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More Tangents, More Fun

These three Paintings are part of a series exploring a new painting surface as well as new ways to use the layered painting process . They are on wrapped canvas instead of watercolor paper which alters the way of the interactions of surface and paint. It also nudged me to follow the process with exciting new curiosity and awe; keeping the excitement fresh.

Lichen-12×24

To Be Clear -12×24

Heavy Metal 18×18

Various Tangents

These 3 images are part of an experimental tangent of the serendipitous  following of random threads layered onto paper: layered onto underpainting or by creating a new and vibrant base for further exploration.

 

Thicketed Moon 24×30

Fog in Sunrise- 6×9

Cracked Foundation- 6×9

Shift to the Left

Shift to the Left

My creative life has taken a much needed turn to the left. For the last 15 years I have had the delight of playing a major role in grand-mothering. That girl is now in high school and although we are still very close, she is busy finding her way exploring her new life.

All of this time I have had my Artwork in Art & Soul Gallery in Ashland Or. and for 7years was one of the owners with 3 other women. It was fun to be a part of it all on that level but kept me busy enough that I struggled with getting and staying in my creative groove and following the threads which is the reason to do it. It kept me in my right brain which is not my home. A little more than a year ago, we sold the gallery. I still show there and it’s a lot less stress.

Now, I am finally focusing again on my teaching and creating. The shift has opened up new directions in my expressions. I’ve always been a texture freak but right now I am using physical instead of just visual. It creates an entirely new puzzle to solve and I’m having a blast following the new threads.

My biggest challenge now is with the technical expertise it takes to get the images and information out there. I’ve always referred to it as my “button impairment” but I think it is mostly being two generations too old and being dominantly left brained. So with focused attention and the grace of friends, I’ll function more comfortably soon.

I’ve recently joined forces with a wonderful Artist friend Pam Haunschild to teach workshops in other locations. Our theme is “Using textures to create Expressive Water-media paintings”. We will be teaching at the Emerald Art Center in Springfield OR (Eugene) May 9th and 10th.
Contact them at EmeraldArtCenter.org
We will be at the Mendocino Art Center in Mendocino, CA June 20th and 21st. Follow this link for full information: http://www.mendocinoartcenter.org/Summer20/Haunschild-Withrow
The information is also on my website and posted on our Facebook pages at, Eve Margo Withrow and Pamela Haunschild .I’ll also be teaching more often here in my home studio so stay tuned.

Mendocino Art Center Workshop in June!

Mendocino Art Center Workshop

EXPRESSIVE WATERMEDIA TEXTURES

Full Moon Sky mixed media painting by Eve Margo Withrow

Full Moon Sky by Eve Margo Withrow
Mixed water media on paper

Instructors: Pam Haunschild and Eve Margo Withrow
June 20–21, 2020 (Saturday–Sunday, 9:30am–4:30pm)
All levels

Register Online Now
Or call the Mendocino Art Center Registrar:
707 937-5818, ext. 10 or toll-free 800 653-3328, ext. 10

CLASS DESCRIPTION

In this fun and exciting workshop, we will create textured, complex watermedia (acrylic/watercolor) backgrounds and then work on turning them into harmonious, successfully finished paintings. You have your choice of working in acrylics and/or watercolors along with a gesso mixture (provided).

Texture makes your painting feel more dynamic, creates a sense of depth, and helps viewers emotionally connect with a painting. Texture is sometimes visual (on the surface) and sometimes dimensional (raised above the surface). We will work with both types of texture in this workshop.

Mossed in the Forest, painting by eve margo withrow

Mossed in the Forest
Eve Margo Withrow

Eve specializes in the visual (surface) textures by layering and manipulating watermedia. Interesting patterns and images emerge from her process. She uses tissue paper, plastic wrap, salts, bleach, and other materials to create layers; following threads and surprises and imaginative pathways to create her uniquely powerful images. She then uses windowing and design techniques and sometimes collage to turn textural starts into finished paintings.

Pam specializes in creating dimensional texture through the use of gesso with various texturing materials. Using a gesso underlayer allows a great deal of flexibility in subsequent layers, which can be either watercolor or acrylic. Pam will provide you with a pre-gessoed paper and demonstrate not only the various ways gesso texture can be applied, but how to finish these painting using value contrast and negative painting techniques.

These texturing processes will produce uniquely interesting and creative paintings. Bring a sense of adventure and spontaneity and you will be amazed at what can result. The class is appropriate for anyone – beginners will have no trouble with the methods used and more advanced painters will be able to add complex texturing processes to their repertoire. You will leave with at least twelve painting starts, and one or two completed paintings.

ABOUT THE INSTRUCTORS

PAM HAUNSCHILD is a watermedia artist who devotes her time to capturing the beauty of nature in the American West. She is a retired college professor who now lives in Ashland, Oregon, and paints full time. She has been and artist-in-residence at three national parks and continues to be inspired by her time there. Her work is in galleries in Ashland, Seaside, and Bandon, Oregon, and is held by many individual and corporate collectors, including the National Park Service. She has done many commissions, most recently designing and painting a poster and playbill cover for the Britt Festival in Jacksonville, Oregon, and a large native plant mural at Southern Oregon University.

Pam has taught many watermedia workshops in Oregon and Northern California, including at Sitka Center for Art and Ecology and Coos Art Museum and enjoys helping all students discover new methods of painting while using (or developing) their own unique artistic style.

Read more about Pam
Rogue Valley Messenger, Blurring the Lines with Color: Southern Oregon Artist Pam Haunschild

Watchful eyes, painting by Eve Margo Withrow

Watchful Eyes
Painting by Eve Margo Withrow

EVE MARGO WITHROW is an international award-winning professional artist. She uses mixed watermedia (acrylics and watercolor) and frequently layers and collages her materials. Her paintings are magical impressions that reflect feelings of a particular experience or place. She is always curious to explore what lies outside the box. “I play and adventure with my textures, layers and colors, following threads here and there, thus entering the flow of my creative process.”

Eve has a master’s degree in art education from the University of Wyoming. With over 40 years experience in teaching art classes and workshops, Eve masterfully guides and encourages participants to awaken to their innate creativity by experiencing the joy of self-expression. Eve is a previous owner of Art & Soul gallery in Ashland, Oregon, and is currently showing her work there, along with Rogue Gallery in Medford. She has taught many workshops across the western United States.

TUITION & FEES

Current MAC Members: $216
Non-members: $240 plus a $45 non-member registration fee

There is a registration fee of $45 for each class for non-members. Current Mendocino Art Center members do not pay a registration fee and may take 10% off each class registration. The discount is reflected in the prices above. Not a member yet? You may sign up below.
View our membership benefits

REFUNDS & CANCELLATIONS

Cancellations must be made in writing, either by mail or email. If you notify us at least 21 days prior to the first class meeting, you will receive a refund of tuition less a $45 cancellation fee. No refunds will be made after that date for any reason due to our contractual obligations and material acquisitions. If the Art Center is compelled to cancel a class you will receive a full tuition refund. Memberships are non-refundable as they are considered a donation to the Art Center.

Instructor materials fee: $10. We will be providing gesso mixture, containers, an assortment of texturing materials, one pre-gessoed piece of paper, and an extra squeeze or two of paint so you don’t have to buy a whole tube of something you want to try.

Materials List

Register Online Now
Or call the Mendocino Art Center Registrar:
707 937-5818, ext. 10 or toll-free 800 653-3328, ext. 10

Emerald Art Center Workshop in May

Emerald Art Center Workshop

Using Texture to Create Expressive Watermedia Paintings.

I am teaching a workshop with Pam Haunschild at Emerald Art Center on Saturday and Sunday, May 9-10. The topic is Using Texture to Create Expressive Watermedia Paintings.

Full Moon Sky mixed media painting by Eve Margo Withrow

Full Moon Sky by Eve Margo Withrow
Mixed water media on paper

Instructors: Pam Haunschild and Eve Margo Withrow
May 9–10, 2020 (Saturday–Sunday, 9:30am–4:30pm)
All levels

CLASS DESCRIPTION

In this fun and exciting workshop, we will create textured, complex watermedia (acrylic/watercolor) backgrounds and then work on turning them into harmonious, successfully finished paintings. You have your choice of working in acrylics and/or watercolors along with a gesso mixture (provided).

Texture makes your painting feel more dynamic, creates a sense of depth, and helps viewers emotionally connect with a painting. Texture is sometimes visual (on the surface) and sometimes dimensional (raised above the surface). We will work with both types of texture in this workshop.

Mossed in the Forest, painting by eve margo withrow

Mossed in the Forest
Eve Margo Withrow

Eve specializes in the visual (surface) textures by layering and manipulating watermedia. Interesting patterns and images emerge from her process. She uses tissue paper, plastic wrap, salts, bleach, and other materials to create layers; following threads and surprises and imaginative pathways to create her uniquely powerful images. She then uses windowing and design techniques and sometimes collage to turn textural starts into finished paintings.

Pam specializes in creating dimensional texture through the use of gesso with various texturing materials. Using a gesso underlayer allows a great deal of flexibility in subsequent layers, which can be either watercolor or acrylic. Pam will provide you with a pre-gessoed paper and demonstrate not only the various ways gesso texture can be applied, but how to finish these painting using value contrast and negative painting techniques.

These texturing processes will produce uniquely interesting and creative paintings. Bring a sense of adventure and spontaneity and you will be amazed at what can result. The class is appropriate for anyone – beginners will have no trouble with the methods used and more advanced painters will be able to add complex texturing processes to their repertoire. You will leave with at least twelve painting starts, and one or two completed paintings.

ABOUT THE INSTRUCTORS

PAM HAUNSCHILD is a watermedia artist who devotes her time to capturing the beauty of nature in the American West. She is a retired college professor who now lives in Ashland, Oregon, and paints full time. She has been and artist-in-residence at three national parks and continues to be inspired by her time there. Her work is in galleries in Ashland, Seaside, and Bandon, Oregon, and is held by many individual and corporate collectors, including the National Park Service. She has done many commissions, most recently designing and painting a poster and playbill cover for the Britt Festival in Jacksonville, Oregon, and a large native plant mural at Southern Oregon University.

Pam has taught many watermedia workshops in Oregon and Northern California, including at Sitka Center for Art and Ecology and Coos Art Museum and enjoys helping all students discover new methods of painting while using (or developing) their own unique artistic style.

Read more about Pam
Rogue Valley Messenger, Blurring the Lines with Color: Southern Oregon Artist Pam Haunschild

Watchful eyes, painting by Eve Margo Withrow

Watchful Eyes
Painting by Eve Margo Withrow

EVE MARGO WITHROW is an international award-winning professional artist. She uses mixed watermedia (acrylics and watercolor) and frequently layers and collages her materials. Her paintings are magical impressions that reflect feelings of a particular experience or place. She is always curious to explore what lies outside the box. “I play and adventure with my textures, layers and colors, following threads here and there, thus entering the flow of my creative process.”

Eve has a master’s degree in art education from the University of Wyoming. With over 40 years experience in teaching art classes and workshops, Eve masterfully guides and encourages participants to awaken to their innate creativity by experiencing the joy of self-expression. Eve is a previous owner of Art & Soul gallery in Ashland, Oregon, and is currently showing her work there, along with Rogue Gallery in Medford. She has taught many workshops across the western United States.

TUITION & FEES

$175 for both days + $15 for materials. We will provide gesso mixture, containers, an assortment of texturing materials, one pre-gessoed piece of paper, and an extra squeeze or two of paint so you don’t have to buy a whole tube of something you want to try.

Register online at EmeraldArtCenter.org or call 541-726-8595.

Emerald Art Center is located at:
500 Main Street
Springfield, OR 97477

Emerald Art Center Workshop in May

Emerald Art Center Workshop

Using Texture to Create Expressive Watermedia Paintings

Full Moon Sky mixed media painting by Eve Margo Withrow

Full Moon Sky by Eve Margo Withrow
Mixed water media on paper

Instructors: Pam Haunschild and Eve Margo Withrow
May 9–10, 2020
All levels

Register Online Now
Or call the Emerald Art Center:
541-726-8595

CLASS DESCRIPTION

In this fun and exciting workshop, we will create textured, complex watermedia (acrylic/watercolor) backgrounds and then work on turning them into harmonious, successfully finished paintings. You have your choice of working in acrylics and/or watercolors along with a gesso mixture (provided).

Texture makes your painting feel more dynamic, creates a sense of depth, and helps viewers emotionally connect with a painting. Texture is sometimes visual (on the surface) and sometimes dimensional (raised above the surface). We will work with both types of texture in this workshop.

The class is appropriate for anyone – beginners will have no trouble with the methods used and more advanced painters will be able to add complex texturing processes to their repertoire. You will leave with at least 12 painting starts, and one or two completed paintings. Although the instructors work with nature subjects, you can work on the imagery of your choice as a final product.

In this post are examples of paintings Eve created using the techniques she and Pam teach in this class. See exampleso fPam’s work on her website: www.PamHaunschild.com

Mossed in the Forest, painting by eve margo withrow

Mossed in the Forest
Eve Margo Withrow

Eve specializes in the visual (surface) textures by layering and manipulating watermedia. Interesting patterns and images emerge from her process. She uses tissue paper, plastic wrap, salts, bleach, and other materials to create layers; following threads and surprises and imaginative pathways to create her uniquely powerful images. She then uses windowing and design techniques and sometimes collage to turn textural starts into finished paintings.

Pam specializes in creating dimensional texture through the use of gesso with various texturing materials. Using a gesso underlayer allows a great deal of flexibility in subsequent layers, which can be either watercolor or acrylic. Pam will provide you with a pre-gessoed paper and demonstrate not only the various ways gesso texture can be applied, but how to finish these painting using value contrast and negative painting techniques.

These texturing processes will produce uniquely interesting and creative paintings. Bring a sense of adventure and spontaneity and you will be amazed at what can result. The class is appropriate for anyone – beginners will have no trouble with the methods used and more advanced painters will be able to add complex texturing processes to their repertoire. You will leave with at least twelve painting starts, and one or two completed paintings.

ABOUT THE INSTRUCTORS

Watchful eyes, painting by Eve Margo Withrow

Watchful Eyes
Painting by Eve Margo Withrow

EVE MARGO WITHROW is an international award-winning professional artist. She uses mixed watermedia (acrylics and watercolor) and frequently layers and collages her materials. Her paintings are magical impressions that reflect feelings of a particular experience or place. She is always curious to explore what lies outside the box. “I play and adventure with my textures, layers and colors, following threads here and there, thus entering the flow of my creative process.”

Eve has a master’s degree in art education from the University of Wyoming. With over 40 years experience in teaching art classes and workshops, Eve masterfully guides and encourages participants to awaken to their innate creativity by experiencing the joy of self-expression. Eve is a previous owner of Art & Soul gallery in Ashland, Oregon, and is currently showing her work there, along with Rogue Gallery in Medford. She has taught many workshops across the western United States.

PAM HAUNSCHILD is a watermedia artist who devotes her time to capturing the beauty of nature in the American West. She is a retired college professor who now lives in Ashland, Oregon, and paints full time. She has been and artist-in-residence at three national parks and continues to be inspired by her time there. Her work is in galleries in Ashland, Seaside, and Bandon, Oregon, and is held by many individual and corporate collectors, including the National Park Service. She has done many commissions, most recently designing and painting a poster and playbill cover for the Britt Festival in Jacksonville, Oregon, and a large native plant mural at Southern Oregon University.

Pam has taught many watermedia workshops in Oregon and Northern California, including at Sitka Center for Art and Ecology and Coos Art Museum and enjoys helping all students discover new methods of painting while using (or developing) their own unique artistic style.

Read more about Pam
Rogue Valley Messenger, Blurring the Lines with Color: Southern Oregon Artist Pam Haunschild

Eve and Pam are the perfect compliment to each other in presenting and facilitating this creative journey, and they both have extensive teaching experience and coordinate well together so that participants will come out of the workshop with a variety of techniques and tools to start or expand their repertoire of texturing techniques.

materials List

  • Artist grade acrylics in your choice of colors. Bring colors you like to work with. Just be sure you have a warm and cool yellow, red, and blue as a minimum. If you don’t have acrylics, we will provide them for a $15 materials fee.
  • Artist grade watercolors in your choice of colors as above. If you don’t have watercolors, we will provide them for a $15 materials fee.
  • Brushes you like to use.
  • Three large (22 x 30) pieces of hot press watercolor paper. 140# is fine, unless you prefer working on heavier paper.
  • Water containers, paper towels, palette, scissors, spray bottle for water.
  • Texturing materials: we will a lot of these materials for you. But we also encourage you to bring anything you think you may like to work with. Examples include stamps, stencils, scratchers, sponges, textured fabric or paper, shells, etc.
  • Two or three old watercolor or acrylic paintings that you don’t mind reworking

We will provide the gesso mixture, gesso brushes and sponges, other containers and applicators and an assortment of texturing materials, stencils, and reference images.

TUITION & FEES

$175.00 for both days + $15 for materials

Register Online Now
Or call the Emerald Art Center:
541-726-8595

Click the link below to download or print the flyer for your reference. Please share this workshop with anyone you think might want to participate!

Download (PDF, 5.5MB)

Berryman Gallery Show

Berryman Gallery Show

Time Lines, painting by Eve Margo Withrow

Time Lines, painting by Eve Margo Withrow

Nature’s Textures: Watermedia
Paintings by Eve Margo Withrow
January 17 – March 26, 2020

Eve Margo Withrow creates magical surrealisitic impressions of place using mixed water media, often layered into collages.

The Lindsay Berryman Gallery is a satellite exhibition space of the Rogue Gallery & Art Center, located on the second floor lobby of the Craterian Theater. The Berryman Gallery is open to the public before performances and to ticket holders during Craterian performances. Please see the Craterian’s website for performance dates at www.craterian.org/calendar.

 

 

Ashland Gallery Association First Friday Art Walk, November 1st 2019 from 5 to 8 pm

Join us for the First Friday Art Walk festivities! 

Ashland Gallery Association Exhibit Openings & Artist Receptions

First Friday Art Walk, November 1st from 5 to 8 pm

Stroll the galleries and take in the visual delights in downtown Ashland and the Historic Railroad District.  Venture further to explore out-skirting galleries!  Enjoy this free year-round community event, filled with a diverse array of artwork, live music, artist demonstrations, refreshments and lively conversation! 

Ashland Gallery Association First Friday Art Walk, November 1st 2019 from 5 to 8 pm

November Spotlight Exhibits

Art & Soul Gallery

“Color Notes” oil painting on linen by Jenay Elder

Artist Jenay Elder resides in Southern Oregon. Her impressionistic oil paintings are known for their textured notes of color, representational quality and their sensitive subject matter. Jenay sold her first Monet inspired, impressionistic landscape online at the age of fifteen in 2001 and has been making and selling art ever since. Her artwork can be found in regional gallery shows and plein air events as well as in private collections around the world. She is a recent recipient of the Haines Foundation grant and has participated in numerous paint outs and shows, including the UVAA 30 under 30 exhibit. Jenay is also an artist member of Oil Painters of America and Laguna Beach Plein Air Painters associations. 

Live music of First Friday will be provided by “Sidewalk Café.”  The trio – Beth Martin, violinist and singer, Craig Martin, guitarist, and Todd Ragland, fretless bassist play swing, Gypsy jazz and bossa nova.

Jenay Elder, “Reset on Harris Beach" oil on linen

Jenay Elder, “Reset on Harris Beach” oil on linen

Ashland Natural Medicine

“Dream Garden” paintings by Linda Kehoe


Lindy Kehoe paints from a pure place of imagination. Nothing obstructs her vision. She weaves in magical themes of storytelling about nature, animals, Mother Earth, music, dance, childhood, mystical, unconsciousness, joy, divinity, feminine, masculine, peace and prayer just to name a few…

Lindy writes, “My work is inspired by serendipity, a momentary feeling of interconnected magic, that often feels like a dream.  I am motivated to create images that bring peaceful energy to the viewer, a place of remembrance, a place of innocence. The Oracular tendency keeps me fascinated by the mystical process.”

Lindy Kehoe, “Durgalina,” mixed media painting

Lindy Kehoe, “Durgalina,” mixed media painting

Studio 151

Guest Artist Rob Jaffe, photography

November’s First Friday at the studio features a joint show of mixed media figures and wall art by Elizabeth York and works by guest artist, photographer, Rob Jaffe.

In the words of one of his admirers: “Robert Jaffe’s lens and eye are a gateway to a realm of transcendence. The scope of his work ranges from the close-up to expansive vistas. Whether his photographs are the astonishing insides of a raspberry or a full moon over Mount Shasta, you feel that perhaps you are experiencing these worldly wonders for the first time. Jaffe combines his consummate technical skill with the poetry of his vision. The camera captures reality, but Jaffe transforms the ordinary into the extraordinary. His work takes you to unforgettable moments and locations – a dove ascending from a monastery’s ledge in Assisi, Italy, or the Oregon Coast – filled with luminous rock and the calligraphic underbelly of driftwood.

Jaffe’s photographs remind me of a line from Rumi: “We are tasting the taste, this minute of eternity.” The viewer will leave Jaffe’s exhibition, with that experience.” ~Rebecca Gabriel

The studio will be open on First Friday from 5-8.  www.robjaffe.com

Ashland Property Management

“Aileron Flares” New & recent works by Jarrett Rex Davidson


Jarrett Rex Davidson is a Southern Oregonian who has returned to paint and teach art practices.  His works are amalgamations of memory and folklore that result in grand depictions of cultural iconography.  Standing before his paintings, the viewer senses an accumulated vocabulary of imagery reflected by life encounters in the Northwest, as well as travels in Mexico and Italy.  Informed by traditions of biological illustration, religious art and pop culture, Davidson navigates depictions of intersecting myths and symbolic narratives.

With a vita that includes a Bachelors of Studio Art from Southern Oregon University, Davidson was the Art Technician for the Portland Art Museum, Oregon Historical Society, Laura Russo Gallery in Portland and Art Handler for Connect Art International in San Francisco. In addition to painting, Davidson is currently gaining his Master of Arts in Teaching at Southern.  He is presently working with Ashland Middle School students on an exhibit of artwork that will be displayed at the Ashland Public Library for a Dia de los Muertos celebration from October 28th into November.

Selected pieces of the First Friday Reception at Ashland Property Management will be on sale with 100% proceeds going to The Young Center for Immigrant Children’s Rights.

Jarrett Rex Davidson, “Aileron Flares” watercolor on paper

Jarrett Rex Davidson, “Aileron Flares” watercolor on paper

For more information about all of our exhibits and to download the November Gallery Tour map, please visit: www.ashlandgalleries.com  

 

Thank you for your support of the Visual Arts in our communities!

Calls For Art- Woman Made Gallery

Show Your Paper
Exhibition Dates: Sept. 20 – Oct. 19, 2019
Entry Due Date: July 11, 2019
Juror: Kathryn Markel

CLICK HERE TO SUBMIT WORK 
https://womanmadegallery.submittable.com/submit

Exhibition Description: Open to artists who use paper as their substrate or primary medium. Works made on, or of paper may include, (but are not limited to) – painting, drawing, printmaking, photography, collage, cut paper, paper constructions, etc. All mediums on paper will be considered.

The application fee for our juried exhibitions is $30 for up to three images of work, plus one detail image if necessary. A limited number of artists who experience financial hardship may be exempt from paying the entry fee; please send us an email to request a fee waiver:[email protected]. All applicants should submit an artist’s statement about their body of work. Accepted artworks must not exceed 72″ horizontally and must not have been previously shown at WMG.

Juror: Kathyrn Markel, Principal, Kathyrn Markel Fine Art
Kathyrn Markel Fine Arts, established in 1975, specializes in contemporary works on paper with the addition of paintings by the young avant-garde. The gallery is run by women and women also comprise 81% of the gallery’s represented artists. Located in New York City – Chelsea and Bridgehampton, NY.
www.markelfinearts.com

Image: Artwork by Laurie LeBreton

Truth as a Contested Concept
Exhibition Dates: November 1 – 23, 2019
Entry Due Date: August 18, 2019
Juror: Indira Freitas Johnson

CLICK HERE TO SUBMIT WORK 
https://womanmadegallery.submittable.com/submit

Exhibition Description: Truth as a Contested Concept is open to all artists whose work addresses the theme.

We used to think of “truth” as being absolute. That our choices were binary. But today “truth” is a contested concept. [how so?] One of the many questions that come up is whether truth is subject to human interpretation. Does truth change according to circumstances so that what is true for a particular time is not true at a different time?  Does this mean that truth for one person may not necessarily be the same for everyone? If this is the case then can anyone really know “the truth”? The juror is interested in creating a dialog around what we consider truth to be. Do we feel that truth is important? Does the constant wearing away of our belief in truth jeopardize our well being?

We encourage entries of recent works, but there is no restriction in the creation date. Accepted artworks must not exceed 72″ horizontally and must not have been previously shown at WMG. The application fee for our juried exhibitions is $30 for up to three images of work, plus one detail image if necessary. A limited number of artists who experience financial hardship may be exempt from paying the entry fee; please send us an email to request a fee waiver: [email protected]. All applicants should submit an artist’s statement about their body of work. Accepted artworks must not exceed 72″ horizontally and must not have been previously shown at WMG.

Juror: Indira Freitas Johnson
Award winning artist and educator, Indira Freitas Johnson’s passion to make art part of everyday life and to involve local communities in the art process is evident in all her work.  Influenced by an artist father and a mother who was a social activist, Johnson believes strongly that art and activism are a powerful combination for social change.

Born in Mumbai, India, Johnson received her undergraduate degree from the University of Bombay and the Sir JJ Institute of Art and her MFA from the School of the Art Institute of Chicago. She has been the recipient of numerous grants and awards, including the prestigious Illinois Governors Award for the Arts and Chicago Magazine named her the 2013 Chicagoan of the Year.

Johnson’s work has been exhibited nationally and internationally and is represented in numerous private and public collections including the Chicago Museum of Contemporary Art, Chicago Transit Authority, Rhode Island School of Design Museum, Providence, RI.

Ten Thousand Ripples, Johnson’s Chicago area Public Art, Peace and Civic Engagement initiative uses art as a catalyst for conversations about peace and nonviolence.

For more information visit http://www.indirajohnson.com/

Image: Artwork by Indira Freitas Johnson

Join Woman Made Gallery
2150 S. Canalport 4th Fl, Chicago, IL 60608
Enter through Parking Lot at North Entrance on 21st Street
312.738.0400 | Email | Website
Gallery Hours: Thur-Fri 12 – 6pm & Sat-Sun 12 – 4pm
ABOUT WOMAN MADE GALLERY
Woman Made Gallery (WMG) is a tax-exempt, not-for-profit organization founded in 1992. Its mission is to support, cultivate, and promote the diverse contributions of women in the arts through exhibitions and other programs that serve, educate, and enrich our community. We rely on membership contributions and individual donations to create the programs that support our mission.

Reaching Through Time and Space – Wendy Gell’s New “Wenaissance”

REACHING THROUGH TIME AND SPACE

Wendy Gell Wendy’s New “Wenaissance.”

Wendy Gell presents a retrospective of her work at the May meeting of SOSA — The Southern Oregon Society of Artists — May 20, 2019 at the Medford Public Library.

Doors open at 6:00 pm.

6:30 Social Hour with snacks. You don’t have to be a member to be welcome at SOSAs monthly meetings, so come join us for some networking!

Wendy’s presentation starts at 7. The library doors lock promptly at this time, so please arrive early! A retrospective of her life and art, paintings and multimedia work in her series, “Mandalas with the Masters,” as well as other unseen experimental work.

“Mom backwards is Mom
Dad backwards is Dad
Bob backwards is Bob
Wen backwards is New”

The post Reaching Through Time and Space – Wendy Gell’s New “Wenaissance” appeared first on Wendy Gell Jewelry and Art.