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More Tangents, More Fun

These three Paintings are part of a series exploring a new painting surface as well as new ways to use the layered painting process . They are on wrapped canvas instead of watercolor paper which alters the way of the interactions of surface and paint. It also nudged me to follow the process with exciting new curiosity and awe; keeping the excitement fresh.

Lichen-12×24

To Be Clear -12×24

Heavy Metal 18×18

Various Tangents

These 3 images are part of an experimental tangent of the serendipitous  following of random threads layered onto paper: layered onto underpainting or by creating a new and vibrant base for further exploration.

 

Thicketed Moon 24×30

Fog in Sunrise- 6×9

Cracked Foundation- 6×9

Shift to the Left

Shift to the Left

My creative life has taken a much needed turn to the left. For the last 15 years I have had the delight of playing a major role in grand-mothering. That girl is now in high school and although we are still very close, she is busy finding her way exploring her new life.

All of this time I have had my Artwork in Art & Soul Gallery in Ashland Or. and for 7years was one of the owners with 3 other women. It was fun to be a part of it all on that level but kept me busy enough that I struggled with getting and staying in my creative groove and following the threads which is the reason to do it. It kept me in my right brain which is not my home. A little more than a year ago, we sold the gallery. I still show there and it’s a lot less stress.

Now, I am finally focusing again on my teaching and creating. The shift has opened up new directions in my expressions. I’ve always been a texture freak but right now I am using physical instead of just visual. It creates an entirely new puzzle to solve and I’m having a blast following the new threads.

My biggest challenge now is with the technical expertise it takes to get the images and information out there. I’ve always referred to it as my “button impairment” but I think it is mostly being two generations too old and being dominantly left brained. So with focused attention and the grace of friends, I’ll function more comfortably soon.

I’ve recently joined forces with a wonderful Artist friend Pam Haunschild to teach workshops in other locations. Our theme is “Using textures to create Expressive Water-media paintings”. We will be teaching at the Emerald Art Center in Springfield OR (Eugene) May 9th and 10th.
Contact them at EmeraldArtCenter.org
We will be at the Mendocino Art Center in Mendocino, CA June 20th and 21st. Follow this link for full information: http://www.mendocinoartcenter.org/Summer20/Haunschild-Withrow
The information is also on my website and posted on our Facebook pages at, Eve Margo Withrow and Pamela Haunschild .I’ll also be teaching more often here in my home studio so stay tuned.

Mendocino Art Center Workshop in June!

Mendocino Art Center Workshop

EXPRESSIVE WATERMEDIA TEXTURES

Full Moon Sky mixed media painting by Eve Margo Withrow

Full Moon Sky by Eve Margo Withrow
Mixed water media on paper

Instructors: Pam Haunschild and Eve Margo Withrow
June 20–21, 2020 (Saturday–Sunday, 9:30am–4:30pm)
All levels

Register Online Now
Or call the Mendocino Art Center Registrar:
707 937-5818, ext. 10 or toll-free 800 653-3328, ext. 10

CLASS DESCRIPTION

In this fun and exciting workshop, we will create textured, complex watermedia (acrylic/watercolor) backgrounds and then work on turning them into harmonious, successfully finished paintings. You have your choice of working in acrylics and/or watercolors along with a gesso mixture (provided).

Texture makes your painting feel more dynamic, creates a sense of depth, and helps viewers emotionally connect with a painting. Texture is sometimes visual (on the surface) and sometimes dimensional (raised above the surface). We will work with both types of texture in this workshop.

Mossed in the Forest, painting by eve margo withrow

Mossed in the Forest
Eve Margo Withrow

Eve specializes in the visual (surface) textures by layering and manipulating watermedia. Interesting patterns and images emerge from her process. She uses tissue paper, plastic wrap, salts, bleach, and other materials to create layers; following threads and surprises and imaginative pathways to create her uniquely powerful images. She then uses windowing and design techniques and sometimes collage to turn textural starts into finished paintings.

Pam specializes in creating dimensional texture through the use of gesso with various texturing materials. Using a gesso underlayer allows a great deal of flexibility in subsequent layers, which can be either watercolor or acrylic. Pam will provide you with a pre-gessoed paper and demonstrate not only the various ways gesso texture can be applied, but how to finish these painting using value contrast and negative painting techniques.

These texturing processes will produce uniquely interesting and creative paintings. Bring a sense of adventure and spontaneity and you will be amazed at what can result. The class is appropriate for anyone – beginners will have no trouble with the methods used and more advanced painters will be able to add complex texturing processes to their repertoire. You will leave with at least twelve painting starts, and one or two completed paintings.

ABOUT THE INSTRUCTORS

PAM HAUNSCHILD is a watermedia artist who devotes her time to capturing the beauty of nature in the American West. She is a retired college professor who now lives in Ashland, Oregon, and paints full time. She has been and artist-in-residence at three national parks and continues to be inspired by her time there. Her work is in galleries in Ashland, Seaside, and Bandon, Oregon, and is held by many individual and corporate collectors, including the National Park Service. She has done many commissions, most recently designing and painting a poster and playbill cover for the Britt Festival in Jacksonville, Oregon, and a large native plant mural at Southern Oregon University.

Pam has taught many watermedia workshops in Oregon and Northern California, including at Sitka Center for Art and Ecology and Coos Art Museum and enjoys helping all students discover new methods of painting while using (or developing) their own unique artistic style.

Read more about Pam
Rogue Valley Messenger, Blurring the Lines with Color: Southern Oregon Artist Pam Haunschild

Watchful eyes, painting by Eve Margo Withrow

Watchful Eyes
Painting by Eve Margo Withrow

EVE MARGO WITHROW is an international award-winning professional artist. She uses mixed watermedia (acrylics and watercolor) and frequently layers and collages her materials. Her paintings are magical impressions that reflect feelings of a particular experience or place. She is always curious to explore what lies outside the box. “I play and adventure with my textures, layers and colors, following threads here and there, thus entering the flow of my creative process.”

Eve has a master’s degree in art education from the University of Wyoming. With over 40 years experience in teaching art classes and workshops, Eve masterfully guides and encourages participants to awaken to their innate creativity by experiencing the joy of self-expression. Eve is a previous owner of Art & Soul gallery in Ashland, Oregon, and is currently showing her work there, along with Rogue Gallery in Medford. She has taught many workshops across the western United States.

TUITION & FEES

Current MAC Members: $216
Non-members: $240 plus a $45 non-member registration fee

There is a registration fee of $45 for each class for non-members. Current Mendocino Art Center members do not pay a registration fee and may take 10% off each class registration. The discount is reflected in the prices above. Not a member yet? You may sign up below.
View our membership benefits

REFUNDS & CANCELLATIONS

Cancellations must be made in writing, either by mail or email. If you notify us at least 21 days prior to the first class meeting, you will receive a refund of tuition less a $45 cancellation fee. No refunds will be made after that date for any reason due to our contractual obligations and material acquisitions. If the Art Center is compelled to cancel a class you will receive a full tuition refund. Memberships are non-refundable as they are considered a donation to the Art Center.

Instructor materials fee: $10. We will be providing gesso mixture, containers, an assortment of texturing materials, one pre-gessoed piece of paper, and an extra squeeze or two of paint so you don’t have to buy a whole tube of something you want to try.

Materials List

Register Online Now
Or call the Mendocino Art Center Registrar:
707 937-5818, ext. 10 or toll-free 800 653-3328, ext. 10

Emerald Art Center Workshop in May

Emerald Art Center Workshop

Using Texture to Create Expressive Watermedia Paintings.

I am teaching a workshop with Pam Haunschild at Emerald Art Center on Saturday and Sunday, May 9-10. The topic is Using Texture to Create Expressive Watermedia Paintings.

Full Moon Sky mixed media painting by Eve Margo Withrow

Full Moon Sky by Eve Margo Withrow
Mixed water media on paper

Instructors: Pam Haunschild and Eve Margo Withrow
May 9–10, 2020 (Saturday–Sunday, 9:30am–4:30pm)
All levels

CLASS DESCRIPTION

In this fun and exciting workshop, we will create textured, complex watermedia (acrylic/watercolor) backgrounds and then work on turning them into harmonious, successfully finished paintings. You have your choice of working in acrylics and/or watercolors along with a gesso mixture (provided).

Texture makes your painting feel more dynamic, creates a sense of depth, and helps viewers emotionally connect with a painting. Texture is sometimes visual (on the surface) and sometimes dimensional (raised above the surface). We will work with both types of texture in this workshop.

Mossed in the Forest, painting by eve margo withrow

Mossed in the Forest
Eve Margo Withrow

Eve specializes in the visual (surface) textures by layering and manipulating watermedia. Interesting patterns and images emerge from her process. She uses tissue paper, plastic wrap, salts, bleach, and other materials to create layers; following threads and surprises and imaginative pathways to create her uniquely powerful images. She then uses windowing and design techniques and sometimes collage to turn textural starts into finished paintings.

Pam specializes in creating dimensional texture through the use of gesso with various texturing materials. Using a gesso underlayer allows a great deal of flexibility in subsequent layers, which can be either watercolor or acrylic. Pam will provide you with a pre-gessoed paper and demonstrate not only the various ways gesso texture can be applied, but how to finish these painting using value contrast and negative painting techniques.

These texturing processes will produce uniquely interesting and creative paintings. Bring a sense of adventure and spontaneity and you will be amazed at what can result. The class is appropriate for anyone – beginners will have no trouble with the methods used and more advanced painters will be able to add complex texturing processes to their repertoire. You will leave with at least twelve painting starts, and one or two completed paintings.

ABOUT THE INSTRUCTORS

PAM HAUNSCHILD is a watermedia artist who devotes her time to capturing the beauty of nature in the American West. She is a retired college professor who now lives in Ashland, Oregon, and paints full time. She has been and artist-in-residence at three national parks and continues to be inspired by her time there. Her work is in galleries in Ashland, Seaside, and Bandon, Oregon, and is held by many individual and corporate collectors, including the National Park Service. She has done many commissions, most recently designing and painting a poster and playbill cover for the Britt Festival in Jacksonville, Oregon, and a large native plant mural at Southern Oregon University.

Pam has taught many watermedia workshops in Oregon and Northern California, including at Sitka Center for Art and Ecology and Coos Art Museum and enjoys helping all students discover new methods of painting while using (or developing) their own unique artistic style.

Read more about Pam
Rogue Valley Messenger, Blurring the Lines with Color: Southern Oregon Artist Pam Haunschild

Watchful eyes, painting by Eve Margo Withrow

Watchful Eyes
Painting by Eve Margo Withrow

EVE MARGO WITHROW is an international award-winning professional artist. She uses mixed watermedia (acrylics and watercolor) and frequently layers and collages her materials. Her paintings are magical impressions that reflect feelings of a particular experience or place. She is always curious to explore what lies outside the box. “I play and adventure with my textures, layers and colors, following threads here and there, thus entering the flow of my creative process.”

Eve has a master’s degree in art education from the University of Wyoming. With over 40 years experience in teaching art classes and workshops, Eve masterfully guides and encourages participants to awaken to their innate creativity by experiencing the joy of self-expression. Eve is a previous owner of Art & Soul gallery in Ashland, Oregon, and is currently showing her work there, along with Rogue Gallery in Medford. She has taught many workshops across the western United States.

TUITION & FEES

$175 for both days + $15 for materials. We will provide gesso mixture, containers, an assortment of texturing materials, one pre-gessoed piece of paper, and an extra squeeze or two of paint so you don’t have to buy a whole tube of something you want to try.

Register online at EmeraldArtCenter.org or call 541-726-8595.

Emerald Art Center is located at:
500 Main Street
Springfield, OR 97477

Emerald Art Center Workshop in May

Emerald Art Center Workshop

Using Texture to Create Expressive Watermedia Paintings

Full Moon Sky mixed media painting by Eve Margo Withrow

Full Moon Sky by Eve Margo Withrow
Mixed water media on paper

Instructors: Pam Haunschild and Eve Margo Withrow
May 9–10, 2020
All levels

Register Online Now
Or call the Emerald Art Center:
541-726-8595

CLASS DESCRIPTION

In this fun and exciting workshop, we will create textured, complex watermedia (acrylic/watercolor) backgrounds and then work on turning them into harmonious, successfully finished paintings. You have your choice of working in acrylics and/or watercolors along with a gesso mixture (provided).

Texture makes your painting feel more dynamic, creates a sense of depth, and helps viewers emotionally connect with a painting. Texture is sometimes visual (on the surface) and sometimes dimensional (raised above the surface). We will work with both types of texture in this workshop.

The class is appropriate for anyone – beginners will have no trouble with the methods used and more advanced painters will be able to add complex texturing processes to their repertoire. You will leave with at least 12 painting starts, and one or two completed paintings. Although the instructors work with nature subjects, you can work on the imagery of your choice as a final product.

In this post are examples of paintings Eve created using the techniques she and Pam teach in this class. See exampleso fPam’s work on her website: www.PamHaunschild.com

Mossed in the Forest, painting by eve margo withrow

Mossed in the Forest
Eve Margo Withrow

Eve specializes in the visual (surface) textures by layering and manipulating watermedia. Interesting patterns and images emerge from her process. She uses tissue paper, plastic wrap, salts, bleach, and other materials to create layers; following threads and surprises and imaginative pathways to create her uniquely powerful images. She then uses windowing and design techniques and sometimes collage to turn textural starts into finished paintings.

Pam specializes in creating dimensional texture through the use of gesso with various texturing materials. Using a gesso underlayer allows a great deal of flexibility in subsequent layers, which can be either watercolor or acrylic. Pam will provide you with a pre-gessoed paper and demonstrate not only the various ways gesso texture can be applied, but how to finish these painting using value contrast and negative painting techniques.

These texturing processes will produce uniquely interesting and creative paintings. Bring a sense of adventure and spontaneity and you will be amazed at what can result. The class is appropriate for anyone – beginners will have no trouble with the methods used and more advanced painters will be able to add complex texturing processes to their repertoire. You will leave with at least twelve painting starts, and one or two completed paintings.

ABOUT THE INSTRUCTORS

Watchful eyes, painting by Eve Margo Withrow

Watchful Eyes
Painting by Eve Margo Withrow

EVE MARGO WITHROW is an international award-winning professional artist. She uses mixed watermedia (acrylics and watercolor) and frequently layers and collages her materials. Her paintings are magical impressions that reflect feelings of a particular experience or place. She is always curious to explore what lies outside the box. “I play and adventure with my textures, layers and colors, following threads here and there, thus entering the flow of my creative process.”

Eve has a master’s degree in art education from the University of Wyoming. With over 40 years experience in teaching art classes and workshops, Eve masterfully guides and encourages participants to awaken to their innate creativity by experiencing the joy of self-expression. Eve is a previous owner of Art & Soul gallery in Ashland, Oregon, and is currently showing her work there, along with Rogue Gallery in Medford. She has taught many workshops across the western United States.

PAM HAUNSCHILD is a watermedia artist who devotes her time to capturing the beauty of nature in the American West. She is a retired college professor who now lives in Ashland, Oregon, and paints full time. She has been and artist-in-residence at three national parks and continues to be inspired by her time there. Her work is in galleries in Ashland, Seaside, and Bandon, Oregon, and is held by many individual and corporate collectors, including the National Park Service. She has done many commissions, most recently designing and painting a poster and playbill cover for the Britt Festival in Jacksonville, Oregon, and a large native plant mural at Southern Oregon University.

Pam has taught many watermedia workshops in Oregon and Northern California, including at Sitka Center for Art and Ecology and Coos Art Museum and enjoys helping all students discover new methods of painting while using (or developing) their own unique artistic style.

Read more about Pam
Rogue Valley Messenger, Blurring the Lines with Color: Southern Oregon Artist Pam Haunschild

Eve and Pam are the perfect compliment to each other in presenting and facilitating this creative journey, and they both have extensive teaching experience and coordinate well together so that participants will come out of the workshop with a variety of techniques and tools to start or expand their repertoire of texturing techniques.

materials List

  • Artist grade acrylics in your choice of colors. Bring colors you like to work with. Just be sure you have a warm and cool yellow, red, and blue as a minimum. If you don’t have acrylics, we will provide them for a $15 materials fee.
  • Artist grade watercolors in your choice of colors as above. If you don’t have watercolors, we will provide them for a $15 materials fee.
  • Brushes you like to use.
  • Three large (22 x 30) pieces of hot press watercolor paper. 140# is fine, unless you prefer working on heavier paper.
  • Water containers, paper towels, palette, scissors, spray bottle for water.
  • Texturing materials: we will a lot of these materials for you. But we also encourage you to bring anything you think you may like to work with. Examples include stamps, stencils, scratchers, sponges, textured fabric or paper, shells, etc.
  • Two or three old watercolor or acrylic paintings that you don’t mind reworking

We will provide the gesso mixture, gesso brushes and sponges, other containers and applicators and an assortment of texturing materials, stencils, and reference images.

TUITION & FEES

$175.00 for both days + $15 for materials

Register Online Now
Or call the Emerald Art Center:
541-726-8595

Click the link below to download or print the flyer for your reference. Please share this workshop with anyone you think might want to participate!

Download (PDF, 5.5MB)

Berryman Gallery Show

Berryman Gallery Show

Time Lines, painting by Eve Margo Withrow

Time Lines, painting by Eve Margo Withrow

Nature’s Textures: Watermedia
Paintings by Eve Margo Withrow
January 17 – March 26, 2020

Eve Margo Withrow creates magical surrealisitic impressions of place using mixed water media, often layered into collages.

The Lindsay Berryman Gallery is a satellite exhibition space of the Rogue Gallery & Art Center, located on the second floor lobby of the Craterian Theater. The Berryman Gallery is open to the public before performances and to ticket holders during Craterian performances. Please see the Craterian’s website for performance dates at www.craterian.org/calendar.

 

 

Calls For Art- Woman Made Gallery

Show Your Paper
Exhibition Dates: Sept. 20 – Oct. 19, 2019
Entry Due Date: July 11, 2019
Juror: Kathryn Markel

CLICK HERE TO SUBMIT WORK 
https://womanmadegallery.submittable.com/submit

Exhibition Description: Open to artists who use paper as their substrate or primary medium. Works made on, or of paper may include, (but are not limited to) – painting, drawing, printmaking, photography, collage, cut paper, paper constructions, etc. All mediums on paper will be considered.

The application fee for our juried exhibitions is $30 for up to three images of work, plus one detail image if necessary. A limited number of artists who experience financial hardship may be exempt from paying the entry fee; please send us an email to request a fee waiver:[email protected]. All applicants should submit an artist’s statement about their body of work. Accepted artworks must not exceed 72″ horizontally and must not have been previously shown at WMG.

Juror: Kathyrn Markel, Principal, Kathyrn Markel Fine Art
Kathyrn Markel Fine Arts, established in 1975, specializes in contemporary works on paper with the addition of paintings by the young avant-garde. The gallery is run by women and women also comprise 81% of the gallery’s represented artists. Located in New York City – Chelsea and Bridgehampton, NY.
www.markelfinearts.com

Image: Artwork by Laurie LeBreton

Truth as a Contested Concept
Exhibition Dates: November 1 – 23, 2019
Entry Due Date: August 18, 2019
Juror: Indira Freitas Johnson

CLICK HERE TO SUBMIT WORK 
https://womanmadegallery.submittable.com/submit

Exhibition Description: Truth as a Contested Concept is open to all artists whose work addresses the theme.

We used to think of “truth” as being absolute. That our choices were binary. But today “truth” is a contested concept. [how so?] One of the many questions that come up is whether truth is subject to human interpretation. Does truth change according to circumstances so that what is true for a particular time is not true at a different time?  Does this mean that truth for one person may not necessarily be the same for everyone? If this is the case then can anyone really know “the truth”? The juror is interested in creating a dialog around what we consider truth to be. Do we feel that truth is important? Does the constant wearing away of our belief in truth jeopardize our well being?

We encourage entries of recent works, but there is no restriction in the creation date. Accepted artworks must not exceed 72″ horizontally and must not have been previously shown at WMG. The application fee for our juried exhibitions is $30 for up to three images of work, plus one detail image if necessary. A limited number of artists who experience financial hardship may be exempt from paying the entry fee; please send us an email to request a fee waiver: [email protected]. All applicants should submit an artist’s statement about their body of work. Accepted artworks must not exceed 72″ horizontally and must not have been previously shown at WMG.

Juror: Indira Freitas Johnson
Award winning artist and educator, Indira Freitas Johnson’s passion to make art part of everyday life and to involve local communities in the art process is evident in all her work.  Influenced by an artist father and a mother who was a social activist, Johnson believes strongly that art and activism are a powerful combination for social change.

Born in Mumbai, India, Johnson received her undergraduate degree from the University of Bombay and the Sir JJ Institute of Art and her MFA from the School of the Art Institute of Chicago. She has been the recipient of numerous grants and awards, including the prestigious Illinois Governors Award for the Arts and Chicago Magazine named her the 2013 Chicagoan of the Year.

Johnson’s work has been exhibited nationally and internationally and is represented in numerous private and public collections including the Chicago Museum of Contemporary Art, Chicago Transit Authority, Rhode Island School of Design Museum, Providence, RI.

Ten Thousand Ripples, Johnson’s Chicago area Public Art, Peace and Civic Engagement initiative uses art as a catalyst for conversations about peace and nonviolence.

For more information visit http://www.indirajohnson.com/

Image: Artwork by Indira Freitas Johnson

Join Woman Made Gallery
2150 S. Canalport 4th Fl, Chicago, IL 60608
Enter through Parking Lot at North Entrance on 21st Street
312.738.0400 | Email | Website
Gallery Hours: Thur-Fri 12 – 6pm & Sat-Sun 12 – 4pm
ABOUT WOMAN MADE GALLERY
Woman Made Gallery (WMG) is a tax-exempt, not-for-profit organization founded in 1992. Its mission is to support, cultivate, and promote the diverse contributions of women in the arts through exhibitions and other programs that serve, educate, and enrich our community. We rely on membership contributions and individual donations to create the programs that support our mission.

Kindred Spirits Art Events and Class Information April 2019

           April Classes and Workshops

Happy Spring!

I have met the most wonderful people in my classes this year.  My heart overflows with love, inspiration and thankfulness for the connection that happens when we all walk together in the passion of our creativity.

Here are two more workshops for April, including the Sumi-e class every Tuesday morning (which if you haven’t tried it yet, you’re missing out)- and with more exciting classes on the way!

Don’t forget Thursday evenings at Kindred are $10 art nights!

Spring Birds
A wonderfully fun and colorful assemblage!
Saturday, April 6th
11:00 – 4:00
All  materials provided.
$50
A Show of Hands
Cast and collaged in your own personal style of bohemian or old school tattoos. Addicting?? Ohhh my, yes!
All materials provided!
Saturday, April 20th, 11:00 – 4:00
$55
Sumi-e
(Asian Ink Painting)

A lesson in Focus.  Learn to not merely look but really see and connect with the nature around you. Don’t have time to meditate? Do this!
Every Tuesday Morning at 10:00
$25
Register: https://www.kindredspiritsartalewine.com/class-registration/

Cathy Dorris Studios · 106 Talent Ave. #2 · Talent, OR 97540 · USA

Art Presence March- April 2019 Newsletter

March – April   2 0 1 9
N E W S L E T T E R
A R T    E N H A N C I N G    C O M M U N I T Y
Shining Mountains
by
Andre Satie
Balloons Over Began
by
Susan Quinn
Sundial Courtyard
by
Katharine Gracey
Hand Woven Basket
by
John Campbell

Shadow
by
Tom Glassman
Air Mail
by
Nancy Bardos
Floating
by
Bill Stanton
Unraveled
by
Brenda Mills Branan
California Dreaming
by
Patrick Beste
Wooden Bowl
by
Bruce Millbank
Tommy
by
Anne Brooke
Landscape Platter
by
Debra Earley
Come and Visit Jacksonville Art Presence Art Center
on the grounds of the Historic Courthouse
206 Fifth Street, Jacksonville, OR 97530
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