|
|
By Brooke Nuckles, 146 contributed posts
View all Brooke Nuckles's posts.
About the author:
 |
Over the river, through the woods, or right here at home in the beautiful Rogue Valley, inspiration is sure to follow wherever you may roam.
Whether it’s sketching the daily grind of a local coffee shop or capturing the highlights of your camping trip on canvas, Central Art has your best artistic interests at heart. Maybe you’re just getting started, and don’t know your palette knife from your pochade box; we’ll help you climb that mountain.
Taking your act on the road? The possibilities for portable art essentials are endless, but never fear – we’ve thought of everything, and can prepare a “survival kit” just for you!
Take the stress out of planning a plein air getaway knowing Central Art has your creative challenges covered, from street lights to state parks!
-Adam
P.S. Feeling social? There’s an app for that! Share your art adventures with us on Instagram! Be sure to tag @centralart1 in your post, and use the hashtag: #rogueartadventures . We look forward to seeing what you create in the places that inspire you! |
|
|
|
|
|
|
|
Schmincke Watercolor
12 Half-Pan Set
|
| Schmincke has been developing and manufacturing its Horadam line of watercolors since 1881, and the company is now owned by the fourth generation of the original family.
They are the only watercolor manufacturer in the world that uses the exact same formula for their tube and pan colors. The pan colors are consistent all the way to the bottom, and they last and last! |
|
|
|
|
|
|
|
New Wave Palette Paper
|
| New Wave Grey and TIMBr Pad Disposable Palettes feature neutral toned sheets that make it easier to mix accurate colors and gauge values. The sheets are glued on three sides, so they won’t blow away while you’re painting outdoors. Plus, the covers are scored, which makes it easier to tear them off or fold them back without messing up the rest of the pad. |
|
|
|
|
|
|
|
 |
| Rembrandt Soft Pastels |
| Rembrandt pastels are made from the purest pigments and mixed with the finest quality kaolin clay binder. No pigments containing heavy metals, such as cadmium, lead, and cobalt, are used in production which ensures that the pastels have no hard bits or sharp edges. These pastels are harder in consistency than many soft pastels, allowing for more control and definition in your painting. |
|
|
 |
| Ampersand Floater Frames |
| Every detail of the Ampersand FloaterFrame has been designed and engineered to deliver a simple, all-in-one framing solution that protects your artwork while giving it the finished look it deserves. Made with premium hardwood, the Ampersand FloaterFrame features precisely constructed reinforced corners, a wider drill base, and pre-drilled countersunk mounting holes. All mounting and hanging hardware is provided to quickly and easily attach your artwork to the frame, including mounting screws, screw eyes, a hanger, picture wire, and bumper pads. |
|
|
|
|
|
|
Catch These Deals While They’re Fresh!
|
|
|
|
|
|
|
PanPastel
|
| Loaded with the highest quality artists’ pigments, PanPastel colors are made using a unique manufacturing process requiring minimal binder and fillers, resulting in a rich, ultra soft, low-dust formulation. These professional quality colors are highly pigmented and have excellent lightfastness. They are erasable and fully compatible with traditional pastel sticks, pastel surfaces, and conventional fixatives. They can be mixed, blended, layered, and applied like paint for an infinite palette of colors. |
|
|
|
|
|
|
|
Portable Painter Palette
|
| The Portable Painter Watercolor Palette is the perfect hands-free travel palette for watercolor painting. With a unique design created by an experienced watercolor artist, it’s packed with special features optimized for plein air painting. It’s compact, too — when folded, the palette is about the size of a smartphone (6″ × 3¼” × 1½”). |
|
|
|
|
|
|
|
 |
Central Art’s SIDEWALK SALE! Fri & Sat, July 13 & 14, 2018
|
| Scoot on over to Central Art for our annual Sidewalk Sale this summer and find unbelievable deals on overstock, discontinued items and even storage and fixtures! Word on the street is that you won’t want to miss this sale event! |
|
|
|
|
|
|
|
By Peggy Stermer-Cox, 352 contributed posts
View all Peggy Stermer-Cox's posts.
About the author: I begin my watercolor paintings with an idea and a drawing. I build the painting layer by layer, drawing lines and shapes, looking for rhythm and feeling. My color sense is a reflection of my childhood in New Mexico fused with colors of my home in the Northwest. My goal is to go beyond the surface to find joy, wonder and a bit of mystery. I have shown my works in galleries, juried, group and solo shows in Washington, Oregon, Montana and New Mexico. My paintings are in private collections in the west, New York and Norway.
To view examples of Peggy's work or to make contact with the artist, please visit her listing at the Southern Oregon Artists Resource.
Simplify: To clarify; to make easier to understand.
Just Thinking!
Greetings! I have been thinking about how to “simplify” lately and how the term applies to creating paintings. You see, I have a mini workshop coming up with the Watercolor Society of Oregon (WSO) this fall.
Why Simplify?
But, what do we mean by simplification as it applies to painting? And, why would you (the artist “you”) want to simplify?
And How?
These are the types of questions I’m wrestling with plus the BIG ONE: how does one simplify?
In the meantime, I’m working on some research by doing article searches and brain storming.
Create A Silhouette!
However what I’d like to share with you is one of my favorite ways to simplify. What I’m talking about is creating a silhouette shape study of my designs. This is a type of value (light and dark) study. You may also have heard of the Japanese term notan, which also refers to lights and darks. I’m adding a list of terms to show you how the meanings of these terms overlap.
Silhouette, Value Study, Notan! (Oh My!)
In other words, a silhouette can be a value study which can be notan as well. Its all about the underlying light and dark pattern of my painting!
Intention.
So. It is my intention is to show you a silhouette study I did plus some of the “work-in-progress” (WIP) states of my latest painting.
Link Dark Shapes.
Back to silhouette studies, how does this result in a simplified painting? I’m massing my shapes; that is linking all the shapes of one value which, in this case, is black or white. The linking of shapes creates a black silhouette against a white ground. Then, I can see the “big picture” – a shape and value pattern, without the distracting details.
Truth Time.
Oops; ahem, the truth will out. In case you were wondering, I do not make a silhouette shape study for every design I use for paintings. Oh? Yes, that is even though doing so is a great practice and pays dividends. I am thinking I might need to make a new habit of doing silhouette shape and value studies all the time!
Get It Down On Paper.
You see, my current practice is usually just to think the design through in my head. The downside of “just thinking” is that you don’t see it clearly. Plus, you need to trust yourself to remember your intentions over time. Hmmm….could be a problem for someone who takes a while to complete a painting!
So, not surprisingly, I’m finding in the articles I read that it pays to really do the extra work when you’re developing a concept for the painting. That is, do the preparatory drawings, silhouettes shape and value sketches. Get the ideas down on paper.
Its my experience that doing the studies helps me see the strengths and problems of a composition.
Silhouette Study: “Three Minute Egg No.12”.
Therefore, better late than never, I worked up a silhouette shape study for a design I’m working on (please see above).
Now, I can see the concept as a series of inter-connecting bold shapes. I’m not distracted by the details. Instead, I have a map of my lights and darks to use as I develop my watercolor.
Plus, I had fun creating the silhouette.
Paper & Scissors Are Good.
You can do this with construction paper and scissors, just like you might have done when you were a child. Its an enjoyable exercise, but a LOT harder than I recall from childhood! Why? Because you have to think ahead and make it all one shape!
Digital Works Too.
Since I didn’t have any construction paper around the house, I used the digital art program “Painter®” by Corel . To explain, I scan in an outline of my drawing. Then, I use the program to draw and fill shapes. There is a fair amount of adjusting because, as I’ve mentioned before, you see problem areas.
Link Dark-to-dark and Light-to-light.
In this particular design, I am concerned that my dark shapes touch or neighbor another dark shape. Put another way, an isolated dark shape, surrounded completely by white, creates a hole. You, as the observer, might get stuck in a dark hole as there is no path out into the light. So, if you want to, look for black holes. Do you see any?
Back to the idea of simplification, do you see how the silhouette shape study helps you see a simplified composition? That is, some of the details are gone and you just look at the structure.
Key Points.
To summarize, there are two key points to consider:
- Silhouette shape and value studies are one way to simplify a design or composition.
- Doing studies ahead of time, that is before you start the painting helps. You have a better chance of seeing the strengths and problems of composition before you get to far into painting.
PHEW! Speaking of simplify, this was not a simple blog post! Isn’t that funny? Writing an article on simplifying design certainly seems complicated!
Thanks! I welcome your comments, suggests and discussion.
PS. I’m still working on this painting!
The post One Way To Simplify: Using Silhouette Shape Studies. appeared first on Margaret Stermer-Cox.
By Brooke Nuckles, 146 contributed posts
View all Brooke Nuckles's posts.
About the author:
|
|
|
|
|
1086 Washburn April 2017
Medford, OR Tues-Fri 10-5pm
(541) 779-0272 Closed: Sun & Mon.
|
If you missed the
Alcohol Inks Demo
it was
You can learn more about alcohol inks
by dropping in
or better yet sign up for our
first formal class
taught by
Vera Jacobson
June 16th 1-3pm
The fee for attending the class is $20
and you will make one 4″ x 4″ abstract tile, all supplies included. If you would like to make one or two of the the 6″ x 6″ birch tiles you will need to buy the ink to make them. The Spring Birches use 5 colors. The Winter Birches use 3 colors. All attendees will get a discount on the inks and tools if you decide to buy them. Tiles are included.This class will fill up quickly so sign up today!
|
SO here’s the coolest thing that
happened last week:
Dory brought in
12 Flowers of Hope panels
that she made at home!
Aren’t they just the cutest?
Thank you to everyone who has been in this year and made panels. It’s looking like it’s going to be a great year!!
|
These projects can be done during our regularly scheduled workshops on Wednesday and Saturday mornings from
10 – 12n. Please call or email ahead to reserve your space.
|
April 28th & May 5
1-4pm
Take your frit painting to the next level!
Learn the secrets to multi-layering glass, paint and frit giving your artwork depth and dimension.
Project is shown with bear but there is a deer pattern available as well.
This will be a small class and will fill up quickly so register today.
|
Painting with Glass Enamels
Dogwood Spoon Rest or
Small Platter
May 19th
1-4pm
Paint dogwood flowers, leaves and branches on the top layer and learn to paint complementary watercolor backgrounds on a second layer to create depth and interest.
This 10″ x 6″ spoon rest is not only beautiful but a handy accessory for any kitchen. Small platter also available.
This class includes all materials and 2 firings.
$55
|
Painting with Frit
One Saturday Morning and Afternoon
June 2nd
10a-12pm
Lunch
1-4pm
Learn to use frit, hand pulled stringers, 96 glass and glass enamels to quickly add dimension and a painterly quality to your fused glass art.
We’ll explore different techniques through 3 small panels, focusing on clouds, trees, water and layering backgrounds. We’ll also address combining colors and picture composition.
Find out how easy it is to develop your sketches from photos and other inspiration. These panels can be a great reference guide for future projects.
All frit, stringers, glass, glass enamels and lunch are included.
Glass fusing: Basics or equivalent is required.
$135
|
Alcohol Ink Class
June 16
1-3pm
$20 plus materials
|
Morning Workshops:
Come join our morning workshops on Wednesday and Saturday mornings from 10a – Noon. Use our tools and workshop space. $10 for 2 hours! Call to reserve your space. You can do a Flowers of Hope panel during any of our workshops…or a “Try Fusing” panel to get you started in fusing. You can also schedule bigger projects. Contact us for more information.
|
|
|
|
By Peggy Stermer-Cox, 352 contributed posts
View all Peggy Stermer-Cox's posts.
About the author: I begin my watercolor paintings with an idea and a drawing. I build the painting layer by layer, drawing lines and shapes, looking for rhythm and feeling. My color sense is a reflection of my childhood in New Mexico fused with colors of my home in the Northwest. My goal is to go beyond the surface to find joy, wonder and a bit of mystery. I have shown my works in galleries, juried, group and solo shows in Washington, Oregon, Montana and New Mexico. My paintings are in private collections in the west, New York and Norway.
To view examples of Peggy's work or to make contact with the artist, please visit her listing at the Southern Oregon Artists Resource.
Sometimes its just about freedom and exploration; that is, taking a moment to release your inner adventurous spirit.
Intentions.
Greetings! I would like to share with you the story about my two Royal Pear watercolor paintings. The smaller is the first version and a new friend and collector purchased it this week.
The Story.
One day I wondered what kind of wild, crazy pear I could draw. What if the pear were sitting on a table at night, under a pale lavender moon? Can you imagine? And, what if it were a festive pear? Come to think of it, what if it were a pear like one you’ve not seen before?
Be The Pear.
What does it mean to be the pear? OK, just a bit of silliness but, what can I say about a pear that might be little bit different?
Still Life With Pear.
You see, pears are a favorite fruit that one sees in still life paintings. They are beautiful and have a nice organic shape. Come to think of it, they are not all that easy to paint. You see, yes, I have drawn and painted pears in a more realistic manner and, in spite of their simple shape, it was challenging!
Freedom. Imagination.
So, out came paper, pencil and imagination. I just embraced the idea of festive but regal pears. I freed myself to think “what if”…the light was from a lavender moon. Then, there is the wonder of nature in general. But, this is a painting from imagination and I can have fun. Liberate yourself from the tyranny of the subject!
(OOPS, over-doing it again).
Embrace the Process.
In other words, I mean to allow myself to be free and enjoy the process. Sometimes, an idea takes hold and it just must be done! And so it was: a jeweled, festive, purple royal pear.
Thank You Art2Business.
Thank you to Wanda Pepin of Art2Business for helping my new collector contact me. And, for the shows that help my work reach a larger audience!
Layaway Is An Option.
Speaking of the sale, I would like to share with you that this is the first time we are trying out the layaway option. This is a service available to collectors.
Royal Pears.
Thank you! I hope you enjoy the freedom of expression, that is to say the joy and exuberance of my two royal pears.
The post Royal Pears: New Collector; Plus A Bit of Imagination, Freedom & Embracing Process appeared first on Margaret Stermer-Cox.
By Peggy Stermer-Cox, 352 contributed posts
View all Peggy Stermer-Cox's posts.
About the author: I begin my watercolor paintings with an idea and a drawing. I build the painting layer by layer, drawing lines and shapes, looking for rhythm and feeling. My color sense is a reflection of my childhood in New Mexico fused with colors of my home in the Northwest. My goal is to go beyond the surface to find joy, wonder and a bit of mystery. I have shown my works in galleries, juried, group and solo shows in Washington, Oregon, Montana and New Mexico. My paintings are in private collections in the west, New York and Norway.
To view examples of Peggy's work or to make contact with the artist, please visit her listing at the Southern Oregon Artists Resource.
Talent: a special aptitude, skill or gift someone seems to have; the t-word.
Just Thinking.
Greetings! The word and concept of “talent” has been rolling around in my head for a week or two. Its odd, I think, but recently I’ve read good blog posts by other artists on the subject of talent, skills, passion; you know, the special gift. So, naturally, I decided it was a topic I wanted to explore.
My intention is just to share my mind’s meanderings. To clarify, I don’t have a great, deep answer about what talent is or is not. Rather, I’m just riffing on the concept.
Compliment.
You see, the “t-word” seems to be something that people (and artists in particular) are driven to talk about from time to time. Granted, it’s not really so surprising. Consider this, if you have achieved a certain level of competence in drawing or painting (or pretty much anything), chances are that someone has complimented you and said that you’re gifted or special, (t-word again).
Are We All Talented?
I wonder, do you suppose we call people “talented” if they’re good at mathematics or the sciences?
Come to think of it, some schools do have a “gifted” program.
Can We Grow It?
What do you think, wouldn’t it be fun to grow and harvest that gifted, special aptitude stuff? Or, rather, I gather that we do grow our skills and abilities when we work at our favorite thing; that special aptitude we have.
Hard Won Skill?
Back to the blog posts I’ve been reading, artist David Hettinger, for example, talks about his hard won skills as “talent”. To elaborate, he has studied and worked hard to achieve the special skills so noted by other people.
I like the title of his blog post: “Talent is a Reward For Work Done”. Well said!
What About…?
But what about the child who displays a gift or special ability?
I would say we love to look at a child’s drawings and paintings. Its interesting and fascinating to see how the young mind works. Perhaps some of us do have a pre-disposition to drawing, painting, mathematics, science and etc. I wonder.
Nurture, Nature, Both?
I do remember loving drawing as a child and wanting to figure out how to do things better.
Odd, don’t you think? Or, are we hardwired of born with that urge to get better even at a young age?
So, mix nature and nurture; teaching and praise; and then perhaps the we give the gift of talent to children. Just a thought from my meandering mind.
Inspired.
And for me, I am inspired by what my fellow artist said. To re-iterate, talent is a hard won skill; I can relate.
Most of all, I know in my bones that a special aptitude serves me best when I work and develop it! Put another way, who cares if I have talent especially if it lays dormant? Its the work that matters.
Talent: Its Where I Live!
Then, there is the fact that I currently live in Talent, OR. See? No wonder the word rattles around my head!
What about you and your skills? Thoughts?
The post Talent: A Word Rattling Around My Brain! Plus, Its Where I Live. appeared first on Margaret Stermer-Cox.
By Peggy Stermer-Cox, 352 contributed posts
View all Peggy Stermer-Cox's posts.
About the author: I begin my watercolor paintings with an idea and a drawing. I build the painting layer by layer, drawing lines and shapes, looking for rhythm and feeling. My color sense is a reflection of my childhood in New Mexico fused with colors of my home in the Northwest. My goal is to go beyond the surface to find joy, wonder and a bit of mystery. I have shown my works in galleries, juried, group and solo shows in Washington, Oregon, Montana and New Mexico. My paintings are in private collections in the west, New York and Norway.
To view examples of Peggy's work or to make contact with the artist, please visit her listing at the Southern Oregon Artists Resource.
Award, that is to say a special recognition of achievement.
Good News!
Greetings! I am pleased to say that my painting Three Minute Egg V11 earned the Fourth Place “High Desert” award in the Watercolor Society of Oregon (WSO) Spring Experimental Exhibition, Florence OR. (Yay!). The exhibition opened on Saturday, April 7th at the Florence Events Center, (715 Quince St) and you may view the show during business hours through the 23rd of April.
Award Donors.
I would like to send my deepest thanks to the sponsors of the Fourth Place “High Desert” Award: Jack Richeson & Co and the WSO 100 Club, Inc.
Jack Richeson & Co is one of the few family run art supply manufacturing companies remaining. Located in Wisconsin, their company “is based on a belief in the Importance of Art, its relevence, its necessity in life”, (quote from their Facebook page). I think its wonderful that they have nine full time working family members and the occasional seasonal member. Thank you Jack Richeson & Co!
The WSO 100 Club is a non-profit corporation established by WSO in 1984 as an endowment fund. The purpose of the fund is to subsidize member education and the WSO Awards Program. Thank you WSO 100 Club!
Award-Winning Paintings.
My watercolor is one of twenty award-winning paintings. The paintings will continue on in a traveling show through the end of September, including galleries in Florence, Newport and Carlton, (please see the schedule below).
WSO Spring Juried Exhibition.
The Watercolor Society of Oregon (WSO) hosts two juried exhibitions per year: one in the fall and one in the spring. To explain the process for the show, artists submit paintings for consideration into a juried show. The submitted painting must past an initial jury to be accepted into the show. Then a juror (or jurors) selects award winners.
In the case of this particular juried show, the juror accepted 80 paintings from 279 entered by 163 artists. And, from the shows 80 paintings, she selected 20 award winners.
This spring’s Juror was artist Ms. Fran Larsen of Santa Fe NM. She is a nationally recognized artist and instructor.
What’s special about the Spring show is that artists can be experimental. That is to say, while the paintings are primarily water media, they may incorporate elements of other media, like colored pencil, ink, pastel, etc.
About the Watercolor Society of Oregon.
The Watercolor Society of Oregon was started in 1966. The society currently has over 800 members from around the state. Its purpose is to promote the interest of watercolor paintings. The Spring Experimental Exhibition is one of two shows held annually in the state of Oregon.
About the Painting, Three Minute Egg V11.
This is the eleventh painting in a series of works exploring a still life setup. For background information, the set up includes eggs, egg cup, timer, spoon and napkin. With each new painting, I allow myself the freedom to explore composition, color, meaning and whatever else strikes my fancy. Incidentally, you may notice that in this painting I was playing with angles.
So, what’s the meaning, you might ask. Well, three minute eggs were one of my favorite childhood breakfasts. Strangely enough, I didn’t particularly enjoy the taste of eggs. Instead, what I liked was being able to dunk my toast into the egg. Plus, we had egg cups from Spain which made the eggs ever more exotic.
With that in mind, you might say this painting is about the memory of exotic breakfasts. Or, the breakfast where Peggy was allowed to play with eggs and toast!
Exhibition Details.
April 7 – 23. Florence Events Center, 715 Quince St., Florence OR. Hours: Mon – Fri: 9am to 4:30pm.
April 24 – May 31. Backstreet Gallery, 1421 Bay Street, Florence OR. Opening reception Saturday, May 12 from 3-5 pm. Hours: 10am to 6pm daily.
May 31st – July 31st. Newport Visual Arts Center, 777 NW Beach Dr., Newport OR. Hours: Tue – Sun: 12 noon to 4pm.
August 1st – September 31st. Wallow Gallery, 125 W Main St., Carlton OR. Hours: Fri – Sun: 12 noon to 5pm.
The post Award at Watercolor Society Of Oregon’s Spring Experimental Exhibition appeared first on Margaret Stermer-Cox.
By Peggy Stermer-Cox, 352 contributed posts
View all Peggy Stermer-Cox's posts.
About the author: I begin my watercolor paintings with an idea and a drawing. I build the painting layer by layer, drawing lines and shapes, looking for rhythm and feeling. My color sense is a reflection of my childhood in New Mexico fused with colors of my home in the Northwest. My goal is to go beyond the surface to find joy, wonder and a bit of mystery. I have shown my works in galleries, juried, group and solo shows in Washington, Oregon, Montana and New Mexico. My paintings are in private collections in the west, New York and Norway.
To view examples of Peggy's work or to make contact with the artist, please visit her listing at the Southern Oregon Artists Resource.
The daffodil: an early flower and symbol of hope; a nice way to end the month of March and start the month of April.
Intentions.
Greetings! I would like to share with you an announcement about my latest art show. Plus, I have a couple of daffodil drawings to show you. You see, I thought they would be a nice way to close out the month of March and greet the month of April.
New Show: Linda Vista (Ashland OR).
First up, I am pleased to announce that I have 18 paintings now hanging at Linda Vista Nursing and Rehabilitation Center in Ashland, OR. The wonderful people at Linda Vista will show my work through the month of June.
Displayed in the nursing facility’s lobby hallway, you may view the paintings during normal business visiting hours. Linda Vista’s address is 135 Maple St., Ashland OR.
Some of you may recall, I displayed my artwork here before in late 2015 to early 2016.
Art2Business.
I would like to acknowledge that this is an Art2Business show. Let me elaborate. Art2Business acts somewhat like an agent or go-between. They facilitate the meeting of artists, art and venues. In other words, Linda Vista has an arrangement with Art2Business. And they selected me, as one of the Art2Business artists, to show in their venue for approximately three months!
So, thank you Art2Business and Linda Vista!
Artist Statement.
I thought I’d share my artist statement with you. First, though, it might be helpful to know that I curated my paintings to ensure a bright and cheerful collection. In other words, I wanted to create a joyful display to greet patients, family members, visitors and staff.
I like to paint the joy of life and do so by including people, cats, ponies and coffee cups. Drawn from imagination, these are the characters through which I like to show the wonderful, humorous side of life.
Naturally, bright colors and fun shapes help support the message of joy.
Daffodils In Bloom.
To begin with, the daffodils are in bloom these days in our Rogue Valley of Southern Oregon. They have been blooming for a couple of weeks. And, coincidentally, I have a few in my garden. Such festive bright flowers in early spring.
On Drawing A Daffodil.
So, naturally, I thought I’d draw and paint them while they are still in bloom. To my surprise, they are challenging to draw from life. Their are a couple of issues, you see. For one thing, there is the perspective of the corona or cup. I chose to draw the flower with the cup in a nearly frontal position. Its like looking down at a tube head on.
Take the point of view and add on the fact that the flower is yellow and, then, you have an interesting challenge. To explain, what color are the shadows of yellow flowers? As I look at the flower, the colors look greenish or gray. Hmmm, my mind does not want to paint a yellow flower greenish gray. I will have to persuade it, that is my mind, to do so.
Also, parts of the yellow tend toward orange, and others, again, toward green. In any case, its sometimes amazing to note that a seemingly simple subject like a daffodil has its challenges!
I did draw a different point of view on my iPadPro using the app Procreate.
Daffodil As Floral Symbol.
Sometimes when I’m drawing or painting a subject, I like to look up symbology, history and other small cultural “gee whiz” type facts. For example, daffodils are a national flower for Wales.
The symbology and meaning of daffodils is complicated. For example, one daffodil, like in my artworks, implies misfortune; OOPS! I ought to add more! Because, you see, multiple daffodils mean joy and happiness! I guess one daffodil just looks lonely.
And, as you might gather, meaning and symbology varies with country, culture and history. If you are intrigued by such floral messages, you might want to check The Daffodil Society of Great Britain. Their blog has an interesting article about the language of flowers and the daffodil in particular.
So, with that, I leave you with two drawings of a single daffodil. I hope that since there are two drawings then that counts as multiple daffodil. Its about being joyful and happy!
The post Paintings Showing At Linda Vista and Two Spring Daffodil Drawings appeared first on Margaret Stermer-Cox.
By Brooke Nuckles, 146 contributed posts
View all Brooke Nuckles's posts.
About the author:
Spring’s Bluster
As winter tugs to hold on and spring throws it’s own punches, we tumble about from 70 degree, sunny days to frosty, snowy fog. But my daffodils are winning out and I’m feeling optimistic for plein air painting, garden digging and hikes with friends. I’m inviting you to trundle along into one of these adventures with me!
Namaste’
E |
|
|
 |
Women’s Retreat
Women’s Alpine Celebration
After last year’s ALL inclusive retreat, we plan to replicate what one participant declared, we learned “so many things that related but are all different!” – – but with new invented processes. Consider August 8-13th to be yourweek for a personal opportunity to expand and rediscover hidden creative yearnings, a dedicated time for yourself. For a video sampling … feast your eyes on this. Early registration and Scholarships available andmore ! Be one of the select six limited participants … come treat yourself! ALSO … prints of the above image
available … |
|
|
 |
Shows
Meyer Memorial Gallery (SOU)
April 21-29, the Ashland Gallery Association presents local artists in conjunction with the Taste of Ashland. Come see some stellar artwork!
Ashland Open Studios Tour 2018
Again this year I will be participating in Open Studios, October 13 and 14. I look forward to meeting more of you and sharing my work and studio!
Traveling Conversations
Our January Sebastopolshow was largely attended and we sold two of our fabulous big collaborative pieces. This continuing exchange between Jean Warren, Floy Zittin and myself will carry on … next showing, hopefully in the Bay Area. Incidentally, this blustery watercolor at very top is fromthis collaborative series! |
|
|
 |
Classes
Visual Art Journaling “Clinic”
Monthly I nest in with up to five diverse artists (emerging or established) to hone the techniques of watercolor specifically related to journaling. My devotion to journaling started in 2001 … and if not familiar … here’s mystory. This year I’m focusing on the color wheel, studying a particular color, 3-5pm, each third Friday of the month … April will be “Greens”. Confirm with me before coming because of limited space! |
|
|
|
By Brooke Nuckles, 146 contributed posts
View all Brooke Nuckles's posts.
About the author:
|
1086 Washburn March 2017
Medford, OR Tues-Fri 10-5pm
(541) 779-0272 Closed: Sun & Mon.
|
Looks like spring is
finally going to show up!
The studio has been busy with new commissions,
workshops, and classes.
Planning some exciting new projects coming up.
Join us for a great time!
|
What’s new?
Come and learn about
Alcohol Inks!
They can be used on any non-porous surface.
|
These projects can be done during our regularly scheduled workshops on Wednesday and Saturday mornings from
10 – 12n. Please call or email ahead to reserve your space.
|
Crackle Technique
April 14th
1-4pm
plus one morning workshop
Learn how to make dazzling crackle technique backgrounds to accentuate your fused glass pieces.
This class will incorporate a crackle technique background and painting with glass enamels on both surfaces of the top layer.
Glass, fiber paper, powders, paint, glass nuggets and two firings are included with this 2 class project. You will be required to wear an N95 respirator. They are available for sale if you do not already own one. ($3.95)
This will be a small class and will fill up quickly so register today.
$ 95
One place left
|
Painting with Frit 2
April 28th & May 5
1-4pm
Take your frit painting to the next level!
Learn the secrets to multi-layering glass, paint and frit giving your artwork depth and dimension.
Project is shown with bear but there is a deer pattern available as well.
This will be a small class and will fill up quickly so register today.$125
|
Painting with Glass Enamels
Dogwood Spoon Rest or
Small Platter
May 19th
1-4pm
Paint dogwood flowers, leaves and branches on the top layer and learn to paint complementary watercolor backgrounds on a second layer to create depth and interest.
This 10″ x 6″ spoon rest is not only beautiful but a handy accessory for any kitchen. Small platter also available.
This class includes all materials and 2 firings.
$55
|
One Saturday Morning and Afternoon
June 2nd
10a-12pm
Lunch
1-4pmLearn to use frit, hand pulled stringers, 96 glass and glass enamels to quickly add dimension and a painterly quality to your fused glass art.
We’ll explore different techniques through 3 small panels, focusing on clouds, trees, water and layering backgrounds. We’ll also address combining colors and picture composition.
Find out how easy it is to develop your sketches from photos and other inspiration. These panels can be a great reference guide for future projects.
All frit, stringers, glass, glass enamels and lunch are included.Glass fusing: Basics or equivalent is required.$135
|
Morning Workshops:
Come join our morning workshops on Wednesday and Saturday mornings from 10a – Noon. Use our tools and workshop space. $10 for 2 hours! Call to reserve your space. You can do a Flowers of Hope panel during any of our workshops…or a “Try Fusing” panel to get you started in fusing. You can also schedule bigger projects. Contact us for more information.
|
|
|
|
By Brooke Nuckles, 146 contributed posts
View all Brooke Nuckles's posts.
About the author:
The Nature Conservancy (TNC) and Bureau of Land Management Medford District are co-sponsoring a series of free guided educational hikes at the Table Rocks weekends in April and May.
Sunday, April 15, 9:00 a.m., LOWER TABLE ROCK
Nature Sketching & Journaling: Join a scientist turned artist for a hike and exploration of art in nature.
Darlene Southworth, SOU professor emerita of biology and watercolor journalist, will share her perspective on the landscapes you see and the natural history you encounter along the trail.
Bring a sketchpad and pencils or pens; watercolors are optional but welcome.
Limited to 15 individuals.
Hikes are free but registration is required since space is limited – https://nature-sketching2018.eventbrite.com or information about the full hike series is available at https://TableRockHikes2018.eventbrite.com
Hope you can join us at the Table Rocks! Kathy Kudo (TNC Volunteer Hike Coordinator)
|
|
