Trending Articles

Friends of SOAR

For great posts about the business of art, check out The Artsy Shark HERE!
ArtistsBillofRights.org reviews competitions and appeals seeking creative content, listing those that respect your copyrights and highlighting those that don't. Art Matters! publishes calls to artists, and not all of them may be compliant with ABoR's standards. Visit their site to learn more.
We support the Embedded Metadata Manifesto.  Metadata is information such as copyright notice and contact info you can embed in your images to protect your intellectual property, save time when uploading to social sites and promote your art. Click to visit the site and learn more.

Kindred Spirits Art Events and Class Information April 2019

           April Classes and Workshops

Happy Spring!

I have met the most wonderful people in my classes this year.  My heart overflows with love, inspiration and thankfulness for the connection that happens when we all walk together in the passion of our creativity.

Here are two more workshops for April, including the Sumi-e class every Tuesday morning (which if you haven’t tried it yet, you’re missing out)- and with more exciting classes on the way!

Don’t forget Thursday evenings at Kindred are $10 art nights!

Spring Birds
A wonderfully fun and colorful assemblage!
Saturday, April 6th
11:00 – 4:00
All  materials provided.
$50
A Show of Hands
Cast and collaged in your own personal style of bohemian or old school tattoos. Addicting?? Ohhh my, yes!
All materials provided!
Saturday, April 20th, 11:00 – 4:00
$55
Sumi-e
(Asian Ink Painting)

A lesson in Focus.  Learn to not merely look but really see and connect with the nature around you. Don’t have time to meditate? Do this!
Every Tuesday Morning at 10:00
$25
Register: https://www.kindredspiritsartalewine.com/class-registration/

Cathy Dorris Studios · 106 Talent Ave. #2 · Talent, OR 97540 · USA

Classes at Grants Pass Museum of Art Winter 2019

Click on any picture to reach our website class signup page.
We now have two levels of pricing for classes.
 Museum members receive a $5 discount on all classes this year. To become a member or to renew a membership:

Sketching 101

with Kristen O’Neill

Saturday, Jan. 26

1 – 4 pm

Improve your sketching skills. Learn mark-making techniques, and how to draw a 3D object from real life. We will have sketching exercises in this class to practice and will learn about black & white sketches, value sketching, negative space and more. All materials are provided.
$30/Members,
$35/Non-Members.
All materials provided.

Creative Idea Generator

with Karen O’Brien

Saturday, Feb 2

10:30 am – 1 pm

Play generates ideas and constraints make things interesting. They send you in new directions and bypass inhibitions. The assignment is to make a figure. Any kind of figure. Or more than one! The more you do, the more ideas you will generate for bigger projects like dolls, drawings, paintings, and sculpture. This is a chance to engage deeply and freely with your imagination and embrace real play.
All materials will be provided. We will use paper, cardboard, fabric, sticks, moss, feathers, buttons, metal, wood…basically whatever is around including tools – glue sticks, tape, paint, thread, string…. You are welcome to bring a Ziploc bag full of your own bits to use or share and add a nice element of surprise.
$35/Members,
$40/Non-Members.

Origami Boxes

with Linda Dunn

Saturday, Feb. 9

1 – 4 pm

Join fabric artist Linda Dunn for a fun filled afternoon creating fabric origami boxes…no sewing required! These valentine themed boxes are perfect for gift giving, stowing away small treasures, or display as a unique decorating accent.
Class instruction will walk you through the entire process from fabric selection & preparation, simple box construction, progressing to more complex variations, and finally creative embellishing ideas for that artistic touch.
Class fee includes all material and supplies to complete paper “mock ups” plus 1 fabric box. Additional prepared fabric sets will be available for purchase.
$35/Members,
$40/Non-Members.

Paint like Cezanne

with Kristen O’Neill

Saturday, Feb. 16

1 – 4 pm

Learn about Cezanne and Post-Impressionism and how his work influenced future generations. We’ll explore how he used geometric shapes and brushstrokes to construct his subject matter. Create a copy of your favorite Cezanne. We will be working in acrylic, with all materials provided.
$30/Members,
$35/Non-Members.
All materials provided.

Fractured Flowers

with Linda Dunn

TWO DIFFERENT DATES OFFERED:

Saturday, Mar. 9 or

Thursday, Mar. 14

1 – 4 pm

Fabric artist Linda Dunn shares her “fractured fabric” technique for the first in this brand new class. Learn how to use a heat bonding process to transform scraps of fabric into mini works of art. No sewing required! Class fee includes all material, supplies and use of necessary equipment.
$50/Members,
$55/Non-Members
(price is for 1 class)

Color & Value in Landscapes

with Kristen O’Neill

Saturday, Mar. 16

1 – 4 pm

Learn about color theory, mixing, and values. Techniques for natural atmospheric perspective will be taught. We will have several painting exercises. Great for beginners, but all levels and questions are welcome. All materials are provided, taught in acrylic.
$30/Members,
$35/Non-Members.
All materials provided.

All class sign ups are considered final and refunds are not given. The Museum will give a full refund in the case of a class being cancelled.
Unsure if your membership is active? Check in with the Museum staff by calling 541-479-3290, or email [email protected].

Grants Pass Museum of Art | 229 SW G StGrants Pass, OR 97528

CALL FOR ART: 2019 COCA MEMBERS’ SHOW

logo image for the Center on Contemporary Art, Seattle, Washington

CALL FOR ART: 2019 COCA MEMBERS’ SHOW

  • Center on Contemporary Art 114 Third Ave, Seattle, WA, USA (map)

We are thrilled to present Motherland: 2019 CoCA Members’ Show from March 7 – April 20, 2019, a juried salon-style exhibition of artworks by CoCA’s artist members at our downtown Seattle gallery. This year’s juror for the exhibition is artist and writer Amanda Manitach. In addition to working extensively in the field of drawing and multi disciplinary visual art, she has also served as Visual Arts Editor at City Arts Magazine, was a previous curator at Hedreen Gallery at Seattle University, and co-founded multiple alternative art spaces and events across Seattle in the past decade. Members have a special opportunity to have work reviewed for the exhibition by Manitach, as well as have her highlight her juror’s pick in the catalog, CoCA’s newsletter, and blog. All current artist members will participate in an online and in-gallery contest to win the People’s Choice Awards.

This show is part of CoCA’s 2019 programming that amplifies female voices and themes; the 2019 CoCA Members’ Show is open to all interpretations and reflections on the title, “Motherland.” We welcome all genders, ages, and media including 2D, 3D, multimedia, installation, literary, sound, and performance artists from across the globe to join us in this global conversation through contemporary art.

Artists are encouraged to join CoCA today; all current members will have their work included in the printed annual members’ catalog. Artists have until February 10, 2019 at 11:59PM Pacific Standard Time to complete steps for entry and update artwork on their personal Online Member Directory pages.

Apply to the Show

Our annual show is juried through the free CoCA online member directory. Follow these steps to apply.

  1. Make sure you’re a CoCA member: join or renew today.
  2. Gain access to the CoCA membership directory. Expect email with instructions once you’ve joined or renewed. All current members will be part of this year’s catalog.
  3. If you’re a member at the student or artist level, pay the $25 submission fee.to be a part of the exhibition jury. For members at the Professional ($95) level and above, the fee is waived.
  4. For both catalog and exhibition entries, create or update your portfolio of images in the membership directory by February 10 at 11:59 PM.

Restrictions

Artwork sized at 36×36” and smaller will receive top consideration for CoCA’s gallery space in Pioneer Square. Please share your small to medium sized works with us under those dimensions. We also welcome time-based works such as video and/or performance proposals.

Become a Member

This is a member-only call. As an organization run by artists, our membership benefits focus on increasing a healthy network of contemporary artists and arts leaders across the globe. All current members will be included in the printed catalog and gain access to portfolio reviews with top curators and arts leaders, exclusive discounts at Seattle arts businesses, and entry to special members-only networking events. Not a member yet? Sign up today.

Calendar of Events

Application Deadline: Sunday, February 10, 2019 at 11:59pm Pacific Standard Time
Exhibition Dates: March 7 – April 20, 2019
Members Only Party: Tuesday, March 12, 2019 5-7pm
Opening Reception: Thursday March 7, 2019, 6-9pm, part of the Pioneer Square Art Walk
Closing Reception: Saturday, April 20, 4-6pm
Members Only Portfolio Review: Saturday, April 20, 1-3pm

All events are held at CoCA in Pioneer Square, 114 Third Avenue South, Seattle, WA 98104

Meeting Bob Dylan and My Forrest Gump Life

Meeting Bob Dylan and My Forrest Gump Life

by Wendy Gell

Last revised November 18 , 2018

I was living near the corner of Bleecker and MacDougal street in 1975, at the center of the West Village. My songwriting days were over, and I had started my jewelry business. Dot and Dora two black sisters worked for me making barrettes.

pink floral barrette by Wendy Gell

One of my floral barrettes

Dora would set them up with the hot glue gun following my designs and Dot would then glue them with epoxy. My apartment was 3 flights upstairs a railroad flat. The rooms were all in a row. My bedroom looked over Bleecker street, the bathroom at the other end. The bath tub in the kitchen had a table top that came down and became the kitchen counter. I loved it. I would be fast asleep when the sisters came in to work.

I went out some nights to a bar on MacDougal street, called Kettle of Fish to relax with a glass of vodka and my journal, a big black book filled with drawings and clippings pasted in. I settled in for a night of juke box music with my book and colored pencils.

A tall handsome man with piercing blue eyes and a cap asked if he could sit down with me. My heart stopped beating in my chest and I lost my breath.

Oh My God. It was the man who had written the sound track to my entire life. Bob Dylan.

Wendy at age fiften wearing her Fernwood High jacketMy first boyfriend, Bill Steigerwaldt, and I fell in love to Dylan’s music. I was the new girl in school having moved to the outskirts of Portland from NYC when I was fifteen. Someone tugged on my hair, I turned around to see the bluest eyes I had ever seen. Bill was 6 feet 5 ½ inches. One half inch more and they would not have sent him to Viet Nam. They didn’t make the uniforms that big.

We fell in love. I had the star of David around my neck. I didn’t know then I was the only Jewish person in school. My mother said not only did you bring home a giant but a German!

And his song– She Belongs to Me, was My Song, Bill said.

“She has everything she needs, she’s an artist she don’t look back. She can take the dark out of the nighttime and paint the daytime black.”

I could not believe my eyes. I mumbled, “of course.” And motioned for him to sit down.

“She never stumbles, she’s got no place to fall, she’s nobody child, the law can’t touch her at all.”

I heard he frequented the neighborhood but never saw him before this night.

I was dumbstruck and couldn’t say a word. I stared at him like a moron. He looked at the bright elaborate rhinestone bracelets on both my wrists and asked about them. I said I made them. He said liked them and they looked like they were from under the sea. He asked about my book if he could look at it. I said sure. He glanced at the pages of drawings, pages cut from magazines collages, some of my favorite poems and there were pop up 3 D- pages I had glued in from kid’s books. Also, a language I discovered or invented where I see words in impossible places, I call Wenglish.

'Paint with Gratitude,' from Wendy Gell's picture journal.

“Paint with Gratitude,” from my picture journal.

 

A collage with a picture of Jerry Hall in my Statue of Liberty Crown and Torch in Vanity Fair

A collage with a picture of Jerry Hall in my Statue of Liberty Crown and Torch in Vanity Fair

I wanted to tell him that his music meant the world to me.

“If today was not an empty highway. If tonight was not a crooked trail if tomorrow was not a long time, then lonesome would mean nothing to me at all.” Bill had gone to Viet Nam. Bob’s music, Masters of War, The times they are a Changing’, were Everything to us.

I looked at him while he looked at my book as I tried to gather myself together.

He might as well have been the Pope or the President. I was numb. He was the coolest, most important person I had ever met, and I could not say a word.wenDYLANd

Half a magical hour flew by and many questions later as he did all the talking. He smiled a big grin said good bye and left, and I was too numb to even ask for his phone number. I was so mad at myself. We could have been friends forever if the damn cat didn’t get my tongue.

I had a whole gallery on my previous website called Wendyland. It is all artwork inspired by the songs of Bob Dylan. There is a lot of word play in Wendyland, Dylan is always in the middle of Wendyland.

beast, one of Wendy Gell's custom made dolls

Painting of Beast and my dolls

Once when I went to a Dylan concert with some friends and my doll Beast was with us, we were fooling around. Someone from Bob’s group came to us and said, “Bob doesn’t mind that you brought her but don’t forget whose concert it is.”

So, I put Beast on the floor quietly and watched. Thankfully she didn’t act up and bite me.

“Shut Up!” growled Beast!

A dog purse. Wendy Gell never wore a regular handbag

A dog purse, I never wore a regular handbag

I went to every Dylan concert within 100 miles all my life and went to more then I can count. All us Dylanophiles would recognize each other after so many years. We knew each other and had a ball. I had a jewel and icon decorated video camera I sometimes brought with me Painting of Beast and my dolls to film the crowd. I used to carry a purse made of a stuffed animal and jeweled.

Wendy's embellished concert poster for Paul siman and bob Dylan - Hottest July Ever

So, I was especially recognizable. It was before the days of AIDS and Fear and everyone was happy and playful. I would publish my concert review on the pages of Bob Links for years, they are still online there. I saw him with Paul Simon, Jewel, The Dead, Tom Petty, so many people in New York, Oregon, Jersey, Connecticut, all over. I made and sold art out of the Concert posters.

Wendy Gell with her bejeweled video camera.

With my bejeweled video camera.

One of my friends told me my life was like Forrest Gump. I always seem to be in the right place at the right time to meet the right people. Well I wasn’t at Woodstock, but I was kind of everywhere else.

In the giant earthquake in Guatemala City in the 1970’s I was there. Got so shook up my boyfriend and I broke up then and there after he shit in his pants. He threw my passport at me and I never saw him again.

When the tanks rolled down Michigan Ave at the Chicago Democratic Convention in 1968, I got tear gassed and terrified and met my next boyfriend in a doorway hiding from the cops. I went to live with him in Cambridge Mass where he was going to Harvard to be an architect. I learned to make the best apple pies from the New York Times Cook Book and they would bring their professors home for my pies. It was my only year of domestic life, my boyfriend Howie Konick was a bear of a sweet guy, a Taurus. But I left him to go study scientology in LA with one of his roommates. I wish him well. I never saw him or scientology again.

I was on Oprah’s show in 1986 as her favorite Jewelry designer. She was going to go national the following week. I had just come back from a tour of California for Nordstroms and was exhausted, I didn’t know who Oprah was back then she was only local in Chicago and I said no. They called back. Please, you are her favorite jewelry designer! She wears your earrings on her show 3-4 times a week. Her best friend Gail doesn’t like them thinks they are too flashy for daytime, but Oprah just LOVES you. Please come! So, I did. She was super nice to me. She gave me two segments and even had me do a demonstration. When I did, she said, “it’s just like vacation Bible school.” When I showed my crystal wristies she said,” You must be in a high spiritual plane from working with these crystals,” and I said, “I sure am.”

She asked if I knew what I was doing, and I said, “No, I just say a prayer, take a breath and do my best.”

When asked about the prices of my things, she said, “if you can’t afford $120 for a pair of earrings don’t buy Wendy’s.” She also stated she loved me so much that she was sharing me with all her viewers and had a fashion show with models of all races and ages. I was totally charmed by her. I had no idea she would become the icon celebrity and world leader who she is now. At that time, I was ironically more famous than she was. It was the year of the Statue of Liberty’s Birthday and that was part of the tour I was doing.

Wendy Gell on Oprah's show with her jeweled Liberty crown Wendy Gell on Oprah's show with her jeweled Liberty torchI had my Statue of Liberty Crown and Torch with me and she held it up and said “there’s a liberty celebration in my neighborhood. This is what to wear!”

She was just phenomenal. And hilarious. I loved her.

 

cover of single written by Wendy and Jackie de Shannon, Jimmie, Just Sing Me One More SongWhen I was a songwriter in the 1970’s I rode alone in an elevator with Clive Davis at Columbia Records going 31 floors down and got up the nerve to introduce myself and tell him we had a song coming out on his label with Jackie de Shannon.

We made it to bubbling under on the Billboard charts but no hit. It was the follow up to Put a Little Love in Your Heart.

I also rode in an elevator alone with Jesse Jackson once going to a fundraiser for him held by my friend Princess Lilly Lawrence who I made jeweled tiaras for. It was in a hotel in New York where she lives.

I even met Mohammed Ali waiting for our baggage alone in an airport and we got to talk for 20 minutes. I could see it was hard for him to find words, so we talked about simple things and sat silently as well.

Maurice, Wendy Gell's first laptop computer

Maurice, my first laptop computer

I also spent a few sublime hours with the writer of Roots, Alex Haley, before I ever saw the show because he saw me typing in my computer Maurice in an airport lounge. He asked if we could have dinner together.

I said of course. He told me he became a writer in the army when his friends would have him write love letters to their girl friends because he had such a good way with words. The reason he wanted to sit down with me was because of my computer named Maurice.

I had painted a Buddha’s face on Maurice and when it was open I guess people across the room could see it. I was in airports often. I traveled all the time doing truck shows for my business. I worked on my writing in my computer on the road.

In this case Play.

One of Wendy Gell's favorite all time fashion photos of her work.

One of my favorite all time fashion photos of my work.

A picture of my jewelry with two wristies, Statue of Liberty Crown worn backwards and ring, and earrings.

I loved this editorial shot. It was in a book about costume jewelry, All that Glitters, The Glory of Costume Jewelry, by Jody Sheilds, Max Vadukul Photographas, published by Rizzoli New York.

I love her eating Chinese food, and the tin foil wand. I always thought it was a joke for me.

I have the opposite of paranoia. I made it up. I call it pronoia. When you think people are doing nice things for you behind your back. It’s not a mental illness, it’s a mental wellness.

I guess I was born on a lucky day. It was in the giant snow storm of 1948; the same year Israel was also born, on the first day of spring. The night before I was born my Mom and Dad watched a 5-alarm fire sitting on pickle barrels, in downtown Manhattan. My Dad was kind of a fire buff and loved to watch them put out fires.

Mona Lisa assemblage, by Wendy GellHe was a true artist and took me to the Museum of Modern Art when I was only 3 for classes because I was so precocious. My mom was mentally ill and very abusive. She called me Garbage and Ox, Miss Pimples of 1966. But my Dad would take me to the museums in New York all the time and saved this little girls creative spirit by buying me anything I wanted at the gift store there. I clearly remember when I saw the tall twisted forms of Giacometti’s figures, I understood at that young age of three how the artist sees something with new eyes in a way that creates a reality of their own. At the gift store there was a painting of a tree with hidden figures of children in it I remember so well finding the children in it counting them and delighting in finding more each time with my father. It’s the only thing I remember that he bought from from the museum. I remember being older and hearing a fire had partially destroyed it at the Museum of Modern Art and later it was restored. I never remember the real name. We called it the Tree of Life.

I was always obsessed with the Mona Lisa and have done many versions with her likeness. In this version-American Mona Lisa. The reason she is smiling is because she is covering her wrist, her bejeweled bracelet cuff, that I make and wear, with her hand. You can see the jewels pouring out behind her fingers. It is our little secret. La Dee Da Vinci.

 

 

 

Download (PDF, 2.01MB)

The post Meeting Bob Dylan and My Forrest Gump Life appeared first on Wendy Gell Jewelry and Art.

Call For Art- Don’t Fence Me In, Rogue Gallery Annual Members Exhibit

www.roguegallery.org 40 South Bartlett Street Medford Oregon 97501 541-772-8118
The Annual Members’ exhibit in the Main Gallery is a favorite for many. You are invited to bring in one piece for this year’s theme “Don’t Fence Me In”. For this year, break through whatever boundaries you like as the title “Don’t Fence Me In” implies. (Though within our constraints of being a current member, and framing and dimensions requirements listed HERE>>) This is one of the few exhibits you can submit a piece that is not for sale.

Annual Members Exhibit – Don’t Fence Me In

Drop-off one piece on the theme “Don’t Fence Me In” on Friday, November 2,10am-5pm and Saturday, November 3, 11:00-3:00 pm. The exhibit runs November 9-December 21, 2018. The reception is Friday, November 16, 2018, 5-8pm. Pick-up is Saturday, December 22, 2018 11am-3pm and Wednesday, January 2, 2019, 10am-5pm.

ELIGIBILITY
•Artists must be current members of the Rogue Gallery & Art Center. They may become a member at the time of drop-off.
• Work is your original art (no reproductions) created within the last two years.
• Photographs and hand-pulled prints are signed.
• Work is in excellent condition (clean mats and frames).
• Work is properly framed and wired for hanging. For safety of artwork, we do not allow saw tooth hangers.
• Watercolors and works on paper must be covered by glass or Plexiglas with no exposed edges (closed frames only). Wrapped canvas is ok.
• Outer dimensions (including frame) are 40” x 40”.
• Please do not submit work that has previously been display in any of our galleries.
• Artist receives 60% of sale price: Rogue Gallery receives a 40% commission of retail sale.

Forms: Inventory & Artist Agreement and Art Labels

www.roguegallery.org

Ashland’s First Friday Art Walk, November 2, 2018 from 5 to 8 pm

Ashland Gallery Association November 2018 Art Exhibits

First Friday Art Walk, November 2nd from 5 to 8 pm

Stroll the galleries and take in the visual delights in downtown Ashland and the Historic Railroad District.  Enjoy this free year-round community event, filled with a diverse array of artwork, live music, artist demonstrations, refreshments and lively conversation!

AGA November Spotlight Exhibits

Masterpiece Christian Fine Arts

Paintings by Mera Oliveria

Ashland Pony Espresso

Mera Oliveria grew up in Southern Oregon and began oil painting in the past 6 years, learning from local artists, which revealed her inherent natural abilities. Mera has always loved art but it wasn’t until she encountered the living God that she feels her art and skill level blossomed in new ways. Like in the story of Exodus, where God gave skill to craftsmen and artists to build the sacred place where He would meet again with His people, she believes artists are gifted with abilities to create art that allows one to encounter the living God, a meeting place, so to speak.

Along with working in painting, Mera engages in chalk festivals where artists spend days on the asphalt creating large chalk murals in the streets. Ashland residents may remember Mera transforming the sidewalk in the summer of 2017 in front of the Black Swan Theater with a 12 x 12 chalk art rendition of Henry IV, the Prodigal Son along with artist Cathy Gallatin.   She feels that involving the public in the process of creating art is special for many reasons, emphasizing the importance of the arts within community and how beauty is a form of unity, a universal language that speaks of the human experience we all live, and the spiritual and emotional journey that no one can escape.

 To see more of Mera’s art and works in progress, visit her on Instagram: @MeraOlive

Mera Oliveria, “Chalk Art”, Grants Pass, Oregon

Mera Oliveria, “Chalk Art”, Grants Pass, Oregon

Hanson Howard Gallery

Animal Crackers: Gallery Artists Pay Tribute to Our Furry and Feathered Friends

If you spend any time in the gallery you will have noticed that many of our artists have a thing for animals in their work.  Why? Well, we don’t want to overthink it….but, we can celebrate it!  From the fun to the reverent, small pieces and large, 2D and 3D, we will be including all the ways our artists honor animals in their work.  Artists include Wayne Armstrong, Don Ajello, Laurel Bustamante, Steven Dewey, Penelope Dews, Baba Wagué Diakité, Claire Duncan, Marly Eidsness, John & Robin Gumaelius, Carol Ingram, Pamela Kroll, Betty LaDuke, Jhenna Quinn Lewis, Gabriel Mark Lipper, Robert Schlegel, Karen Staal, Wataru Sugiyama, Millie Whipplesmith Plank, and Aggie Zed. For this occasion, we’ve invited Portland sculptor, Stan Peterson whose carved wooden figures have all the charm of early folk art.

This is our final show of the year and will all be up throughout the holidays.

Join us for a reception for the artists during the Ashland First Friday Art Walk, November 2nd, 5-8 pm. The show runs November 2nd through the end of the year.

Stan Peterson, “Going Home”, carved wood

Stan Peterson, “Going Home”, carved wood

Photographers’ Gallery

Tiger Lily: Featuring Heinz Danzberger

Heinz Danzberger’s new show “Tiger Lily” opens Friday, November 2nd at The Photographers’ Gallery at the Ashland Art Center. The show is part of an ongoing project covering the landscapes of the “State of Jefferson” and, in particular, the greater Mount Shasta region. It is a photographic journey and discovery of sweeping vistas and landscape details, capturing the unique land at the heart of the West Coast and one of the larger natural areas remaining in the US. It is very diverse with active volcanic roots from which spring wetlands, high deserts and forested mountains, creating a land unlike any other on the West Coast.

Heinz uses modern techniques and classic lenses to capture high-resolution photographs intended for large size pigment print. The massive scale of the landscape around Mount Shasta invites large prints to capture the grandeur of the scene.

Heinz began working in medium format and then migrated to digital once high-resolution cameras became available. The decisive factor in his work style is not as much the camera but the applied lens qualities – in this image he used the classic Pentax 77mm FA lens resulting in beautiful and very classic image.

The Tiger Lily aka Ditch Lily is a welcome sight around Mount Shasta.  This particular flower grew like a bridge over Cold Creek under the forest foliage. The arch of the stalk and the fruits of the bulbs float effortlessly over the small creek. Perhaps a deer displaced it in the spring or the weight of the flowers bent the stalk down towards the water. The horizontal arrangement shows the power of this plant to survive in difficult places.

Heinz’s photography invites us into a visual poetry of the world around us. It is a medium to see the unseen; the fleeting moments of light; the rush of time hiding magnificent moments. One does not have to go too far to find these moments. This Tiger Lily was a short bike trip to the outskirts of town, where it hides in plain sight.

Heinz Danzberger, "Tiger Lily" 2017, photograph

Heinz Danzberger, “Tiger Lily” 2017, photograph

Ashland Art Center

Dia de los Muertos Celebration on First Friday

Music by Frankie Hernandez, Pumpkin painting in the classroom.  Meet our Artists!

Show: Through Our Eyes: Reflections on Nature

Featuring Janette Brown & Katherine Dron

Watermedia artists sharing their interpretations of nature.

 

Featured Main Gallery Artist

Bridget Reynolds

Trained in a very left brained world of business, I came to the creative process quite late in life. I feel like a whole other world opened upfront me. I said a resounding “YES” and have not looked back. It is like playing in huge sandbox exploring images and color. I LOVE it!!!

Guitar Series:

On my fort canvas, all I know was that I wanted a guitar represented. From that, this series emerged.

What fun I have had in creating them.

Intuitive Pieces:

I love to stand before a blank canvas/paper and just make some strokes and then follow my instincts with a piece.

It is always a surprise to see what emerges. 

First Friday Musical Guest: Frankie Hernandez

Frankie Hernandez has played every venue conceivable between Seattle and Los Angeles. Half jokester, half home-brewed Tito and Tarantula, and always love-struck, Hernandez has carved quite a name for himself. The only thing bigger than Hernandez’s voice, which could fill a closet or Yankee Stadium with equal aplomb, is his exuberant personality.

Dia de los Muertos poster

For more information about all of our exhibits and to download the November Gallery Tour map, please visit: www.ashlandgalleries.com  

 

Download (PDF, Unknown)

Thank you for your support of the Visual Arts in our communities!

Summer Fine Art Camps at Project Space this August!

Summer Fine Art Camps taught by Brooke Nuckles Gentekos
Summer Fine Art Camps taught by Brooke Nuckles Gentekos artist August 6 - 10 ages 3-8 August 13 - 17 ages 9-14 Monday - Friday, 9:30 AM to 12:30PM  Cost: $100 + $20 materials fee (includes all drawing and painting materials, canvas, wire, etc.)  Young artists will explore foundational visual art skills making original works of art with quality art materials.

August 6 – 10 for ages 3-8
August 13 – 17 for ages 9-14
Each camp runs Monday – Friday, 9:30 AM to 12:30PM

Young artists will explore foundational visual art skills making original works of art with quality art materials. Inspired by famous artists and their masterpieces, we’ll DRAW still life, PAINT self portraits, SCULPT with wire and found objects, and CREATE collaborative murals, mandalas and installation art. Artist reception on Friday with campers’ artwork on display.

Cost: $100 + $20 materials fee (includes all drawing and painting materials, canvas, wire, etc.)

Register now (limited space available):
https://artprojectspace.com/youth-classes/summer-camp-with-brooke-nuckles/

Life is Hard, Clay is Soft – New Chapter!

Life is Hard, Clay is Soft

Picture of Jeck Gell, father of fashion jewelry designer Wendy Gell.

Jack Gell

My father Jack was an artist.

When I was little, my room had murals of nursery rhymes on all the walls. Jack jumping over the candle stick. Mary and her little lamb. The cow jumped over the moon. And a little mouse running up a clock. I still remember them. Dad painted them for me. But we moved from the Upper West Side of Manhattan to Long Island when I was 5 years old, leaving the painted walls behind.

 

The coolest place in our new house was the basement. Going down the stairs was a stained glass window my Mom had found covered in dust in an antique store. For some reason they had it installed going down the dark staircase to the basement instead of a window. It was a beautiful reclining lady, her face and hands were hand-painted and illuminated in a garden with butterflies and flowers around her, and round glass circles above and below.

picture of stained glass window in Wendy Gell's childhood home

marilynWhen I grew up the window resided at my lake house in Connecticut for 18 years, enjoying the western light passing through. Now she lives at my brother’s ranch on Pioneer Road only five miles from me above a fireplace well lit from behind. It is our Family’s Treasure.

There was a bar downstairs and above it was a nude picture of Marilyn Monroe with her elbow up above her head, turned aside, posing all pink and blonde and pretty. It wasn’t this one but this was the closest I could find.

The best part was the Art Table, a large piece of plywood always filled with projects on it. My father had made a life-size bust of my face and head out of a plastic clay. I wanted to make something too. My father had used up all the clay. He was a generous-spirited man. Out of the back of the head—the clay one of course, all curly hair—he took a handful of the cool gray clay and gave it to me. It felt wonderful as it squished through my small fingers.picture of Wendy Gell as a child

Day after day Daddy would give me more and more clay, and the figurine of Wendy’s head went hollow as the clay became giraffes and tigers and snakes. Soon the clay replica went limp and was gone.

Now thinking about, it a sadness flows through me, tinged with great joy, that Dad gave me a wondrous adventure as we cannibalized his own sculpture  creation of his daughter—allowing my wild creative energy to grow and flow like the raging river it is.

Sometimes when I paint now, I hear his voice…Alizarin Crimson…Rose Madder Light…Ultramarine Blue…In life he never taught me the painting colors (that I recall), but somewhere in the Akashic record, my father Who Art in Heaven tells me the colors to use and I am filled with a Cadmium Yellow joy to hear his voice. Over and over again.

Creativity and Duality, painting by Wendy Gell,1974.

Creativity and Duality, painting by Wendy Gell,1974.

“Thanks Daddy,” I say in my head.” Thanks again.”

He answers back, tenderly, “Of course, Wen.”

Years later I made a plaque of clay and jewels, it says My Truth. ” Life is Hard – Clay is Soft. ”

It stands outside my front door now, beaming a welcome to all my visitors who come by.

Life is Hard, Clay is Soft - picture of clay wall art with this saying on it by Wendy Gell

 

 

 

 

 

 

 

 

 

 

 

 

The post Life is Hard, Clay is Soft – New Chapter! appeared first on Wendy Gell Jewelry and Art.

Yupo Curiosity

I’ve just finished some new work to hang the beginning of February at Art & Soul Gallery in Ashland, Oregon. My curiosity took me into the land of Yupo: A non-porous plastic like painting surface. I’ve always loved the spontaneity of working with flow, knowing that here is a potential for more layers. This trick on Yupo just melts the layer before because of the slick surface. Oh My! This may be a short lived adventure but I feel that old familiar tickle asking me “What If?”. Hmmmmmm……..

Ashland Gallery Association January 2018 Spotlight Exhibits

Ashland Natural Medicine

“Africa, Fashion & Photography”, featuring Jennifer Jensen

ANM Gallery of Contemporary Art is thrilled to host local Ashland artist, Jennifer Jensen’s newest works of art titled: Africa, Fashion & Photography  

This exceptional show is a beautiful combination of creative expression and inspiration from her travels to Selous Game Reserve, in South West Tanzania where she photographed wildlife in the bush and then onto Zanzibar where Jensen purchased African fabrics to bring home and design her clothing.

Line, color, shape and texture are just some of the strong art elements that weave together her clothing design choices and carefully selected compositions in each safari image.  The care and attention to detail in creating each clothing and photograph clearly makes a statement of her devotion and passion to her crafts.

Each dress, each skirt each jacket, are wearable individual art pieces that are truly stunning.  These garments purposefully are hung on the gallery walls side by side with the photographs.  Together these two different mediums emulate a uniquely original show that ignites the true essence of Africa’s wildlife, geography, textiles and culture.

Please join us and meet the artist during our First Friday Art Opening:

January 5th, from 5:30 to 8:30 pm

180 Lithia Way, Suite 103, 541-414-7230

“Africa, Fashion & Photography”, featuring Jennifer Jensen

Image: Diamond Polka Skirt, Jennifer Jensen

Photographers’ Gallery

“Public Land Grab” Featuring Photography by Bobbi Murphy

Bobbi Murphy’s new show, Public Land Grab, opens at The Photographers’ Gallery at The Ashland Art Center on Friday, January 5th.

For the first time in U.S. history, the government is shrinking federally protected parklands.  In December, 2,000,000 acres lost their National Monument status and the Arctic Wildlife Refuge may be opened to drilling.  And this is just the beginning. The administration has signaled it will continue the attack on federal lands and either lease them to the extractive industries or sell them off in return for political favors.   Bobbi’s images show some of the incredible beauty of our public lands and encourages the viewer to imagine their loss.

At Glacier National Park in Montana, a German visitor stood admiring the vast landscape.  He turned to Bobbi and said; “You Americans are so lucky to have this.  In Europe this would be privately owned and off limits”.  All proceeds from her show will be donated to The Nature Conversancy and The Natural Resources Defense Council.

“Public Land Grab” Featuring Photography by Bobbi Murphy

Image:  Mobius Arch, Alabama Hills, California, photograph by Bobbi Murphy

Masterpiece Christian Fine Arts Foundation

“Tales and Dreams” – Featuring Art by J.N. Garrett

First Friday, December 5th at Ashland Pony Espresso

Join us at the Ashland Pony Espresso/Washington Federal Bank for First Friday Art Walk, January 5th, from 5pm-8pm, for our first show of 2018, featuring the story and imagination focused work of local artist Jennifer Garrett. Grab a cup of coffee or some delicious food, meet the artist, and enjoy a fun and relaxing evening of looking at art and talking with other creatives.

Jennifer completed the four-year fine arts program with Semyon Bilmes at Atelier Maui (formerly Ashland Academy of Art) in 2011. Since then, she has continued to study through various avenues, including the Masterpiece Christian Fine Arts Foundation artist conferences, and courses at Schoolism.com. Jennifer works as an art instructor and part time freelancer, and serves as the art walk coordinator for the artists of the Masterpiece Artist Guild.

Jennifer enjoys exploring a wide range of artistic media in her pursuit to create art that conveys emotions and stories. She works in pencil, watercolor, acrylics, oils, and mixed media, and she also loves to take what she has learned from more traditional methods of painting into cutting edge digital art programs, working on a computer or iPad in ways that are very similar to her approaches to drawing and painting on paper and canvas. There’s a thrill of discovery for her in trying different ways of working, in seeing what sticks around to become part of her process for the long haul, and in exploring the different ways media can be combined to create new results and approaches.

You can see more of Jennifer Garrett’s work at jngarrettart.com.

The Pony Espresso is located at 175 Lithia Way, Ashland, OR 97520. We look forward to seeing you there!”

"Puck" by J.N. Garrett 

Image:  “Puck” by J.N. Garrett 

Schneider Museum

Winter Exhibitions at the Schneider Museum of Art

Exhibitions on View: January 19th – March 17th 2018
Opening Reception: Thursday, January 18th 5:00 – 7:00 PM

Anna Gray & Ryan Paulsen, Between the Beginning and the Middle 

Maria de Los Angeles, Transcending Myths 

Betty LaDuke, Social Justice Continued 

Storm Tharp, Fierce Last Stand

Maria de Los Angeles, installation at El Museo del Barrio, New York, NY, 201

Image: Maria de Los Angeles, installation at El Museo del Barrio, New York, NY, 201

Download (PDF, Unknown)