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By Peggy Stermer-Cox, 359 contributed posts
View all Peggy Stermer-Cox's posts. About the author: I begin my watercolor paintings with an idea and a drawing. I build the painting layer by layer, drawing lines and shapes, looking for rhythm and feeling. My color sense is a reflection of my childhood in New Mexico fused with colors of my home in the Northwest. My goal is to go beyond the surface to find joy, wonder and a bit of mystery. I have shown my works in galleries, juried, group and solo shows in Washington, Oregon, Montana and New Mexico. My paintings are in private collections in the west, New York and Norway.
To view examples of Peggy's work or to make contact with the artist, please visit her listing at the Southern Oregon Artists Resource.
Pattern: it is about repeating lines, colors, shapes, values and sizes in a painting.
Reviewing Work For A Portfolio.
I have been preparing a portfolio of my work for submission to the online literary magazine Cascadia Subduction Zone. In the process, I was looking at some of my works that I haven’t thought about in awhile.
It’s Like Looking At Pictures Of Friends.
Take, for instance, the watercolor Lighthouse D9 (or Design 9). I am delighted to reacquaint myself with this painting. The Grays Harbor Lighthouse, Point Chehalis, West Port, WA, inspired me to create this series of work. You see, for a time I lived nearby and have always loved lighthouses.
Playing With Pattern.
When I created the design for Lighthouse D9 I was interested in exploring pattern. When I say pattern, I am referring to a specific use of the term. That is, I repeated and clustered smaller shapes in such a way that they “read” visually as one larger shape.
Examples: Grass & Clouds.
Take, for example, the cloud shapes or the “v” grass clump shapes. Together, the smaller “v” shapes and the greenish color add up visually to tell you that I’m describing a grassy area. The same goes for cloud shapes against a blue background on the upper portions of the painting. I’m signaling “sky”.
OH! A Way To Simplify!
Put another way, I’m using pattern to simplify my design. Plus, add meaning. And, it was fun!
What About Meaning?
The meaning? For me, I’ve always liked lighthouses. I grew up looking at lighthouse paintings by my father, artist John Stermer. My feelings were pretty simple; I liked them. They looked like remote places, but also beacons to the traveler.
This painting, with its festive colors and simple patterns, alludes to the brighter side of lighthouse symbolism. That is the beacon that guides the navigator through rough seas.
Enjoy!
In closing, I hope that you enjoy my Lighthouse, D9. Furthermore, you might want to keep a look out for pattern next time you go to an art show.
By Peggy Stermer-Cox, 359 contributed posts
View all Peggy Stermer-Cox's posts. About the author: I begin my watercolor paintings with an idea and a drawing. I build the painting layer by layer, drawing lines and shapes, looking for rhythm and feeling. My color sense is a reflection of my childhood in New Mexico fused with colors of my home in the Northwest. My goal is to go beyond the surface to find joy, wonder and a bit of mystery. I have shown my works in galleries, juried, group and solo shows in Washington, Oregon, Montana and New Mexico. My paintings are in private collections in the west, New York and Norway.
To view examples of Peggy's work or to make contact with the artist, please visit her listing at the Southern Oregon Artists Resource.
Pattern: it is about repeating lines, colors, shapes, values and sizes in a painting.
Reviewing Work For A Portfolio.
I have been preparing a portfolio of my work for submission to the print literary magazine Cascadia Subduction Zone. In the process, I was looking at some of my works that I haven’t thought about in awhile.
It’s Like Looking At Pictures Of Friends.
Take, for instance, the watercolor Lighthouse D9 (or Design 9). I am delighted to reacquaint myself with this painting. The Grays Harbor Lighthouse, Point Chehalis, West Port, WA, inspired me to create this series of work. You see, for a time I lived nearby and have always loved lighthouses.
Playing With Pattern.
When I created the design for Lighthouse D9 I was interested in exploring pattern. When I say pattern, I am referring to a specific use of the term. That is, I repeated and clustered smaller shapes in such a way that they “read” visually as one larger shape.
Examples: Grass & Clouds.
Take, for example, the cloud shapes or the “v” grass clump shapes. Together, the smaller “v” shapes and the greenish color add up visually to tell you that I’m describing a grassy area. The same goes for cloud shapes against a blue background on the upper portions of the painting. I’m signaling “sky”.
OH! A Way To Simplify!
Put another way, I’m using pattern to simplify my design. Plus, add meaning. And, it was fun!
What About Meaning?
The meaning? For me, I’ve always liked lighthouses. I grew up looking at lighthouse paintings by my father, artist John Stermer. My feelings were pretty simple; I liked them. They looked like remote places, but also beacons to the traveler.
This painting, with its festive colors and simple patterns, alludes to the brighter side of lighthouse symbolism. That is the beacon that guides the navigator through rough seas.
Enjoy!
In closing, I hope that you enjoy my Lighthouse, D9. Furthermore, you might want to keep a look out for pattern next time you go to an art show.
By Silvia Trujillo, 304 contributed posts
View all Silvia Trujillo's posts. About the author: With a history in fashion design, Silvia Trujillo has 20 years experience in fine art study, painting, and teaching. She is a master colorist; emphasizing color harmony, and works in impressionist, realist and abstract styles, and teaches plein air and painting workshops. "My goal is to consistently produce paintings that are uniquely original and that express my love of nature." See Silvia's listing at the Southern Oregon Artists Resource to learn more and make contact.
“Hill Song”
Oil on 12×16″ canvas
$295
The secret to creating the illusion of great distance in a two dimensional painting is… well you’ll just have to take one of my workshops to find out! This piece was a demo for my Depth and Distance workshop through the Sacramento Fine Arts Center this September.
The fascinating thing about painting in plein air is that extra elements are incorporated into the work, sometimes without the painter knowing it. Returning to this piece on a cold winter night, I’m transported right back to the lavender fields in Oregon’s Applegate Valley. I smell the sun-baked earth and hear the hum of bees. I wonder: Is there perhaps some lavender pollen embedded in the paint? Is there still a summer breeze wafting from the distant trees? I can feel it. Can’t you?
“Lavender Fields Forever II”
Oil and sunshine on 16×20″ canvas
$495
Sometimes it’s the painter’s job not just to capture the beautiful moments in life, but the difficult ones, too. Here in southern Oregon we survived eight weeks of dense, unhealthy smoke in the late summer and early fall. When the sun did appear it wore this red disguise — like a warning light, asking us to change our ways.
“Summer Sun, 2018”
Oil and smoke on 12×9″ canvas
$195
By Silvia Trujillo, 304 contributed posts
View all Silvia Trujillo's posts. About the author: With a history in fashion design, Silvia Trujillo has 20 years experience in fine art study, painting, and teaching. She is a master colorist; emphasizing color harmony, and works in impressionist, realist and abstract styles, and teaches plein air and painting workshops. "My goal is to consistently produce paintings that are uniquely original and that express my love of nature." See Silvia's listing at the Southern Oregon Artists Resource to learn more and make contact.
Every year the Rogue Gallery & Art Center in Medford puts on a Members’ Only Show. They have a great theme for it this year — “Don’t Fence Me In”. The show runs just a couple more weeks, until December 21, so while you’re out there doing your holiday shopping be sure to stop in the gallery and check out all the great art! Eighty members contributed this year, with everything from watercolors and oils to sculptures and photography.
My contribution to the Don’t Fence Me In show, titled Autumn Notes, is pictured below. I went a little bigger than usual for my plein air work, composed it in an abstract style and challenged myself to break out of my usual routines as I painted on a beautiful fall day at a friend’s property south of Ashland.
As a little holiday present to my blog readers, I wanted to take you “backstage” on my plein air process. First, check out this quick video clip of me doing my work. See if you can find the “hidden technique”.
In the picture at right, the painted scene for Autumn Notes is in the background. For the sake of the composition, I removed a few trees and tweaked the perspective.
Have you figured out my hidden technique yet? It’s going barefoot! If you’ve never tried it, you should! Taking off your shoes to paint (or embarking on any creative endeavor) is very grounding. I find that I can immerse completely in the scene I’m painting when my feet are bare.
The final image below is a close-up of the foundational stage for Autumn Notes.
I hope this inspires you to do some plein air painting in the coming year! I plan to host more outdoor classes in 2019 so stay tuned for announcements.
By Anna Elkins, 137 contributed posts
View all Anna Elkins's posts. About the author: art + word + spirit: A painter and poet, I play in the crossroads of art & spirit. My paintings are visual stanzas of a poem I will spend my life writing - with brush & pen. I've had the honor to create and exhibit art in the United States, Europe & Micronesia. "As with poetry, painting is either a battle or a dance. Given the choice between music & a sword, I choose music." See Anna's listing at the Southern Oregon Artists Resource.
“All-Hearted,” painted at the annual women’s conference, Face to Face, Living Waters, November 2018
By Brooke Nuckles, 241 contributed posts
View all Brooke Nuckles's posts. About the author:
Ashland Gallery Association Art Exhibit Openings & Artist Receptions
First Friday Art Walk, December 7th from 5 to 8 PM
Stroll the galleries and take in the visual delights in downtown Ashland and the Historic Railroad District. Enjoy this free year-round community event, filled with a diverse array of artwork, live music, artist demonstrations, refreshments and lively conversation!
Ashland Gallery Association December Spotlight Exhibits
Photographers’ Gallery
Bittersweet: Yosemite 20 years Later.
Bobbi Murphy’s new show, Bittersweet: Yosemite 20 Years Later, opens on Friday, December 7th at The Photographers’ Gallery At The Ashland Art Center and will run through January.
Yosemite holds wonderful memories for me – of autumn walks in golden meadows and full moon nights along the Merced River listening to great horned owls call to their families on cold evenings. Tramping through spring meadows flooded with snow runoff, riotous with wild flowers.John Muir walked here and helped create America’s second great National Park.
There is no denying the impact of climate change on the park: drought, fire, pine beetles have killed 129 million trees in California and Yosemite has not been spared. It is heartbreaking to see and experience while remembering how magnificent it was just a few short years ago. But the tourists come in crowds greater than ever.
Despite all that we have done to it, Yosemite is still a glorious, spectacular place that makes a heart sing, even in the midst of destruction and devastation. We are loving it to death and yet, somehow don’t love it enough to save it and ourselves.
Ashland Art Center
Giving Tree Program
Help a local child and celebrate the Holiday’s by donating to Ashland Art Center’s Giving Tree.
December First Friday will be packed with excitement at Ashland Art Center.We will be kicking off our First Friday Weekend Sale, 10% off, December 7, 8 & 9th. Handcrafted work by local artists will include: paintings; photography; prints; jewelry; scarves; fiber art; woodwork; ceramics.
Shop, enjoy wine and music and help a child in need!We hope will you join us and spread some holiday cheer.
Giving Tree
Gallerie Karon
Gifts By The Gifted
Gallerie Karon’s December show features all of our artists with gifts for the holidays. Let us be your personal shopper – bring your list – we’re here to help.
The biggest news is that Gallerie Karon is expanding! Our new addition, “The Feathered Wing”, will be open by the holidays! In this new area, accessible through our main gallery, is a two-part section. The first is full of small, multiple use furniture pieces for smaller spaces. The second is a special area for Oriental furniture and accessories with larger scale antique Buddhas and Quan Yins. It’s a serene room far away from today’s problems and filled with things that you can use to create your own serene space at home.
We’ll have a Grand Opening once the expansion is completed, but the move is on!
Gallerie Karon
The Shepherd’s Dream
A Study on the Transition of Life
Nora Costley, Watercolorist, shares her artistic evolution through self-discovery and the mystery of the universe. Nora is a world traveler and holds a BA in Fine Art from the University of New Mexico.Her work has been displayed in the National Museum of Art in Washington, DC. She currently resides in the Rogue Valley.
She enjoys many forms of art including sculpture, traditional pottery making in Japan, Installation and Photography. Even as a watercolorist, Nora feels an artist does not need to stick with the same subject or medium. She prefers an artist’s creation to reflect the transient beings they are, and continue to demand an evolution as individuals. She states…”for me art is a constant exploration and experimentation of self and the universe, which parallels the exploration of medium and processes.” Also…”a driving force is art that stimulates personal power and freedom in myself and others.” Her practice has evolved from that of discovering and resolving the internal, to decoding the world at large. Often her ideas flow, and it’s not until a piece is complete, that it either is understood or not. The universe is of great curiosity to her, but as with Nora’s artistic endeavor, she is satisfied with the mystery.
Nora Costley, “Take Your Power Back” watercolor
Special Event!
Lithia Artisans Market
Lithia Artisans Holiday Market
Friday, December 14 ~ 10am-7pm
Saturday, December 15 ~ 10am-6pm
Sunday, December 16 ~ 11am-4pm
Our Holiday Market is moving to the Medford Armory after 13 seasons with the Art Wing at Briscoe Elementary in Ashland. For 2018, we plan to host over 60 artisans at this new location, featuring some of the finest locally crafted gifts you’ll find. Enjoy live music, a family-friendly atmosphere and a chance to support local artisans while shopping for one-of-a-kind gifts.
A raffle drawing will be held on Sunday afternoon at both of our holiday events. The winner receives a $100 gift certificate.This Holiday Season Support Local Handmade. Join Us!
For more information about all of our exhibits and to download the December Gallery Tour map, please visit: www.ashlandgalleries.com
Please see the attached “Spotlight Exhibits” and December Gallery Tour Map.
By Peggy Stermer-Cox, 359 contributed posts
View all Peggy Stermer-Cox's posts. About the author: I begin my watercolor paintings with an idea and a drawing. I build the painting layer by layer, drawing lines and shapes, looking for rhythm and feeling. My color sense is a reflection of my childhood in New Mexico fused with colors of my home in the Northwest. My goal is to go beyond the surface to find joy, wonder and a bit of mystery. I have shown my works in galleries, juried, group and solo shows in Washington, Oregon, Montana and New Mexico. My paintings are in private collections in the west, New York and Norway.
To view examples of Peggy's work or to make contact with the artist, please visit her listing at the Southern Oregon Artists Resource.
The “Meaning” Question.
A fellow artist, Sandra Neary, asked me about the meaning of this still life composition. In particular, why is the egg larger than the rabbit?
Dinosaur Egg & Pygmy Rabbit?
Well, all sorts of silly responses bounced around my head. For instance, what if the egg were a dinosaur egg and the rabbit was a pygmy rabbit? All birds are dinosaurs so it could be true. Alright; it is a chicken egg and a replica of a rabbit netsuke.
Short Term Answer.
However, the question was put forward. And, I thought I’d quote part of the answer I gave.
“I chose them because they were all white objects..I was studying light and form. But, the incongruity of the rabbit and egg amused me. However, the narrative is sending me places I don’t want to go. It was the form that I was after. Sometimes you can’t escape narrative. Though, I like the ambiguity.”
However, I did start thinking about the meaning of this composition and, perhaps two dimensional art in general.
And, I came to the conclusion that it is reasonable to ask about the meaning of a painting or drawing. After all, the arts, including the visual arts, are a means of communication. Therefore, it would be natural to want to understand a piece of art.
How I Select Items For This Still Life.
That being said, this artist, (ahem, yes, I mean me), is prone to selecting subjects for reasons other than symbolic or iconic meaning.
Shape and Value. For example, when I selected items for this particular still life set up, I chose them for their shapes and tonal value. To explain, I was interested in studying form free from the distracting influence of color. So, I selected the items because they were a neutral, light or white color.
Geometry. Furthermore, I was interested in the basic geometric shapes depicted here. The egg cup, for example, is a modified column. The egg is like an elongated sphere. The rabbit has similar rounded forms.
Personal Interest. And, I liked each of the items. They’re from my personal collection of knick-knacks.
Still Life Set Up.
So, once I selected the items for my still life study, I had to arrange them. Keeping in mind composition, I set about placing my knick-knacks. You will notice that clustered the three together in a sort of triangular shape. It is like they are in huddle over to the left.
By clustering the items to the left, I set up a problem of how to balance the right side. My response was to see if line and small shifts in tone will be enough to achieve balance.
I am including a photo of the still life set up so that you may get an idea of what I was studying. However, I drew and painted from the life; not the photo.
Academic; No Spontaneity?
Hmmm, you might think, this all sounds academic. Well, I think it is at this stage of the process. That is to say, I am purposeful in my set up; not spontaneous. In other words, I’m experimenting and teaching myself by doing. I take the rules and principles of composition, apply them and then see what happens. The process is like an informed trial and error.
Learn By Studying & Doing.
You see, one reads the books, studies the demos, and takes the workshops, in an effort to learn how to draw and paint. But, along the way, one needs to do the work. So, I start with the principles and then go about the process of learning how to use them.
That is, I need to try out ideas using pencil or brush on paper. At such times, I feel compelled to ask the “what if” questions and see what happens. In other words, I’m studying the art of drawing and painting by doing.
The Concept of “Meaning” Deserves More Study.
So, let us go back to this idea of meaning in drawing and painting. As I am writing and considering this question, I realize that meaning might need to be studied just as form, value or color. So, with that, I think I will close with the thought that this ought to be the beginning of a series of articles about meaning in paintings.
What Does It Mean To You?
And, a final word about this particular still life. Could it mean more than my intentions? Well, as the viewer or receiver of the visual message, you bring your own experience to the conversation. So, yes, it could mean something entirely different to you. And, that is just fine with me!
PS. Note with the variation below, I changed a couple of things. Does meaning change as well? What do you think?
By Anna Elkins, 137 contributed posts
View all Anna Elkins's posts. About the author: art + word + spirit: A painter and poet, I play in the crossroads of art & spirit. My paintings are visual stanzas of a poem I will spend my life writing - with brush & pen. I've had the honor to create and exhibit art in the United States, Europe & Micronesia. "As with poetry, painting is either a battle or a dance. Given the choice between music & a sword, I choose music." See Anna's listing at the Southern Oregon Artists Resource.
On the last night of this holiday weekend, here’s a little poem—aka an excuse to share a cat painting! Cheers to gratitude—in all its expected and unexpected forms.
Strange Thanks
The cat stretches
awake after dreaming
of a bigger belly
to fill with birds.
I pet his fur ‘till—
purring. Hope
he’ll remember
how well he’s fed.
Blue jays fly past,
oddly silent,
in a blur of canny
gratitude.
PS: You can find prints of this and other cats here.
By Brooke Nuckles, 241 contributed posts
View all Brooke Nuckles's posts. About the author:
Rogue Gallery is open Friday
with a new exhibit in the Community Gallery.
Detail of ORISHA by Amy Godard
BEGINNING THIS FRIDAY
New Exhibit in the Community Gallery
Awake, Dreaming in the Garden:
Woodcuts & Screenprints by Amy Godard
November 23, 2018 – January 11, 2019
Amy Godard, ROSE, screen print
Reception: Friday, December 21, 5:00-8:00 pm
Amy Godard’s work includes stylized interpretations of characters from folklore; mandalas and icons of plants; and explorations of line, color, shape and symmetry. Her work is inspired by nature and folklore and she hopes to inspire her viewers to connect to nature and to forge a relationship to old stories that have shaped us as people.
Festive Classes for Children
Enchanted Elves of the Rogue Studio ages 7-11 with Pravina McClure
Saturday, December 1, 2018 11:30am-2:30pm
Make your own Enchanted Elf that can hang on the Christmas tree or be a gift for someone special. In addition young artists will make original wrapping paper to take the elves home in, creating the ultimate Christmas gift!
MEMBERS $25 NON-MEMBERS $35- ALL MATERIALS PROVIDED SIGN UP HERE>>
Ornaments, Sparkles and Unicorns ages 7-11 with Pravina McClure
Saturday, December 15, 2018 11:30am-2:30pm
Create unique unicorn and mythical creations! These miniature creations can be Christmas tree ornaments or designed to stand alone. In addition, young artists will also create fantastic wrapping paper to take their creations home in, creating a Christmas gift to enjoy during the holiday season or year round!
MEMBERS $25 NON-MEMBERS $35-ALL MATERIALS PROVIDED SIGN UP HERE>>
Artist Opportunity
The Oregon Community Foundation is delighted to announce the Fields Artist Fellowship. OCF and Oregon Humanities will work together to award four Fields Artist Fellows $100,000 each over a two-year period, along with convening and learning opportunities. The hope is that this opportunity will enable artists to take their art to a higher level and pursue artistic work that responds in meaningful ways to the opportunity gap in Oregon. Deadline is January 14, 2019.
The Rogue Gallery & Art Center is the Rogue Valley’s premier non-profit community art center founded in 1960 to promote and nurture the visual arts in the Rogue Valley. The Art Center showcases emerging and established artists, presents fine crafts by area artisans, and offers a broad range of visual art classes and workshops for all ages.
Rogue Gallery & Art Center is located in downtown Medford at 40 South Bartlett Street. The hours of operation are Tuesday through Friday from 10 a.m. to 5 p.m. and Saturday from 11 a.m. to 3 p.m. We are open every third Friday until 8:00pm.
By Brooke Nuckles, 241 contributed posts
View all Brooke Nuckles's posts. About the author:
Detail of Journey’s End by Sheryl Swift
3rd Friday Art Reception, November 16, 2018
IN THE MAIN GALLERY
Don’t Fence Me In:
2018 Annual Members Exhibit
November 9–December 21, 2018
Poulnabrone Dolmen by Paul Jorizzo
Reception: Friday, November 16, 5:00-8:00 pm
Member artists of the Rogue Gallery & Art Center were encouraged to express themselves without boundaries as the title “Don’t Fence Me In” implies. Exhibiting artist include:
Bruce Allen, Charles Anderson, Robert Arieas, Betty Barss, Sue Bennett, Linda Boutacoff, PJ Boyd, Susan Eileen Burnes, Sarah F. Burns, Leonard Burton, Violet Burton, Katy Cauker, Millie Clarke, Dawna Curler, Valerie Dann, Susan DeRosa, Anna Elkins, Cynthia Flowers, Alx Fox, Miles Frode, Tom Glassman, Jay Gordon, Nancy Graham, Kelly Gratton, Carla Griffin, Phyllis Gustafson, Lane Hall, Claudia Harlow, John Hawkins, Rebecca Hawkins, Linda Henning, Anna Hinkle, Howard Hunt, Marilyn Hurst, Zelpha Hutton, Jennifer Ivey, Paul Jorizzo, Joan Kennedy, Susan Hoppe Krempa, Judy Benson LaNier, Shahnaz LeRoy, Betsy Lewis, Katherine Lundgren, Mary Ann Schofield Macey, Christina Madden, Dave Mathewson, Vivian McAleavey, Vera Melnyk, Kathy Morawiec, Victoria Morgan, Kay Myer, Judy Ghetti Ommen, Kristen O’Neill, Walt Padgett, Carolyn Patten, JoAnn Pearce, Cecilia Pestlin, Charlotte Peterson, Linda Purdom, Susan Quinn, Janice Rosenberg, Mary Ruzich, Barbara Schack, Ginny Schaw, Desmond Serratore, Lo Smucker, Darlene Southworth, Leland Struebig, Sheryl Swift, Eva Thiemann, Greg Thweatt, Silvia Trujillo, Peter Van Fleet, Cherri Van Syoc, Mary Joette Vannice, Daniel Verner, Doug Wallace, Gerald Westgerdes, Marilyn Westgerdes, Charlotte L. Wirfs, Walter Wirfs, Eve Margo Withrow, and Sue Yamins
. . . . . .
Last chance to see these beautiful pastel paintings!
IN THE COMMUNITY GALLERY
Southern Oregon Impressions
by Marilyn Hurst
October 5 – November 16, 2018
THE GRAND GIANT SEQUOIA – pastel, Marilyn Hurst
Southern Oregon artist Marilyn Hurst finds inspiration for her paintings in various subjects like a peaceful landscape, beautiful flowers or the character of an old barn. She works primarily in pastel and watercolor.
IN THE ROGUE STUDIO
Artist Teen Program
Build a Future in the Visual Arts
The Artist Teen Program, or ATP, offers local teens a realistic career experience of a professional artist. Students will be paired with artists from the community to create exceptional works of art and to build their art skills. The program culminates with an exhibition of the art they have created. This year, students will work in Photography, Drawing, Painting, Mixed- Media, printmaking, or Sculpture.
Program runs January – April annually.
The Artist Teen Program is $300 for tuition, includes ALL materials and framing expenses.
Financial assistance is available. ATP APPLICATION HERE>>
APPLICATION DEADLINE: Friday, December 7, 2018
For further information please contact Ashley E. Clasby, our Education and Events Manager at (541)772-8118 or [email protected]
The Rogue Gallery & Art Center is the Rogue Valley’s premier non-profit community art center founded in 1960 to promote and nurture the visual arts in the Rogue Valley. The Art Center showcases emerging and established artists, presents fine crafts by area artisans, and offers a broad range of visual art classes and workshops for all ages.
Rogue Gallery & Art Center is located in downtown Medford at 40 South Bartlett Street. The hours of operation are Tuesday through Friday from 10 a.m. to 5 p.m. and Saturday from 11 a.m. to 3 p.m. We are open every third Friday until 8:00pm.
