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LIFE Art - LIVE. INSPIRE. FREEDOM OF EXPRESSION. at South Stage Cellars

"Mulholland Drive," by Brandy Gibbins

“Mulholland Drive,” Brandy Gibbins

Reception Saturday, February 7 from 6–7:30pm

The art exhibit on display at South Stage Cellars right now is a truly special one. Every year the Cellar’s “Rising Stars” music competition benefits a local nonprofit, and this year they chose LIFE Art, a Medford-based program helping Rogue Valley youth overcome a wide range of difficulties by learning to paint with guidance from artist mentors. I had the opportunity to meet Phil Ortega, founder of LIFE Art, when he and several of the program’s mentors and students were hanging their show. I was deeply moved by the story of LIFE Art and impressed not only by the caring and generous heart of this compassionate man, but the overall quality, ingenuity and expression in the youths’ paintings.

In the spring of 2010, Mr. Ortega was working late at night in the shop where he fixes old cars as a hobby when he heard a sound behind the building. Stepping outside, he discovered a group of teens tagging abandoned rail cars. He asked what they were doing, and they told him they were painting the tag name of a youth who committed suicide in 2009.  Among the taggers were the late youth’s brother and cousin.  Recognizing their genuine need to create a memorial for their deceased relative and friend, as well as some real artistic talent, Mr. Ortega bought the boys blank canvases, brushes and paint that very day to help them channel the memory of their loved one onto something permanent. He then began thinking about how he could develop a program to support kids like these.

Painting by Nicole Paradis

Painting by Nicole Paradis

The LIFE Art program uses visual and creative arts as a means for youth to express their feelings and communicate with others about their experiences. Art projects address the multiplicity of the issues young people are involved in. Factors including difficult family relationships and school experiences, substance use, community risk factors (i.e., gangs, criminality) and cultural pressures are all addressed through guided discussions with caring adults and LIFE Art Mentors.

South Stage Cellars Rising Stars has chosen to donate all the profits from the 2015 music competition to this amazing local nonprofit. We hope you plan to come to Jacksonville on February 7, 2015 to enjoy our Chinese New Year parade and celebration. There will be additional arts and cultural opportunities, including an authentic Origami class at Art Presence Art Center, next to the historic Courthouse. But whatever you do, come to South Stage Cellars at 125 S. Third Street from 6–7:30pm for a reception for the LIFE Art youth artists! Join the teens, mentors and director of LIFE Art, enjoy their work along with live music and complimentary appetizers, and consider helping to empower one of their young artists with a purchase—If there are any left to buy! Paintings were selling as they were placed on the walls. Ortega looks forward to the event, and to highlighting the art and mentorships LIFE Art encourages. “We might even have some poetry or a short story reading by a teen if we can,” he added. The LIFE Art exhibition will continue through the end of March at South Stage Cellars Tasting Room.

YMCA Mural Work, Jose and EMA

YMCA Mural Work, Jose and EMA

SSC Rising Stars, now in its 4th year, was the brainchild of Porscha Schiller, Tasting Room and Marketing Events Manager of South Stage Cellars. The competition has grown every year until it outgrew the tasting room altogether. It will now be held across the street, upstairs in historic Redmen’s Hall. Schiller was quoted in the Jacksonville Review as saying, “Everyone involved in the music competition and LIFE Art is extremely proud of the work these kids are doing and so very grateful to the community for the amazing support this life-changing nonprofit group is getting!”

Tickets for the 4th-annual South Stage Cellars Rising Stars Competition are on sale now at South Stage Cellars in Jacksonville, the Music Coop in Ashland and online at www.southstagecellars.com. For more information, call 541-899-9120.

Mello Saldivar Anaya Working on Mural

Mello Saldivar Anaya Working on Mural

More About LIFE Art

Mr. Ortega wrote us, saying, “We started with the support of the Garrett Lee Smith Suicide Prevention Grant and Jackson County Suicide Prevention Coordinator Michelle Morales. Their guidance was instrumental in creating something unique. We started with a few kids and have grown to serving over 200 local kids every month. We help kids cope with a multitude of stresses. Suicide prevention was our starting focus, but we have grown to include any kid with the idea that group art projects create a certain climate so that the kids are not identified as fragile, but as artists.”

The Garrett Lee Smith (GLS) Memorial grant was awarded to several counties in the state of Oregon from the Substance Abuse and Mental Health Services Administration (SAMHSA) in 2010. The grants became available through the Garrett Lee Smith Memorial Act of 2004, the first federal suicide prevention program targeted towards youth. The Act is named after the son of former Oregon senator Gordon H. Smith, who took his own life in 2003.

 

 

Front (l-r): LIFEArt student Adrian Chavez, student Karla Lopez, mentor Aaron Dykstra, student Mello Saldivar-Anaya who painted the murals in the background of our February 2015 cover photo. Back (l-r): LIFEArt founder Phil Ortega, mentor Caroline Wasick, mentor Nicole Paradis, student Luis Rodriguez. Photo by Ezra Marcos.

Front (l-r): LIFE Art student Adrian Chavez, student Karla Lopez, mentor Aaron Dykstra, student Mello Saldivar-Anaya. Back (l-r): LIFE Art founder Phil Ortega, mentor Caroline Wasick, mentor Nicole Paradis, student Luis Rodriguez. Photo by Ezra Marcos.

 

 

 

“I manage LIFE Art so that kids can learn coping skills through art and guided mentorships. I believe that art tells a story, and when kids can demonstrate their voice through art, it relives a sense of hurt for some, joy for most…but when people admire the art they have created, it Validates Their Feelings! That is the LIFE Art mission in a nutshell.” ~Phil Ortega

 

 

 

LIFE Art Today

Thanks to a grant from The Providence Health Plan Community Benefit Fund of the Oregon Community Foundation, LIFE Art in partnership with On Track opened the LIFE Track Youth Center & Art Gallery at 106 S. Grape Street in Medford. This project gives youth a space to express themselves creatively, as well as having a place where they can drop in and find the support of caring mentors. In addition, the center offers FREE art classes every Saturday for youth 10-22 years old. “It’s a cool project, but it is coming to an end this year. LIFE Art is looking for a new place to call home starting this summer. My house served as a place for the kids for a few years, but we are way too big for that anymore!” says Ortega, “Hopefully we will find a place where we can partner with other artists for various art projects and a sharing of experiences and skills can take place. Maybe one of your readers has a space in mind we could lease.”

LIFE Art student Adrian Chavez, mentor Aaron Dykstra and student Luis Rodriguez. Photo by Ezra Marcos.

LIFE Art student Adrian Chavez, mentor Aaron Dykstra and student Luis Rodriguez. Photo by Ezra Marcos.

Ortega tells us that new LIFE Art mural projects are underway, in partnership with the Gang Task Force, which is comprised of many Jackson County agencies working to help connect teens to programs that encourage better lifestyle choices. The murals, painted on large scale canvases, will be displayed around our community starting with Central Art Supply in Medford. They will help us display the art on the exterior of their building as a way to encourage teens to create more ART ON Canvas. The art will also be used as the backstage art to SSC Rising Star Events.

“We believe that when artists (teens) see their art displayed in our community they will feel validated and accepted. More artists will seek programs like LIFE Art to join. It is up to the adults in our community to create a caring environment for our youth to connect with and it starts with setting a positive example. We believe the art will stimulate conversation and empower our youth,” Mr. Ortega says.
The funding for these murals are through the YDC and the KEY ( Keep Encouraging Youth) Project in partnership with LIFE Art, Spartan Boxing, Juvenile Justice and Kids Unlimited.
"Bubbles," by Alondra Flores

“Bubbles,” by Alondra Flores

Funding ends October 15, 2015 for LIFE Art’s other programs:

G.E.M.S.

G.E.M.S. (Girls Expressing Many Strengths) is an after school program geared toward helping young teens learn to cope with life stressors through artistic expression and group support. The program is in partnership with Eagle Point School District and Medford School District.

One–2–One Mentorship Program

One-2-One Mentorship is designed to connect with students who need attention beyond group activities. Many of our participants are dealing with real life issues and struggles around poverty, relationships, family, substance abuse, and education. Connecting with certain students on a regular basis establishes a dependable connection with a caring adult role model.

LIFE Art New Logo

LIFE Art New Logo

Art With A Purpose

The Art with a Purpose sessions are about creating art that is focused on social issues that students face daily. Suicide prevention, self-image, anti-bullying campaigns, gang prevention and promoting civility are all topics that can be better addressed by our model: “Marketing for Kids Created by Kids.”

 

 

 

 

 

Now five years old, the LIFE Art program is in partnership with United Way, Jackson County Health and Human Services, Una Voz, Eastburn Photography LLC, Lenart Art Education Foundation and Oregon Community Foundation (Latino Partnership Project). Mr. Ortega and the LIFE Art staff and mentors thank Jackson County School District 9 Leadership and Staff for making it possible to offer their services within our schools and for the partnerships that support our students.

Come to the reception ~ meet Phil Ortega and the LIFE Art youth artists and mentors in person to learn more! You can help…come to the Rising Stars music competition nights, from which 100% of the profits will benefit LIFE Art!

Help Amanda Get Her MA at Sotheby’s

MEDFORD, OR EDUCATION

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Au Naturel Opens at CCC Art Center Gallery


The ninth annual international juried exhibit Au Naturel: The Nude in the 21st Century will be on display from January 22 through March 5, 2015 at Clatsop Community College’s Art Center Gallery located at 1799 Lexington Avenue, Astoria, OR. Gallery hours are from 8:00 a.m. – 5:00 p.m. Monday through Friday, and Saturdays from 11:00 a.m. – 4:00 p.m. The gallery is open on Sundays and holidays by appointment only. A reception honoring the selected artists will be held on Thursday, January 29, at 6:00 pm.

 

This year’s juror, Barbara Shaiman, an independent curator and art consultant based in Seattle, will be present to give a gallery talk.  Barbara Shaiman was the artistic and managing Director of the Seattle Art Museum’s SAM Gallery for 24 years. She left a year ago to spend more time on personal curatorial projects and art consulting as well as doing her own artwork. Among other projects, she currently is Curator at the Alexis Hotel.  Barbara also devotes time to jurying community art exhibits, participating in public art panels, advising local arts organizations and helping clients with collection management. Before joining the SAM staff, Barbara taught studio art classes in NYC at Brooklyn College and Brooklyn Museum Art School, at Hawthorne Studio in Montana, and in the Seattle area at Seward Park Arts Center and Bellevue College. She was also a working ceramic artist and the owner/director of Shaiman Gallery, a local contemporary fine crafts and design gallery.

Awards to be announced at the reception include cash prizes, purchase awards, a solo show award to be held during the 2015-2016 exhibition season, and a select number of workshop awards. The Bridgewater Bistro and Dairy Maid are providing hors d’oeuvres for the event, and Erikson Floral Company and Bloomin’ Crazy Floral are providing flowers. This reception is free and open to the public. The College also thanks the Cannery Pier Hotel, the Commodore Hotel, and the Ft. George Brewery for their support.

A No-Host Post-Reception party at the Astoria Coffeehouse and Bistro, 243 11th Street in downtown Astoria, will immediately follow the reception.

This year, artists from 28 states, the District of Columbia, and Canada, Turkey, New Zealand, and South Africa submitted over 500 images for consideration. The 2015 exhibit will represent 41 artists from 14 states in addition to an international artist from South Africa. Please note that the artist from South Africa will be represented in the online 2015 gallery only at www.aunaturelart.com.

Juror Barbara Shaiman states, “It was a great pleasure to serve as the juror for 2015 Au Naturel competition and to see such a variety of compelling and high quality work interpreting the theme of the nude.  It was difficult to narrow down such a large group to the 56 pieces I eventually chose in order to create a coherent exhibit.  My task as I saw it was to choose work that was both excellent and representative rather than to attempt to create an exhibit with a particular point of view.”

Paring down the artwork from among the hundreds of images is an extremely difficult task.   Each year, a different juror is invited to select the work for the show, and each juror brings his or her own unique perspective and approach to the selection process.  “My curatorial approach is affected by my background as a working studio artist and instructor of studio courses, as well as the many years I have worked as a gallery director.  For me the visual is primary, and then comes attention to concept and execution. When I choose artists for an exhibit or jury a show, I look for artwork that has strong visual appeal and is rooted in ideas I find compelling, stimulating and challenging,” explains Shaiman. “I also look for work that in some way pushes boundaries, reflects a unique vision, or pushes the medium in different areas. The work should be technically proficient, experimental and passionate about its subject matter. None of the works chosen fit all of these criteria of course, but they all meet at least a few.”

Cynthia Yatchman, Seattle, WA: Carapaces, Mixed Media, 12x12

Cynthia Yatchman, Seattle, WA: Carapaces, Mixed Media, 12×12

 

Seattle artist Cynthia Yatchman

who typically works with various combinations of acrylic paint, ink, papers, charcoal and canvas, was invited to exhibit her mixed-media piece called Carapaces. Yatchman enjoys the process of “creating a rich sensual surface by making layer upon layer of marks,” and describes her work as possessing “an unseen history within these layers as images are obscured and revealed.”  While the subject matter of her work references her “experience with nature,” she explains that the content of her work often “speaks to issues of social justice, revelation and connection and how we are all one.”

 

 

Reed Clarke, Portland, OR: Apparition Number Four, Oil on Canvas, 42x42

Reed Clarke, Portland, OR: Apparition Number Four, Oil on Canvas, 42×42

Portland artist Reed Clarke

also a part-time resident in Gearhart, has been invited for the fifth time to exhibit his work in the Au Naturel. Clarke points out that while his two oil paintings selected for the show entitled Apparition Number Four and Woman Standing With Man may be considered by some to be portraits, the design elements such as line, tone, color, shape, and form are equally as important as the subject matter in any work of art.  “It took me a long time to become aware of how painting people/figures sets up the need to solve certain types of problems encountered in the act of painting,” he admits.  “I hope to find some solutions to these problems that I can feel are authentically mine. What I hope to achieve is work that transcends the fact that the painting has a subject and exists simply as a good painting.”

 

 

 

James McComas, Superior, CO: Diana, Oil on Linen, 24x18

James McComas, Superior, CO: Diana, Oil on Linen, 24×18

James McComas of Superior Colorado

who has exhibited in the Au Naturel several times, explores design concepts in his paintings from the standpoint of the fascinating relationship between visual art and music. “I perceive art as a visual melody, which can be as simple as a song, or as complex as a symphony,” he states.  “Somewhere in the music – in the image – is an expression of the human condition, be it narrowly focused or grandly sweeping. Along those lines, I see the role of the figure in my art much as the role a dancer plays in a ballet: profoundly moving in and of itself, yet a cohesive part of a larger story.”

Seattle artist Chris Sheridan looks to the past for inspiration in “early myths, traditional folklore, the histories, and the classics.” At the very heart of his work is storytelling, which he describes as “the foundation upon which my paintings are built,” and further explains that in every one of his paintings that he creates, “every element has symbolic meaning that supports that story.”

 

Patrick Kernan, Portland, OR: Amanda, Watercolor and Pastel Pencil, 21x14

Patrick Kernan, Portland, OR: Amanda, Watercolor and Pastel Pencil, 21×14

Portland artist Patrick Kernan

Portland artist Patrick Kernan has also been selected to exhibit his artwork in the Au Naturel multiple times.  Kernan creates all of his work from observation directly from life, and counts painting the human figure among one of his greatest passions.  Rather than focusing on accuracy as his main goal, he believes his work is successful if the artwork “becomes a journal of my observations, emotions and reactions to the model, at the specific, shared, moment in time.”  The rigorous discipline of drawing and painting from figure models in the studio directly from life has also been a passion of artist Patrick Deshaye of Hillsboro, Oregon.  Deshaye maintains that for him this practice embodies everything worthwhile about the process of art-making, which includes “centuries of tradition, an endless array of media and techniques, a subject of overwhelming expressive potential…what’s not to love?” He describes his oil painting entitled The Model, Death and the Inferno as a “playful hommage to the figure studio model and her inevitably ironic environment.”

 

 

 

 

 

 

Nicole Jeffords, Austin, TX: Arden, Oil on Canvas, 28x22

Nicole Jeffords, Austin, TX: Arden, Oil on Canvas, 28×22

Nicole Jeffords of Austin, TX

, on the other hand, works from a photographic reference since for her, “a live sitter’s energy would be too much.” She describes her process as a slow and silent dialogue that progresses “until bit by bit a picture emerges, almost as if a channel opens and the person steps forward, allowing me to see some part of them that is real and true. In that way, hopefully, the painting becomes revelation.”

Further information about the 2015 exhibiting artists will be available online at the Au Naturel website at www.aunaturelart.com after January 22nd.

In addition to the CCC Art Center Gallery exhibit, for the fifth consecutive year, other venues in downtown Astoria will be exhibiting nudes in a collective show entitled Nudes Downtown: A Compendium of Art Inspired by Au Naturel. A gallery walk will be held on Saturday, February 14th. Among the galleries and venues hosting this year’s event are RiverSea Gallery, Imogen Gallery, Tempo Gallery and Artist Collective, Lightbox Photographic Gallery, Old Town Framing, and KALA@Hipfish.

Richard McKinley at Art Du Jour Gallery

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An Afternoon with Richard McKinley

Art du Jour Gallery presents “An Afternoon with Richard McKinley,” nationally and internationally renowned artist/educator, on Saturday, February 28. Born and raised in the Rogue Valley, McKinley is known for his beautiful paintings in oil and pastel, and for the vast amount of artistic knowledge he shares with his students worldwide.

Richard will offer a presentation on his career in contemporary art, including highlights from his forthcoming book on oil painting, as well as from his best selling PASTEL POINTERS.
The afternoon begins at 1:30 PM in the Medford Library ( Adams Room ) with a Power point presentation and a lively question and answer session.

A reception and opportunity to meet the artist follows at 3:30 PM in Art du Jour

Gallery, located at 213 E. Main Street in Medford (2 blocks north of the library).

Tickets are $15 for adults and $10 for students (14-21 yrs.) and can be purchased at the gallery, Tue-Sat 10:00 AM–4:00 PM and Third Fridays 5:00-8:00 PM. Only 40 tickets available.
For more information call Linda Evans at 541 324-1437 or visit Art du Jour Gallery in Medford.

Art Presence Art Center News

Art Presence - location information and image of gallery exteriorArt Presence - Naked Art exhibition announcementArt Presence - Jacksonville, Oregon Chinese new Year Special events announcementArt Presence - Deanna St Martin - Medford Library Exhibit 2015 Art PResence - on map of Jacksonville, Oregon

Tickets now available for GPMA Black White & The Blues 2015 Event

Tlogo for the Grants Pass Museum of Artickets are on sale for next year’s Black, White and the Blues, the annual benefit event for the Grants Pass Museum of Art.
The art auction and dance party is set for Feb. 21, from 6 p.m. to midnight at Wheeler Toyota on Redwood Highway in Grants Pass.
Tickets are $60, or $420 for a table of eight.  Purchase tickets by calling 541-479-3290 or by stopping by the Grants Pass Museum of Art, 229 S.W. G St., between noon and 4 p.m. Tuesday through Saturday.
This year marks the 29th anniversary of the fundraiser, which helps support the museum’s exhibits and educational programs.
Revving up the party this year is the Ashland band LOVEBITE, featuring guitarist Jeff Pevar, who has performed on stage and in the studio with such artists as Crosby, Stills and Nash, James Taylor, Joe Cocker and Jefferson Starship.
The 21-and-over-only event also includes light hors d’oeuvres and a no-host bar. Seating is limited.
The live auction will feature more than 30 pieces of artwork donated by area artists.
Art to be sold in the live auction will be on display Jan. 13 through Feb. 13 at the Grants Pass Museum of Art.

With much thanks for your kind support,

Bee Bantug

Volunteer, Black White & The Blues Committee

Grants Pass Museum of Art

 

 

I close my eyes to see the world

Prayer flags in Kathmandu, Nepal
I close my eyes to see the world
We leave Kathmandu by bus.
It is a smog-sunny afternoon
after watching cremations
across Bagmati River.
I lay a thin scarf along
my west-facing arm.
Beneath the pattern, my skin
turns the color of ash.
But I am alive.
I close my eyes.
In the lull and lurch of rough road,
I doze.
The city goes on for traffic hours.
I open my eyes
to steep villages
to rice terraces lipping down the hills.
I close my eyes.
The scarf above my body
becomes a line of prayer flags
kissing my skin.
Have I embodied prayer?
The bus steels to a stop.
I open my eyes in a sleepy blink
and think I see a strand of prayer flags.
But noa line of laundry
bright with the same five colors
clothing for bodies belonging
to spirits I’ll never meet.
I close my eyes on this bus
full of people wrapped in prayers,
wondering at our highest arrival.
Behind my eyes, new worlds begin
with new words for old fabrics
and skins and habits.
I don’t know if I am praying them
or they are praying me.

Photography by Nick Kanta at GoodBean Jacksonville

The Goodbean Cafe in Jacksonville, Oregon presents photography by Nick Kanta, including many beautiful and meditative images of southern Oregon that you will want to see. Below is Nick’s bio, included so you can learn a little more about him and his work, but we all know the best way is to see it in person, so come in to the GoodBean today and enjoy his gorgeous images while you warm up with a globally grown, locally roasted cup of GoodBean coffee! As always, our art exhibit will remain on display until the last day of the month. Our new artist’s show will begin the first of February.

Download (PDF, 1.26MB)

"All the World's a Stage..."

Dreaming of the Upcoming “Women’s Art Discoveries” Retreat

Jean and I have dug deeper into our life and creative experiences to re-fashion this year’s retreat. Last year we used the time up in the Sierras for recharging, doing a local presentation for Journaling and re-shaping a retreat that will delve more into who we are as individual artists and why we create – using journaling, painting, mixed media and words. We hope you will consider joining us September 13 – 18, 2015. To …

Drink in the Alpine Beauty …

 

Experience the Mystical Solitude of Deep Creating …

and … Savor the Richness of Creative Women!!

 

Filed under: 2015 Retreat, Retreat, Trusting, Uncategorized Tagged: alpine beauty, creative women, mystic solitude, retreats, why we create

Ashland Gallery Association January Exhibits

Ashland Gallery Association First Friday Art Walk

January 2, 2015

Ring in the New Year and celebrate Ashland’s visual arts scene during the AGA First Friday Art Walk, January 2nd, from 5 to 8 pm!

Stroll the galleries in downtown Ashland and the Historic Railroad District. Enjoy this free community event filled with spectacular artwork, live music, artist demonstrations, refreshments and conversation with other art enthusiasts!

Pick up a Gallery Tour Map at any member gallery, the Ashland Chamber of Commerce, or download off of our website. For more information about all of the exhibits visit: www.ashlandgalleries.com

David Bithell, The Place of Whispers, 2014, interactive and networked sound sculptures, 3' x 3' x 5' to 3' x 3' x 7’ Brooks Dierdorff, Schneider Museum of Art exhibit, january 2015Schneider Museum of Art
Baker’s Dozen: SOU Creative Art Faculty 2015 and New Works: SMA Collection 2012-2014

Baker’s Dozen will showcase the diverse and engaging works of the Southern Oregon University Creative Arts faculty. New Works: SMA Collection 2012-2014 will feature works by national and international artists newly represented in the Museum’s collection.  The exhibitions will be on view from January 12 through March 14, 2015.  Regular Museum hours are Monday through Saturday, 10:00 AM to 4:00 PM. A special opening reception with the artists featured in Baker’s Dozen will be held on Thursday, January 15, from 5:00 to 7:00 PM.

Revealing a wide range of approaches and disciplines, Baker’s Dozen includes recent works by David Bithell, Cody Bustamante, Miles Inada, Peg Sjogren, Robin Strangfeld and visiting professors Rene Allen, Brooks Dierdorff, Summer Ventis, and Ben Waterman. A series of talks by the artists, readings by Creative Writing faculty Kasey Mohammed, Robert Arellano, and Craig Wright, and lectures by Professors Melissa Geppert and Warren Hedges will enrich the exhibition.

The dates for the free presentations are as follows:

  • Thursday, January 22, 5:30 PM, Brooks Dierdorff
  • Thursday, January 29, 5:30 PM, Summer Ventis
  • Thursday, February 5, 5:30 PM, Melissa Geppert
  • Thursday, February 12, 5:30 PM, Cody Bustamante
  • Thursday, February 19, 5:30 PM, Craig Wright, Kasey Mohammad, Bobby Arellano
  • Thursday, February 26, 5:30 PM, Warren Hedges
  • Thursday, March 5, 5:30 PM, Rene AllenNew Works: SMA Collection 2012-2014 features many works donated by individual patrons, as well as works purchased with Art Acquisition grant funding from The Ford Family Foundation and the Oregon Arts Commission.  Oregon artists represented include Arnold Kemp, Evan LaLonde, Ellen Lesperance, and Akihiko Miyoshi.  These additions are an important educational resource for our patrons.
    Two FREE Family Days accompanying this exhibition are scheduled for Saturday, January 24 and Saturday, February 21, 10:00 AM – 1:00 PM. The Museum will also hold Tuesday Tours – weekly docent-led educational tours for the public on Tuesdays at noon. Please call to schedule a special tour for your group. The Schneider Museum of Art winter exhibitions are generously supported by Del Rio Vineyards, Market of Choice, Rogue Frameworks, the Oregon Arts Commission, The Ford Family Foundation, and the National Endowment for the Arts – Artworks program.