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Call For Artists – City of Grants Pass Art in Motion

Greetings to all Artists!

It’s time to send in your favorite art pictures for the next round of Art in Motion. This has been a successful way for artist to show off their “wares” on the side of the JCT Bus that runs up and down 6th and 7th Street in Grants Pass.

Thanks to our generous sponsor Republic Service, courtesy of JCT Bus, and the Committee on Public Art (CoPA), we are looking for pictures of art for the next run starting in March. Please send in your submissions by January 31st. *Details are attached. Please share widely!

It’s time to send in your favorite art pictures for the next round of Art in Motion. This has been a successful way for artist to show off their “wares” on the side of the JCT Bus that runs up and down 6th and 7th Street in Grants Pass.     Thanks to our generous sponsor Republic Service, courtesy of JCT Bus, and the Committee on Public Art (CoPA), we are looking for pictures of art for the next run starting in March. Please send in your submissions by January 31st. *Details are attached. Please share widely!     *Bus displayed is not the one currently in motion.  Kind Regards,  Susan     Susan Seereiter  Business Advocate  www.grantspassoregon.gov  (541) 450-6014 (Direct)

*Bus displayed is not the one currently in motion.

Kind Regards,

Susan

 

Susan Seereiter

Business Advocate

www.grantspassoregon.gov

(541) 450-6014 (Direct)

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   Art in Motion

Prospectus:

The City of Grants Pass Committee on Public Art (CoPA) invites artists 18 years of age and older to submit original artwork in any 2-D or 3-D media with the exception of video/film, installation or performance art for Art in Motion.

This public art project is essentially a gallery on wheels; artwork is displayed on 54” x 34” vinyl print on both side of one of the Josephine Community Transit buses.  The art is there to engage people, expand public art visibility, create opportunities for the community to experience art in everyday life and enhance the overall artistic climate of the City of Grants Pass.

This prospectus solicits submissions for two exhibition periods.  The first from March through July 2020, and the second from August through December 2020.  The work will be selected based on originality, artistic conception and quality.  An effort will be made to represent a broad diversity of styles, media and disciplines. One or two artist may be chosen for each exhibition period.

Media Eligibility: All artists working in, but not limited to, the following disciplines are invited to submit “High Resolution” images of their work: painting, drawing, printmaking, photography, digital graphics, engravings, sculpture, glass, wood, metal/jewelry, ceramics, fiber arts, mixed media, and assemblage.  Video/film, installation art and performance art are not appropriate disciplines for the Art in Motion project.

Submissions:  Artists must submit a minimum of four (4) images to a maximum of six (6) works.  All work submitted must be original, no copy work, no classwork or work done under supervision. Choose your most dramatic work that would be easily visible from a distance.

All submissions must include these three (3) items:

1.  A CD or USB thumb drive for four (4) to six (6) images. Label storage devices with your name. (Storage devices will not be returned.)

2.  A hard copy printout of your contact information with artist statement.

3.  A hard copy printout of your inventory of images.

PLEASE DO NOT SEND ORIGINAL ARTWORK. DO NOT ENCLOSE BINDERS, FOLDERS,

OR ANY MATERIALS OTHER THAN THE INFORMATION REQUESTED.


Image Format:
Images must be
Tclear and professionally presented.T

  • Images UmustU be submitted in high-resolution jpeg format on a CD or USB thumb drive.  For clarity of reproduction, the resolution needs to be as high as possible.  Because the image you provide will be used by the printer to create the image for use on the poster, quality of the photos and their scalability will be considered during the process to ensure the best possible image for public viewing. 
  • Three dimensional art pieces should be photographed against a neutral background.  The background can be either flat or graded. 
  • Label each jpeg image as follows:  last name, first initial, entry number (for example: Smith, J 1, Smith, J 2, Smith J 3, etc.).

Jurors: CoPA, the City of Grants Pass Committee on Public Art. Exhibitors will be selected based on originality, art concept and artistic quality. An effort will be made to represent a broad diversity of styles, media and disciplines.

  • CoPA may, at it’s sole discretion, crop or use a fragment of original art to best fit the parameters on the bus display and to increase impact.
  • Artist’s name and title of work will accompany the submission once selected and reproduced. Artist will be notified of selection before placement.

Mail or hand deliver submissions to:

Grants Pass City Hall

101 NW “A” Street

Grants Pass, OR 97526

Attn. CoPA

DEADLINE FOR ENTRIES:   Friday, January 31, 2020 by 3:00 PM.

All artists will be contacted via email with the Art in Motion jurying results within 30 days after the submission deadline.


Artist’s Contact Information


Name (Last, First) ____________________________________________________________

Mailing Address______________________________________________________________

City / State / Zip ______________________________________________________________

Daytime Phone ______________________________________________________________

Email_______________________________________________________________________

Artist’s Website_______________________________________________________________

Artist Statement (related to the work submitted)

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________


Inventory of Images

Entry 1

Title of Work _________________________________________________

Dimensions __________________________________________________

Medium ____________________________________________________

Entry 2

Title of Work _________________________________________________

Dimensions __________________________________________________

Medium ____________________________________________________

Entry 3

Title of Work _________________________________________________

Dimensions __________________________________________________

Medium ____________________________________________________

Entry 4

Title of Work _________________________________________________

Dimensions __________________________________________________

Medium ____________________________________________________

Entry 5 (optional)

Title of Work _________________________________________________

Dimensions __________________________________________________

Medium ____________________________________________________

Entry 6 (optional)

Title of Work _________________________________________________

Dimensions __________________________________________________

Medium ____________________________________________________

How to Paint a Landscape in Three Different Mediums

How to Paint a Landscape in Three Different Mediums by Anita HartCarroll

Painting the same scene three different times using a different medium on each painting can be very enlightening and a lot of fun!  In our article at VeryCreate.com, I explore using pastel, acrylic and watercolor to paint a distinctive landscape of Vantage, Washington on the Columbia River. I share what I learned and what I would do differently the next time I paint the scene.

The goal of the experiment was to see how different each medium handled the same subject and if the final results were unique enough for me to pick a favorite standout.  The knowledge I gained by completing the three paintings really surprised me!

In the acrylic painting, I blew up the scale and went for high drama on canvas.  Using thin layers of paint and glazes, I was able to adjust the value planes and colors until I arrived at the point where I was happy with the final painting.  In this version it was easier to really pop the colors in the shadows on the cliffs and on the roadway.

Acrylic Painting

With pastel, I reduced the scale to a manageable 11 x 17 inches and went for juicy vibrant pastel sticks that I typically don’t use very often. This painting was the fastest and most intuitive.

Pastel Painting

The watercolor painting was painted with the most direct approach and was painted in about 45 minutes. I think it will make a terrific large watercolor but by doing the smaller study, I definitely learned what I will do differently when that time comes.  Not only is this a great time saver, but it is like being your own masterclass teacher!  I basically worked out all the buggaboos before committing to a full size sheet of expensive watercolor paper.
Watercolor painting photo: https://verycreate.com/wp-content/uploads/2019/09/wc-vatage2.jpg

Watercolor Painting

Having tackled the same subject three different ways gave me insights and experience that could only have come from my experiment!  I will use this knowledge each time I approach a landscape painting and file these tidbits away as golden nuggets.
Thank you!
Anita
https://verycreate.com/one-landscape-painted-with-3-different-mediums-demonstration/

First Friday of 2020! Ashland Gallery Association Exhibit Openings & Artist Receptions

Join us for the January First Friday Art Walk festivities! 

January 3rd from 5 to 8 pm

ashland gallery association logo

Ashland Gallery Association Exhibit Openings & Artist Receptions

Stroll the galleries and take in the visual delights in downtown Ashland and the Historic Railroad District.  Venture further to explore out-skirting galleries!  Enjoy this free year-round community event, filled with a diverse array of artwork, live music, artist demonstrations, refreshments and lively conversation! 

January Spotlight Exhibits

Art & Soul Gallery

What a Difference a Frame Makes!

The gallery’s First Friday show also features wine and light refreshments; live music by pianist Anthony Bock, and will be on display from December 31 – February 2.

Peter Stone has been a professional picture framer for more than twenty-three years. He owned the popular Arrowhead Framing shop in Half Moon Bay, CA before moving to Ashland and Art & Soul Gallery.  He has long enjoyed the interpretive creative process and the constant creative problem solving which are custom picture framing. Peter loves the unique design opportunity that comes with each new artistic challenge.

“Every custom picture framing project comes with a story,” Peter has discovered. People only choose custom framing when the artwork has special meaning, he said. “And what is more special than our family memories!”

Pianist, Anthony Bock, a senior at SOU and a student of Dr. Tutunov, returns to Art & Soul for the third time. He effortlessly combines classical and non-classical piano music in a free and bright style, which captivates everyone listening.

Peter Stone, "sivo'ham, sivo'ham" (I am Shiva, I am Shiva)

Peter Stone, “sivo’ham, sivo’ham” (I am Shiva, I am Shiva)

Schneider Museum of Art

TWO GENERATIONS: JOE FEDDERSEN & WENDY RED STAR

On View: January 16 – March 14, 2020
Opening Reception: January 16th, 5:00pm – 7:00pm

EXHIBITION STATEMENT

This exhibition presents the work of two Northwest Indigenous artists who work across media and whose work responds, on their own terms, to historic and contemporary misrepresentations of Native Americans. Joe Feddersen, born in 1953, is a member of the Confederated Tribes of the Colville Reservation and has exhibited internationally since the early 1980’s. As a printmaker, basket maker, ceramicist and glass artist, Feddersen combines contemporary materials with Native iconography to create powerful and evocative works that explore the interrelationships between urban symbols and Indigenous landscapes.

Wendy Red Star, born in 1981, was raised on the Apsáalooke (Crow) reservation in Montana. An avid researcher of archives and historical narratives, Red Star incorporates and recasts her research through photography, sculpture, video, fiber arts, and performance, offering new and unexpected perspectives on past, present, and future life. Her work is humorous, surreal, and often abrasive, yet deeply rooted in a celebration for Crow life.

JOE FEDDERSEN BIO:

Joe Feddersen, a member of the Confederated Tribes of the Colville Reservation, lives and works in Omak, WA and was a faculty member at Evergreen State College in Olympia, WA from 1989 until his retirement in 2009. His work was included in Weaving Past into Present: Experiments in Contemporary Native American Printmaking at the International Print Center, New York, Autumn 2015. He has been featured in numerous national exhibitions, including Continuum 12 Artists: Joe Feddersen, National Museum of the American Indian, Smithsonian Institution at the George Gustav Heye Center, New York, NY, curated by Truman Lowe; Land Mark, Northwest Museum of Arts & Culture, Spokane, WA; and was the subject of a major retrospective exhibition and monograph, Vital Signs, organized in conjunction with Froelick Gallery and the Hallie Ford Museum of Art at Willamette University in Salem, OR

WENDY RED STAR BIO:

Artist Wendy Red Star works across disciplines to explore the intersections of Native American ideologies and colonialist structures, both historically and in contemporary society. Raised on the Apsáalooke (Crow) reservation in Montana, Red Star’s work is informed both by her cultural heritage and her engagement with many forms of creative expression, including photography, sculpture, video, fiber arts, and performance. An avid researcher of archives and historical narratives, Red Star seeks to incorporate and recast her research, offering new and unexpected perspectives in work that is at once inquisitive, witty and unsettling. Intergenerational collaborative work is integral to her practice, along with creating a forum for the expression of Native women’s voices in contemporary art.

Red Star has exhibited in the United States and abroad at venues including the Metropolitan Museum of Art, Fondation Cartier pour l’ Art Contemporain, Domaine de Kerguéhennec, Portland Art Museum, Hood Art Museum, St. Louis Art Museum, and the Minneapolis Institute of Art, among others. She served a visiting lecturer at institutions including Yale University, the Figge Art Museum, the Banff Centre, National Gallery of Victoria in Melbourne, Dartmouth College, CalArts, Flagler College, and I.D.E.A. Space in Colorado Springs. In 2017, Red Star was awarded the Louis Comfort Tiffany Award and in 2018 she received a Smithsonian Artist Research Fellowship. In 2019 Red Star will have her first career survey exhibition at the Newark Museum in Newark New Jersey.

Red Star holds a BFA from Montana State University, Bozeman, and an MFA in sculpture from University of California, Los Angeles. She lives and works in Portland, OR.

CURATOR MACK MCFARLAND BIO:

Mack McFarland is a cultural producer and has worked as Curator for Pacific Northwest College of Art since 2006. Currently McFarland is the Director of the Center for Contemporary Art & Culture at PNCA. His exhibitions at PNCA have included commissioned projects of new works from tactical media practitioners Critical Art Ensemble, Eva and Franco Mattes, and Disorientalism.  He has also curated a review of Luc Tuymans’s printed works, a group exhibit marking the centennial of John Cage’s birth, and a comprehensive look at the process of the comic journalist Joe Sacco.  McFarland’s current question is how exhibitions and artworks can meaningfully link to our shared experience of existing together within the ongoing process of history.

Wendy Red Star, "Winter", from "The Four Seasons", Archival pigment print on Museo silver rag, 35.5 X 40 inches, Courtesy of the Jordan Schnitzer Museum of Art, Eugene, OR

Wendy Red Star, “Winter”, from “The Four Seasons”, Archival pigment print on Museo silver rag, 35.5 X 40 inches, Courtesy of the Jordan Schnitzer Museum of Art, Eugene, OR

Photographers’ Gallery (Ashland Art Center)

Kate Geary – “In the Woods”

Kate Geary’s new show, “In the Woods”, opens on Friday, January 3, 2020, at The Photographer’s Gallery at the Ashland Art Center and runs through the end of February.  

Kate’s focus in this show is on the amazing beauty and even humor in the small details of the natural world in the forest.  So often the small is obscured by the magnificence of the scene, the towering redwood or roaring waterfall.  To pause, to look downward and notice the patterns in decaying bark, the sensuous texture of exposed wood; the beauty of seed pods lying in verdant ground cover, reflections of fall color in a meandering stream, brings a new appreciation to the beauty of detail.

Kate Geary, “Reflections of Season Past,” photograph

Kate Geary, “Reflections of Season Past,” photograph

Creekside Pizza

Featuring Justin Gordon

Justin Gordon is an artist and musician living in Ashland Oregon who enjoys traditional processes that harken back to the twentieth century before the digital world inundated us with images and sounds and facsimiles of real objects. He can be found driving around in a yellow seventies pick up snapping photos or playing his original songs with his band The Holy Mackerels around town when he is not at work as a carpenter and painter.

Show runs December through January.

Justin Gordon, photograph

Justin Gordon, photograph

For more information about all of our exhibits and to download the January Gallery Tour map, please visit: www.ashlandgalleries.com  

 

Please see “Spotlight Exhibits” and the January Gallery Tour Map.

Download (PDF, Unknown)

Thank you for your support of the Visual Arts in our communities!

A Call for Artist Participation – Alley Beautification in Grants Pass

Greetings Artists and Community Members,

The City of Grants Pass and the Committee on Public Art (CoPA) is seeking an artist to work with the CoPA Sub-Committee to transform one of the Historical Downtown Alleyways.

        Alley Beautification Call for Artist Participation

Prospectus:

The City of Grants Pass is investing in the transformation of select alleyways downtown into usable and enjoyed public spaces. The Alley Beautification project furthers the City’s goal of creating a vibrant commercial district by enhancing downtown activities and safe spaces. In this project, the selected artist will have the support of the City’s Committee on Public Arts (CoPA) to survey key stakeholders and design site-specific art installation(s) for the selected alleyway. The artist will be asked to create work(s) that create a sense of play and invoke interaction from the public, while also respecting placement within the City’s Historic District.  The Alley Beautification project is commissioned by the City of Grants Pass with a budget of $20K. Deadline for this Call for Artist is March 6, 2020. While local creators may be given preference, there is no geographic eligibility requirement to apply.

Project Description: 

The Alley Beautification project is a commission of new work(s), where the artist is the creator.  The artist will have the support of the City’s Committee on Public Art (CoPA) to survey interests of key stakeholders to design and create one or more works of public art for the Osprey Alley. The project will be overseen by CoPA with final authority given to City Council. Key stakeholders include business owners adjacent to the alley and the City’s Historic Building & Sites Commission. The Osprey Alley is the first in a series of alleyways to be developed. 

Location: 

The Osprey Alley is located between 6th and 5th streets and parallel to H and I streets. As this site is within the City’s Historic District, no permanent changes can be made to surrounding buildings, and color palette may be limited (i.e. No neon colors).  There is some existing landscaping in the alley, as well as one existing lamppost and temporary hanging lights. Vehicles bringing supplies to adjacent businesses intermittently need access to a portion of the alley.  Additional engineering and architectural information available as needed. There have been no decisions other than details listed above on the use of the space.

The Osprey Alley is open to the public and can be used as a corridor between 6th street and the Osprey parking lot, a public parking lot which itself features a public art work of a nested osprey.  This alley, most central of alleys under consideration for the Alley Beautification project, is adjacent to many trendy restaurants, bars and venues that draw heavy foot traffic. While the alley is lightly landscaped, the City has found the landscaping insufficient to draw the attention and use of the space by the public.  The Alley can be described as made of two sections: 1) a non-vehicle accessible portion (closer to 6th Street) containing light landscaping and insulated on either side by the brick siding of neighboring businesses, 2) a vehicle accessible portion (closer to 5th Street) with business on one side and open on the other. 

Criteria:

For the Osprey Alley we are looking for work(s) that create a sense of play and cause the public to interact with the space and/or others, while also respecting placement within the City’s Historic District.  Specifically, we are looking for work(s) that cause the public to: 1) pause, enter and look deeply at the space, 2) engage and/or play in the space, and 3) record their presence in the space with a unique image (selfie).

This is a call for artist qualifications. This is not a Request for Proposals. Please do not submit specific proposals for the Osprey Alley or the Alley Beautification project.  Please ensure full contact information is included with application.

Budget:

The budget for this project is $20K and includes artist’s fees, engineering, materials, fabrication, transportation, and installation. Budget does not include travel, insurance, taxes, studio overhead, and miscellaneous items.

Artist Eligibility:

Local artist, artist teams, as well as students are encouraged to apply.

Application Requirements:

Please email or mail all the following with your application:

  1. Statement of Interest: In 800 words or less, introduce yourself and describe your specific interest in the project, your potential approach to the project or creating public art, and any past relevant experience.
  2. Resume or short biography
  3. Visuals Support Materials: 3-10 images depicting previous work. Visual support materials can include digital images, slides, videos, CDs, or prints.
  4. Annotated List: The annotated list allows you to describe the visual support material and should include description, material, location, budget, client or commissioning organization, and any other relevant project information.

Deadline:

All applications must be received by 3:00 P.M. on March 6, 2020. Applications received after this date cannot be guaranteed review.  Please submit all required application materials by emailing [email protected], with the subject line Alley Beautification Application, or mail to:

C/O Susan Seereiter, Business Advocate

City of Grants Pass

101 NW A Street

Grants Pass, OR 97526

Selection Process: Applications will be reviewed by the City’s Committee on Public Arts (CoPA). CoPA was formed in 2002 to promote and develop visual arts, performing arts and art education in Grants Pass. The Committee is made of community members volunteering to advise the City Council of the development of partnerships and coordination of themes and approaches to the arts, along with recommendations to the City Council for methods to induce investments in public arts.

After initial review of applications Up to four finalists will be selected and may be requested to interview with the Committee or a subset of members. Travel expenses are not covered for finalists selected to interview, and a teleconference can be provided. Final selection will receive approval by the City Council upon CoPA’s recommendation.

Interviews will start after March 10, 2020. You will be contacted after this date.

Selection Criteria:

  • evidence of innovative thinking in designing spaces for public art
  • ability to work with community members and respond to their concerns
  • ability to work within the constraints of city codes and requirements

For questions, contact Susan Seereiter, Business Advocate City of Grants Pass at (541) 450-6014 [email protected]

Kind Regards,

Susan

Susan Seereiter

Business Advocate

www.grantspassoregon.gov

(541) 450-6014 (Direct)

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Happy Holidays! Plus a 2020 Preview of Rogue Gallery

December 21  artblast Ginny Schaw
Detail of I Spy, a magazine collage by Ginny Schaw
Happy Holidays!
Rogue Gallery will be open December 24, 10-2pm.
We will be closed December 25 through January 1.  
In the Main Gallery in 2020

Driven to Abstraction: Paintings by

Virginia Andrade & Alx Fox

January 10–February 2

andrade fox
left: Anticipation by Virginia Andrade, right: A Splash of Pinot by Alx Fox

Reception: January 17, 5-30-8 pm
Explore the skillful composition of rich color and exciting texture in this exhibit featuring the work of two accomplished abstract painters, Virginia Andrade and Alx Fox.
 ROGUE STUDIO

2020 Winter and Spring classes are on the website.

Check out classes for youth HERE>>

Adult classes & workshops HERE>>

2019 Year End Donation

2019 Year End Raindeer 2Would you like to make a year end
donation to Rogue Gallery?
Click HERE>>

Gifts made to the Rogue Gallery & Art Center qualify for the Oregon Cultural Trust tax credit program. For more information on Oregon Cultural Trust credit program, please visit www.culturaltrust.org.

Follow Rogue Gallery & Art Center
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Please “like” Rogue Gallery & Art Center on Facebook and follow us on Twitter, Pinterest, and Instagram.
Forward this message to a friend
Call the Gallery for more info: (541) 772-8118

Check out more fun activities at: www.roguegallery.org

The Rogue Gallery & Art Center is the Rogue Valley’s premier non-profit community art center founded in 1960 to promote and nurture the visual arts in the Rogue Valley. The Art Center showcases emerging and established artists, presents fine crafts by area artisans, and offers a broad range of visual art classes and workshops for all ages.

Rogue Gallery & Art Center is located in downtown Medford at 40 South Bartlett Street. We are open Tuesday through Friday 10 a.m. to 5 p.m. and Saturday from 11 a.m. to 3 p.m. We are open for art receptions third Fridays 5:30 p.m. to 8:00 p.m.

Art du Jour’s Winter Wonderland Exhibit on Display

Art du Jour Gallery
213 E. Main Street
Medford, OR 97501
(541) 770-3190
OPEN Tues – Sat., 10AM – 4PM
Art du Jour Gallery's December feature wall is a collaboration of winter celebration by participating artist members. Roy Musitelli photo 12-4-19

Art du Jour Gallery’s December feature wall is a collaboration of winter celebration by participating artist members. Roy Musitelli photo 12-4-19

Art du Jour Gallery, 213 E. Main Street in Medford continues it’s seasonal exhibit with a celebration of our winter season.  For Third Friday (December 20th, 5pm-8pm) we are planning a special Christmas event presented by harpist Kathy Yeoman and accompanied by vocalist Lynn Kunstman.  Please go to our Facebook page (www.facebook.com/ArtduJourGallery) for any further updates.

Winter Wonderland Exhibit on Display Through Christmas

Our artists let their collective imaginations go free for this combined exhibit by participating AdJ members in offering our own visual representation of “Winter Wonderland”.   We wish to take this time to thank our friends of the gallery for their support in 2019, and extend a warm invitation to the entire community to help us celebrate this magical time of the year on Third Friday.

Guest Artist Nancy Graham Returns to Help Art du Jour Usher in a New Year

Nancy Graham has always been passionate about art in all its forms and styles, as evidenced by the variety of subjects she likes to paint and the varied approach to each.  She was always encouraged by her mother, who was a well-known artist in California and an art instructor at Dominican College in San Rafael a number of years ago.  She paints only with watercolor these days and her current passion is teaching watercolor at Scrappy Craft in Phoenix, where her classes remain full year around. She tells us that the real thrill comes from the delight her students find when the composition comes together and there’s a sudden spurt of confidence. She pushes strong value shifts of light and dark, telling her students over and over, “The deeper the shadows, the stronger the light will be”.

Nancy Graham exhibit at Art du Jour December 2019. Image courtesy of the artist.

While teaching that there is more to a successful piece of art than the basic fundamentals of art theory, she likes to experiment with a variety of styles and approaches as evidenced by the selection of pieces that will be showing during December and January. Florals, landscapes, abstracts, still lifes and even a motorcycle engine are the subjects she’s chosen to show.  She’s always excited to try something new,  and is challenged by the possibilities that watercolor brings to her artwork.  However, if one were to ask her what she likes to do best, she’d probably reply that she loves to paint the “close-ups” where she can use her small brushes to bring out the finest details of her subjects.

Nancy holds a secondary teaching credential and art degree from UC Davis, and is a member of the Southern Oregon Society of Artists, the Rogue Gallery, a past President of the Josephine County Artists Association and a juried member of the Watercolor Society of Oregon.

Support the Arts in Medford by Becoming a Patron Member

Though we continue actively seeking new artists living in the Rogue Valley region who would like to join our co-operative and display their work to the Medford community, we also love our Patron Members Membership who help keep our doors open. Ask any gallery member or contact us by email at [email protected]. Log into our website (www.artdujourgallery.com) for full membership information.

We are also holding a raffle this month for a beautiful insulated picnic basket to be raffled off during this months’ Third Friday. The winner does not need to be present to claim their prize. Contact the gallery by email at [email protected], or log into our website (www.artdujourgallery.com) for full membership information.

Harpist Kathy Yoeman at AdJ Gallery. Roy Musitelli photo 3-15-2019

Rogue Gallery Third Friday Reception and Christmas Caroling

       

 

  

Third Friday Activities

Exhibit Reception – The Natural Perspective: Photographs by Judy Benson LaNier

Pat O’Scannell and the ‘More Fools Than Wise’ Madrigal Group Christmas Carols

December 20, from 5:30 – 8:00 pm

 

The Natural Perspective: Photographs by Judy Benson LaNier

Community Gallery

November 29, 2019 – January 17, 2020

 

White-throated Bee-eater

White-throated Bee-eater

 

Explore the birds of Africa through the lens of photo safari leader Judy Benson LaNier.  Come and share her fascination for the grandeur and variety of these exotic creatures.

Ashland artist, Judy Benson LaNier captures the essence of the natural world through her camera lens. She has travelled extensively in Africa and photographed beautiful and exotic birds in her travels. She describes her photos as “My work is the product of a lifetime of looking for beauty in the simplicity and complexity of nature: an ant on a flower’s stem, a rain drop on a rose, a lion hiding in the bush, a Hawaiian sunset…and finding it with my lens.” Her work has been published in books and magazines and has been shown in galleries and art shows around Oregon for 30 years.

Musical Guest: Christmas Caroling: Pat O’Scannell and the ‘More Fools Than Wise’ Madrigal Group

This madrigal group will be performing a selection of well-known Christmas carols, accompanied by the ‘vielle a rou ‘, otherwise known as the hurdy- gurdy.  Pat O’Scannel will be accompanying on an instrument built in the late 1600s at the court of Versailles by a builder named COTY. The instrument, built to a smaller size to accommodate a woman’s smaller hands. The instrument was restored by Stephen Bacon of Bellwood Luthiers in Ashland.

Seeing Red: 2019 Annual Members Exhibit

November 15 – December 21, 2019

The Annual Members’ Exhibition features work by Rogue Gallery and Art Center members, and is always one of the most popular of the year. The Rogue Gallery has had a long history of supporting local and regional artists. This exhibit gives Rogue Gallery members an opportunity to exhibit one piece of their work on the central theme of “Seeing Red”. Artists submitted artwork that reflects their personal interpretation of the theme. The exhibit includes watercolors, acrylic, and oil paintings as well as sculptures, photography, collage, and pastels.

Refreshments from Harry & David will be served at the reception.The Rogue Gallery & Art Center is a non-profit community art center, founded in 1960 to promote and support the arts in the Rogue Valley. The center exhibits a wide range of artistic styles and mediums from local and national artists. Programming includes art educational opportunities for children and adults. Hours of operation are Tuesday through Friday from 10 a.m. to 5 p.m. and Saturday from 11 a.m. to 3 p.m. Call (541)772-8118 for more info or visit www.roguegallery.org.

Oregon’s Cultural Tax Credit Is More Valuable Than Ever!

News and Updates

Double the impact of Giving Tuesday!

If you participated in #GivingTuesday with a gift to any one or more of these cultural nonprofits, you are eligible to double the impact of your gift with Oregon’s Cultural Trust tax credit.
There’s no reason to wait until the end of the year to match these gifts.

New tax laws make cultural tax credit more valuable

The recent change in federal tax laws had the unintended consequence of discouraging charitable giving by reducing the number of taxpayers claiming a deduction for their gifts, which makes the Cultural Trust tax credit an even more important tool for Oregon taxpayers. The tax credit is unaffected by the 2018 tax law changes. Working with the Oregon Department of Revenue, the Trust recently posted frequently asked questions and answers on its website.
The chart below shows total tax savings, net cash outlay and value of contributions for taxpayers that do not itemize. Similar information for taxpayers who itemize on both their state and federal returns, as well as those that itemize on their state return can be found here. The IRS provides more detailed rules on charitable contributions and state or local tax credits or deductions on its website.
Please review these materials and assure all your friends that the benefits of the cultural tax credit are alive and well!

Donor profile

McLaren Innes protects Astoria’s cultural heritage

Fiber artist and activist McLaren Innes is passionate about protecting the cultural heritage of Astoria, her home for the last 41 years.
“I am honored to be retired here. I donate to local organizations that produce music, art and other creative offerings that strive to preserve our cultural history,” says McLaren. “I give because they need it and they are incredibly important to our community.”
A Cultural Trust donor since 2003, McLaren makes her donation to the Cultural Trust online using some Required Minimum Distribution funds from her retirement. “That way I avoid taxes on those funds,” she says.
“The Cultural Trust is the best investment Oregonians can make in their culture,” says McLaren. “It’s a no brainer when a donation that nurtures a worthy nonprofit also provides a significant tax advantage to the donor.”

McLaren Innes

Five more FY2020 grant awards announced!

Five more Oregon cultural nonprofits will receive FY2020 Cultural Development funding from the Oregon Cultural Trust.
The additional grant awards are the result of funds being returned by two previous awardees (whose projects are not moving forward) and brings the total of FY2020 grant awards to 139!
Congratulations to our new awardees:
Applegate Regional Theatre, Eugene: $9,558
Astoria Visual Arts, Astoria: $5,072
Ballet Fantastique, Eugene: $5,000
Classical Up Close, Tigard: $5,000
Imago Theatre Mask Ensemble, Portland: $10,000

Astoria Visual Arts’ iLLUMiNART 2018

Impact story

Eugene-Springfield Youth Orchestras empower students

Nothing conveys the incredible impact a donation to the Oregon Cultural Trust can have more than the adorable students in the Eugene-Springfield Youth Orchestras’ String Academy sharing their pride and delight.
Because people like you took the time to donate, for which the state of Oregon will reimburse you at tax time, the orchestra is a bright spot in the lives of 145 children who might not otherwise have access. And that truly is something you can’t put a price on.

The impact of the Cultural Trust, in the
words of students.

Mark Renard of Lake Oswego
appointed to Cultural Trust Board

Mark Renard, the executive vice president of Johnstone Financial Advisors in Lake Oswego, has been appointed to the Oregon Cultural Trust Board of Directors by Gov. Kate Brown.
For several years Renard has applied his financial acumen to advocating on behalf of the Cultural Trust, authoring opinion pieces and founding AccessArt, a co-op marketing and art exhibition program. AccessArt connects business, the community and artists at quarterly events hosted at Johnstone’s historic building in downtown Lake Oswego.
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“Mark has been a great champion of the Cultural Trust for years,” said Charles Sams III, chair of the Cultural Trust Board. “We are extremely fortunate that he has agreed to make his passion for our work official by joining the Board of Directors.”

Mark Renard

Oregon Arts Commission | Oregon Cultural Trust | 775 Summer Street NE #200Salem, OR 97301

Woman Made Gallery Call For Art- Two Exhibitions in 2020

Suffra-Jettes
Exhibition Dates: March 13 – April 4, 2020
Entry Due Date: December 21, 2019
Notification: Week of January 14, 2020
Juror: Candace Hunter

CLICK HERE TO SUBMIT WORK. 
https://womanmadegallery.submittable.com/submit

Exhibition Description: It’s been 100 years since women were given the right to vote in the United States. In this exhibition, WMG is soliciting work by female identified artists who represent the experience of being a woman and the nuanced (and overt) ways that being female supports or subverts your daily life.  Artwork should reflect your narrative experience – your story of being female.  We’re searching for a variety of voices to share triumphs and setbacks that highlight gains made or what is missing in our society in terms of equality between the sexes. What is your story and how is it woven into a struggle for equality over 100 years old that has only definitively delivered the right to vote?

We encourage entries of recent works in all media, but there is no restriction in the creation date. Applicants should submit a general artist’s statement. Accepted artworks must not exceed 72″ horizontally and must not have been previously shown at WMG. The application fee for our juried exhibitions is $30 for up to three images of work, plus one detail image if necessary. A limited number of artists who experience financial hardship may be exempt from paying the entry fee; please send us an email to request a fee waiver: [email protected].

Juror | Curator: Candace Hunter
Candace Hunter is a Visual Artist, Culture Writer, Curator, and Water Rights Activist. She creates collage, paintings, and installations that often interweave text. She tells stories through the use of appropriated materials from popular magazines, vintage maps, and resourced materials, offering them back to the viewer with a sense of history and admiration of the beautiful. Her mixed media artworks are sometimes applause and sometimes ranting about the effects of politics and history. By squaring off the division between the realm of memory and the realm of experience, she absorbs the tradition of remembrance art into daily practice. This personal story-telling is important as an act of meditation and mediation.

The untold stories of enslaved peoples, of women fighting for potable water, of children who never made it home for dinner and never would again, of men sitting on death row, and of the girls of Chibok, are just some of the stories that Candace yearns to tell visually.

As plainly as the Speculative Fiction writer, Octavia Butler wrote, “I just knew there were stories I wanted to tell”, and, like Octavia, she is compelled to “write” these stories in color and shape and form. Visit https://chleeart.com/ for more information.

Banner Image: Dorothy Straughter, Giovanna Aguirre-Peresson and Cynthia Kerby installing their work for the Truth as a Contested Concept exhibition.

Image: Artwork by Candace Hunter

Process and Material
Exhibition Dates: April 17 – May 9, 2020
Entry Due Date: January 29, 2020
Notification: Week of February 25, 2020
Juror: Yoonshin Park

CLICK HERE TO SUBMIT WORK. 
https://womanmadegallery.submittable.com/submit

Exhibition Description: Oftentimes, artists pursue their unparalleled originality and one of a kind making process through their own inventive and unique adaptations of traditional techniques. The processes reflect the artists’ insights and experiences in creation, and it becomes a work of art itself. Other times, everyday objects and raw elements can challenge many makers to push the boundaries of the common perception and expectation of the material. It is also through the artists’ eyes that we see the hidden potential of the material.

Open to all artists, Woman Made Gallery is inviting artwork that is either made with unique materials, and/or unconventional methods of application. This exhibition will highlight both the artists’ innovative applications in fabrication, and pioneering approaches to the materials to cultivate the communication between each artist’s creative practice and their experimentation with the materials’ limit. All submissions should include a brief statement that includes details on material and process.

We like to receive entries of recent works, but there is no restriction in the creation date. Accepted artworks must not exceed 72″ horizontally and must not have been previously shown at WMG. The application fee for our juried exhibitions is $30 for up to three images of work, plus one detail image if necessary. A limited number of artists who experience financial hardship may be exempt from paying the entry fee; please send us an email to request a fee waiver: [email protected].

Juror | Curator: Yoonshin Park
Yoonshin Park is working with sculptural papers, artist books, and installation. Her main media concentration is pulp, paper and artist books. Her interest in comprehensive process of paper making and book binding caters her work to encompass various elements woven into complete objects. She received her M.A. and M.F.A. in Interdisciplinary Book and Paper Arts from Columbia College Chicago. Her work has been exhibited nationally and internationally. She was born in Seoul, Korea and currently resides in Chicago, IL Visit https://www.yoonshinpark.com/ for more information.

Image: Artwork (detail) by Yoonshin Park

Join Woman Made Gallery
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Link
Website
2150 S. Canalport 4th Fl, Chicago, IL 60608
Enter through Parking Lot at North Entrance on 21st Street
312.738.0400 | Email | Website
Gallery Hours: Thur-Fri 12 – 6pm & Sat-Sun 12 – 4pm
ABOUT WOMAN MADE GALLERY
Woman Made Gallery (WMG) is a tax-exempt, not-for-profit organization founded in 1992. Its mission is to support, cultivate, and promote the diverse contributions of women in the arts through exhibitions and other programs that serve, educate, and enrich our community. We rely on membership contributions and individual donations to create the programs that support our mission.

YOUR DONATIONS HELP MAKE WMG’S EXHIBITIONS AND PROGRAMS POSSIBLE!
Woman Made Gallery is partially supported by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events; The Gaylord and Dorothy Donnelley Foundation; The Illinois Arts Council Agency; a major anonymous donor; and the generosity of its members and contributors.

I’m Contributing $5,000 to the Arts Action Fund

Americans for the Arts
                  - Arts Action Fund
              
Dear Arts Advocate,

Last Thursday December 5th, the Arts Action Fund kicked off its Year-End Fundraising Campaign to raise $30,000 by the end of the year.

We’ve already raised one-third of that goal from members like you!  In fact, I am contributing $5,000 personally to the Arts Action Fund PAC.  These funds go exclusively to the only political action committee in the country dedicated to supporting pro-arts federal candidates, who are committed to advancing the nonprofit arts in America. Additionally, I’m making a second contribution to the Arts Action Fund to carry out its grassroots activities to train arts advocates across the nation.

Attached below is a copy of the email that our Executive Director Nina Ozlu Tunceli sent you last Thursday.  Join me as an arts champion. Please contribute to the Arts Action Fund today.

Thank you for your commitment to the arts in America.

Robert L. Lynch
President and CEO, Arts Action Fund
Treasurer, Arts Action Fund PAC

———————————————————————————————————————–

FROM:  Nina Ozlu Tunceli, Executive Director of the Arts Action Fund on 12/5/19

Dear Arts Advocate,

Contribute to The Arts Action Fund’s Year-End Campaign this Holiday Season!

Thanks to members like you, we’ve had another effective legislative year in securing an increase in funding for the arts and humanities! We kicked off the ArtsVote 2020 campaign by interviewing presidential candidates such as Mayor Pete Buttigieg in our ArtsVote 2020 podcast with Ben Folds. In addition, we’ve been training grassroots arts advocates in Iowa, New Hampshire, Wisconsin, and North Carolina on how to ask key arts questions to presidential candidates campaigning in these early battleground states. Help us move into 2020 stronger than ever!

Will you make a year-end financial contribution to our ArtsVote campaign to help elevate the power of the arts as we fully enter the 2020 election year?

You can help stand up for the arts by:

  1. Contributing to our 2019 Year-End Campaign
  2. Using our Questions to Ask Pocket Card
  3. Signing and Sharing Our Arts Platform Petition

We can only succeed with your unwavering support. Keep the momentum going by being an ArtsVote champion today!

Make Your Year-End Gift to The Arts Action Fund by December 31, 2019.

Thank you for your generosity and have a happy holiday season!

Nina Ozlu Tunceli
Executive Director

P.S. Here is our official Year-End Letter to members, detailing the achievements we have made in this past year and how you can continue to help in this upcoming election year!

Take action
                          now!