From The Atlantic, how performance art, essentially, helped save lives in World War II. Talk about art mattering.
Continue reading The rubber army, or, performance art saves lives
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From The Atlantic, how performance art, essentially, helped save lives in World War II. Talk about art mattering. Continue reading The rubber army, or, performance art saves lives When it comes to photography, I’m a Gary Winogrand kind of guy. I like it spontaneous, fleeting, and unpremeditated. Like a good haiku. But I love Gregory Crewdson, whose shots are as artificial as a movie full of FX. Go figure. I first encountered him, without knowing anything about him, when I bought the Yo [...] It will feel a bit sad to take these Sanctuary One paintings, and the Doxie painting, down from the main reception and waiting area at Ashland Community Hospital next week. My husband works at the hospital and walks past them several times a day, so I hear that there are often small kids with their … Read more → Seniors wearing nature on their heads. Some great shots.
Thomas Insalaco’s new painting, on view at Oxford through June 1, is a beauty. It feels like a step into a new frontier for him, an advance toward something even more intriguing than what he’s done up until now. I’d walked through most of the show before I finally paused in front of this large oil, [...]
After a bit of a mishap with the yellow background paint, this one is finally finished today – just waiting for the paint to dry so it can be imaged. The painting is based on a beautiful photo taken at a friend’s wedding by Justine Johnson Photograph. Thank you Cathy Connor and Justine Johnson, for … Read more → Susan Sills has a delightful solo show of her work from the past two decades at Viridian Artists, perfectly titled Cutting Loose. It’s really two different shows in one, based on her cut-out portraits and figures—life-sized, enlarged pastiches of people lifted from paintings by modernists and Old Masters, painted on birch plywood. The main installation [...] A great reflection on how an artist statement can actually help, without sounding pretentious, obscure or condescending from Hyperallergic: “I challenge artists to stop looking outside for language and to start digging on the inside for why they do what they do. No one else knows what gets you up in the morning and [...] I found out yesterday that I got three paintings, including the one above, into the Memorial Art Gallery’s 64th Rochester-Finger Lakes Exhibition, which is the museum show for central and upstate New York artists. It will run from July through September. |
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