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Call For Art- Don’t Fence Me In, Rogue Gallery Annual Members Exhibit

www.roguegallery.org 40 South Bartlett Street Medford Oregon 97501 541-772-8118
The Annual Members’ exhibit in the Main Gallery is a favorite for many. You are invited to bring in one piece for this year’s theme “Don’t Fence Me In”. For this year, break through whatever boundaries you like as the title “Don’t Fence Me In” implies. (Though within our constraints of being a current member, and framing and dimensions requirements listed HERE>>) This is one of the few exhibits you can submit a piece that is not for sale.

Annual Members Exhibit – Don’t Fence Me In

Drop-off one piece on the theme “Don’t Fence Me In” on Friday, November 2,10am-5pm and Saturday, November 3, 11:00-3:00 pm. The exhibit runs November 9-December 21, 2018. The reception is Friday, November 16, 2018, 5-8pm. Pick-up is Saturday, December 22, 2018 11am-3pm and Wednesday, January 2, 2019, 10am-5pm.

ELIGIBILITY
•Artists must be current members of the Rogue Gallery & Art Center. They may become a member at the time of drop-off.
• Work is your original art (no reproductions) created within the last two years.
• Photographs and hand-pulled prints are signed.
• Work is in excellent condition (clean mats and frames).
• Work is properly framed and wired for hanging. For safety of artwork, we do not allow saw tooth hangers.
• Watercolors and works on paper must be covered by glass or Plexiglas with no exposed edges (closed frames only). Wrapped canvas is ok.
• Outer dimensions (including frame) are 40” x 40”.
• Please do not submit work that has previously been display in any of our galleries.
• Artist receives 60% of sale price: Rogue Gallery receives a 40% commission of retail sale.

Forms: Inventory & Artist Agreement and Art Labels

www.roguegallery.org

Leland Iron Works Artist Residency Opportunity

Leland Iron Works Artist Residency

located in Oregon City, OR.
Leland Iron Works Artist-in-Residency ProgramResidencies for students and emerging artists at Lee Kelly's Leland Iron Works
The residency is run in collaboration with the Pacific Northwest College of Art on the property, home, and studio of sculptor, Lee Kelly. We have mainly had residents local to Portland apply and we are hoping to branch out and get applicants outside of our area.
There are 5 funded ($2500 stipend) month long residencies for mid-career and established artists and 4 free month long residencies for emerging artists.
View the call for artists and application here.
More details:

The Residency at Leland Iron Works 2019

Located just east of Oregon City, Leland Iron Works is the home and studio of sculptor Lee Kelly and his family. For years, Leland Iron Works has been home to artists, activists, musicians, writers, climbers, architects, poets, and dancers. The residency at Leland Iron Works is an expansion of that legacy. With a generous grant from the Ford Family Foundation and with the continued support of the Kelly family and PNCA, Leland Iron Works will provide one month residencies to professional Oregon artists and PNCA students and alumni.

There are two categories of Residencies to which you can apply, read the descriptions carefully to best understand which category you fit into and apply accordingly.

Residency for emerging visual artists, writers and musicians. (4 per year)

You may or may not be a student to apply in this category. We are also able to extend this opportunity to artist practicing outside of the visual arts category so you may apply as an established writer or musician. Selected artists will receive one month long residency session at no cost.

Residency for Mid-Career/ Established Artists

(5 per year)

To apply in this category, you must be a practicing visual artist currently producing works of art. You must be a full-time resident of Oregon for at least 36 months prior to the application deadline and remain a resident through the duration of the grant period. You must be 30 years of age or older at the time of application. You must provide evidence, through your C.V. of seven or more years of active professional participation in your medium. You may not be enrolled in a degree-seeking program, either part-time or full-time.
Selected artists in this category will receive a one month long residency session at no cost along with a stipend of $2500 made in two installments.

All residents are required to give a slide lecture at PNCA at the end of their stay as well as to create a one-day workshop at LIW or participate in a day of class visits on campus. Residents are also asked to participate in the annual residency show.

THE DEADLINE TO APPLY FOR 2019 IS FRIDAY, NOVEMBER 9TH

Background

A partnership between venerable Portland artist, Lee Kelly and the college, PNCA’s Leland Iron Works Artist-in-Residency Program awards five month-long residencies to practicing Oregon artists and four residencies for students and emerging artists at Leland Iron Works, Kelly’s long-time home, studio, and rustic sculpture garden.

The goal of the LIW Residency Program is to support and invest in practicing and emerging artists whose work will impact Oregon’s cultural landscape. A one-month residency at LIW provides these artists with the time, space, and opportunity to take their work to the next level and to experiment with material and processes in a uniquely Oregonian environment. Residents will share their work with younger artists through artist talks, classroom critiques, and possible collaborations.

Fast Facts

There will be nine month-long residencies awarded each year, five to established Oregon artists (with more than 7 years of demonstrated art practice; non-students), and four to emerging Oregon artists (can be students or non-visual artists such as writers or musicians).
Established artists will each deliver an artist talk at PNCA and/or participate in a classroom critique. Each established artist awarded a residency will receive a stipend of $2500. Emerging artists will each deliver a lunchtime lecture on their residency at PNCA.

The Leland Iron Works Residencies provide dedicated time, space, and solitude for artists to reinvigorate their creative practice. It is a rugged, independent, and highly customizable experience and offers facilities including 24-hour access to an 8’x15’ residential studio, and outdoor workspace that align with Kelly’s ethos of having as minimal an impact on the land as possible.
The residency can coordinate access to additional art-making facilities for residents through the labs, workshops, and studios of PNCA, including sculpture, woodworking, metalworking, digital printing, and photography studios, as well as to one of the largest printmaking studios on the west coast. Residents will also have access to the PNCA library, one of the largest and most comprehensive fine-arts libraries in the region.
This residency is supported in part by a generous grant from The Ford Family Foundation.

ABOUT LELAND IRON WORKS

Since 1963, the five-acre property and “great experiment” known as Leland Iron Works has been Lee Kelly’s studio and home. Previously a sawmill and dairy farm, LIW is a direct link to the earliest days of Oregon’s history. Since the 1960s, it has provided art studios for writers, architects, and other artists who come to the property to work or find quiet. In 1970, it was designated an artist colony.

For more information or to apply visit:

http://pnca.edu/programs/leland/c/residency

Leland Iron Works Blog:

http://pnca-liw.tumblr.com/

Or Contact:

Clairissa Stephens
Interim Leland Iron Works Artist Residency Director [email protected]

Ashland’s First Friday Art Walk, November 2, 2018 from 5 to 8 pm

Ashland Gallery Association November 2018 Art Exhibits

First Friday Art Walk, November 2nd from 5 to 8 pm

Stroll the galleries and take in the visual delights in downtown Ashland and the Historic Railroad District.  Enjoy this free year-round community event, filled with a diverse array of artwork, live music, artist demonstrations, refreshments and lively conversation!

AGA November Spotlight Exhibits

Masterpiece Christian Fine Arts

Paintings by Mera Oliveria

Ashland Pony Espresso

Mera Oliveria grew up in Southern Oregon and began oil painting in the past 6 years, learning from local artists, which revealed her inherent natural abilities. Mera has always loved art but it wasn’t until she encountered the living God that she feels her art and skill level blossomed in new ways. Like in the story of Exodus, where God gave skill to craftsmen and artists to build the sacred place where He would meet again with His people, she believes artists are gifted with abilities to create art that allows one to encounter the living God, a meeting place, so to speak.

Along with working in painting, Mera engages in chalk festivals where artists spend days on the asphalt creating large chalk murals in the streets. Ashland residents may remember Mera transforming the sidewalk in the summer of 2017 in front of the Black Swan Theater with a 12 x 12 chalk art rendition of Henry IV, the Prodigal Son along with artist Cathy Gallatin.   She feels that involving the public in the process of creating art is special for many reasons, emphasizing the importance of the arts within community and how beauty is a form of unity, a universal language that speaks of the human experience we all live, and the spiritual and emotional journey that no one can escape.

 To see more of Mera’s art and works in progress, visit her on Instagram: @MeraOlive

Mera Oliveria, “Chalk Art”, Grants Pass, Oregon

Mera Oliveria, “Chalk Art”, Grants Pass, Oregon

Hanson Howard Gallery

Animal Crackers: Gallery Artists Pay Tribute to Our Furry and Feathered Friends

If you spend any time in the gallery you will have noticed that many of our artists have a thing for animals in their work.  Why? Well, we don’t want to overthink it….but, we can celebrate it!  From the fun to the reverent, small pieces and large, 2D and 3D, we will be including all the ways our artists honor animals in their work.  Artists include Wayne Armstrong, Don Ajello, Laurel Bustamante, Steven Dewey, Penelope Dews, Baba Wagué Diakité, Claire Duncan, Marly Eidsness, John & Robin Gumaelius, Carol Ingram, Pamela Kroll, Betty LaDuke, Jhenna Quinn Lewis, Gabriel Mark Lipper, Robert Schlegel, Karen Staal, Wataru Sugiyama, Millie Whipplesmith Plank, and Aggie Zed. For this occasion, we’ve invited Portland sculptor, Stan Peterson whose carved wooden figures have all the charm of early folk art.

This is our final show of the year and will all be up throughout the holidays.

Join us for a reception for the artists during the Ashland First Friday Art Walk, November 2nd, 5-8 pm. The show runs November 2nd through the end of the year.

Stan Peterson, “Going Home”, carved wood

Stan Peterson, “Going Home”, carved wood

Photographers’ Gallery

Tiger Lily: Featuring Heinz Danzberger

Heinz Danzberger’s new show “Tiger Lily” opens Friday, November 2nd at The Photographers’ Gallery at the Ashland Art Center. The show is part of an ongoing project covering the landscapes of the “State of Jefferson” and, in particular, the greater Mount Shasta region. It is a photographic journey and discovery of sweeping vistas and landscape details, capturing the unique land at the heart of the West Coast and one of the larger natural areas remaining in the US. It is very diverse with active volcanic roots from which spring wetlands, high deserts and forested mountains, creating a land unlike any other on the West Coast.

Heinz uses modern techniques and classic lenses to capture high-resolution photographs intended for large size pigment print. The massive scale of the landscape around Mount Shasta invites large prints to capture the grandeur of the scene.

Heinz began working in medium format and then migrated to digital once high-resolution cameras became available. The decisive factor in his work style is not as much the camera but the applied lens qualities – in this image he used the classic Pentax 77mm FA lens resulting in beautiful and very classic image.

The Tiger Lily aka Ditch Lily is a welcome sight around Mount Shasta.  This particular flower grew like a bridge over Cold Creek under the forest foliage. The arch of the stalk and the fruits of the bulbs float effortlessly over the small creek. Perhaps a deer displaced it in the spring or the weight of the flowers bent the stalk down towards the water. The horizontal arrangement shows the power of this plant to survive in difficult places.

Heinz’s photography invites us into a visual poetry of the world around us. It is a medium to see the unseen; the fleeting moments of light; the rush of time hiding magnificent moments. One does not have to go too far to find these moments. This Tiger Lily was a short bike trip to the outskirts of town, where it hides in plain sight.

Heinz Danzberger, "Tiger Lily" 2017, photograph

Heinz Danzberger, “Tiger Lily” 2017, photograph

Ashland Art Center

Dia de los Muertos Celebration on First Friday

Music by Frankie Hernandez, Pumpkin painting in the classroom.  Meet our Artists!

Show: Through Our Eyes: Reflections on Nature

Featuring Janette Brown & Katherine Dron

Watermedia artists sharing their interpretations of nature.

 

Featured Main Gallery Artist

Bridget Reynolds

Trained in a very left brained world of business, I came to the creative process quite late in life. I feel like a whole other world opened upfront me. I said a resounding “YES” and have not looked back. It is like playing in huge sandbox exploring images and color. I LOVE it!!!

Guitar Series:

On my fort canvas, all I know was that I wanted a guitar represented. From that, this series emerged.

What fun I have had in creating them.

Intuitive Pieces:

I love to stand before a blank canvas/paper and just make some strokes and then follow my instincts with a piece.

It is always a surprise to see what emerges. 

First Friday Musical Guest: Frankie Hernandez

Frankie Hernandez has played every venue conceivable between Seattle and Los Angeles. Half jokester, half home-brewed Tito and Tarantula, and always love-struck, Hernandez has carved quite a name for himself. The only thing bigger than Hernandez’s voice, which could fill a closet or Yankee Stadium with equal aplomb, is his exuberant personality.

Dia de los Muertos poster

For more information about all of our exhibits and to download the November Gallery Tour map, please visit: www.ashlandgalleries.com  

 

Download (PDF, Unknown)

Thank you for your support of the Visual Arts in our communities!

Metal Fest 2014 – Celebrating the Metal Arts

Students learn blacksmithing with CCC instructor David Curl.

Students learn blacksmithing with CCC instructor David Curl.

 

Local and regional metal arts practitioners, Clatsop Community College and the Fort George Brewery & Public House are collaborating to produce Astoria’s first Metal Fest event – Saturday, July 19, noon to 9pm, at the Fort George Lovell Showroom and Brewery.

blacksmithing at Clatsop Community CollegeThe festival will highlight metal artists from throughout the Pacific Northwest and a diverse range of techniques including blacksmithing, bladesmithing, and fabricating in metal. Participating artists include: Vern Wilson, sculptor; Lynn Gledhill, President of the Northwest Blacksmith Association; Mike Neely, Mark Moshofski and David Curl, professional blacksmiths and more.

Artisans will demonstrate their techniques, display their work and offer work for sale. In addition, artists are donating original work for a live auction of work that will be displayed in the Fort George Lovell Showroom gallery. Proceeds from the auction and a percentage of sales will be donated to Clatsop Community College to help support its new blacksmithing three-course sequence beginning Fall Term 2014. Registration for the first course in this series, Blacksmithing I (BLD199) is now open at www.clatsopcc.edu/register.

Live music and a BBQ by the Fort George Brewery will be available throughout the event.

Please direct inquiries to: Lucien Swerdloff, 503-338-2301; [email protected]