Trending Articles

Friends of SOAR

For great posts about the business of art, check out The Artsy Shark HERE!
ArtistsBillofRights.org reviews competitions and appeals seeking creative content, listing those that respect your copyrights and highlighting those that don't. Art Matters! publishes calls to artists, and not all of them may be compliant with ABoR's standards. Visit their site to learn more.
We support the Embedded Metadata Manifesto.  Metadata is information such as copyright notice and contact info you can embed in your images to protect your intellectual property, save time when uploading to social sites and promote your art. Click to visit the site and learn more.

Decade In Review: Final Four 2016 to 2019

Decade In Review: Considering Kandinsky, Detail

Happy New Year and New Decade!

I’d like to finish out my micro mini “decade in review” by showing you four watercolor paintings.  The paintings represent years 2016 to 2019.

2016.

Decade In Review: 2016 Irish Breakfast Tea

This painting was an experiment in adding Celtic symbols to help tell the visual story.  You might notice the shamrock, Celtic knot and modified triskele.  The triskele is on the tea bag’s tab.  I used a green dominant color scheme to further support the meaning of “Irish”.   As is my frequent practice, I played with different aspects of the cup, hence the enlarged cup handle.

This painting was shown in Rogue Gallery and Art Center’s “Celtic Celebration Art Show” (Medford, OR) and earned two awards: People’s Choice and  Staff’s pick.  I felt so honored!

2017.

Decade In Review: 2017 Considering Kandinsky

“Considering Kandinsky” was another experiment.  Truthfully, most if not all of my work is an experiment.  At the time, I was preparing to participate in a watercolor demonstration featuring the figure for the Watercolor Society of Oregon.  There were three of us artists and we had agreed on a particular reference photo of a man on a bench.  So, as is my usual practice, I played around with some ideas.  One thing led to another, and pretty soon I was thinking of the artist Wassily Kandinsky.   This was a fun painting for me.

2018.

Decade In Review: 2018 Three Minute Egg #11

I started the “Three Minute Egg” series when I was taking a class with artist Gabriel Lipper.  I’d like to say that it was a wonderful class on “deconstruction”, working in a series, and going from life to abstraction.  So, the first seven paintings I did in his class.  However, starting with number eight and onward, I did in my studio.  This particular painting earned a Fourth Place award in the Watercolor Society of Oregon’s Spring 2018 Experimental Exhibition.

2019.

Decade In Review 2019. Three Minute Egg #14

And, here we are continuing on with the theme of an egg cup and timer.  However, this time I added an espresso cup because I like espresso.

Previous Decade In Review Posts.

2010-2011

2012-2013

2014-2015

In closing, I hope you that you have enjoyed this mini decade in review.  And, I hope you have a great 2020!

The post Decade In Review: Final Four 2016 to 2019 appeared first on Margaret Stermer-Cox.

Decade In Review: Cell Phone Conversations 2014 & 2015

Cell Phone Conversations: Hang Up & Pet Me

Hi!  By the time the decade hit the middle years, cell phones and smart phones where everywhere.  And, today’s paintings for my mini review are all about cell phone conversations.

Cell Phone Conversations And The Cat.

Starting off with “Hang Up And Pet Me” from 2014, we have a woman sitting on a couch in the middle of a phone conversation.  Sitting next to her is the cat.  Naturally, the cat thinks this talking out loud into a little box is kind of weird.  Nuts even.  Better yet, the person needs to be petting the cat.  Yes indeed.

Inspiration Hits!

This particular painting was inspired by a phone conversation I had with one of my sisters.  You see, while she was talking on the phone, I could hear her cat in the background.  And, as you might expect, the cat was being vocal and participating in the conversation.  It was one of those “aha!” moments; I had a spark of inspiration.

Cell Phone Conversations: Hang Up & Read Me A Story

More Conversations

Speaking of inspiration, in the summer of 2014, my husband Robert and I took a trip across the country. Imagine driving from west coast to east coast and back again.  It was fun.

While in Georgia, we stopped to visit a niece for a couple of days.  She showed us a good time, including introducing us to some excellent cafes and coffee shops.

A Group Of Four & Their Cell Phones.

At one such coffee shop, we watched as two young couples walked in and sat down.  Almost instantly, and in unison, they all whipped out their smart phones and started using them!  We watched in amusement.  And, we wondered, were they texting each other as they sat at the table?  And, come to think of it, there were potentially eight people at the table.  That is to say, the four who were seated in front of us and the four on the other end of the phone.

Another Flash of Inspiration.

Once again, I had an “aha” moment and was inspired!  I had the makings of a new series of paintings involving coffee shops and cell phone conversations.  As it turned out, this moment gave me plenty of ideas and I would work on this series for the next 18 months.  Happily, 2015’s “Old School, New School” was one of the paintings in the series.

Cell Phone Conversations: Old School, New School

Cell Phone Conversations Everywhere!

As I was writing this article, it occurred to me that there has been a change since 2014 and 2015.  Back then, it seemed that it was mainly the younger people who were constantly using their cell phones.  Now, it’s all ages.  Ahem; that includes me and people my age!  We are just as likely to whip out the smart phone as any young person in the coffee shop.

Anyway, I hope you enjoy the paintings about cell phone conversations.  And, the short trip back to 2014 and 2015.

Previous Posts:

The post Decade In Review: Cell Phone Conversations 2014 & 2015 appeared first on Margaret Stermer-Cox.

Decade In Review: People As Subject in 2012 and 2013

Decade In Review: 2012 and 2013

Hi!  Continuing on in this mini review of the current decade, I’ll touch on 2012 and 2013 today.

Since yesterday I featured works from the Toy Pony collection, I thought we would switch subjects.  In 2012 and 2013 I began working with people as subject.

People as subject: "Just Sayin'...V8b. Six

The first painting is from my “Just Sayin’…” series of paintings.  My inspiration for this series was our cell and now smart phone culture.  Ummm, and yes, I’m one of those people who use one of these mobile phones.

Also, during 2012 and 2013, I was toying with the idea of working fictional or mythical characters.  And, eventually, I developed a design for a mermaid that I liked.  And, just for fun, I thought of her at night and in the moon light.

People As Subject: Mermaid With Net At Night

 

Short and, hopefully, sweet today.  I hope you enjoy the two paintings!  Thank you!

 

The post Decade In Review: People As Subject in 2012 and 2013 appeared first on Margaret Stermer-Cox.

Decade In Review: Toy Pony From 2010 and 2011

Decade In Review: 2010-2011; Still Life With Toy Pony, Stermer-Cox

Hi!  Just for fun, I thought I would do a mini review of the 2010 to 2019 decade.  My idea is to share two paintings a day representing a year each.  This is an exercise in contemplation, not so much one of critique.  In other words “here is where I was then”.

Decade in Review: "Still Life With Toy Pony D54", 2011 SCx

Today, I’ll start the decade review with two from my “Still Life With Toy Pony” series.  In case you are not familiar with the series, it is based on a still life I set up that included  a toy pony.  Hence the name.

The purpose of the work in series was to explore and experiment the elements of composition.  Put more simply, I ask myself questions like “what if I do this…?”

So, “Still Life with Toy Pony, #D54” is the 10th painting in the series.  And, the 2011 painting “Still Life with Toy Pony #D41” was the 12th in the series.

And, just to clarify, the “D” in the title refers to a design number.  So, “D54 refers to a painting based on my 54th design.   I did a LOT of drawings, almost 80.  But, only about 20 have been been included in the series.

Decade In Review "Still Life with Toy Pony D41; M.Stermer-Cox

The plan, then, is to share two more paintings tomorrow.

PS.  If you’d like to see three more from the Toy Pony series, click on this post:

https://stermer-cox.com/2015/01/19/still-life-toy-p…ercolors-drawing/

The post Decade In Review: Toy Pony From 2010 and 2011 appeared first on Margaret Stermer-Cox.

Your Approach – Draw Or Paint First?

Approach: Painted Intuitively

What Is Your Approach?

One of my nieces recently asked me the following question (and I paraphrase): “Do you draw the subject first or rather, do you paint first?”  The question was addressing how one approaches watercolor painting in particular.

Easy Answer, Or Is It?

My immediate answer was that my approach is to draw first.  And, that is what I usually do because it suits my way of working with watercolor.

Approach: Draw First
An example of drawing first.

It Is About How You Solve Composition Problems.

To clarify, what we are talking about here is drawing out the composition on your watercolor paper, then painting over top of the drawing.  Or, the other option, painting first and working out the composition as you go.

And, to reiterate, it is generally my practice to draw out major portions of my design before I start painting.

Trying A Different Start Can Enhance Skills.

However, that doesn’t mean that I am against the “just go for it” approach.  That is, painting without an under-drawing or plan.  Besides being fun and challenging, you see, sometimes one needs to do things differently.  Painting first and composing as you go can stretch your skills.  For one thing, you might have to focus intently on what you’re doing in order for the composition to work.

So, from time to time, I have experimented with the more intuitive, un-planned approach to watercolor painting.

Risk Of Failure.

However, I discovered that I have to be prepared for the “failures”.  That is, the paintings that I can not resolve and therefore never finish.   And that is because transparent watercolor paint offers few options for corrections.  So, at least for me, a successful intuitive painting is a challenge.  To put it another way, the difference between the sublime success and stunning not-so-good painting can be a small mis-judgement.

Example Of Artist Who Paints First.

I once took a workshop with the artist and experimental watercolor painter Barbara Nechis.  To explain, I was and still am intrigued by her paintings.  Her approach seems intuitive and natural.  But, and this is the big point for me, she has had years of experience.  And, it was she who helped me understand that you need to be prepared for the failures.

Approach: Paint First
Example of a “just go for it” watercolor painting.

“Bad Paintings” Are Part Of Learning.

On the other hand, one could state that failures are how we learn and a regular part of painting.  As such, I like to remind myself that one has to get through the “bad” ones to get to the successful paintings.   And, that is true for those of us who pre-plan and draw as well as for those of us who just go for it with the paint.

The Answer?  Yes.

So, back to the original question, how ought one start a watercolor painting?  Should one draw first (preplan) or paint first?  Hmmm, the more I think about it, the more my answer is, “Yes!” And “if you want to and it depends on you”.  Also, why not try both approaches?

About the Paintings.

I selected to watercolor paintings that I created in the same year: 2007.  “Rocket Flowers” I pre-planned and drew the layout of the painting first.  Then, I continued with the watercolor paint.  However, the approach for “November Chapel” was done without a preplanning or an underdrawing.

 

The post Your Approach – Draw Or Paint First? appeared first on Margaret Stermer-Cox.

2020 A Taste of Ashland Poster Art Competition

Ashland Gallery Association

2020 A Taste of Ashland Poster Art Competition

2019 a taste of ashland poster, 2020 A Taste of Ashland Poster Art Competition

The Ashland Gallery Association is seeking artwork for its 2020 A TASTE OF ASHLAND event.  All southern Oregon artists are encouraged to submit images of their work. AGA Gallery, Associate, and Neighboring Arts Organization members may also submit images for artists they represent.  Artists are not required to be AGA Members to submit artwork.

The winner will be publicized in the 2020 Ashland Gallery Guide, the ‘Taste’ Event Guide, on the AGA website, and on ‘Taste’ promotional materials including the poster, postcard, and social media. The Ashland Gallery Guide is distributed to about10,000 patrons of the arts each year. The Event Guide is distributed to about 1,000.

The winning poster artist will receive 2 weekend tickets to 2020 A Taste of Ashland.

Submission deadline: December 5, 2019.  The poster art will be selected at the December 10, 2019 AGA General Membership meeting at Ashland Art Center. The meeting will begin at 6:30 and members will vote on the submissions.   Winners will be notified shortly after this meeting.

 

Submission address:  Routing: send by email to AGA Administrator, Kim Olson:[email protected]

 

Important:  The ATOA committee is seeking strong, colorful and broadly appealing images – ones that convey a feeling of joy and fun with friends, and the feeling of “Come to Ashland for great food, wine and art”.  The submissions don’t have to be literal depictions of food and wine, although they can!  

See HYPERLINK “http://www.atasteofashland.com” to view last year’s image. 

Additional Submission Guidelines:

·      One image may be submitted per artist.

·      Submit by email in one of the following files types: JPG (preferred), GIF, TIFF, or PDF (Files not in one of these formats will not be guaranteed to be part of the selection)

·      Submissions must be medium-to-high resolution, and must include the artist’s name, phone number, mailing address, and email address.

·      Images should be in color and no more than 10MB in size (anything larger will be rejected by the mail server).

·      Artwork may be existing or created specifically for the “Taste”.

·      Any art medium that can be photographed and printed is eligible.

·      The winning artist will be responsible for providing a high-quality image for the printer.

·      Any artist who has already been honored becomes eligible to submit again after an interval of five years.

The winning poster artist grants the AGA the right to reproduce his/her artwork for the poster and for publicity of A Taste of Ashland. All proceeds from the promotional use of the image will benefit A Taste of Ashland. The Artist will be credited, where possible, on promotional materials using his/her image.

Thanks so much for submitting your work.  A Taste of Ashland is the Ashland Gallery Association’s annual fundraising effort and a themed image is important for marketing the event.

We look forward to your submission!

Kim

Kim Olson

Administrator
Ashland Gallery Association
541.488.8430

Remember Me – It’s About Blogging & Leaving Talent OR

Remember: Talent Railroad Depot

Yes, do you remember me?

Remember Me? From the blog login page

Remember Me.

As I logged into my website in preparation to write this blog post, I noticed the small remark at the bottom of the page.  It read “Remember Me”.   Though the statement was about my password, it made me wonder, will you remember me?

 

Blog Slow Down.

This past year has not been one of my better blogging years.  As I remember, things were slow to begin with and, then, I  practically stopped writing for the month of August and September.  Not surprising, these two months coincide with our move.  That is to say, my husband and I have left Talent, OR and moved to Ilwaco, WA.

Hard Getting Started Again.

I thought that when we moved into our new place, it would be easy to pick up the keyboard and start blogging again.  Silly me; there is a lot of work to setting up a household.  And, my studio space, for example, is only about a third of the way unpacked.  I do have my drawing table unpacked.  Pencil and paper are always at the ready, so things are looking up.

All that being said, I have wanted to start writing again.  Here we go then and, I do hope that you remember me.

Farewell Talent, Oregon.

So, I’d like to say a fond farewell to Talent, OR.  I thoroughly enjoyed our seven years there.  And, while there, I did some sketches of some of the places around town.  I have included a few just for fun.

Rail Depot.

One of my favorite buildings in town is the old rail depot.  I did a few sketches and here is my favorite watercolor and ink version.  The forward part of the building as space for a cafe.  Currently, it is the home of “Sweet Beet Station”.

Remembering Talent Rail Depot

“Funky Fashions”.

The old building that used to be the home of “Funky Fashions” is also a favorite.  “Funky Fashions” was owned by our neighbor when we moved in to Talent back in 2012.  Since then it has changed businesses a couple of times.  Now, it’s the home of “Biscuits and Vinyl”.

Remember Funky Fashions

“Downtowne Coffee”

One business that did not change while we were there was “Downtowne Coffee”.  It is situated in what was once a gasoline station.  I recommend the espresso at “Downtowne Coffee”; it tastes so good!

Remember Talent OR

Gas Station.

Come to think of it, I did do a sketch of one of the gas stations that is still a gas station.  The employees were nice and this is one of my favorites.

Remember Talent: 76 Gas Station

Fond Memories.

I will remember Talent and the people who live there with fondness.

 

 

 

 

 

 

The post Remember Me – It’s About Blogging & Leaving Talent OR appeared first on Margaret Stermer-Cox.

Silvia Trujillo’s Artistic Direction Class at Scrappy Craft

Hello artistic students and friends,
 I’m excited to let you know about a new weekly class that will be starting next week (see below for all the details).
  Plus, the Rogue Gallery is hosting my plein air workshop taking place this Saturday at the lovely Alpaca Ranch in Eagle Point!
  Besides all that, I’ve been taking great pleasure in plein air painting out and about in this wonderful weather! Thanks to a couple of new students, I have discovered a few more gorgeous locations. Let me know if your interested in joining us. These excursions are not pre-planned,  but more or less are decided within a few days of meeting. *attached are some recent works
Looking forward to seeing you soon,
silvia
Title: ” Artistic Direction “
​Location: Artist Attic /Scrappy Craft
Phoenix, OR
Description:
A class for all painting and drawing media; all skill levels welcome!
With a focus on support and evaluation to build your artistic skills, you will also be directed in developing your own personal style.
Individual instruction and attention will be provided by artist Silvia Trujillo.
Fee: $30 drop in  or  $100 / 4 class series
Time: Wednesday’s: 1-3pm   (starting Sept 11)
Contact: Silvia to reserve your space or for more information
  call: 541.778.9543  or email: [email protected]

Roni Marsh & Cheryl Magellen Teaching Creative Underpainting at Central Art 9/7

Bring Your Creative Strengths To The Surface With This New Class!

Central
                                                          Art Logo

 

CREATIVE UNDERPAINTING

with Instructors: Roni Marsh & Cheryl Magellen 

When: Saturday, Sept. 7, 2019

Where: Central Art

Time: 9:00am – 4:00pm
Fee: $60. Absolute beginners welcome!

Space is limited. Pre-registration required.
For more info: 541-944-8734 or www.cmagellen.com/workshops

Roni Marsh and Cheryl Magellen join together once again to bring you a new one-day workshop guaranteed to keep you excited about creating art!

 

With an emphasis on design and composition, participants will learn to create unique surfaces using numerous textures and painting techniques. Work in pastel, oil, acrylic, watercolor, charcoal, graphite, or all of the above. Whether you have painted before or are an accomplished artist, this workshop will keep you inspired to produce more and more art!

 

Supply list provided at registration.

VISIT CENTRAL ART!
centralartsupply.com, 101 N. Central Ave., Medford, Oregon

SOSA Meets August 26th in Medford

Southern Oregon Society of Artists August 26, 2019 Meeting

The SOSA , Southern Oregon Society of Artists, August 26 meeting will be held  August 26 at the Medford Public Library at   7 P.M.   Debbie Orr, Botanical Artist  will be the guest Artist. She will be demonstrating Botanical Art done in Gouache.  Everyone is welcome. Library doors close at 7 so arrive 10-15 minutes early to grab a cookie and say ‘Hi  to fellow artists.
Any questions call Judy Grillo at 541-625-3285 or BJ Mahtis at 541-414-4993.Call and leave message and we’ll call you back!
Debbie Orr Bio:

Having lived in NY, I am very familiar with many museums and galleries and major artist.

I Studied art at the Art Students League, and I have a degree from the Fashion Institute of Technology.

Not only did I study the technology of how textiles are made and printed, but I studied art history, design, color theory, various painting techniques and styles that included the use of oil paint, watercolor, gouache, chalk, pencil, screen printing, etc.  My two majors were weaving and screen printing.

I deeply appreciate all periods and styles of art and what color and imagination can manifest.  Currently, my focus is on botanical illustration. I am a member of the American Society of Botanical Artist.

~ Debbie Orr

image.png