paintings are in private collections in the west, New York and Norway.To view examples of Peggy's work or to make contact with the artist, please visit her listing at the Southern Oregon Artists Resource.
Hi! Off and on over the past two years I have been taking online classes through the Art Students League of New York. And, it has been quite the learning experience. Before I go any further, though, I would like to share my personal recommendation for online studies through the Art Students League. Also, I …
By Peggy Stermer-Cox, 390 contributed posts
View all Peggy Stermer-Cox's posts. About the author: I begin my watercolor paintings with an idea and a drawing. I build the painting layer by layer, drawing lines and shapes, looking for rhythm and feeling. My color sense is a reflection of my childhood in New Mexico fused with colors of my home in the Northwest. My goal is to go beyond the surface to find joy, wonder and a bit of mystery. I have shown my works in galleries, juried, group and solo shows in Washington, Oregon, Montana and New Mexico. My paintings are in private collections in the west, New York and Norway.To view examples of Peggy's work or to make contact with the artist, please visit her listing at the Southern Oregon Artists Resource.
Greetings! I am happy to say that my painting “Cappuccino for Two” was accepted into the Emerald Art Center‘s 16th Annual Emerald Spring Exhibition. To elaborate, this is a national juried painting exhibition held in Springfield, Oregon. And, I would like to extend my thanks to Juror Mr. Jim Daly for selecting my painting. Exhibition …
By Peggy Stermer-Cox, 390 contributed posts
View all Peggy Stermer-Cox's posts. About the author: I begin my watercolor paintings with an idea and a drawing. I build the painting layer by layer, drawing lines and shapes, looking for rhythm and feeling. My color sense is a reflection of my childhood in New Mexico fused with colors of my home in the Northwest. My goal is to go beyond the surface to find joy, wonder and a bit of mystery. I have shown my works in galleries, juried, group and solo shows in Washington, Oregon, Montana and New Mexico. My paintings are in private collections in the west, New York and Norway.To view examples of Peggy's work or to make contact with the artist, please visit her listing at the Southern Oregon Artists Resource.
Hi! It’s Inktober! That is to say, October starts the month of the Inktober challenge. You see, I have wanted to participate in Inktober over the past several years, but what would I draw? And, could I keep up with the challenge for an entire 31 day month? Then, while doing something else, I happened …
By Peggy Stermer-Cox, 390 contributed posts
View all Peggy Stermer-Cox's posts. About the author: I begin my watercolor paintings with an idea and a drawing. I build the painting layer by layer, drawing lines and shapes, looking for rhythm and feeling. My color sense is a reflection of my childhood in New Mexico fused with colors of my home in the Northwest. My goal is to go beyond the surface to find joy, wonder and a bit of mystery. I have shown my works in galleries, juried, group and solo shows in Washington, Oregon, Montana and New Mexico. My paintings are in private collections in the west, New York and Norway.To view examples of Peggy's work or to make contact with the artist, please visit her listing at the Southern Oregon Artists Resource.
Hi and Happy “Festive Friday!” I have been taking on-line classes through The Art Students League of New York lately. And, though I’ve been working, I’m not ready to share the new stuff. For example, this month has been a watercolor figure class and the results are rough. So, what I decided that I would …
By Peggy Stermer-Cox, 390 contributed posts
View all Peggy Stermer-Cox's posts. About the author: I begin my watercolor paintings with an idea and a drawing. I build the painting layer by layer, drawing lines and shapes, looking for rhythm and feeling. My color sense is a reflection of my childhood in New Mexico fused with colors of my home in the Northwest. My goal is to go beyond the surface to find joy, wonder and a bit of mystery. I have shown my works in galleries, juried, group and solo shows in Washington, Oregon, Montana and New Mexico. My paintings are in private collections in the west, New York and Norway.To view examples of Peggy's work or to make contact with the artist, please visit her listing at the Southern Oregon Artists Resource.
Greetings! When last I wrote, I was talking all about yellow. But, a bit of time has past and my latest adventure has been with the color blue. Still Life Class. To explain, I recently took a still life painting class with Karen O’Neil through The Art Students League’s e-telier™. Each month Ms. O’Neil picks …
By Eve Margo Withrow, 74 contributed posts
View all Eve Margo Withrow's posts. About the author: Using mixed water media and collage, I paint surrealistic impressions reflecting the essential feeling ingredients of an experience. My clay sculptures explore natural processes of life from organic form to perspectives gained while navigating the flow of human experience. See Eve's listing at the Southern Oregon Artists Resource to learn more and make contact.
During my 40 some years of being an artist and teacher, Tribes of Truth Tellers have manifested themselves in many ways.
I taught Sculpture for many years in public schools and tall, cylindrical sculptural forms showed up in paper maché and clay forms. It was so fascinating to see the variety of expressions that resulted when a challenge was put forth to 30 students and they found 30 ways to express it. I worked along with them in order to teach technique. As always happens, we all inspired each other to make our sculptures unique.
The Tribe has also shown up in layered textural acrylic paintings and in collaged, cut, and layered painted paper forms. These two new ones are acrylics painted on paper with a forest in mind. However, the Tribe inserted itself into my consciousness, so I cut them free from each other and re-assembled them on painted wooden panels. I also cut a tree from another painting to add to the mystery.
The Truth Teller Tribe unexpectedly returns to my art! Click the image on the right to see the entire painting.
There they were in all their glory, telling me Truths I hadn’t known before. As it turns out, the story they tell each viewer is specifically tailored to each individual.
By Peggy Stermer-Cox, 390 contributed posts
View all Peggy Stermer-Cox's posts. About the author: I begin my watercolor paintings with an idea and a drawing. I build the painting layer by layer, drawing lines and shapes, looking for rhythm and feeling. My color sense is a reflection of my childhood in New Mexico fused with colors of my home in the Northwest. My goal is to go beyond the surface to find joy, wonder and a bit of mystery. I have shown my works in galleries, juried, group and solo shows in Washington, Oregon, Montana and New Mexico. My paintings are in private collections in the west, New York and Norway.To view examples of Peggy's work or to make contact with the artist, please visit her listing at the Southern Oregon Artists Resource.
Yellow! To explain, this May I am taking a beginning still life class with artist Karen O’Neil instructing. It is an online class offered by The Art Student’s League of NYC. And, we are exploring the color yellow. Warm or Cool? You might think, or rather I might think, that yellow is yellow. What else …
By Eve Margo Withrow, 74 contributed posts
View all Eve Margo Withrow's posts. About the author: Using mixed water media and collage, I paint surrealistic impressions reflecting the essential feeling ingredients of an experience. My clay sculptures explore natural processes of life from organic form to perspectives gained while navigating the flow of human experience. See Eve's listing at the Southern Oregon Artists Resource to learn more and make contact.
Oh, So Many Choices
I have used collage as a technique in some of my paintings for many years. I also keep every scrap of paper left over in case I need it later on in another painting. Needless to say, I have hundreds, maybe thousands of colorful scraps in my flat files.
It struck me that I actually could never need to paint on another clean white sheet of paper again. Of course, that is an impossible thought because I love those clean white sheets and watching the images appear in the layers of color and texture applied. But I did decide to dive into an exploration of only using already existing scraps to collage together new creations.
With three different sizes of cradle board surfaces to collage onto which gave me some structure as well as variety. I started by letting my intuition guide me to select scraps as anchors or focal points to build onto.
This is where the plot thickens. Every piece I added affected every other decision and the possibilities were so immense that my mind boggled. Since pieces were still loose, I took photos so when it was time to glue, I’d have a map. Well, there was still so much fluidity that the glued results were never exactly according to plan.
The Home Planet
Being used to following circuitous threads, I am pleased with the results.
