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“Espresso Time-R” at Rogue Gallery’s Annual Member’s Exhibition

Greetings!   

I am pleased to say that my painting “Espresso Time-R” is in the 2017 Annual Member’s Exhibition at the Rogue Gallery.  
  
Rogue Gallery & Art Center (Medford)

Exhibition Details.

This is to let you know the where and when of the show.

  • Location:  Rogue Gallery and Art Center, 40S Bartlett St., Medford OR
  • Opening Reception:  Friday, November 17, from 5 to 8 pm.
  • Show Dates:  November 17th through December 21
  • View during business hours:  
    • Tuesday – Friday:  10am to 5pm
    • Saturday:        11am to 3pm 

About the Exhibition, From The Gallery’s Website.

“This exhibit gives Rogue Gallery members an opportunity to exhibit one piece of their work on the central theme of “Time”. Over 50 artists are participating in this non-juried exhibit. Artists’ submitted artwork that reflects their personal interpretation of the theme. The exhibit includes watercolors, acrylic, and oil paintings as well as sculptures, photography, and pastels”.

Participating Artists:

I would like to highlight that, per the gallery’s website, over 50 artists submitted work this year.  Included are the following artists:

Bruce Allen, Rachel Barrett, Betty Barss, Bruce Bayard, Linda Boutacoff, Robert Broadway, Susan Eileen Burnes, John Campbell, Jim Curtis, Julia Dahl, Ann Di Salvo, Linda Dixon, Phyllis Earls, Anna Elkins, Linda Elesiya Evans, Kim Faucher, Debby Fisher, Cynthia Flowers, Tom Glassman, Kelly Gratton, Phyllis Gustafson, Claudia Harlow, Nomeca Hartwell, Pam Haunschild, Anna Hinkle, Howard Hunt, Marilyn Hurst, Zelpha Hutton, Jennifer Ivey, Joan Kennedy, Judy Benson LaNier, Christina Madden, Dave Mathewson, Anna May, Linda Meerten, Vera Melnyk, Kathy Morawiec, Judy Ghetti Ommen, Tom Ommen, Cecilia Pestlin, June Shepard, Margaret Stermer-Cox, Leland Struebig, Cherri Van Syoc, Daniel Verner, Doug Wallace, Karen Wallace, Gerald Westgerdes, Marilyn Westgerdes, Charlotte L. Wirfs, Walter Wirfs, Eve Margo Withrow”.

Happily, many of the artists showing are personal friends; I look forward to seeing their work!

About My Painting.

Daily Espresso.  So, each morning I start my day with a couple of cups of espresso.  And, for those of you who have followed my work, you might have noticed that espresso and coffee cups appear in my paintings often.   One could say there is a life theme being expressed in my painting.  

Why Espresso Cups?  I’d like to explain that one of the reasons that the cups appear so often is that they are a good objects to teach oneself how to draw or paint.  Specifically, its the ovals of the cup’s mouth and the semi-circles of the cup’s handle that are challenging.  And, the shapes are fun to play with when I want to go abstract!

Time-R.  Back to the painting’s title:  “Espresso Time-R”, I added my favorite kitchen timer so the title would fit.  And, if the painting was about time, I could enter it into the Rogue Gallery’s “Time” show.   Furthermore, you guessed it, I like the shapes of the timer; so much so, I keep drawing and painting it!

Distorted By Design.  As is my style, I chose to play with the shapes of the timer and espresso.  I flatten them, distort them and paint them expressive colors.  Perhaps this is because its espresso time!  And, energy and I like espresso!

Acrylic.  This particular painting is done in acrylic.  Much of the work I have been doing this past year has been in acrylic, which is something different for me.  Most of my show work is in watercolor.  I thought it was time to show some of my new acrylic work.  

Invitation.

If you are in the area, please do stop by the Rogue Gallery & Art Center.  Please, take your time and feast your eyes on a wonderful collection of artworks.  

And, naturally, if you would please stop by my “Espresso Time-R” and have a look.  

Thank you!

 

 

Share

The post “Espresso Time-R” at Rogue Gallery’s Annual Member’s Exhibition appeared first on Margaret Stermer-Cox.

“Espresso Time-R” at Rogue Gallery’s Annual Member’s Exhibition

Greetings!   

I am pleased to say that my painting “Espresso Time-R” is in the 2017 Annual Member’s Exhibition at the Rogue Gallery.  
  
Rogue Gallery & Art Center (Medford)

Exhibition Details.

This is to let you know the where and when of the show.

  • Location:  Rogue Gallery and Art Center, 40S Bartlett St., Medford OR
  • Opening Reception:  Friday, November 17, from 5 to 8 pm.
  • Show Dates:  November 17th through December 21
  • View during business hours:  
    • Tuesday – Friday:  10am to 5pm
    • Saturday:        11am to 3pm 

About the Exhibition, From The Gallery’s Website.

“This exhibit gives Rogue Gallery members an opportunity to exhibit one piece of their work on the central theme of “Time”. Over 50 artists are participating in this non-juried exhibit. Artists’ submitted artwork that reflects their personal interpretation of the theme. The exhibit includes watercolors, acrylic, and oil paintings as well as sculptures, photography, and pastels”.

Participating Artists:

I would like to highlight that, per the gallery’s website, over 50 artists submitted work this year.  Included are the following artists:

Bruce Allen, Rachel Barrett, Betty Barss, Bruce Bayard, Linda Boutacoff, Robert Broadway, Susan Eileen Burnes, John Campbell, Jim Curtis, Julia Dahl, Ann Di Salvo, Linda Dixon, Phyllis Earls, Anna Elkins, Linda Elesiya Evans, Kim Faucher, Debby Fisher, Cynthia Flowers, Tom Glassman, Kelly Gratton, Phyllis Gustafson, Claudia Harlow, Nomeca Hartwell, Pam Haunschild, Anna Hinkle, Howard Hunt, Marilyn Hurst, Zelpha Hutton, Jennifer Ivey, Joan Kennedy, Judy Benson LaNier, Christina Madden, Dave Mathewson, Anna May, Linda Meerten, Vera Melnyk, Kathy Morawiec, Judy Ghetti Ommen, Tom Ommen, Cecilia Pestlin, June Shepard, Margaret Stermer-Cox, Leland Struebig, Cherri Van Syoc, Daniel Verner, Doug Wallace, Karen Wallace, Gerald Westgerdes, Marilyn Westgerdes, Charlotte L. Wirfs, Walter Wirfs, Eve Margo Withrow”.

Happily, many of the artists showing are personal friends; I look forward to seeing their work!

About My Painting.

Daily Espresso.  So, each morning I start my day with a couple of cups of espresso.  And, for those of you who have followed my work, you might have noticed that espresso and coffee cups appear in my paintings often.   One could say there is a life theme being expressed in my painting.  

Why Espresso Cups?  I’d like to explain that one of the reasons that the cups appear so often is that they are a good objects to teach oneself how to draw or paint.  Specifically, its the ovals of the cup’s mouth and the semi-circles of the cup’s handle that are challenging.  And, the shapes are fun to play with when I want to go abstract!

Time-R.  Back to the painting’s title:  “Espresso Time-R”, I added my favorite kitchen timer so the title would fit.  And, if the painting was about time, I could enter it into the Rogue Gallery’s “Time” show.   Furthermore, you guessed it, I like the shapes of the timer; so much so, I keep drawing and painting it!

Distorted By Design.  As is my style, I chose to play with the shapes of the timer and espresso.  I flatten them, distort them and paint them expressive colors.  Perhaps this is because its espresso time!  And, energy and I like espresso!

Acrylic.  This particular painting is done in acrylic.  Much of the work I have been doing this past year has been in acrylic, which is something different for me.  Most of my show work is in watercolor.  I thought it was time to show some of my new acrylic work.  

Invitation.

If you are in the area, please do stop by the Rogue Gallery & Art Center.  Please, take your time and feast your eyes on a wonderful collection of artworks.  

And, naturally, if you would please stop by my “Espresso Time-R” and have a look.  

Thank you!

 

 

Share

The post “Espresso Time-R” at Rogue Gallery’s Annual Member’s Exhibition appeared first on Margaret Stermer-Cox.

“Electron Constellation”, oil on wood, 10×10 I love…

“Electron Constellation”, oil on wood, 10×10

I love continually playing with the macro / microcosm and I see the bees I’ve been painting as like little island planets with their own contained ecosystems and landscapes. I got really stuck halfway through this one and didn’t know where to take it. On a road trip returning from Lake Chelan last month I was driving into the sunset and saw ever stunning and beautifully mysterious lenticular clouds over Mount Rainier. It was just the thing I needed to complete the composition. The continual conversation between nature and painting practice is a never-ending scavenger hunt!

www.michelleanderstshop.com

The Best Advice For Plein Air Painting Artist EVER !

In this video Stefan Baumann talks to his students and give them The Best Advice For Plein Air Painting Artist EVER !
Inspiring Millions to paint outdoors This video is about Touch Move and Inspire. Get a free Book at his website www.StefanBaumann.com. The paintings of Stefan Baumann reveal the true spirit of nature by transporting the viewer to distant lands that have gone unseen and undisturbed. With the huge success of Baumann’s weekly PBS television series “The Grand View: America’s National Parks through the Eyes of an Artist,” millions of people witness for themselves the magic Stefan portrays on canvas, his passion for nature and the American landscape. By distilling his love of nature into a luminous painting of brilliant, saturated color that transcends conventional landscape and wildlife art, Baumann has captured the hearts and imaginations of a generation. Each painting becomes an experience rather than merely a picture – a vivid manifestation of his special and personal union with nature and the outdoor world. Through his mastery of light, color and artful composition, Baumann invites you to experience nature in its purity. It is no wonder that for many years distinguished American collectors, including former presidents and financial icons, have sought out his work.

The post The Best Advice For Plein Air Painting Artist EVER ! appeared first on Stefan Baumann – The Grand View: Paintings by Stefan Baumann.

Create A Unique & Beautiful Gift For The Artist In Your Life!

Create A Unique & Beautiful Gift For The Artist In Your Life!
Central Art Logo

Mugs & Coasters with Posca Pens

at Central Art:

centralartsupply.com, 101 N. Central Ave., Medford, Oregon

Don’t miss out on this fun and engaging 1-hour mini art workshop, exclusively at Central Art!

When: Wednesday, Nov. 8th, 2017

Location: Central Art

Time: 3:30pm – 4:30pm
Fee: $7.50*

*Pre-registration required for all workshops. Space is limited to 12 students maximum. Payment is required at time of registration.

http://www.centralartsupply.com/events-and-classes

Photographer Pat Moore at Cafe 116

Pat Moore Artist Reception with fine art photography Nov 5, Dec 3 11 AM - 2PM  Cafe 116, Ashland

Art Classes at the GP Museum of Art- Nov/ Dec 2017

Art Classes!

Elderhood, Wisdom, and Our Inner Knowing

workshop with

Janet L. Stanley, M. A.

Saturday, Nov. 18

1-4 pm

“We are the Crones, the Wise Women whose truths must be given voice, our spiritual journeys embraced and our sage insights welcomed. Come join me as we celebrate elderhood, our collective wisdom and how this inner knowing will help heal Mother Earth and all her inhabitants.”
$20 per person

How to Paint Snow

 with Kristen O’Neill

Saturday, Dec 2

1 – 4 pm

  • All materials provided
  • Create your own painting of a winter scene
  • Learn about color theory (warm & cool colors)
  • Have a fun afternoon!
  • All skill levels are welcome
$30 per person, includes all materials.

 Art Journaling:

Recipe for a

Perfect Holiday

with Karen O’Brien

Saturday, Dec 16

10 am – 1 pm

In this class we will learn how to begin our own art journal* with simple supplies. I will share plenty of ideas and approaches to begin filling your journals. We will create a journal spread in class focusing on the holiday season.
All you need to bring to class is:
  • Blank journal that can handle water media: 90-140 lb paper
  • OR
  • Old book : thin spine, no larger than 9″ x 12″, no shiny, slick or glossy pages
*What is an Art Journal? It’s a place to record your thoughts, memories, and emotions through images, art and words.
Why do it? It is an easy way to use your creativity every day. It can be done with simple tools. It is portable, requiring very little space to do it. It can be used to document life, travels, plan you art, express your feelings, test out new art products and techniques. It can be personal – only for you, or you can share it with others.
$45 per person. Includes some materials. (List on website)
Grants Pass Museum of Art | 229 SW G StGrants Pass, OR 97528

New works in oil & photography- November 2017 Spotlight Exhibits with AGA

Ashland Gallery Association

November Spotlight Exhibits

Photographers’ Gallery

“Into the Woods” photography by Julie Bonney

Julie Bonney is the featured artist at The Photographers’ Gallery At The Ashland Art Center.  Her new show, “Into The Woods” opens during the First Friday Art Walk on November 3rd.

Julie is a local photographer who finds inspiration in the natural beauty of Southern Oregon and Northern California.  John Muir said, “The clearest way into the Universe is through a forest wilderness.  The forest is a beacon for Julie.  It invites her to enter and explore more.   She feels as though there is a great mystery hiding somewhere within. Her photography explores that mystery and creates a deeper relationship between nature and herself.

“Redwoods” photograph by Julie Bonney

“Redwoods” photograph by Julie Bonney

Oak Leaf Studio

Best of 2017- Landscapes by Leif Trygg

For the month of November, Oak Leaf Studio is showing landscapes by artist Leif Trygg completed during the past year. Original paintings in acrylic and pastels will be featured. Prints and cards are also available.

Located in Ashland’s historic Railroad District, Oak Leaf Studio is at 247 Oak Street, between the Ashland Art Works and the Hanson Howard gallery. The studio is open Thursday through Saturday, from 11am to 3pm.

“Coming Ashore” acrylic on board by Leaf Trygg

“Coming Ashore” acrylic on board

Hanson Howard Gallery

Photo Cascadia – Seven Photographers on Atmosphere

Photo Cascadia consists of seven photographers: Erin Babnik, Sean Bagshaw, David Cobb, Adrian Klein, Kevin McNeal, Chip Phillips and Zack Schnepf. All are from the Cascadia region of the Pacific Northwest and share the common interest of photographing the beauty of the outdoors around the globe but especially the area they call home. Join us for an artist reception during the Ashland First Friday Art Walk on November 3rd, 5-8 p.m.  Show runs November 1-18. Gallery hours are Tuesday-Saturday 11-5.

For seven years the Photo Cascadia Team has worked together to explore natural beauty in the landscape, promote creative expression through experiences in nature, share images and stories that foster love and respect for the planet and inspire others to become involved in landscape photography. Photo Cascadia is also a resource for outdoor photography enthusiasts of all levels. The group publishes a weekly blog, leads tours and teaches photography workshops around the world.

“Wizards Hat” photograph by Chip Phillips

“Wizards Hat” photograph by Chip Phillips

Masterpiece Christian Fine Arts Foundation

Featured Artist Sandy Cathcart

Join us at the Ashland Pony Espresso/Washington Federal Bank for First Friday Art Walk, November 3rd, from 5pm-8pm, for a beautiful show featuring the work of local artist Sandy Cathcart.

Grab a cup of coffee or some delicious food, meet the artist, and enjoy an inspiring evening of looking at art and talking with other creatives. Plus, we will be showing a teaching video from renowned artist Daniel Gerhartz in the Washington Federal Community Room during the event.   We look forward to seeing you there!

The Pony Espresso is located at 175 Lithia Way, Ashland, OR 97520.

"Warrior King" oil on canvas by Sandy Cathcart

“Warrior King” oil on canvas by Sandy Cathcart

Celebrate Ashland’s Visual Arts during the AGA First Friday Art Walk, November 3rd from 5 to 8 pm! 

Stroll the galleries and take in the visual delights in downtown Ashland and the Historic Railroad District.  Enjoy this free year-round community event, filled with a diverse array of artwork, live music, artist demonstrations, refreshments and lively conversation! 

For more information about all of our exhibits and to download the November Gallery Tour map, please visit: www.ashlandgalleries.com  

Seeing Design Features: The Painting of Regal Kitty

Greetings!  Meet Regal Kitty, and, if you’ve met her before, then how about a peek into her design?

By Design: Regal Kitty

Purpose.

The purpose of this article is to give you some insight into how I designed my painting Regal Kitty.  More specifically, I would like to share with you three composition features that I purposely included in this painting.  

  • Fractured planes – the “Cubist Style” approach.
  • Shape and line, where shape dominates but line adds character.
  • Value and color scheme; value is important; color is managed.

History.  

To set the stage, I’ll start with a bit of history.  Regal Kitty was painted in 2009.  I had been reading books on Cubism because I wanted to understand what this important art movement was all about.  How did they create “Cubist” paintings?  I liked the shapes and lines of Cubism and wondered how they did it.  

In order to understand the movement, I thought I’d try my hand at designing my own Cubist style painting, though how does one start?  To me, one of the signature moves of the Cubist era, that is to say the design that stands out was the double face.  I find it intriguing to see both views together – front and sideways.  

By Design: Cubist Style Head

The Cubist Face.

But, how to combine both sides?  Well, the best solution I could come up with is just to start.  

I worked with several drawings, trying to marry side and front view faces.  It was a struggle; its not as easy as one might think coming up with a coherent design!  Then, I ran into drawings and etchings by Cubist sculpture Henri Laurens.  Wow!  I get it (sort of); I had a way in!  

You see the Cubists were thinking sculptural, or three dimensional and drawing two dimensional.  There is a sculptural side to Cubist paintings.  That is why a flattened box, where you see all six sides at the same time, is a good starting point for understanding Cubism.

Designing a Cubist Box

Back to Regal Kitty.  All these Cubist ideas were pinging around my brain.  After seeing photos of Henri Laurens sculpture plus his drawings, I plunged in again and tried to draw a cat.

Design detail: Profile view Regal Kitty

If you look closely at the head, you will see I did indeed include a sideways (profile) view and a forward view of the cat’s head.  All the other shapes allude to the different planes of the cat-figure flattened.  Think sculptural and statuesque.

I was pleased with the resulting cat design.  

Design view: frontal face, Regal Kitty

Design Elements: Line And Shape.

Another device I noticed while looking at paintings done in the Cubist era was the interplay of line and shape.  Some of the objects in a still life, for example, might just be outlined.  Other objects will be filled with color, value or texture to create a shape.

I liked the marriage of both line and shape.  But, as I learned while studying design, its best for either line or shape to be dominant.  When you have both in equal number, its confusing.  

So with the design of Regal Kitty, I focused on shape as dominant over line.  However, around the face, I used line to add character, (see the detail of the head above).  Naturally, you might say, the face is the center of interest.  That is where you want something a bit special to catch the viewer’s eye.

Design Analysis: Regal Kitty Grayscale

More Design Elements: Value and Color.

Both of the design elements “value and color” play an important part in this design.  I would consider this a value painting first.  Value, the relative light and dark of each shape, is what gives the design its power.  Plus, it is the relative light and dark of adjoining shapes that helps to express the feeling of a statuesque cat.

When I was developing my color scheme, I considered the relative value and intensity of the colors in relationship to each other.  So, a dark blue, for example, might read as a plane or side that is turning away from you, the viewer.  On the other side, a warm orange or yellow feels like it is advancing toward you.

I chose a complimentary blue and orange color scheme for a couple of reasons.  Foremost, a complimentary color scheme makes it easier to manage color.  Its like composing with a simplified color chord rather than an entire kaleidoscope of colors.  Granted, there are times when lots of different colors are just what’s needed, but that’s not what I wanted to do here. 

Design: Alternate Color Scheme, Regal Kitty

Another reason for the blue and orange is that I simply like the scheme.  It speaks softly but with some dignity and serenity.  You guessed it, the blue dignity is linked to the “regal” word in the title.

Sometimes its easiest just to see what a different color scheme will do.  I manipulated the image of Regal Kitty to give you a violet and yellow scheme as well as a red and green version to see.  It changes the meaning somewhat, don’t you think?  You might like a different color better; its all a matter of taste and what “speaks” to you.

Alternate Color Scheme: Green and Red

Looking Again And Sharing Secrets.

So, now that we have talked and looked at Regal Kitty for several paragraphs, how do you see her now?  Do you see more?  Has her meaning changed?

I like sharing with you my secret “double faced” cat; its like a little joke just between you and me.  My Regal Kitty is trying to be dignified and regal, but she’s really looking at you, or is she?  Perhaps she’s contemplating the meaning of life and the greater universe.  Or, maybe, she’s thinking its time to go take a nap.

Thanks!

Thank you for sharing your time with me and Regal Kitty!

 

Share

The post Seeing Design Features: The Painting of Regal Kitty appeared first on Margaret Stermer-Cox.

Seeing Design Features: The Painting of Regal Kitty

Greetings!  Meet Regal Kitty, and, if you’ve met her before, then how about a peek into her design?

By Design: Regal Kitty

Purpose.

The purpose of this article is to give you some insight into how I designed my painting Regal Kitty.  More specifically, I would like to share with you three composition features that I purposely included in this painting.  

  • Fractured planes – the “Cubist Style” approach.
  • Shape and line, where shape dominates but line adds character.
  • Value and color scheme; value is important; color is managed.

History.  

To set the stage, I’ll start with a bit of history.  Regal Kitty was painted in 2009.  I had been reading books on Cubism because I wanted to understand what this important art movement was all about.  How did they create “Cubist” paintings?  I liked the shapes and lines of Cubism and wondered how they did it.  

In order to understand the movement, I thought I’d try my hand at designing my own Cubist style painting, though how does one start?  To me, one of the signature moves of the Cubist era, that is to say the design that stands out was the double face.  I find it intriguing to see both views together – front and sideways.  

By Design: Cubist Style Head

The Cubist Face.

But, how to combine both sides?  Well, the best solution I could come up with is just to start.  

I worked with several drawings, trying to marry side and front view faces.  It was a struggle; its not as easy as one might think coming up with a coherent design!  Then, I ran into drawings and etchings by Cubist sculpture Henri Laurens.  Wow!  I get it (sort of); I had a way in!  

You see the Cubists were thinking sculptural, or three dimensional and drawing two dimensional.  There is a sculptural side to Cubist paintings.  That is why a flattened box, where you see all six sides at the same time, is a good starting point for understanding Cubism.

Designing a Cubist Box

Back to Regal Kitty.  All these Cubist ideas were pinging around my brain.  After seeing photos of Henri Laurens sculpture plus his drawings, I plunged in again and tried to draw a cat.

Design detail: Profile view Regal Kitty

If you look closely at the head, you will see I did indeed include a sideways (profile) view and a forward view of the cat’s head.  All the other shapes allude to the different planes of the cat-figure flattened.  Think sculptural and statuesque.

I was pleased with the resulting cat design.  

Design view: frontal face, Regal Kitty

Design Elements: Line And Shape.

Another device I noticed while looking at paintings done in the Cubist era was the interplay of line and shape.  Some of the objects in a still life, for example, might just be outlined.  Other objects will be filled with color, value or texture to create a shape.

I liked the marriage of both line and shape.  But, as I learned while studying design, its best for either line or shape to be dominant.  When you have both in equal number, its confusing.  

So with the design of Regal Kitty, I focused on shape as dominant over line.  However, around the face, I used line to add character, (see the detail of the head above).  Naturally, you might say, the face is the center of interest.  That is where you want something a bit special to catch the viewer’s eye.

Design Analysis: Regal Kitty Grayscale

More Design Elements: Value and Color.

Both of the design elements “value and color” play an important part in this design.  I would consider this a value painting first.  Value, the relative light and dark of each shape, is what gives the design its power.  Plus, it is the relative light and dark of adjoining shapes that helps to express the feeling of a statuesque cat.

When I was developing my color scheme, I considered the relative value and intensity of the colors in relationship to each other.  So, a dark blue, for example, might read as a plane or side that is turning away from you, the viewer.  On the other side, a warm orange or yellow feels like it is advancing toward you.

I chose a complimentary blue and orange color scheme for a couple of reasons.  Foremost, a complimentary color scheme makes it easier to manage color.  Its like composing with a simplified color chord rather than an entire kaleidoscope of colors.  Granted, there are times when lots of different colors are just what’s needed, but that’s not what I wanted to do here. 

Design: Alternate Color Scheme, Regal Kitty

Another reason for the blue and orange is that I simply like the scheme.  It speaks softly but with some dignity and serenity.  You guessed it, the blue dignity is linked to the “regal” word in the title.

Sometimes its easiest just to see what a different color scheme will do.  I manipulated the image of Regal Kitty to give you a violet and yellow scheme as well as a red and green version to see.  It changes the meaning somewhat, don’t you think?  You might like a different color better; its all a matter of taste and what “speaks” to you.

Alternate Color Scheme: Green and Red

Looking Again And Sharing Secrets.

So, now that we have talked and looked at Regal Kitty for several paragraphs, how do you see her now?  Do you see more?  Has her meaning changed?

I like sharing with you my secret “double faced” cat; its like a little joke just between you and me.  My Regal Kitty is trying to be dignified and regal, but she’s really looking at you, or is she?  Perhaps she’s contemplating the meaning of life and the greater universe.  Or, maybe, she’s thinking its time to go take a nap.

Thanks!

Thank you for sharing your time with me and Regal Kitty!

 

Share

The post Seeing Design Features: The Painting of Regal Kitty appeared first on Margaret Stermer-Cox.