Trending Articles

Friends of SOAR

For great posts about the business of art, check out The Artsy Shark HERE!
ArtistsBillofRights.org reviews competitions and appeals seeking creative content, listing those that respect your copyrights and highlighting those that don't. Art Matters! publishes calls to artists, and not all of them may be compliant with ABoR's standards. Visit their site to learn more.
We support the Embedded Metadata Manifesto.  Metadata is information such as copyright notice and contact info you can embed in your images to protect your intellectual property, save time when uploading to social sites and promote your art. Click to visit the site and learn more.

Proportional Divider The Best Keep Secret to Improve Your Drawing

Proportional Divider The Best Keep Secret to Improve Your Drawing. Stefan Baumann has been Inspiring Millions to paint outdoors for years his mission is to Touch Move and Inspire. Get a free Book at his website www.StefanBaumann.com. The paintings of Stefan Baumann reveal the true spirit of nature by transporting the viewer to distant lands that have gone unseen and undisturbed. With the huge success of Baumann’s weekly PBS television series “The Grand View: America’s National Parks through the Eyes of an Artist,” millions of people witness for themselves the magic Stefan portrays on canvas, his passion for nature and the American landscape. By distilling his love of nature into a luminous painting of brilliant, saturated color that transcends conventional landscape and wildlife art, Baumann has captured the hearts and imaginations of a generation. Each painting becomes an experience rather than merely a picture – a vivid manifestation of his special and personal union with nature and the outdoor world. Through his mastery of light, color and artful composition, Baumann invites you to experience nature in its purity. It is no wonder that for many years distinguished American collectors, including former presidents and financial icons, have sought out his work.

The post Proportional Divider The Best Keep Secret to Improve Your Drawing appeared first on Stefan Baumann – The Grand View: Paintings by Stefan Baumann.

“Crystal Island” is available as a limited edition…

“Crystal Island” is available as a limited edition print in my online store. 8″x8″, $25. www.animaanimus.org

Composition ~ The Foundation of a Painting

I woke this morning with the feeling that something had changed.  The air felt a little crisper, the sky looked a little darker and I could smell the earthy scent of leaves scattered on the ground in the woods. Yes, this is the feeling of fall, my favorite time of year! To celebrate the season, this year I am offering a September workshop that includes painting outdoors with a focus on Composition.

An important element in a painting is a good compostion which includes line, balance, movement, abstract form and many other details that are needed to create a great painting. Composition combined with other aspects of painting helps artists achieve their goals of creating pictorial unity.  To do this, one must understand what to include and exclude in a painting and how to focus the viewer’s attention on what the artist wants the viewer to experience.

A good painting requires the effective use of the concept, variety, rhythm, repetition, unity, balance and harmony in its composition. The first step to achieve this begins with an accurate drawing of the subject or scene that also includes the relative values and potential colors to be used in the painting.

When you begin a painting, the first thing to consider is if the subject is worth while. Is there something about what you are painting that will enhance or educate the viewer’s experience?  Does it wake up the viewer’s mind and go beyond the mere making of a picture?  Sometimes selecting subjects that are simple are better then overly complicated views.

Try to find a subject that has large masses or chunks. Then, by squinting your eyes, you will be able to identify the relative values of the masses in your painting, and ultimately see four or five value planes which form the foundation of your composition. Artists often start by painting these chunks of value instead of painting the landscape’s details or sky. Once the value chunks are painted in, the artist can open his eyes a bit more and draw the subtle details in each chunk.  At this time, color is not a concern as long as the rules of aerial prospective are observed, (things get lighter as they recede into the distance.)  The effectiveness of large, simple masses produce a direct and immediate structure in a painting, and the result creates appealing and striking arrangements of masses and designs that inspire the viewer.

Painting requires practice that is ongoing throughout the life of an artist. Every journey begins with the first step, and I invite you to come to Mt. Shasta for an experience of a life time.  Fall workshops at The Grand View Ranch are exceptional. Autumn is a special season when thousands of dogwoods and oak trees change their green summer foliage to orange and golden yellows, and the sun begins and ends lower on the horizon extending its shadows onto the landscape making it the most perfect time to paint on location.

During every workshop I challenge my students to stretch their comfort levels and learn new painting techniques and applications.  In this way, students have opportunities to enhance the way they see and paint more effectively on location.

The post Composition ~ The Foundation of a Painting appeared first on Stefan Baumann – The Grand View: Paintings by Stefan Baumann.

Stefan Baumann The Grand View Plein Air oil Painting and inspiration

In this video Stefan Baumann The Grand View Plein Air oil Painting and inspiration Discovers That Drawing From Nature Can Improve your paintings. He talk about Albert Bierstadt in the influence artist can have on other artist. Inspiring Millions to paint outdoors This video is about Touch Move and Inspire. Get a free Book at his website www.StefanBaumann.com. The paintings of Stefan Baumann reveal the true spirit of nature by transporting the viewer to distant lands that have gone unseen and undisturbed. With the huge success of Baumann’s weekly PBS television series “The Grand View: America’s National Parks through the Eyes of an Artist,” millions of people witness for themselves the magic Stefan portrays on canvas, his passion for nature and the American landscape. By distilling his love of nature into a luminous painting of brilliant, saturated color that transcends conventional landscape and wildlife art, Baumann has captured the hearts and imaginations of a generation. Each painting becomes an experience rather than merely a picture – a vivid manifestation of his special and personal union with nature and the outdoor world. Through his mastery of light, color and artful composition, Baumann invites you to experience nature in its purity. It is no wonder that for many years distinguished American collectors, including former presidents and financial icons, have sought out his work.

The post Stefan Baumann The Grand View Plein Air oil Painting and inspiration appeared first on Stefan Baumann – The Grand View: Paintings by Stefan Baumann.

Showing Peggy’s Ladies At Rogue Gallery

Announcement

Greetings!  I’m happy to announce that I am showing three of my ladies at the Rogue Gallery and Art Center in Medford, OR.

Showing: Peggy's Three Ladies

The Members Gallery will hang the ladies through January 10th, 2017 and the paintings are available for purchase.

About The Ladies

Ladies: I Can't Hear You

I Can’t Hear You,  Watercolor, Image Size 15×12

This painting was based on my ninth drawing in the “Just Sayin’…” series.  I am fascinated by how the use of a cell phone has effected our culture.  One of the more amusing gestures I notice is the finger put to the ear in order to hear better.   In this painting, my thoroughly modern lady is talking on her cell phone, using the thoroughly modern gesture of finger to her ear.

Ladies: Just Sayin'...V8

Just Sayin’…V8, Watercolor, Image Size 10.5×7

The “Just Sayin’…” series of paintings is inspired by the ubiquitous cell phone.  One can scarcely be in public without noticing someone talking on the cell phone and overhearing the conversation.  In this variation, my subject is an “upscale” lady, perhaps dressed for a special occasion like afternoon tea.  Even she has a finger to her ear as she talks on her cell phone.

 

Ladies: Irish Maiden

Irish Maiden, Watercolor, Image Size 10×7

With Irish Maiden, I wanted to combine symbols of Ireland in a Cubist-inspired designed.  The maiden’s crown eludes to the triple spiral and triskel, symbolizing unity of mind, spirit and body.  Naturally, I included shamrocks, the easily recognised symbol of luck.  The shamrocks and the color green together remind me of every St. Patty’s Day in elementary school.  Green was my favorite color and I made sure to wear plenty of green clothing.  Add a shamrock pin and I was ready not to get “pinched”.

Third Friday

If you are in the southern Oregon area, I hope you will stop by the Rogue Gallery and view the paintings.  Every third Friday of the month, the gallery holds a reception.  This is a particularly festive time to visit the gallery.

Share

The post Showing Peggy’s Ladies At Rogue Gallery appeared first on Margaret Stermer-Cox.

Wildland Creatures, New Stencil Designs

_DSC0031

I am excited to announce the Release of my New Stencil Designs…for StencilGirl!

IMG_0540

Let me tell you a little about them…

IMG_0545

My Wildland Creatures are a part of a new series that include the birds, fish and animals that I love to watch and include in my artwork. I hope that you will love to use my new designs in your art as well!

_DSC0039

These animals are a part of my life in the Pacific Northwest.

Each stencil design represents an animal that I love. I have even written legends to go with them to inspire you in your art making. You can read more about my Wildland Creatures on StencilGirlTalk 

_DSC0299

I have walked the fields where the horses and cattle roam, climbed over rocky cliffs where the rams once thrived, waded in the ocean water with the fish and watched the hawks fly.

IMG_0546

These stencil designs can be used as a focal point or a background… or both.

They are wonderful in a painting or collage or a page in your art journal. Pan pastels, distress inks, permanent inks and gesso are my favorite tools for stenciling.

The emblems that go with each creature symbolize their characteristics and the passage of time. I really enjoy mix and matching them with other stencils.

Please visit here to read more about them and visit here to see them in the StencilGirl Products Shop 

 

 

Judy Morris Cuba Talk

 

I’ve been to CUBA! Let me share my impressions about the architecture, the people and the art scene along the streets and in the galleries of this unique country. You will see some of my favorite photos that I’m certain will inspire several future “Cuban” paintings. I will talk about working with these photo references and explain my personal process of turning a photo into a painting. Bring your curiosity and questions.
Sponsored by: ART du Jour Gallery, Medford, Oregon
Date: October 8, 2016 at 1:30 pm
Lecture Location: Adams Room at the Medford Public Library
Thank You for your $20 donation to the ART du Jour Gallery.
Reception following the Lecture at the ART du Jour Gallery from 3 to 4 pm, 213 E. Main Street, Medford, Oregon.
For more information contact: Mildred Clarke… [email protected]

After Action Review (AAR) of Watercolor & Ink Demonstration

Review Time!

Greetings!  Yes, it is time I did a review.  It has been about two weeks since I did my watercolor and ink demonstration (demo) for the Southern Oregon Society of Artists (SOSA) in Medford.  I had a wonderful time!  The organization treated me well and I had an enthusiastic audience.   It was an exciting and memorable event for me.  So much to think about!

Review of Watercolor & Ink Demo

Here I am in mid sentence; all set up and ready to go! Southern Oregon Society of Artists; August 2016

Thank You!

First, I’d like to extend a huge THANK YOU to the following:

  • Lori Garfield for all the coordination before hand; it was great and most helpful! Thanks for the introduction.
  • Marilyn Foreman, for inviting me to do the demo; what an honor!
  • To the members of SOSA for their warm and enthusiastic welcome.

After Action Review

My purpose for conducting this after action review is to put down on paper all those things I am thinking about (so much to think!)  The great thing is that next time I need to do a demonstration, I can review what happened this time.  Remembering what went well and where I might improve is important to me.  I hope to do more demos in the future!

After Action Review Format

This is the AAR format I used. Feel free to copy if you like.

What Was Supposed To Happen

  • The Society of Southern Oregon Artists SOSA) invited me to give a demonstration on watercolor and ink techniques. My audience represented artists of different media and different skill levels. I had roughly an hour and a half to show how I work with watercolor and ink.
  • My intention was to show how I create a watercolor & ink painting from start to finish. I divided my work process into three phases based on the media I use: graphite, ink and watercolor. Each phase was to take twenty minutes.
  • Throughout the demo, I planned to talk and explain the development of the painting. Talking points were to include ideas, materials, working with the media, etc.

What Happened

  • I was able to follow my plan of roughly 20 minutes per medium: graphite, ink then watercolor.
  • After a nervous start, I dove in and did my best. By mentally diving in, I was able to relax and get down to the task of drawing and painting!
  • Artist members asked questions as I worked.  I was pleased to answer questions as I worked, and even more pleased that I was able to keep my focus!
  • The audience was so warm and attentive that I had a great time!  So much fun to be with a wonderful group of fellow artists!
Review - Organic Grind Demo Painting WIP

First state:  Organic Grind Coffee at the end of the SOSA demo session; August 2016

What Went Well

  • I had prepared; I had a plan and it worked.
  • Having a time line set for the demo worked well for me. I had a watch with a timer so that when 20 minutes was up I could move on to the next stage of the painting development. This method of chunks of time ensured I didn’t get bogged down in one task.
  • To my surprise, I worked on one painting throughout the demonstration. I had “work-in-progress” type paintings prepared in case I became stuck or had problems. However, I was able to work on one painting throughout.
  • Having multiple “work-in-progress” type paintings prepared facilitated the flow of the demo. I used the “work-in-progress” pieces to emphasize points about the development of a painting using watercolor and ink.
  • I was able to adjust on the spot. For example, I started the drawing phase of my demo painting using an HB pencil, true to my normal practice. Unfortunately, I draw too lightly with an HB. Once the audience told me they couldn’t see, I was able to pull out an 8B pencil which was much easier to see.
  • Having prepared and rehearsed talking out loud while painting, I was able to speak without referring to my talking points, at least after the first few minutes.
  • Another surprise was that the audience appreciated seeing me go through the drawing phase with graphite.  I had almost decided to cut out the drawing, but the audience was glad I did the drawing.
SOSA Demo Review. Final state of demo painting - Organic Grind Coffee

“Organic Grind Coffee S”; final state. Completed after the demo. 2016

What I Might Want To Do Better*

  • Get more of the plan on paper ahead of time.  I had a checklist and a narrative typed out.  But, I could have been more detailed on paper; I relied on too many things being in my head.  It might have been a disaster if I had stage fright!
  • I still get nervous when asked to do a demonstration. Practice, practice practice!
  • I might want to consider something like adding a simple PowerPoint presentation to keep the audience and me focused on key points. This is a “nice to do”; equipment will be the limiting factor.
  • Timing. I kept to my timeline, though I did not plan for a question period at the end. I think next time I might want to allow a period for questions. Could it be I was a bit nervous about questions?

*Note: My husband video recorded the demo session. He is preparing it for my review. I may identify a few more things I want to do next time around!  I hope to post a link to the video soon

After Action Review Conclusion

Review - Keys to success

For me, reviewing my preparation for and conduct of a watercolor and ink demonstration was important.  By evaluating where I am now, I can see what I might want to do to improve.  Its also good to stop and acknowledge what a grand time I had thanks to the members of SOSA.

Your Input

Your insight and opinion is valuable to me!  If you would like, please share your experiences!

Review of SOSA Demo

Thanks!

Update

My husband video recorded my demo and it can be seen online.  Please see below!

SOSA Part 1

 

SOSA Part 2

Sit back with a cup of coffee, tea or… and enjoy!  ?

Share

The post After Action Review (AAR) of Watercolor & Ink Demonstration appeared first on Margaret Stermer-Cox.

“Everything that originated from the tree of knowledge carries…

“Everything that originated from the tree of knowledge carries in it duality”. ~Zohar

I’m thrilled to be showing my work this weekend at the 8th annual Esoteric Book Conference, held at the University of Washington in Seattle.
www.esotericbookconference.com

I’ve created a painting especially for the conference; the caduceus (staff of Hermes) interwoven with chakra points and the body parts they correspond with. My recent studies of the Sephiroth, or tree of life, have unexpectedly shown up in this work. It is difficult to sum up in a few sentences but the tree of life is at it’s core about the process of manifesting that which does not yet exist. The manner in which colorless 2D pen and ink merge into color and dimension along with the chakra points evolving from the root to the crown echo this concept of manifestation.  Pictured above is a work in progress image of the 36″x48″ painting.

Sea Grass

Sea Grass web

This deep pool reminds me of my first snorkeling experience off the Big Island, Hawaii in Captain Cook Bay.  I had never witnessed the aliveness of a coral reef with it’s vibrant forms and color, not to mention the depths of it’s caverns. It was staggering and life changing. I eventually learned to scuba dive but that expansive, first experience has repeatedly been reflected in my most recent Paper Sculptures. I introduce “Sea Grass”.