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Alumni Spotlight: Debbie Almontaser

Debbie Almontaser was part of Center for Artistic Activism workshop in 2015. We selected her because of her past accomplishments and we’re so proud of the work she’s done since! Check out this video about the 2017’s New York Bodega Strike and let your heart swell.

Debbie has a new book out also, Leading While Muslim.

Leading While Muslim is the first of its kind to study Muslim principals in the United States. There has been a sizable amount of research on how 9/11 has had an impact on public school communities, including students, teachers, and parents of Muslim identity, but nothing on American Muslim principals in public education. This book examines the lived experiences of American Muslim principals who serve in public schools in a post-9/11 world to determine whether global events, political discourse, and the media coverage of Islam and Muslims have affected their leadership and spirituality. Such a study is intended to help readers to gain an understanding of the adversities that American Muslim principals have experienced post-9/11 and how to address these adversities, particularly through decisions about educational policy and district leadership.

Congratulations Debbie! We can’t wait to see what you do next.

frank Gathering 2020

The Center for Artistic Activism’s Rebecca Bray and Steve Lambert will be speaking and doing a workshop at the frank Gathering, February 4-7 in Gainsville Florida.

Other invitees this year include Center for Artistic Activism alumnus Debbie Almontaser, and comedian and creator of the Daily Show, Lizz Winstead.

frank is more than just a gathering. It is an essential community for movement builders and change makers – the people who use communications to drive positive social, institutional and behavioral change. A part of the University of Florida Center for Public Interest Communications, frank gathering informs and drives the field of public interest communications through research, insights and news.

Now in its seventh year, frank is bringing changemakers together from across the earth. Our community is made up of strategists, researchers, artists, journalists, students, activists and more. From corporate advocacy to the research lab, to the grassroots on the street activist, the frank community believes in using evidence-based strategies to drive social change. If you see yourself in our mission, then we welcome you into our community.

frank website

And if you want to watch some talks from years past here’s a selection:

Comedian Roy Wood Jr. on Audiences

Roy Wood Jr. does his own form of audience testing. In this interview for the Good One Podcast, Wood talks about how he developed a hilarious bit called “Black Patriotism?” for his special, Father Figure.

In the interview Wood talks about testing his jokes on different kinds of audiences in different parts of the country to make sure they will reach the most people. This could sound like pandering, or working to the lowest common denominator, but not in this case. Roy Wood Jr. is refining his message and making it accessible without dialing back any of the underlying message.

Listen and see if you agree.

Comedian Roy Wood Jr. on Audiences

Roy Wood Jr. does his own form of audience testing. In this interview for the Good One Podcast, Wood talks about how he developed a hilarious bit called “Black Patriotism?” for his special, Father Figure.

In the interview Wood talks about testing his jokes on different kinds of audiences in different parts of the country to make sure they will reach the most people. This could sound like pandering, or working to the lowest common denominator, but not in this case. Roy Wood Jr. is refining his message and making it accessible without dialing back any of the underlying message.

Listen and see if you agree.

Let’s Step it Up! Workshop handout

What is this? We wanted a clear, concise list of prompts to remind us of important things to remember when planning an action. We offer this to you and hope it helps.

A Strengthening Tonic for Stronger, Leaner, More Æffective Creative Actions

The Foundation


Have you wandered through your imagined utopia lately?

First Steps

Which path will get you to your objective the fastest: Individual change, policy change, or advocacy?

What’s your objective? Is it SMART?


Who is the primary audience? This is the audience that has the most power to achieve your objective. What do you want them to Think, Feel and Do? Ideally, what is the physical, visible behavior audiences will do as a result of your work? What is the old behavior? What is the new behavior?

Who is the secondary audience? (An audience who may support the effort and become allies.)What do you want them to Think, Feel and Do?

Are you taking into account the cultural, moral, and demographic backgrounds of your audience? And communicating in ways they can understand?


Download a pdf of this document.

It’s free because of supporters like you.

The Action

The Creative Process

To get to a good idea, first requires multiple ideas. Did you come up with more than 5 ideas? More than 10? More than 30? More than 50? Were some of those ideas impossible? (They should be) Did you choose the safest one, or are you taking some creative risks?

Have you created drafts, versions, or iterations? Have you rehearsed, reflected and made changes? Have you done this more than once? More than 5 times? More than…

Surprise, Spectacle, and Story

How will your action capture attention and get people thinking differently? Could it be more surprising? Weirder? Funnier? Could it involve a storyworld with characters, heroes, villains, conflict, resolution? How is it different from ordinary protests or street art?


How does your action engage people? (spectating doesn’t count)

Is there something they can do? Can they have meaningful involvement in the action? Can they see the impact of their involvement?

Can you give your audience something they will want? Physically? Metaphorically? Both?

  • What can your audience take away?
  • What will your audience think about later?
  • How can they share their experience with friends and family?
  • What can they do to take action?
  • Does all of the above lead to achieving your objective and point toward your goal?

Start With Yes – 2019 thank you print

For the third year running I’ve made a risograph print to thank our donors. This year we took a little phrase we use around the Center for Artistic Activism to share with you.

Why start with yes?

“Start with Yes” is a shared philosophy around collaboration at the Center for Artistic Activism. It means start in agreement, start with acceptance, start with trust. It means saying yes to wild ideas. Yes to the world we want. Yes to love. Yes to working together. Yes to sharing. Yes to successes. Yes to aiming higher. Yes to making it weirder. Yes to the unexpected. Yes to Utopian dreams. Yes to odd combos.

Yes and. Yes to the future. Yes to everyone. Yes to big risks. Yes to possibly, probably looking like a fool. Yes to talking. Yes to listening. Yes to dreaming. Yes to pushing it a step further. Yes to thinking. Yes to feeling. Yes to doing. Yes we will do the impossible. Yes we will win.

We hope a reminder to “Start with Yes” can help your collaborations also!

About the print

11×17 Risograph
Edition of 100

Created in edition of 100 as thank you when you support our end of year fundraising campaign.

The print is made with a Risograph printer. Similar to silkscreening, Riso printing enables a layering technique to produce multi-colored prints. It’s printed on high-quality Speckletone paper, the first-ever recycled sheet with flecks and “shives” created in 1955 by the French Paper Co.

Each print has slight variations. All are signed and editioned by Steve Lambert.

start with yes full view

Get yours!

Make a contribution of $50 or more and get a Start with Yes print.

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The Copenhagen Experiment: The Report

The past decade has witnessed a surge in “artistic activism,” both in practice and its study. Whether it actually works, however, is still a matter of faith more than fact. What has not been done is an evidence-based, empirical comparative study of the variable impact of creative versus more conventional forms of activism on a public audience in terms of ideas, ideals and actions. Until now.

Over the course of three days in May of 2018, Stephen Duncombe, Silas Harrebye and their research team mounted activist interventions on a popular and well-traveled bridge in the middle of Copenhagen, Denmark. Each day we paired a conventional activist intervention — public speaking, petitioning, flyering — with a creative way of accomplishing the same task, in a classic A/B experimental model.

After a year of analysis of 108 interviews, 30 observation sheets, petition and pamphlet tallies, hours of film footage of the events, and 25 follow-up survey responses, we are pleased to present our findings. You can read and download the full report, or a short 2 page summary below.

Download pdf Summary: The Copenhagen Experiment (Summary)

Download pdf Full Version: The Copenhagen Experiment

Contact the authors of this report

Watch the video

the C4AA Streaming Soiree

If you donate to the C4AA this month, you’ll get a ticket to the big, live, online meetup we’re calling “The Streaming Soiree”.

C4AA Streaming Soiree

Pay what you can! 



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We’ve been thinking about all of you – our far-flung compatriots, and we want to hang out. We want to gather round a campfire and talk about all of our big adventures, and our weird side projects we never talk about. We want to hear what you have been seeing in your corner of the world. We want to ruminate together and brainstorm to solve the pressing problems – How do we rally people? How do we do something amazing with no budget? How do we make sure the next elections go our way? Who should our main audience be if we want to change things? What crazy intervention will actually get people to stop and think? We want to talk about the things you’re wondering about.

As a ticket holder you can:

-Submit questions in advance we will actually research and give our smartest answers to!

-Ask sensitive questions like “where does your funding come from?” or “have you ever had a workshop that ended in disaster?” or “what’s the story with that rash?” and we will do our best to answer them. And honestly!

-Meet other C4AA supporters and learn about their work

-Make suggestions for future Pop Culture Salvage Expeditions outings!

-Get a sneak preview of our upcoming book, “How to Win: A Practical Guide to Artistic Activism!”

-Weigh in on future program ideas we’re developing at the C4AA!


You’ll also be the first to learn about the next C4AA Soiree – if there ever is one. This may be the only one – don’t miss it!

Why are we doing this?

We want to spend time this year getting cozier with good people. It keeps all of us inspired. So these hangouts are a way to make sure we’re all connected and feel like we’re in a community.

And we are raising funds to support C4AA’s work. Our passionate focus right now is helping new leaders – we’re passing along our experience, skills and contacts to people new to this work, people who don’t have access to training and networks. We care about creating a global community of people who are doing artistic activism really well, and are making significant strides in social and environmental justice.

Your donations are critical because while most of our funding comes from foundations, it is rare to find funders who support the fundamental costs of running an organization. We need your help to keep the servers roaring, pay staff/interns/residents to do the necessary admin tasks, keep communications flowing to broadcast what we do and find partners, and block out time for our directors and board to think about what’s next.  Very few large funders allow us to use their grants in this way.

This is why we need individual donors and small foundations to support us in the invisible work of running the C4AA.

More reasons to support us.

Why support C4AA? Douglas Rushkoff says we don’t suck. And some of our other alumni seem to agree. Check out these short videos they sent.

Why C4AA?

The Center for Artistic Activism has been helping make more creative activists and more effective artists since 2009. For the past few years we’ve helped some of the most vulnerable people under some of the most repressive regimes around the world. Now we turn our attention back home, and use what we’ve seen work elsewhere to help build a vibrant alternative. More about what your support does to help artistic activism.

2019 marks ten years since the C4AA’s first program. Since then we’ve worked with thousands of artistic activists in 14 countries, on 4 continents. We’re excited about what’s ahead and need your support to get there.

Support Artistic Activists Around the World

Your donations allow us to serve communities who normally wouldn’t be able to afford our programs and help us focus on the most important work we can do. Check out some of our alumni stories to see the people we help.

We Believe in Artistic Activism

Negative predictions come easily and the world has enough bitterness. Right now the world needs your vision, your optimism, and your empathy. It needs your drive and motivation. It needs your most compelling stories, your creativity, and it needs your humor. We need new ideas of how the world can work, and new ways to get there.

The Center trains people to use these ideas in effective campaigns through proven methodologies. With your help, the Center for Artistic Activism supports groups and individuals who are looking for creative and effective ways to counteract bigotry, hate, misinformation and fear.

Your donation is tax deductible

Center for Artistic Activism is a not-for-profit, certified 501(c)(3) tax exempt charitable and educational organization.Under IRS 501(c)(3) tax exempt charitable and educational organization code, the full amount of your donation is tax deductible against your income. To fully benefit from this great tax benefit that helps you reduce your taxes, please inform and consult your expert tax specialist in regards to each donation you make.

Make a donation through your employer

You can ask your company to add us to their Matching Gifts Campaign. Supportive employees at Google and Netflix have already done this.

You can also check if your employer is registered through Benevity.

508 at Seattle City Hall

508 is the number of people who have died from overdose in the city of Seattle since the county’s Opioid and Heroine Task Force, unanimously, made a series of recommendations to stem the crisis in the county. These included opening a supervised consumption site (which we’d been working on with the Yes to SCS campaign). Since then the city has $1.4 million dollars unspent for over a year and earmarked for drug user health – specifically opening an SCS.

This installation was designed by the Center for Artistic Activism with Seattle’s Public Defender Association. The tubes are for people to leave behind memorials, notes, flowers. We tried to plan it well, but the day the numbers went up they were already behind the actual death count. We’re hoping as the politicians who have made promises walk by this, they may have a renewed sense of urgency.

The director of Real Change News Real wrote a short piece about the work. Director’s Corner: A successful approach to addiction demands political courage and compassion.

The Seattle Post-Intelligencer also has a story by Becca Savransky.

508 image
8 foot tall numbers that read "508". In the face of the numbers are flowers.

Legal Challenges

The Public Defender Association had to fight City Hall on several fronts to have this placed. You can follow some of this on Here’s some excerpts:

The “508” art installation was intended to be installed inside the City Hall lobby, in the same location where city officials and many others regularly conduct political speech. The City refused permission for this, saying (counter-factually) that only City officials can hold speech events inside. While objecting on several grounds, we tried to compromise in a space where the City acknowledges others’ speech can be permitted—in the wide covered area near the 5th Avenue entrance. No success.

So late yesterday afternoon we were told “508” would have to move along. Ironically like drug users facing continuous displacement, the art installation was packed up and shuffled down to the Plaza below City Hall, on the Cherry Street side. The numbers now face inclement weather with poor protection. They await today’s rain wrapped in plastic sheets. Perhaps their new vulnerability and exposure more appropriately stand for the situation of many drug users in our community. In any event, this is our new home until September 19, which overlaps with International Overdose Awareness Day on August 31.

And a few days later:

Refusing permission inside the City Hall Lobby and in the original location at the City Hall 5th Avenue entrance, the City is forcing us to re-apply for a permit every three days until September 1st for its current location on the City Hall Plaza beside Cherry Street.

The City is requiring all-day attendance to “508” to satisfy our permit. So, please attend, interact, and record your attendance. Our staff is providing this the best we can for the time being, and have organized impacted communities who are members of Yes to Drug User Health to assist during the day and at night. To record your attendance, you can fill out the form below, or send an email or picture to [email protected] time stamping your attendance. In this way, we will “attend” the memorial with people power, organizing to collectively commemorate all people impacted by overdose and the drug epidemic.

The work has definitely touched a nerve with the City.

How it’s made

We designed this to happen on a timeline, hit a certain budget, be temporary and indoors. Each letter is 8ft by 4ft so they could be laser cut from a single MDF panel. The tubes are a variety of pre-made cardboard shipping tubes along with 8, 10, and 12 inch concrete form tubes you can buy at a local hardware store. We were hoping that cutting so many holes into MDF and using cardboard would keep it light, but the numbers are not light.

We originally designed the numbers for indoors – they were supposed to be located in the lobby of City Hall. If we were to do it again:

  • Outdoors, but not permanent, and slightly higher budget: Outdoor treated plywood and PVC pipe tubing
  • Outdoors, and permanent, and way higher budget: welded aluminum

Fabrication by Boomslang in Seattle.

Here’s some early sketches:

Seattle 845 sketch
844 Tube Sketch

The Center for Artistic Activism Reading List

These texts helped influence our perspectives, curriculum, and approach. We share them with you so you can dig deeper into some of the concepts, histories, and theories we draw from. At the Center for Artistic Activism we’ve examined a wide range of fields so please note: some of these books we adore from cover to cover, while others we disagree with entirely. With some we admire the ideas, but not the subject matter or the author. However all the research material we seek out has challenged us to make better work and we found these texts to be a useful starting point.

If you have suggestions you’d like us to consider adding to the list, contact us.

sister outsider audre lorde book cover

Poetry is Not a Luxury

from Sister Outsider by Audre Lorde

A non-poem by the great poet about the importance of culture and creativity in allowing us to reach places that our socialized minds tell us we can’t.


Resistance Through Rituals cover

Resistance Through Rituals: Youth Subcultures in Post-War Britain

Edited by Tony Jefferson and Jamaican sociologist Stuart Hall. Looking for rebellion in unlikely places: punk rock, reggae, skinhead culture.


Beyond a Boundary Book Cover

Beyond a Boundary

by C.L.R. James

Memoir of the great Caribbean intellectual on his love for cricket: an Imperialist game that, ironically, made James an anti-Imperialist.


prison notebooks book cover

Prison Notebooks

by Antonio Gramsci

Stuck in a fascist prison, Gramsci thought and wrote about organizing and the role of culture in politics. A bit cryptic, but full of invaluable insights.


politics of aesthetics book cover

The Politics of Aesthetics

by Jacques Ranciere

Useful discussion from a contemporary philosopher on the different ways that art can be political, from reflecting the world to rearranging our very sense of it.


Lucy Lippard portrait

Trojan Horses: Activist Art and Power

by Lucy Lippard.

Now more than 3o years old, this is still the most concise and articulate argument for what activist art can do and why it matters. free PDF

Cultural Resistance Reader

The Cultural Resistance Reader

Edited by Center for Artistic Activism’s Stephen Duncombe

All you’ll ever want to read about Cultural Resistance in one convenient place.

free PDF

brecht on theater cover

Emphasis on Sport

by Bertolt Brecht

from Brecht on Theatre: The Development of an Aesthetic.

The radical playwright’s advice to his fellow artists that if they want to have an impact they they need to make their art more fun… like soccer.

free PDF

“Introduction” from Rabelais and His World

by Mikhail Bakhtin.

What does a Soviet literary scholar writing about a medieval French writer have to do with activism? One word: Carnival! A great meditation on the subversive quality of laughter and spectacle.


combahee river collective portriat

Combahee River Collective Statement

A manifesto written by a black feminist collective in the mid-1970s. Classic articulation of the specificity of ones opression and identity. Useful to remind us that we are always dealing with particular people in particular contexts, not abstractions.


A People's History of the United States book cover

A People’s History of the United States

by Howard Zinn.

Classic overview of US history from the perspective of those fighting the powers-that-be.


PR! Stuart Ewen book cover

PR! A Social History of Spin

by Stuart Ewen.

Ewen, an historian of advertising and Duncombe’s mentor, looks at how story, spectacle, and performance was used by corporations and marketers, as well as progressives, in the early 20th centrury. We can learn from them all.


Political Process and the Development of Black Insurgency, 1930-1970

by Doug McAdam.

A great history of the Civil Rights movement, making the point, among many others, that the movement understood the power of performance.


Hitler and the Power of Aesthetics Book Cover

Hitler and the Power of Aesthetics

by Frederic Spotts.

A sobering reminder that arguably the most successful artistic activists of the 20th Century were the Nazis. Arts and activism is a powerful combination, and ethics are always important.


Re/Search: Pranks Book Cover

Re/Search: Pranks

Edited by V. Vale and Andrea Juno

Entertaining, and often inspiring even if the examples don’t apply directly or are… let’s just say unethical.


Only Joking  by Jimmy Carr and Lucy Greeves Book cover

Only Joking

by Jimmy Carr and Lucy Greeves

If there is a book on comedy theory (that you’d actually want to read) this might be it. Analysis of the history of comedy, different theories about what makes us laugh, and lots of jokes.


Sataristas Book Cover


Edited by Paul Provenza and Dan Dion

First hand interviews with comedians of all kinds. Many valuable insights that, with a little creativity, you can apply to your practice.

Truth in Comedy: The Manual of Improvisation Book cover

Truth in Comedy: The Manual of Improvisation

by Charna Halpern, Del Close, et al

If you take a class in improv, they’ll probably tell you to read this. Or they should. Covers some key ideas that can be helpful: agreement, building a scene, working at the top of your intelligence, and “truth in comedy” – a grounding in the truth is more conducive to comedy than entirely fabricated material.


Dead Funny: Humor in Hitler’s Germany Book Cover

Dead Funny: Humor in Hitler’s Germany

by Rudolph Herzog

There were jokes in Hitler’s Germany – Nazi jokes, resister jokes, Jewish jokes. This book provokes us with the question; as many subversive jokes as there were in Nazi Germany, what impact did they have?


Open Utopia Book Cover

Open Utopia

by Thomas More, edited and introduced by Stephen Duncombe.

The book that named the practice — much more interesting and politically useful than you might remember from High School.

free pdf

companion website


Hope In The Dark, Solnit book cover

Hope in the Dark

by Rebecca Solnit

Keep handy for when you’re feeling negative about your work. This got Steve Lambert through the disappointment of the 2004 election.

free PDF

Promoting Nutrition and Physical Activity Through Social Marketing cover page

Promoting Nutrition and Physical Activity Through Social Marketing

by Rina Alcalay and Robert A. Bell

Dry, but loaded with information.

free pdf

Getting Things Done by David Allen book cover

Getting Things Done

by David Allen

Yes, it’s aimed at a business demographic. Yes it’s a sort of self-help book. But damn are there ever good ideas in it.


The Now Habit by Neal Fiore book cover

The Now Habit

by Neal Fiore

If you have even the slightest tendencies of a perfectionism or procrastination (and who doesn’t?) the insights in this book are incredibly helpful.


Oblique Strategies  by Brian Eno and Peter Schmidt box

Oblique Strategies

by Brian Eno and Peter Schmidt.

A deck of cards, each card offering an aphorism intended to help artists (particularly musicians) break creative blocks by encouraging lateral think

view them online

Dream or Nightmare by Stephen Duncombe book cover

Dream or nightmare: reimagining politics in an age of fantasy

by Center for Artistic Activism’s Stephen Duncombe

What can artistic activists learn from Las Vegas, video games, celebrity magazines and advertising? A lot. Center for Artistic Activism’s co-founder teaches how to create an “ethical spectacle”


free PDF

How to Be an Explorer of the World Keri Smith book cover

How to Be an Explorer of the World

by Center for Artistic Activism board member, Keri Smith

Written to help cultivate creativity in people of all ages. No pretenses and a low barrier to entry.

Image of David Raney's "You are now less dumb" book cover.

You Are Not So Smart -and- You Are Now Less Dumb

by David McRaney

David McRaney’s books on self-delusion called “You Are Not So Smart” and “You Are Now Less Dumb” both offer a very accessible introduction to “discover the wonderful ways you delude yourself every day and enjoy a healthy dose of humility.”


Thinking fast and slow book cover

Thinking Fast and Slow

by Daniel Kahneman

An international best seller and winner of several awards, this book helps get clarity on how humans think, make decisions, and evaluate change. Kahneman is the scientist behind the research, and does a great job at explaining the concepts and staying engaging.


Don’t Think Of an Elephant! Know Your Values and Frame the Debate: The Essential Guide for Progressives book cover

Don’t Think Of an Elephant! Know Your Values and Frame the Debate: The Essential Guide for Progressives

by George Lakoff

How morals and values guide even our most “rational” political decisions. An accessible introduction to this important field.


Holland book cover

The Conservative Psyche: How Ordinary People Come to Embrace Paul Ryan’s Cruelty

by Joshua Holland

A good, quick interview of cognitive theory and its importance in understanding why people hold the political ideas that they do.

free link

Will Storr book cover

The Unpersuadables: Adventures with the Enemies of Science

by Will Storr

Very readable overview on why facts don’t work. Storr covers how “the stories we tell ourselves about the world invisibly shape our beliefs, and how the neurological ‘hero maker’ inside us all can so easily lead to self-deception, toxic partisanship and science denial.”


Westen Book Cover

The Political Brain: The Role of Emotion in Deciding the Fate of a Nation

by Drew Westen

A psychologists look into how emotions guide our political beliefs and decisions. Useful in thinking about and directing the affective power of creative activism.


Friere book cover

Pedagogy of the Oppressed 

by Paulo Freire.

A book that changed the game by insisting that educators (and organizers) need to meet people where they are.


Fran Peavey Cover

The Strategic Questioning Manual 

by Fran Peavey

A great shift in perspective on how we approach audiences, and how we can use respect and questions (instead of providing answers or challenges) to be more effective.

free PDF

Boal book cover

Theatre of the Oppressed

by Augusto Boal.

  Translating Freire’s ideas to theatre, and using performance for social change.


William James book cover

The Moral Equivalent of War

 by William James

Classic essay by the great philosopher and psychologist on how we must understand and respect — and appropriate — the good desires that motivate people to do bad stuff.


Electoral Guerilla cover

Electoral Guerilla Theatre: Radical Ridicule and Social Movements

by L.M. Bogad

From our own West Coast branch director, an important book on how activists have hijacked the electoral system as a stage to perform their own of politics.


Rules for radicals cover

Rules for Radicals

by Saul Alinsky

Almost 50 years old but still the great guide to organizing. And a fun read too.


Bible cover

“The Gospels” and “Acts,” from the Bible.

You don’t need to be a believer or even approve of religion to appreciate that Jesus was a master creative activist and his apostle Paul was an effective — if opportunistic — organizer. See also Moses, Muhammad, Buddha, et al.


Demanding the impossible cover

A User’s Guide to (Demanding) the Impossible

by Gavin Grindon and John Jordan

This guide is not a road map or instruction manual. It’s a match struck in the dark, a homemade multi-tool to help you carve out your own path through the ruins of the present, warmed by the stories and strategies of those who took Bertolt Brecht’s words to heart: ‘Art is not a mirror held up to reality, but a hammer with which to shape it.’

free PDF


beautiful trouble cover

Beautiful Trouble: A Toolbox for Revolution

edited by Andrew Boyd and David Oswald Mitchel

An invaluable collection of examples, theories and case studies for those interested in creative activism.


Re:Imagining Change cover

Re:Imagining Change: How to Use Story-based Strategy to Win Campaigns, Build Movements, and Change the World

by Doyle Canning and Patrick Reinsborough

People like stories. They help us make sense of our world and our place in it. This book shows you how you can use this in your work.


Making waves cover

Making Waves: A Guide to Cultural Strategy

by The Culture Group

A smart and simple guide to using culture as part of an organizing strategy for social change, by some really experienced artistic activists, and friends of Center for Artistic Activism like Favianna Rodriguez,  Gan Golan, Jeff Chang, and others.

Free PDF

Continuum of impact cover

Continuum of Impact

by Pam Korza and Barbara Schaffer Bacon

Super useful tool set for thinking through and assessing the impact of your artistic activist projects from the folks at Animating Democracy

Free PDF

Carol Lloyd book cover

Creating A Life Worth Living

by Carol Lloyd

A practical course in career design for artists, innovators, and others aspiring to a creative life.


Art & Fear cover

Art & Fear

by David Bayles and Ted Orland

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